UPC · Release
In Their Own Voices: A Century of Recorded Poetry
Various Artists
9781568266930
122 tracksReleased 1996-01-01
Last verified:
9781568266930 is the Universal Product Code (UPC barcode) for the release “In Their Own Voices: A Century of Recorded Poetry” by Various Artists, released 1996-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 122 tracks, each with its own ISRC. Tracks include USSM19917382.
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978GS1 prefix
1568Company prefix
26693Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Credit Chain
UPCIn Their Own Voices: A Century of Recorded Poetry
ISRC1 recording
ISWC2 works
IPI10 songwriters
Track List (122)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Knew a Woman | — | ||
| 2 | Elegy for Jane | — | ||
| 3 | Rough | — | ||
| 4 | Thoughts During an Air Raid | — | ||
| 5 | My Sisters, O My Sisters | — | ||
| 6 | In Our Time | — | ||
| 7 | Despisals | — | ||
| 8 | The Ballad of Orange and Grape | — | ||
| 9 | The world is so difficult to give up... | — | ||
| 10 | This is the solution to be happy with slaughter... | — | ||
| 11 | Here i am with mike in hand, shoothing down the rapids... | — | ||
| 12 | I killed a fly... | — | ||
| 13 | What about dying?... | — | ||
| 14 | Scars | — | ||
| 15 | It Is | — | ||
| 16 | Do Not Go Gentle Into That Good Night | — | ||
| 17 | If I Were Tickled by the Rub of Love | — | ||
| 18 | Happiness | — | ||
| 19 | The Old Flame | — | ||
| 20 | Skunk Hour | — | ||
| 21 | Epilogue | — | ||
| 22 | Crossing Over | — | ||
| 23 | See it was like this when... | — | ||
| 24 | Underwear | — | ||
| 25 | The Secret of My Endurance | — | ||
| 26 | Thanksgiving | — | ||
| 27 | Sonnet for Minimalists | — | ||
| 28 | Shame | — | ||
| 29 | Apology | — | ||
| 30 | Love Calls Us to the Things of This World | — | ||
| 31 | American Haikus (Excerpt) | — | ||
| 32 | Monet Refuses the Operation | — | ||
| 33 | America | — | ||
| 34 | Song | — | ||
| 35 | After Making Love, We Hear Footsteps | — | ||
| 36 | Last Gods | — | ||
| 2-1 | America | — | ||
| 2-2 | The Lake Isle of Innisfree | — | ||
| 2-3 | The Song of the Old Mother | — | ||
| 2-4 | The Road Not Taken | — | ||
| 2-5 | Birches | — | ||
| 2-6 | The Gift Outright | — | ||
| 2-7 | If I Had Told Him: A Completed Portrait of Picasso | — | ||
| 2-8 | So-And-So Reclining on Her Couch | — | ||
| 2-9 | The Red Wheelbarrow | — | ||
| 2-10 | To Elsie | — | ||
| 2-11 | Hugh Selwyn Mauberley | — | ||
| 2-12 | Bird-Witted | — | ||
| 2-13 | Recuerdo | — | ||
| 2-14 | Love Is Not All | — | ||
| 2-15 | next of course god america | — | ||
| 2-16 | anyone lived in a pretty how town | — | ||
| 2-17 | To Juan at the Winter Solstace | — | ||
| 2-18 | The Opening of the Battle of Gettysburg | — | ||
| 2-19 | The Negro Speaks of Rivers | — | ||
| 2-20 | Ballad of the Gypsy | — | ||
| 2-21 | Mulatto | — | ||
| 2-22 | Portrait of the Artist as a Prematurely Old Man | — | ||
| 2-23 | Love Recognized | — | ||
| 2-24 | King of the River | — | ||
| 2-25 | In Memory of W.B.Yeats (Part 1) | — | ||
| 3-1 | The River Bees | — | ||
| 3-2 | A Blessing | — | ||
| 3-3 | The Truth the Dead Know | — | ||
| 3-4 | All My Pretty Ones | — | ||
| 3-5 | Phenomenal Woman | — | ||
| 3-6 | Even in Paris | — | ||
| 3-7 | Diving Into the Wreck | — | ||
| 3-8 | Omeros (excerpt) | — | ||
| 3-9 | The Song of the Taste | — | ||
| 3-10 | How Poetry Comes to Me | — | ||
| 3-11 | Why I Take Good Care of My Macintosh Computer | — | ||
| 3-12 | Daddy | — | ||
| 3-13 | Ariel | — | ||
| 3-14 | The Greatest Poem in the World | — | ||
| 3-15 | An Oddly Loving Day Alone | — | ||
| 3-16 | Learning About Easter and Passover | — | ||
| 3-17 | Bang, Bang Outishly | — | ||
| 3-18 | Rhythim Blues | — | ||
| 3-19 | Shazam Doowah | — | ||
| 3-20 | Story of Isaac | Leonard Cohen | T-071.521.435-9 | |
| 3-21 | Dahomey | — | ||
| 3-22 | Putting the Good Things Away | — | ||
| 3-23 | Right to Life | — | ||
| 3-24 | Keeping Things Whole | — | ||
| 3-25 | The Way It Is | — | ||
| 3-26 | The Poem | — | ||
| 3-27 | Zimmer Imagines Heaven | — | ||
| 3-28 | yes Lord, he was born... | — | ||
| 3-29 | cruelty | — | ||
| 4-1 | I Have Had to Learn to Live With My Face | — | ||
| 4-2 | Dear John, Dear Coltrane | — | ||
| 4-3 | We were so poor... | — | ||
| 4-4 | I was stolen by the gypsies... | — | ||
| 4-5 | Everybody knows the story... | — | ||
| 4-6 | Lester Leaps In | — | ||
| 4-7 | For Poets | — | ||
| 4-8 | A Dance for Militant Diletantes | — | ||
| 4-9 | Odysseus to Telemachus | — | ||
| 4-10 | Ode to My Shoes | — | ||
| 4-11 | Prayer | — | ||
| 4-12 | Translator's Son | — | ||
| 4-13 | Wonder | — | ||
| 4-14 | The Lost Pilot | — | ||
| 4-15 | One Kiss | — | ||
| 4-16 | The Tent People of Beverly Hills | — | ||
| 4-17 | Uh Oh Plutonium | — | ||
| 4-18 | The Fine Printing on the Label of a Bottle of Non-Alcohol Beer | — | ||
| 4-19 | The Sweat Lodge | — | ||
| 4-20 | Logan Heights and the World | — | ||
| 4-21 | The Colonel | — | ||
| 4-22 | Wild Gratitude | — | ||
| 4-23 | For Anna Mae Pictou Aquash | — | ||
| 4-24 | Tia Sophia | — | ||
| 4-25 | This Is Number 26 | — | ||
| 4-26 | I Am Offering You This Poem | — | ||
| 4-27 | Parsley | — | ||
| 4-28 | Raisin Eyes | — | ||
| 4-29 | The Children's Undercroft | — | ||
| 4-30 | The Concrete River | — | ||
| 4-31 | Tia Chucha | — | ||
| 4-32 | My Father, in Heaven, Is Reading Out Aloud | — |
I Knew a Woman
—
Elegy for Jane
—
Rough
—
Thoughts During an Air Raid
—
My Sisters, O My Sisters
—
In Our Time
—
Despisals
—
The Ballad of Orange and Grape
—
The world is so difficult to give up...
—
This is the solution to be happy with slaughter...
—
Here i am with mike in hand, shoothing down the rapids...
—
I killed a fly...
—
What about dying?...
—
Scars
—
It Is
—
Do Not Go Gentle Into That Good Night
—
If I Were Tickled by the Rub of Love
—
Happiness
—
The Old Flame
—
Skunk Hour
—
Epilogue
—
Crossing Over
—
See it was like this when...
—
Underwear
—
The Secret of My Endurance
—
Thanksgiving
—
Sonnet for Minimalists
—
Shame
—
Apology
—
Love Calls Us to the Things of This World
—
American Haikus (Excerpt)
—
Monet Refuses the Operation
—
America
—
Song
—
After Making Love, We Hear Footsteps
—
Last Gods
—
America
—
The Lake Isle of Innisfree
—
The Song of the Old Mother
—
The Road Not Taken
—
Birches
—
The Gift Outright
—
If I Had Told Him: A Completed Portrait of Picasso
—
So-And-So Reclining on Her Couch
—
The Red Wheelbarrow
—
To Elsie
—
Hugh Selwyn Mauberley
—
Bird-Witted
—
Recuerdo
—
Love Is Not All
—
next of course god america
—
anyone lived in a pretty how town
—
To Juan at the Winter Solstace
—
The Opening of the Battle of Gettysburg
—
The Negro Speaks of Rivers
—
Ballad of the Gypsy
—
Mulatto
—
Portrait of the Artist as a Prematurely Old Man
—
Love Recognized
—
King of the River
—
In Memory of W.B.Yeats (Part 1)
—
The River Bees
—
A Blessing
—
The Truth the Dead Know
—
All My Pretty Ones
—
Phenomenal Woman
—
Even in Paris
—
Diving Into the Wreck
—
Omeros (excerpt)
—
The Song of the Taste
—
How Poetry Comes to Me
—
Why I Take Good Care of My Macintosh Computer
—
Daddy
—
Ariel
—
The Greatest Poem in the World
—
An Oddly Loving Day Alone
—
Learning About Easter and Passover
—
Bang, Bang Outishly
—
Rhythim Blues
—
Shazam Doowah
—
Dahomey
—
Putting the Good Things Away
—
Right to Life
—
Keeping Things Whole
—
The Way It Is
—
The Poem
—
Zimmer Imagines Heaven
—
yes Lord, he was born...
—
cruelty
—
I Have Had to Learn to Live With My Face
—
Dear John, Dear Coltrane
—
We were so poor...
—
I was stolen by the gypsies...
—
Everybody knows the story...
—
Lester Leaps In
—
For Poets
—
A Dance for Militant Diletantes
—
Odysseus to Telemachus
—
Ode to My Shoes
—
Prayer
—
Translator's Son
—
Wonder
—
The Lost Pilot
—
One Kiss
—
The Tent People of Beverly Hills
—
Uh Oh Plutonium
—
The Fine Printing on the Label of a Bottle of Non-Alcohol Beer
—
The Sweat Lodge
—
Logan Heights and the World
—
The Colonel
—
Wild Gratitude
—
For Anna Mae Pictou Aquash
—
Tia Sophia
—
This Is Number 26
—
I Am Offering You This Poem
—
Parsley
—
Raisin Eyes
—
The Children's Undercroft
—
The Concrete River
—
Tia Chucha
—
My Father, in Heaven, Is Reading Out Aloud
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000063058737000000007246988800000000811529890000000081588352000000008329404000000000836029550000000108589233000000010860838500000001087979720000000108894940
+40 more
00000001090702810000000109118142000000010920146400000001092057130000000109312869000000010966507400000001102734810000000110384245000000011040608800000001107239720000000114059853000000011438289600000001144057280000000114661123000000011470959600000001147553650000000114797266000000011480004X0000000115113700000000011556952100000001160876630000000119469034000000011978478X000000012032545X000000012096054100000001209663450000000121177938000000012117863100000001211919910000000121214196000000012125127X00000001212584390000000121264257000000012126660700000001213030760000000121319879000000012135626600000001213796440000000121380290000000012139350X
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What is UPC 9781568266930?
9781568266930 is a Universal Product Code (UPC) assigned to In Their Own Voices: A Century of Recorded Poetry by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 122 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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