UPC · Release
Various Artists
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9781572597969 is the Universal Product Code (UPC barcode) for the release “Listen” by Various Artists, released 2000-01-01 on Sony Music Special Products. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 240 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Viri Galilaei | — | ||
| 2 | Viri Galilaei | — | ||
| 3 | Columba Aspexit | — | ||
| 4 | La Dousa Votz | — | ||
| 5 | Alleluia, diffusa est gratia | — | ||
| 6 | Quant En Moy | — | ||
| 7 | Ya Sin (Qur'anic Chant) | — | ||
| 8 | Mele Pule (Hawai'ian Chant) | — | ||
| 9 | Ave maris stella | — | ||
| 10 | Pange Lingua Mass: Kyrie | — | ||
| 11 | Pange Lingua Mass, Gloria: Qui tollis | — | ||
| 12 | Pope Marcellus Mass, Gloria: Qui tollis | — | ||
| 13 | Latmos Hill Descending: As Vesta Was | — | ||
| 14 | Daphne | — | ||
| 15 | Kemp's Jig | — | ||
| 16 | O magnum mysterium | — | ||
| 17 | The Coronation of Poppea, Act I: Tornerai | — | ||
| 18 | The Coronation of Poppea, Act I: Speranza tu mi vai | — | ||
| 19 | Dido and Aeneas: Thy Hand Belinda, When I Am Laid | — | ||
| 20 | Dido and Aeneas: With Drooping Wings | — | ||
| 21 | Sonata Da Chiesa (Trio Sonata) in F Op. 3 No. 1: I. | — | ||
| 22 | Sonata Da Chiesa (Trio Sonata) in F Op. 3 No. 1: II. | — | ||
| 23 | Sonata Da Chiesa (Trio Sonata) in F Op. 3 No. 1: III. | — | ||
| 24 | Sonata Da Chiesa (Trio Sonata) in F Op. 3 No. 1: IV. | — | ||
| 25 | Solo Song With Lyre Accompaniment | — | ||
| 26 | Al Shammasha | — | ||
| 27 | Violin Concerto in G Op. 4 No. 12: I. | — | ||
| 28 | Violin Concerto in G Op. 4 No. 12: II. | — | ||
| 29 | Violin Concerto in G Op. 4 No. 12: III. | — | ||
| 30 | Ako | — | ||
| 2-1 | Brandenburg Concerto No. 5, I (1) | — | ||
| 2-2 | Brandenburg Concerto No. 5, I (2) | — | ||
| 2-3 | Brandenburg Concerto No. 5, I (3) | — | ||
| 2-4 | Brandenburg Concerto No. 5, I (4) | — | ||
| 2-5 | Brandenburg Concerto No. 5, I (5) | — | ||
| 2-6 | Fugue in C-sharp major, from The Well-Tempered Calvier | — | ||
| 2-7 | Orchestral Suite No. 3 in D: Air | — | ||
| 2-8 | Orchestral Suite No. 3 in D: Gavotte I and II | — | ||
| 2-9 | Etenraku | — | ||
| 2-10 | Julius Caesar, La giustizia | — | ||
| 2-11 | Messiah: There Were Shepherds | — | ||
| 2-12 | Messiah: Hallejulah Chorus | — | ||
| 2-13 | Cantata No. 4 Christ lag in Todesbanden (1) | — | ||
| 2-14 | Cantata No. 4 Christ lag in Todesbanden (2) | — | ||
| 2-15 | Cantata No. 4 Christ lag in Todesbanden (3) | — | ||
| 2-16 | Chorale Prelude, Christ lag in Todesbanden | — | ||
| 2-17 | Dojoji (excerpt) | — | ||
| 2-18 | Symphony No. 88 in G: I (1) | — | ||
| 2-19 | Symphony No. 88 in G: I (2) | — | ||
| 2-20 | Symphony No. 88 in G: I (3) | — | ||
| 2-21 | Symphony No. 88 in G: I (4) | — | ||
| 2-22 | Symphony No. 88 in G: I (5) | — | ||
| 2-23 | Symphony No. 88 in G: I (6) | — | ||
| 2-24 | Symphony No. 88 in G: II (1) | — | ||
| 2-25 | Symphony No. 88 in G: II (2) | — | ||
| 2-26 | Symphony No. 88 in G: II (3) | — | ||
| 2-27 | Symphony No. 88 in G: II (4) | — | ||
| 2-28 | Symphony No. 88 in G: III (1) | — | ||
| 2-29 | Symphony No. 88 in G: III (2) | — | ||
| 2-30 | Symphony No. 88 in G: III (3) | — | ||
| 2-31 | Symphony No. 88 in G: III (4) | — | ||
| 2-32 | Symphony No. 88 in G: IV (1) | — | ||
| 2-33 | Symphony No. 88 in G: IV (2) | — | ||
| 2-34 | Symphony No. 88 in G: IV (3) | — | ||
| 2-35 | Symphony No. 88 in G: IV (4) | — | ||
| 2-36 | The Prince Who Changed into a Cat | — | ||
| 2-37 | The Drunken Fisherman | — | ||
| 3-1 | Symphony No. 40 in G Minor, K. 550: I part 1 | — | ||
| 3-2 | Symphony No. 40 in G Minor, K. 550: I part 2 | — | ||
| 3-3 | Symphony No. 40 in G Minor, K. 550: I part 3 | — | ||
| 3-4 | Symphony No. 40 in G Minor, K. 550: I part 4 | — | ||
| 3-5 | Symphony No. 40 in G Minor, K. 550: I part 5 | — | ||
| 3-6 | Symphony No. 40 in G Minor, K. 550: I part 6 | — | ||
| 3-7 | Bopong | — | ||
| 3-8 | Piano Sonata in B-flat, K.570: III part 1 | — | ||
| 3-9 | Piano Sonata in B-flat, K.570: III part 2 | — | ||
| 3-10 | Piano Sonata in B-flat, K.570: III part 3 | — | ||
| 3-11 | Concerto for Piano and Orchestra in G, K. 453: III part 1 | — | ||
| 3-12 | Concerto for Piano and Orchestra in G, K. 453: III part 2 | — | ||
| 3-13 | Concerto for Piano and Orchestra in G, K. 453: III part 3 | — | ||
| 3-14 | Concerto for Piano and Orchestra in G, K. 453: III part 4 | — | ||
| 3-15 | Concerto for Piano and Orchestra in G, K. 453: III part 5 | — | ||
| 3-16 | Concerto for Piano and Orchestra in G, K. 453: III part 6 | — | ||
| 3-17 | Concerto for Piano and Orchestra in G, K. 453: III part 7 | — | ||
| 3-18 | Don Giovanni: excerpts from Act I: Ho Capito | — | ||
| 3-19 | Don Giovanni: excerpts from Act I: Alfin Siam Liberati | — | ||
| 3-20 | Don Giovanni: excerpts from Act I: La Ci Darem la Mano | — | ||
| 3-21 | Symphony No. 5 in C Minor, Op. 67: I part 1 | — | ||
| 3-22 | Symphony No. 5 in C Minor, Op. 67: I part 2 | — | ||
| 3-23 | Symphony No. 5 in C Minor, Op. 67: I part 3 | — | ||
| 3-24 | Symphony No. 5 in C Minor, Op. 67: I part 4 | — | ||
| 3-25 | Symphony No. 5 in C Minor, Op. 67: I part 5 | — | ||
| 3-26 | Symphony No. 5 in C Minor, Op. 67: I part 6 | — | ||
| 3-27 | Symphony No. 5 in C Minor, Op. 67: I part 7 | — | ||
| 3-28 | Symphony No. 5 in C Minor, Op. 67: I part 8 | — | ||
| 3-29 | Symphony No. 5 in C Minor, Op. 67: I part 9 | — | ||
| 3-30 | Symphony No. 5 in C Minor, Op. 67: II part 1 | — | ||
| 3-31 | Symphony No. 5 in C Minor, Op. 67: II part 2 | — | ||
| 3-32 | Symphony No. 5 in C Minor, Op. 67: III part 1 | — | ||
| 3-33 | Symphony No. 5 in C Minor, Op. 67: III part 2 | — | ||
| 3-34 | Symphony No. 5 in C Minor, Op. 67: IV part 1 | — | ||
| 3-35 | Symphony No. 5 in C Minor, Op. 67: IV part 2 | — | ||
| 3-36 | Karnatek Kriti: Marakata Manivarna, Part 1 | — | ||
| 3-37 | Karnatek Kriti: Marakata Manivarna, Part 2 | — | ||
| 3-38 | Erlkonig (The Erlking) | — | ||
| 3-39 | Dichterliebe: im Wunderschonen Monat Mai | — | ||
| 3-40 | Dichterliebe: Die alten, bosen Lieder | — | ||
| 4-1 | Carnaval "Eusebius" | — | ||
| 4-2 | Carnaval "Florestan" | — | ||
| 4-3 | Nocturne in F-sharp, Op. 15, No.2 | — | ||
| 4-4 | Polonaise in A, Op. 40, No.1 | — | ||
| 4-5 | String Quartet in A Minor, II part 1 | — | ||
| 4-6 | String Quartet in A Minor, II part 2 | — | ||
| 4-7 | Fantastic Symphony, V part 1 | — | ||
| 4-8 | Fantastic Symphony, V part 2 | — | ||
| 4-9 | Fantastic Symphony, V part 3 | — | ||
| 4-10 | Fantastic Symphony, V part 4 | — | ||
| 4-11 | Fantastic Symphony, V part 5 | — | ||
| 4-12 | Fantastic Symphony, V part 6 | — | ||
| 4-13 | Fantastic Symphony, V part 7 | — | ||
| 4-14 | Molimo Song of Devotion to the Forest | — | ||
| 4-15 | Overture-Fantasy, Romeo and Juliet part 1 | — | ||
| 4-16 | Overture-Fantasy, Romeo and Juliet part 2 | — | ||
| 4-17 | Overture-Fantasy, Romeo and Juliet part 3 | — | ||
| 4-18 | Overture-Fantasy, Romeo and Juliet part 4 | — | ||
| 4-19 | Overture-Fantasy, Romeo and Juliet part 5 | — | ||
| 4-20 | Overture-Fantasy, Romeo and Juliet part 6 | — | ||
| 4-21 | Overture-Fantasy, Romeo and Juliet part 7 | — | ||
| 4-22 | Overture-Fantasy, Romeo and Juliet part 8 | — | ||
| 4-23 | Overture-Fantasy, Romeo and Juliet part 9 | — | ||
| 4-24 | Overture-Fantasy, Romeo and Juliet part 10 | — | ||
| 4-25 | Overture-Fantasy, Romeo and Juliet part 11 | — | ||
| 4-26 | Overture-Fantasy, Romeo and Juliet part 12 | — | ||
| 4-27 | The Bartered Bride: Overture part 1 | — | ||
| 4-28 | The Bartered Bride: Overture part 2 | — | ||
| 4-29 | The Bartered Bride: Overture part 3 | — | ||
| 4-30 | The Bartered Bride: Overture part 4 | — | ||
| 4-31 | The Bartered Bride: Overture part 5 | — | ||
| 4-32 | The Bartered Bride: Overture part 6 | — | ||
| 4-33 | Concerto in D for Violin and Orchestra, III part 1 | — | ||
| 4-34 | Concerto in D for Violin and Orchestra, III part 2 | — | ||
| 4-35 | Concerto in D for Violin and Orchestra, III part 3 | — | ||
| 4-36 | Concerto in D for Violin and Orchestra, III part 4 | — | ||
| 4-37 | Concerto in D for Violin and Orchestra, III part 5 | — | ||
| 4-38 | Concerto in D for Violin and Orchestra, III part 6 | — | ||
| 4-39 | Symphony No. 1, III (Funeral March) part 1 | — | ||
| 4-40 | Symphony No. 1, III (Funeral March) part 2 | — | ||
| 4-41 | Symphony No. 1, III (Funeral March) part 3 | — | ||
| 4-42 | Symphony No. 1, III (Funeral March) part 4 | — | ||
| 4-43 | Symphony No. 1, III (Funeral March) part 5 | — | ||
| 4-44 | Symphony No. 1, III (Funeral March) part 6 | — | ||
| 4-45 | Symphony No. 1, III (Funeral March) part 7 | — | ||
| 4-46 | Symphony No. 1, III (Funeral March) part 8 | — | ||
| 4-47 | Tristan und Isolde, Act 1, Philter Scene part 1 | — | ||
| 4-48 | Tristan und Isolde, Act 1, Philter Scene part 2 | — | ||
| 4-49 | Tristan und Isolde, Act 1, Philter Scene part 3 | — | ||
| 5-1 | Aida, Act IV, Scene 2 part 1 | — | ||
| 5-2 | Aida, Act IV, Scene 2 part 2 | — | ||
| 5-3 | Aida, Act IV, Scene 2 part 3 | — | ||
| 5-4 | Aida, Act IV, Scene 2 part 4 | — | ||
| 5-5 | Tristan und Isolde, Prelude part 1 | — | ||
| 5-6 | Tristan und Isolde, Prelude part 2 | — | ||
| 5-7 | Tristan und Isolde, Prelude part 3 | — | ||
| 5-8 | Tristan und Isolde, Prelude part 4 | — | ||
| 5-9 | Tristan und Isolde, Prelude part 5 | — | ||
| 5-10 | Piano Concerto, I (excerpt) | — | ||
| 5-11 | Clouds, from Three Nocturnes part 1 | — | ||
| 5-12 | Clouds, from Three Nocturnes part 2 | — | ||
| 5-13 | Clouds, from Three Nocturnes part 3 | — | ||
| 5-14 | Clouds, from Three Nocturnes part 4 | — | ||
| 5-15 | Clouds, from Three Nocturnes part 5 | — | ||
| 5-16 | Clouds, from Three Nocturnes part 6 | — | ||
| 5-17 | The Rite of Spring, Part I (excerpt) part 1 | — | ||
| 5-18 | The Rite of Spring, Part I (excerpt) part 2 | — | ||
| 5-19 | The Rite of Spring, Part I (excerpt) part 3 | — | ||
| 5-20 | The Rite of Spring, Part I (excerpt) part 4 | — | ||
| 5-21 | The Rite of Spring, Part I (excerpt) part 5 | — | ||
| 5-22 | The Rite of Spring, Part I (excerpt) part 6 | — | ||
| 5-23 | The Rite of Spring, Part I (excerpt) part 7 | — | ||
| 5-24 | Pierrot lunaire No. 18 "The Moonfleck" | — | ||
| 5-25 | Pierrot lunaire No. 19 "Serenade" | — | ||
| 5-26 | Pierrot lunaire No. 20 "Journey Home (Barcarole)" | — | ||
| 5-27 | Pierrot lunaire No. 21 "O Ancient Scent" | — | ||
| 5-28 | Wozzeck, Act III, Scences 3 and 4 part 1 | — | ||
| 5-29 | Wozzeck, Act III, Scences 3 and 4 part 2 | — | ||
| 5-30 | Wozzeck, Act III, Scences 3 and 4 part 3 | — | ||
| 5-31 | Wozzeck, Act III, Scences 3 and 4 part 4 | — | ||
| 5-32 | Wozzeck, Act III, Scences 3 and 4 part 5 | — | ||
| 5-33 | Second Orchestral Set, "The Rockstrewn Hills Join in the People's Outdoor Meeting" part 1 | — | ||
| 5-34 | Second Orchestral Set, "The Rockstrewn Hills Join in the People's Outdoor Meeting" part 2 | — | ||
| 5-35 | "Manuelita" | — | ||
| 5-36 | Music for Strings, Percussion, and Celesta, II part 1 | — | ||
| 5-37 | Music for Strings, Percussion, and Celesta, II part 2 | — | ||
| 5-38 | Music for Strings, Percussion, and Celesta, II part 3 | — | ||
| 5-39 | Music for Strings, Percussion, and Celesta, II part 4 | — | ||
| 5-40 | Music for Strings, Percussion, and Celesta, II part 5 | — | ||
| 5-41 | Music for Strings, Percussion, and Celesta, II part 6 | — | ||
| 5-42 | Music for Strings, Percussion, and Celesta, II part 7 | — | ||
| 5-43 | Kabiosile for Piano and Orchestra part 1 | — | ||
| 5-44 | Kabiosile for Piano and Orchestra part 2 | — | ||
| 5-45 | Kabiosile for Piano and Orchestra part 3 | — | ||
| 5-46 | Kabiosile for Piano and Orchestra part 4 | — | ||
| 6-1 | Appalachian Spring, sections 1, 2, 5, & 6 part 1 | — | ||
| 6-2 | Appalachian Spring, sections 1, 2, 5, & 6 part 2 | — | ||
| 6-3 | Appalachian Spring, sections 1, 2, 5, & 6 part 3 | — | ||
| 6-4 | Appalachian Spring, sections 1, 2, 5, & 6 part 4 | — | ||
| 6-5 | Five Pieces for Orchestra, Op. 10, No. 4, IV | — | ||
| 6-6 | Lux aeterna part 1 | — | ||
| 6-7 | Lux aeterna part 2 | — | ||
| 6-8 | Lux aeterna part 3 | — | ||
| 6-9 | Lux aeterna part 4 | — | ||
| 6-10 | Poème électronique | — | ||
| 6-11 | Black Angels (excerpts) No. 1: "Night of the Electric Insects" | — | ||
| 6-12 | Black Angels (excerpts) No. 2: "Sounds of Bones and Flutes" | — | ||
| 6-13 | Black Angels (excerpts) No. 3: "Lost Bells" | — | ||
| 6-14 | Black Angels (excerpts) No. 4: "Devil-music" | — | ||
| 6-15 | Black Angels (excerpts) No. 5: "Danse Macabre" | — | ||
| 6-16 | Pro et Contra, III part 1 | — | ||
| 6-17 | Pro et Contra, III part 2 | — | ||
| 6-18 | Pro et Contra, III part 3 | — | ||
| 6-19 | Pro et Contra, III part 4 | — | ||
| 6-20 | Pro et Contra, III part 5 | — | ||
| 6-21 | Pro et Contra, III part 6 | — | ||
| 6-22 | Metamorphoses, Metamorphosis 1 | — | ||
| 6-23 | Grass Dance Song | — | ||
| 6-24 | K'adnikini'ya | — | ||
| 6-25 | "If You Ever Been Down" Blues | — | ||
| 6-26 | Conga Brava | — | ||
| 6-27 | Piano Concerto in F, III part 1 | — | ||
| 6-28 | Piano Concerto in F, III part 2 | — | ||
| 6-29 | Piano Concerto in F, III part 3 | — | ||
| 6-30 | Piano Concerto in F, III part 4 | — | ||
| 6-31 | Piano Concerto in F, III part 5 | — | ||
| 6-32 | Piano Concerto in F, III part 6 | — | ||
| 6-33 | West Side Story Meeting Scene | — | ||
| 6-34 | West Side Story "Cool" | — | ||
| 6-35 | Out of Nowhere | — | ||
| 6-36 | Bitches Brew (excerpt) | — | ||
| 6-37 | "Anoku Gonda" | — | ||
| 6-38 | "Der Mond kommt still gegangen" | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
9781572597969 is a Universal Product Code (UPC) assigned to Listen by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 240 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
9781572597969 is the Universal Product Code (UPC barcode) for the release “Listen” by Various Artists, released 2000-01-01 on Sony Music Special Products. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 240 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Viri Galilaei | — | ||
| 2 | Viri Galilaei | — | ||
| 3 | Columba Aspexit | — | ||
| 4 | La Dousa Votz | — | ||
| 5 | Alleluia, diffusa est gratia | — | ||
| 6 | Quant En Moy | — | ||
| 7 | Ya Sin (Qur'anic Chant) | — | ||
| 8 | Mele Pule (Hawai'ian Chant) | — | ||
| 9 | Ave maris stella | — | ||
| 10 | Pange Lingua Mass: Kyrie | — | ||
| 11 | Pange Lingua Mass, Gloria: Qui tollis | — | ||
| 12 | Pope Marcellus Mass, Gloria: Qui tollis | — | ||
| 13 | Latmos Hill Descending: As Vesta Was | — | ||
| 14 | Daphne | — | ||
| 15 | Kemp's Jig | — | ||
| 16 | O magnum mysterium | — | ||
| 17 | The Coronation of Poppea, Act I: Tornerai | — | ||
| 18 | The Coronation of Poppea, Act I: Speranza tu mi vai | — | ||
| 19 | Dido and Aeneas: Thy Hand Belinda, When I Am Laid | — | ||
| 20 | Dido and Aeneas: With Drooping Wings | — | ||
| 21 | Sonata Da Chiesa (Trio Sonata) in F Op. 3 No. 1: I. | — | ||
| 22 | Sonata Da Chiesa (Trio Sonata) in F Op. 3 No. 1: II. | — | ||
| 23 | Sonata Da Chiesa (Trio Sonata) in F Op. 3 No. 1: III. | — | ||
| 24 | Sonata Da Chiesa (Trio Sonata) in F Op. 3 No. 1: IV. | — | ||
| 25 | Solo Song With Lyre Accompaniment | — | ||
| 26 | Al Shammasha | — | ||
| 27 | Violin Concerto in G Op. 4 No. 12: I. | — | ||
| 28 | Violin Concerto in G Op. 4 No. 12: II. | — | ||
| 29 | Violin Concerto in G Op. 4 No. 12: III. | — | ||
| 30 | Ako | — | ||
| 2-1 | Brandenburg Concerto No. 5, I (1) | — | ||
| 2-2 | Brandenburg Concerto No. 5, I (2) | — | ||
| 2-3 | Brandenburg Concerto No. 5, I (3) | — | ||
| 2-4 | Brandenburg Concerto No. 5, I (4) | — | ||
| 2-5 | Brandenburg Concerto No. 5, I (5) | — | ||
| 2-6 | Fugue in C-sharp major, from The Well-Tempered Calvier | — | ||
| 2-7 | Orchestral Suite No. 3 in D: Air | — | ||
| 2-8 | Orchestral Suite No. 3 in D: Gavotte I and II | — | ||
| 2-9 | Etenraku | — | ||
| 2-10 | Julius Caesar, La giustizia | — | ||
| 2-11 | Messiah: There Were Shepherds | — | ||
| 2-12 | Messiah: Hallejulah Chorus | — | ||
| 2-13 | Cantata No. 4 Christ lag in Todesbanden (1) | — | ||
| 2-14 | Cantata No. 4 Christ lag in Todesbanden (2) | — | ||
| 2-15 | Cantata No. 4 Christ lag in Todesbanden (3) | — | ||
| 2-16 | Chorale Prelude, Christ lag in Todesbanden | — | ||
| 2-17 | Dojoji (excerpt) | — | ||
| 2-18 | Symphony No. 88 in G: I (1) | — | ||
| 2-19 | Symphony No. 88 in G: I (2) | — | ||
| 2-20 | Symphony No. 88 in G: I (3) | — | ||
| 2-21 | Symphony No. 88 in G: I (4) | — | ||
| 2-22 | Symphony No. 88 in G: I (5) | — | ||
| 2-23 | Symphony No. 88 in G: I (6) | — | ||
| 2-24 | Symphony No. 88 in G: II (1) | — | ||
| 2-25 | Symphony No. 88 in G: II (2) | — | ||
| 2-26 | Symphony No. 88 in G: II (3) | — | ||
| 2-27 | Symphony No. 88 in G: II (4) | — | ||
| 2-28 | Symphony No. 88 in G: III (1) | — | ||
| 2-29 | Symphony No. 88 in G: III (2) | — | ||
| 2-30 | Symphony No. 88 in G: III (3) | — | ||
| 2-31 | Symphony No. 88 in G: III (4) | — | ||
| 2-32 | Symphony No. 88 in G: IV (1) | — | ||
| 2-33 | Symphony No. 88 in G: IV (2) | — | ||
| 2-34 | Symphony No. 88 in G: IV (3) | — | ||
| 2-35 | Symphony No. 88 in G: IV (4) | — | ||
| 2-36 | The Prince Who Changed into a Cat | — | ||
| 2-37 | The Drunken Fisherman | — | ||
| 3-1 | Symphony No. 40 in G Minor, K. 550: I part 1 | — | ||
| 3-2 | Symphony No. 40 in G Minor, K. 550: I part 2 | — | ||
| 3-3 | Symphony No. 40 in G Minor, K. 550: I part 3 | — | ||
| 3-4 | Symphony No. 40 in G Minor, K. 550: I part 4 | — | ||
| 3-5 | Symphony No. 40 in G Minor, K. 550: I part 5 | — | ||
| 3-6 | Symphony No. 40 in G Minor, K. 550: I part 6 | — | ||
| 3-7 | Bopong | — | ||
| 3-8 | Piano Sonata in B-flat, K.570: III part 1 | — | ||
| 3-9 | Piano Sonata in B-flat, K.570: III part 2 | — | ||
| 3-10 | Piano Sonata in B-flat, K.570: III part 3 | — | ||
| 3-11 | Concerto for Piano and Orchestra in G, K. 453: III part 1 | — | ||
| 3-12 | Concerto for Piano and Orchestra in G, K. 453: III part 2 | — | ||
| 3-13 | Concerto for Piano and Orchestra in G, K. 453: III part 3 | — | ||
| 3-14 | Concerto for Piano and Orchestra in G, K. 453: III part 4 | — | ||
| 3-15 | Concerto for Piano and Orchestra in G, K. 453: III part 5 | — | ||
| 3-16 | Concerto for Piano and Orchestra in G, K. 453: III part 6 | — | ||
| 3-17 | Concerto for Piano and Orchestra in G, K. 453: III part 7 | — | ||
| 3-18 | Don Giovanni: excerpts from Act I: Ho Capito | — | ||
| 3-19 | Don Giovanni: excerpts from Act I: Alfin Siam Liberati | — | ||
| 3-20 | Don Giovanni: excerpts from Act I: La Ci Darem la Mano | — | ||
| 3-21 | Symphony No. 5 in C Minor, Op. 67: I part 1 | — | ||
| 3-22 | Symphony No. 5 in C Minor, Op. 67: I part 2 | — | ||
| 3-23 | Symphony No. 5 in C Minor, Op. 67: I part 3 | — | ||
| 3-24 | Symphony No. 5 in C Minor, Op. 67: I part 4 | — | ||
| 3-25 | Symphony No. 5 in C Minor, Op. 67: I part 5 | — | ||
| 3-26 | Symphony No. 5 in C Minor, Op. 67: I part 6 | — | ||
| 3-27 | Symphony No. 5 in C Minor, Op. 67: I part 7 | — | ||
| 3-28 | Symphony No. 5 in C Minor, Op. 67: I part 8 | — | ||
| 3-29 | Symphony No. 5 in C Minor, Op. 67: I part 9 | — | ||
| 3-30 | Symphony No. 5 in C Minor, Op. 67: II part 1 | — | ||
| 3-31 | Symphony No. 5 in C Minor, Op. 67: II part 2 | — | ||
| 3-32 | Symphony No. 5 in C Minor, Op. 67: III part 1 | — | ||
| 3-33 | Symphony No. 5 in C Minor, Op. 67: III part 2 | — | ||
| 3-34 | Symphony No. 5 in C Minor, Op. 67: IV part 1 | — | ||
| 3-35 | Symphony No. 5 in C Minor, Op. 67: IV part 2 | — | ||
| 3-36 | Karnatek Kriti: Marakata Manivarna, Part 1 | — | ||
| 3-37 | Karnatek Kriti: Marakata Manivarna, Part 2 | — | ||
| 3-38 | Erlkonig (The Erlking) | — | ||
| 3-39 | Dichterliebe: im Wunderschonen Monat Mai | — | ||
| 3-40 | Dichterliebe: Die alten, bosen Lieder | — | ||
| 4-1 | Carnaval "Eusebius" | — | ||
| 4-2 | Carnaval "Florestan" | — | ||
| 4-3 | Nocturne in F-sharp, Op. 15, No.2 | — | ||
| 4-4 | Polonaise in A, Op. 40, No.1 | — | ||
| 4-5 | String Quartet in A Minor, II part 1 | — | ||
| 4-6 | String Quartet in A Minor, II part 2 | — | ||
| 4-7 | Fantastic Symphony, V part 1 | — | ||
| 4-8 | Fantastic Symphony, V part 2 | — | ||
| 4-9 | Fantastic Symphony, V part 3 | — | ||
| 4-10 | Fantastic Symphony, V part 4 | — | ||
| 4-11 | Fantastic Symphony, V part 5 | — | ||
| 4-12 | Fantastic Symphony, V part 6 | — | ||
| 4-13 | Fantastic Symphony, V part 7 | — | ||
| 4-14 | Molimo Song of Devotion to the Forest | — | ||
| 4-15 | Overture-Fantasy, Romeo and Juliet part 1 | — | ||
| 4-16 | Overture-Fantasy, Romeo and Juliet part 2 | — | ||
| 4-17 | Overture-Fantasy, Romeo and Juliet part 3 | — | ||
| 4-18 | Overture-Fantasy, Romeo and Juliet part 4 | — | ||
| 4-19 | Overture-Fantasy, Romeo and Juliet part 5 | — | ||
| 4-20 | Overture-Fantasy, Romeo and Juliet part 6 | — | ||
| 4-21 | Overture-Fantasy, Romeo and Juliet part 7 | — | ||
| 4-22 | Overture-Fantasy, Romeo and Juliet part 8 | — | ||
| 4-23 | Overture-Fantasy, Romeo and Juliet part 9 | — | ||
| 4-24 | Overture-Fantasy, Romeo and Juliet part 10 | — | ||
| 4-25 | Overture-Fantasy, Romeo and Juliet part 11 | — | ||
| 4-26 | Overture-Fantasy, Romeo and Juliet part 12 | — | ||
| 4-27 | The Bartered Bride: Overture part 1 | — | ||
| 4-28 | The Bartered Bride: Overture part 2 | — | ||
| 4-29 | The Bartered Bride: Overture part 3 | — | ||
| 4-30 | The Bartered Bride: Overture part 4 | — | ||
| 4-31 | The Bartered Bride: Overture part 5 | — | ||
| 4-32 | The Bartered Bride: Overture part 6 | — | ||
| 4-33 | Concerto in D for Violin and Orchestra, III part 1 | — | ||
| 4-34 | Concerto in D for Violin and Orchestra, III part 2 | — | ||
| 4-35 | Concerto in D for Violin and Orchestra, III part 3 | — | ||
| 4-36 | Concerto in D for Violin and Orchestra, III part 4 | — | ||
| 4-37 | Concerto in D for Violin and Orchestra, III part 5 | — | ||
| 4-38 | Concerto in D for Violin and Orchestra, III part 6 | — | ||
| 4-39 | Symphony No. 1, III (Funeral March) part 1 | — | ||
| 4-40 | Symphony No. 1, III (Funeral March) part 2 | — | ||
| 4-41 | Symphony No. 1, III (Funeral March) part 3 | — | ||
| 4-42 | Symphony No. 1, III (Funeral March) part 4 | — | ||
| 4-43 | Symphony No. 1, III (Funeral March) part 5 | — | ||
| 4-44 | Symphony No. 1, III (Funeral March) part 6 | — | ||
| 4-45 | Symphony No. 1, III (Funeral March) part 7 | — | ||
| 4-46 | Symphony No. 1, III (Funeral March) part 8 | — | ||
| 4-47 | Tristan und Isolde, Act 1, Philter Scene part 1 | — | ||
| 4-48 | Tristan und Isolde, Act 1, Philter Scene part 2 | — | ||
| 4-49 | Tristan und Isolde, Act 1, Philter Scene part 3 | — | ||
| 5-1 | Aida, Act IV, Scene 2 part 1 | — | ||
| 5-2 | Aida, Act IV, Scene 2 part 2 | — | ||
| 5-3 | Aida, Act IV, Scene 2 part 3 | — | ||
| 5-4 | Aida, Act IV, Scene 2 part 4 | — | ||
| 5-5 | Tristan und Isolde, Prelude part 1 | — | ||
| 5-6 | Tristan und Isolde, Prelude part 2 | — | ||
| 5-7 | Tristan und Isolde, Prelude part 3 | — | ||
| 5-8 | Tristan und Isolde, Prelude part 4 | — | ||
| 5-9 | Tristan und Isolde, Prelude part 5 | — | ||
| 5-10 | Piano Concerto, I (excerpt) | — | ||
| 5-11 | Clouds, from Three Nocturnes part 1 | — | ||
| 5-12 | Clouds, from Three Nocturnes part 2 | — | ||
| 5-13 | Clouds, from Three Nocturnes part 3 | — | ||
| 5-14 | Clouds, from Three Nocturnes part 4 | — | ||
| 5-15 | Clouds, from Three Nocturnes part 5 | — | ||
| 5-16 | Clouds, from Three Nocturnes part 6 | — | ||
| 5-17 | The Rite of Spring, Part I (excerpt) part 1 | — | ||
| 5-18 | The Rite of Spring, Part I (excerpt) part 2 | — | ||
| 5-19 | The Rite of Spring, Part I (excerpt) part 3 | — | ||
| 5-20 | The Rite of Spring, Part I (excerpt) part 4 | — | ||
| 5-21 | The Rite of Spring, Part I (excerpt) part 5 | — | ||
| 5-22 | The Rite of Spring, Part I (excerpt) part 6 | — | ||
| 5-23 | The Rite of Spring, Part I (excerpt) part 7 | — | ||
| 5-24 | Pierrot lunaire No. 18 "The Moonfleck" | — | ||
| 5-25 | Pierrot lunaire No. 19 "Serenade" | — | ||
| 5-26 | Pierrot lunaire No. 20 "Journey Home (Barcarole)" | — | ||
| 5-27 | Pierrot lunaire No. 21 "O Ancient Scent" | — | ||
| 5-28 | Wozzeck, Act III, Scences 3 and 4 part 1 | — | ||
| 5-29 | Wozzeck, Act III, Scences 3 and 4 part 2 | — | ||
| 5-30 | Wozzeck, Act III, Scences 3 and 4 part 3 | — | ||
| 5-31 | Wozzeck, Act III, Scences 3 and 4 part 4 | — | ||
| 5-32 | Wozzeck, Act III, Scences 3 and 4 part 5 | — | ||
| 5-33 | Second Orchestral Set, "The Rockstrewn Hills Join in the People's Outdoor Meeting" part 1 | — | ||
| 5-34 | Second Orchestral Set, "The Rockstrewn Hills Join in the People's Outdoor Meeting" part 2 | — | ||
| 5-35 | "Manuelita" | — | ||
| 5-36 | Music for Strings, Percussion, and Celesta, II part 1 | — | ||
| 5-37 | Music for Strings, Percussion, and Celesta, II part 2 | — | ||
| 5-38 | Music for Strings, Percussion, and Celesta, II part 3 | — | ||
| 5-39 | Music for Strings, Percussion, and Celesta, II part 4 | — | ||
| 5-40 | Music for Strings, Percussion, and Celesta, II part 5 | — | ||
| 5-41 | Music for Strings, Percussion, and Celesta, II part 6 | — | ||
| 5-42 | Music for Strings, Percussion, and Celesta, II part 7 | — | ||
| 5-43 | Kabiosile for Piano and Orchestra part 1 | — | ||
| 5-44 | Kabiosile for Piano and Orchestra part 2 | — | ||
| 5-45 | Kabiosile for Piano and Orchestra part 3 | — | ||
| 5-46 | Kabiosile for Piano and Orchestra part 4 | — | ||
| 6-1 | Appalachian Spring, sections 1, 2, 5, & 6 part 1 | — | ||
| 6-2 | Appalachian Spring, sections 1, 2, 5, & 6 part 2 | — | ||
| 6-3 | Appalachian Spring, sections 1, 2, 5, & 6 part 3 | — | ||
| 6-4 | Appalachian Spring, sections 1, 2, 5, & 6 part 4 | — | ||
| 6-5 | Five Pieces for Orchestra, Op. 10, No. 4, IV | — | ||
| 6-6 | Lux aeterna part 1 | — | ||
| 6-7 | Lux aeterna part 2 | — | ||
| 6-8 | Lux aeterna part 3 | — | ||
| 6-9 | Lux aeterna part 4 | — | ||
| 6-10 | Poème électronique | — | ||
| 6-11 | Black Angels (excerpts) No. 1: "Night of the Electric Insects" | — | ||
| 6-12 | Black Angels (excerpts) No. 2: "Sounds of Bones and Flutes" | — | ||
| 6-13 | Black Angels (excerpts) No. 3: "Lost Bells" | — | ||
| 6-14 | Black Angels (excerpts) No. 4: "Devil-music" | — | ||
| 6-15 | Black Angels (excerpts) No. 5: "Danse Macabre" | — | ||
| 6-16 | Pro et Contra, III part 1 | — | ||
| 6-17 | Pro et Contra, III part 2 | — | ||
| 6-18 | Pro et Contra, III part 3 | — | ||
| 6-19 | Pro et Contra, III part 4 | — | ||
| 6-20 | Pro et Contra, III part 5 | — | ||
| 6-21 | Pro et Contra, III part 6 | — | ||
| 6-22 | Metamorphoses, Metamorphosis 1 | — | ||
| 6-23 | Grass Dance Song | — | ||
| 6-24 | K'adnikini'ya | — | ||
| 6-25 | "If You Ever Been Down" Blues | — | ||
| 6-26 | Conga Brava | — | ||
| 6-27 | Piano Concerto in F, III part 1 | — | ||
| 6-28 | Piano Concerto in F, III part 2 | — | ||
| 6-29 | Piano Concerto in F, III part 3 | — | ||
| 6-30 | Piano Concerto in F, III part 4 | — | ||
| 6-31 | Piano Concerto in F, III part 5 | — | ||
| 6-32 | Piano Concerto in F, III part 6 | — | ||
| 6-33 | West Side Story Meeting Scene | — | ||
| 6-34 | West Side Story "Cool" | — | ||
| 6-35 | Out of Nowhere | — | ||
| 6-36 | Bitches Brew (excerpt) | — | ||
| 6-37 | "Anoku Gonda" | — | ||
| 6-38 | "Der Mond kommt still gegangen" | — |
