UPC · Release
P. G. Wodehouse, Jonathan Cecil
Last verified:
The UPC for “The Inimitable Jeeves” by P. G. Wodehouse, Jonathan Cecil is 9781572705425. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. This release contains 124 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | One: Jeeves Exerts the Old Cerebellum, Part 1 | — | ||
| 2 | One: Jeeves Exerts the Old Cerebellum, Part 2 | — | ||
| 3 | One: Jeeves Exerts the Old Cerebellum, Part 3 | — | ||
| 4 | One: Jeeves Exerts the Old Cerebellum, Part 4 | — | ||
| 5 | One: Jeeves Exerts the Old Cerebellum, Part 5 | — | ||
| 6 | One: Jeeves Exerts the Old Cerebellum, Part 6 | — | ||
| 7 | Two: No Wedding Bells for Bingo, Part 1 | — | ||
| 8 | Two: No Wedding Bells for Bingo, Part 2 | — | ||
| 9 | Two: No Wedding Bells for Bingo, Part 3 | — | ||
| 10 | Two: No Wedding Bells for Bingo, Part 4 | — | ||
| 11 | Two: No Wedding Bells for Bingo, Part 5 | — | ||
| 12 | Three: Aunt Agatha Speaks Her Mind, Part 1 | — | ||
| 13 | Three: Aunt Agatha Speaks Her Mind, Part 2 | — | ||
| 14 | Three: Aunt Agatha Speaks Her Mind, Part 3 | — | ||
| 15 | Three: Aunt Agatha Speaks Her Mind, Part 4 | — | ||
| 16 | Four: Pearls Mean Tears, Part 1 | — | ||
| 17 | Four: Pearls Mean Tears, Part 2 | — | ||
| 18 | Four: Pearls Mean Tears, Part 3 | — | ||
| 19 | Four: Pearls Mean Tears, Part 4 | — | ||
| 20 | Four: Pearls Mean Tears, Part 5 | — | ||
| 21 | Four: Pearls Mean Tears, Part 6 | — | ||
| 2-1 | Four: Pearls Mean Tears, Part 7 | — | ||
| 2-2 | Four: Pearls Mean Tears, Part 8 | — | ||
| 2-3 | Five: The Pride of the Woosters Is Wounded, Part 1 | — | ||
| 2-4 | Five: The Pride of the Woosters Is Wounded, Part 2 | — | ||
| 2-5 | Five: The Pride of the Woosters Is Wounded, Part 3 | — | ||
| 2-6 | Five: The Pride of the Woosters Is Wounded, Part 4 | — | ||
| 2-7 | Five: The Pride of the Woosters Is Wounded, Part 5 | — | ||
| 2-8 | Six: The Hero's Reward, Part 1 | — | ||
| 2-9 | Six: The Hero's Reward, Part 2 | — | ||
| 2-10 | Six: The Hero's Reward, Part 3 | — | ||
| 2-11 | Six: The Hero's Reward, Part 4 | — | ||
| 2-12 | Seven: Introducing Claude and Eustace, Part 1 | — | ||
| 2-13 | Seven: Introducing Claude and Eustace, Part 2 | — | ||
| 2-14 | Seven: Introducing Claude and Eustace, Part 3 | — | ||
| 2-15 | Eight: Sir Roderick Comes to Lunch, Part 1 | — | ||
| 2-16 | Eight: Sir Roderick Comes to Lunch, Part 2 | — | ||
| 2-17 | Eight: Sir Roderick Comes to Lunch, Part 3 | — | ||
| 2-18 | Eight: Sir Roderick Comes to Lunch, Part 4 | — | ||
| 2-19 | Eight: Sir Roderick Comes to Lunch, Part 5 | — | ||
| 3-1 | Nine: A Letter of Introduction, Part 1 | — | ||
| 3-2 | Nine: A Letter of Introduction, Part 2 | — | ||
| 3-3 | Nine: A Letter of Introduction, Part 3 | — | ||
| 3-4 | Nine: A Letter of Introduction, Part 4 | — | ||
| 3-5 | Nine: A Letter of Introduction, Part 5 | — | ||
| 3-6 | Nine: A Letter of Introduction, Part 6 | — | ||
| 3-7 | Ten: Startling Dressiness of a Lift Attendant, Part 1 | — | ||
| 3-8 | Ten: Startling Dressiness of a Lift Attendant, Part 2 | — | ||
| 3-9 | Ten: Startling Dressiness of a Lift Attendant, Part 3 | — | ||
| 3-10 | Ten: Startling Dressiness of a Lift Attendant, Part 4 | — | ||
| 3-11 | Ten: Startling Dressiness of a Lift Attendant, Part 5 | — | ||
| 3-12 | Ten: Startling Dressiness of a Lift Attendant, Part 6 | — | ||
| 3-13 | Ten: Startling Dressiness of a Lift Attendant, Part 7 | — | ||
| 3-14 | Eleven: Comrade Bingo, Part 1 | — | ||
| 3-15 | Eleven: Comrade Bingo, Part 2 | — | ||
| 3-16 | Eleven: Comrade Bingo, Part 3 | — | ||
| 3-17 | Eleven: Comrade Bingo, Part 4 | — | ||
| 3-18 | Eleven: Comrade Bingo, Part 5 | — | ||
| 3-19 | Eleven: Comrade Bingo, Part 6 | — | ||
| 3-20 | Eleven: Comrade Bingo, Part 7 | — | ||
| 3-21 | Twelve: Bingo Has a Bad Goodwood, Part 1 | — | ||
| 3-22 | Twelve: Bingo Has a Bad Goodwood, Part 2 | — | ||
| 3-23 | Twelve: Bingo Has a Bad Goodwood, Part 3 | — | ||
| 3-24 | Twelve: Bingo Has a Bad Goodwood, Part 4 | — | ||
| 3-25 | Twelve: Bingo Has a Bad Goodwood, Part 5 | — | ||
| 4-1 | Thirteen: The Great Sermon Handicap, Part 1 | — | ||
| 4-2 | Thirteen: The Great Sermon Handicap, Part 2 | — | ||
| 4-3 | Thirteen: The Great Sermon Handicap, Part 3 | — | ||
| 4-4 | Thirteen: The Great Sermon Handicap, Part 4 | — | ||
| 4-5 | Thirteen: The Great Sermon Handicap, Part 5 | — | ||
| 4-6 | Thirteen: The Great Sermon Handicap, Part 6 | — | ||
| 4-7 | Thirteen: The Great Sermon Handicap, Part 7 | — | ||
| 4-8 | Thirteen: The Great Sermon Handicap, Part 8 | — | ||
| 4-9 | Thirteen: The Great Sermon Handicap, Part 9 | — | ||
| 4-10 | Thirteen: The Great Sermon Handicap, Part 10 | — | ||
| 4-11 | Thirteen: The Great Sermon Handicap, Part 11 | — | ||
| 4-12 | Fourteen: The Purity of the Turf, Part 1 | — | ||
| 4-13 | Fourteen: The Purity of the Turf, Part 2 | — | ||
| 4-14 | Fourteen: The Purity of the Turf, Part 3 | — | ||
| 4-15 | Fourteen: The Purity of the Turf, Part 4 | — | ||
| 4-16 | Fourteen: The Purity of the Turf, Part 5 | — | ||
| 4-17 | Fourteen: The Purity of the Turf, Part 6 | — | ||
| 4-18 | Fourteen: The Purity of the Turf, Part 7 | — | ||
| 4-19 | Fourteen: The Purity of the Turf, Part 8 | — | ||
| 4-20 | Fourteen: The Purity of the Turf, Part 9 | — | ||
| 4-21 | Fourteen: The Purity of the Turf, Part 10 | — | ||
| 4-22 | Fourteen: The Purity of the Turf, Part 11 | — | ||
| 5-1 | Fifteen: The Metropolitan Touch, Part 1 | — | ||
| 5-2 | Fifteen: The Metropolitan Touch, Part 2 | — | ||
| 5-3 | Fifteen: The Metropolitan Touch, Part 3 | — | ||
| 5-4 | Fifteen: The Metropolitan Touch, Part 4 | — | ||
| 5-5 | Fifteen: The Metropolitan Touch, Part 5 | — | ||
| 5-6 | Fifteen: The Metropolitan Touch, Part 6 | — | ||
| 5-7 | Fifteen: The Metropolitan Touch, Part 7 | — | ||
| 5-8 | Fifteen: The Metropolitan Touch, Part 8 | — | ||
| 5-9 | Fifteen: The Metropolitan Touch, Part 9 | — | ||
| 5-10 | Fifteen: The Metropolitan Touch, Part 10 | — | ||
| 5-11 | Fifteen: The Metropolitan Touch, Part 11 | — | ||
| 5-12 | Fifteen: The Metropolitan Touch, Part 12 | — | ||
| 5-13 | Fifteen: The Metropolitan Touch, Part 13 | — | ||
| 5-14 | Sixteen: The Delayed Exit of Claude and Eustace, Part 1 | — | ||
| 5-15 | Sixteen: The Delayed Exit of Claude and Eustace, Part 2 | — | ||
| 5-16 | Sixteen: The Delayed Exit of Claude and Eustace, Part 3 | — | ||
| 5-17 | Sixteen: The Delayed Exit of Claude and Eustace, Part 4 | — | ||
| 5-18 | Sixteen: The Delayed Exit of Claude and Eustace, Part 5 | — | ||
| 6-1 | Sixteen: The Delayed Exit of Claude and Eustace, Part 6 | — | ||
| 6-2 | Sixteen: The Delayed Exit of Claude and Eustace, Part 7 | — | ||
| 6-3 | Sixteen: The Delayed Exit of Claude and Eustace, Part 8 | — | ||
| 6-4 | Sixteen: The Delayed Exit of Claude and Eustace, Part 9 | — | ||
| 6-5 | Sixteen: The Delayed Exit of Claude and Eustace, Part 10 | — | ||
| 6-6 | Sixteen: The Delayed Exit of Claude and Eustace, Part 11 | — | ||
| 6-7 | Sixteen: The Delayed Exit of Claude and Eustace, Part 12 | — | ||
| 6-8 | Seventeen: Bingo and the Little Woman, Part 1 | — | ||
| 6-9 | Seventeen: Bingo and the Little Woman, Part 2 | — | ||
| 6-10 | Seventeen: Bingo and the Little Woman, Part 3 | — | ||
| 6-11 | Seventeen: Bingo and the Little Woman, Part 4 | — | ||
| 6-12 | Seventeen: Bingo and the Little Woman, Part 5 | — | ||
| 6-13 | Eighteen: All's Well, Part 1 | — | ||
| 6-14 | Eighteen: All's Well, Part 2 | — | ||
| 6-15 | Eighteen: All's Well, Part 3 | — | ||
| 6-16 | Eighteen: All's Well, Part 4 | — | ||
| 6-17 | Eighteen: All's Well, Part 5 | — | ||
| 6-18 | Eighteen: All's Well, Part 6 | — | ||
| 6-19 | Eighteen: All's Well, Part 7 | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
9781572705425 is a Universal Product Code (UPC) assigned to The Inimitable Jeeves by P. G. Wodehouse, Jonathan Cecil. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 124 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Inimitable Jeeves” by P. G. Wodehouse, Jonathan Cecil is 9781572705425. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. This release contains 124 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | One: Jeeves Exerts the Old Cerebellum, Part 1 | — | ||
| 2 | One: Jeeves Exerts the Old Cerebellum, Part 2 | — | ||
| 3 | One: Jeeves Exerts the Old Cerebellum, Part 3 | — | ||
| 4 | One: Jeeves Exerts the Old Cerebellum, Part 4 | — | ||
| 5 | One: Jeeves Exerts the Old Cerebellum, Part 5 | — | ||
| 6 | One: Jeeves Exerts the Old Cerebellum, Part 6 | — | ||
| 7 | Two: No Wedding Bells for Bingo, Part 1 | — | ||
| 8 | Two: No Wedding Bells for Bingo, Part 2 | — | ||
| 9 | Two: No Wedding Bells for Bingo, Part 3 | — | ||
| 10 | Two: No Wedding Bells for Bingo, Part 4 | — | ||
| 11 | Two: No Wedding Bells for Bingo, Part 5 | — | ||
| 12 | Three: Aunt Agatha Speaks Her Mind, Part 1 | — | ||
| 13 | Three: Aunt Agatha Speaks Her Mind, Part 2 | — | ||
| 14 | Three: Aunt Agatha Speaks Her Mind, Part 3 | — | ||
| 15 | Three: Aunt Agatha Speaks Her Mind, Part 4 | — | ||
| 16 | Four: Pearls Mean Tears, Part 1 | — | ||
| 17 | Four: Pearls Mean Tears, Part 2 | — | ||
| 18 | Four: Pearls Mean Tears, Part 3 | — | ||
| 19 | Four: Pearls Mean Tears, Part 4 | — | ||
| 20 | Four: Pearls Mean Tears, Part 5 | — | ||
| 21 | Four: Pearls Mean Tears, Part 6 | — | ||
| 2-1 | Four: Pearls Mean Tears, Part 7 | — | ||
| 2-2 | Four: Pearls Mean Tears, Part 8 | — | ||
| 2-3 | Five: The Pride of the Woosters Is Wounded, Part 1 | — | ||
| 2-4 | Five: The Pride of the Woosters Is Wounded, Part 2 | — | ||
| 2-5 | Five: The Pride of the Woosters Is Wounded, Part 3 | — | ||
| 2-6 | Five: The Pride of the Woosters Is Wounded, Part 4 | — | ||
| 2-7 | Five: The Pride of the Woosters Is Wounded, Part 5 | — | ||
| 2-8 | Six: The Hero's Reward, Part 1 | — | ||
| 2-9 | Six: The Hero's Reward, Part 2 | — | ||
| 2-10 | Six: The Hero's Reward, Part 3 | — | ||
| 2-11 | Six: The Hero's Reward, Part 4 | — | ||
| 2-12 | Seven: Introducing Claude and Eustace, Part 1 | — | ||
| 2-13 | Seven: Introducing Claude and Eustace, Part 2 | — | ||
| 2-14 | Seven: Introducing Claude and Eustace, Part 3 | — | ||
| 2-15 | Eight: Sir Roderick Comes to Lunch, Part 1 | — | ||
| 2-16 | Eight: Sir Roderick Comes to Lunch, Part 2 | — | ||
| 2-17 | Eight: Sir Roderick Comes to Lunch, Part 3 | — | ||
| 2-18 | Eight: Sir Roderick Comes to Lunch, Part 4 | — | ||
| 2-19 | Eight: Sir Roderick Comes to Lunch, Part 5 | — | ||
| 3-1 | Nine: A Letter of Introduction, Part 1 | — | ||
| 3-2 | Nine: A Letter of Introduction, Part 2 | — | ||
| 3-3 | Nine: A Letter of Introduction, Part 3 | — | ||
| 3-4 | Nine: A Letter of Introduction, Part 4 | — | ||
| 3-5 | Nine: A Letter of Introduction, Part 5 | — | ||
| 3-6 | Nine: A Letter of Introduction, Part 6 | — | ||
| 3-7 | Ten: Startling Dressiness of a Lift Attendant, Part 1 | — | ||
| 3-8 | Ten: Startling Dressiness of a Lift Attendant, Part 2 | — | ||
| 3-9 | Ten: Startling Dressiness of a Lift Attendant, Part 3 | — | ||
| 3-10 | Ten: Startling Dressiness of a Lift Attendant, Part 4 | — | ||
| 3-11 | Ten: Startling Dressiness of a Lift Attendant, Part 5 | — | ||
| 3-12 | Ten: Startling Dressiness of a Lift Attendant, Part 6 | — | ||
| 3-13 | Ten: Startling Dressiness of a Lift Attendant, Part 7 | — | ||
| 3-14 | Eleven: Comrade Bingo, Part 1 | — | ||
| 3-15 | Eleven: Comrade Bingo, Part 2 | — | ||
| 3-16 | Eleven: Comrade Bingo, Part 3 | — | ||
| 3-17 | Eleven: Comrade Bingo, Part 4 | — | ||
| 3-18 | Eleven: Comrade Bingo, Part 5 | — | ||
| 3-19 | Eleven: Comrade Bingo, Part 6 | — | ||
| 3-20 | Eleven: Comrade Bingo, Part 7 | — | ||
| 3-21 | Twelve: Bingo Has a Bad Goodwood, Part 1 | — | ||
| 3-22 | Twelve: Bingo Has a Bad Goodwood, Part 2 | — | ||
| 3-23 | Twelve: Bingo Has a Bad Goodwood, Part 3 | — | ||
| 3-24 | Twelve: Bingo Has a Bad Goodwood, Part 4 | — | ||
| 3-25 | Twelve: Bingo Has a Bad Goodwood, Part 5 | — | ||
| 4-1 | Thirteen: The Great Sermon Handicap, Part 1 | — | ||
| 4-2 | Thirteen: The Great Sermon Handicap, Part 2 | — | ||
| 4-3 | Thirteen: The Great Sermon Handicap, Part 3 | — | ||
| 4-4 | Thirteen: The Great Sermon Handicap, Part 4 | — | ||
| 4-5 | Thirteen: The Great Sermon Handicap, Part 5 | — | ||
| 4-6 | Thirteen: The Great Sermon Handicap, Part 6 | — | ||
| 4-7 | Thirteen: The Great Sermon Handicap, Part 7 | — | ||
| 4-8 | Thirteen: The Great Sermon Handicap, Part 8 | — | ||
| 4-9 | Thirteen: The Great Sermon Handicap, Part 9 | — | ||
| 4-10 | Thirteen: The Great Sermon Handicap, Part 10 | — | ||
| 4-11 | Thirteen: The Great Sermon Handicap, Part 11 | — | ||
| 4-12 | Fourteen: The Purity of the Turf, Part 1 | — | ||
| 4-13 | Fourteen: The Purity of the Turf, Part 2 | — | ||
| 4-14 | Fourteen: The Purity of the Turf, Part 3 | — | ||
| 4-15 | Fourteen: The Purity of the Turf, Part 4 | — | ||
| 4-16 | Fourteen: The Purity of the Turf, Part 5 | — | ||
| 4-17 | Fourteen: The Purity of the Turf, Part 6 | — | ||
| 4-18 | Fourteen: The Purity of the Turf, Part 7 | — | ||
| 4-19 | Fourteen: The Purity of the Turf, Part 8 | — | ||
| 4-20 | Fourteen: The Purity of the Turf, Part 9 | — | ||
| 4-21 | Fourteen: The Purity of the Turf, Part 10 | — | ||
| 4-22 | Fourteen: The Purity of the Turf, Part 11 | — | ||
| 5-1 | Fifteen: The Metropolitan Touch, Part 1 | — | ||
| 5-2 | Fifteen: The Metropolitan Touch, Part 2 | — | ||
| 5-3 | Fifteen: The Metropolitan Touch, Part 3 | — | ||
| 5-4 | Fifteen: The Metropolitan Touch, Part 4 | — | ||
| 5-5 | Fifteen: The Metropolitan Touch, Part 5 | — | ||
| 5-6 | Fifteen: The Metropolitan Touch, Part 6 | — | ||
| 5-7 | Fifteen: The Metropolitan Touch, Part 7 | — | ||
| 5-8 | Fifteen: The Metropolitan Touch, Part 8 | — | ||
| 5-9 | Fifteen: The Metropolitan Touch, Part 9 | — | ||
| 5-10 | Fifteen: The Metropolitan Touch, Part 10 | — | ||
| 5-11 | Fifteen: The Metropolitan Touch, Part 11 | — | ||
| 5-12 | Fifteen: The Metropolitan Touch, Part 12 | — | ||
| 5-13 | Fifteen: The Metropolitan Touch, Part 13 | — | ||
| 5-14 | Sixteen: The Delayed Exit of Claude and Eustace, Part 1 | — | ||
| 5-15 | Sixteen: The Delayed Exit of Claude and Eustace, Part 2 | — | ||
| 5-16 | Sixteen: The Delayed Exit of Claude and Eustace, Part 3 | — | ||
| 5-17 | Sixteen: The Delayed Exit of Claude and Eustace, Part 4 | — | ||
| 5-18 | Sixteen: The Delayed Exit of Claude and Eustace, Part 5 | — | ||
| 6-1 | Sixteen: The Delayed Exit of Claude and Eustace, Part 6 | — | ||
| 6-2 | Sixteen: The Delayed Exit of Claude and Eustace, Part 7 | — | ||
| 6-3 | Sixteen: The Delayed Exit of Claude and Eustace, Part 8 | — | ||
| 6-4 | Sixteen: The Delayed Exit of Claude and Eustace, Part 9 | — | ||
| 6-5 | Sixteen: The Delayed Exit of Claude and Eustace, Part 10 | — | ||
| 6-6 | Sixteen: The Delayed Exit of Claude and Eustace, Part 11 | — | ||
| 6-7 | Sixteen: The Delayed Exit of Claude and Eustace, Part 12 | — | ||
| 6-8 | Seventeen: Bingo and the Little Woman, Part 1 | — | ||
| 6-9 | Seventeen: Bingo and the Little Woman, Part 2 | — | ||
| 6-10 | Seventeen: Bingo and the Little Woman, Part 3 | — | ||
| 6-11 | Seventeen: Bingo and the Little Woman, Part 4 | — | ||
| 6-12 | Seventeen: Bingo and the Little Woman, Part 5 | — | ||
| 6-13 | Eighteen: All's Well, Part 1 | — | ||
| 6-14 | Eighteen: All's Well, Part 2 | — | ||
| 6-15 | Eighteen: All's Well, Part 3 | — | ||
| 6-16 | Eighteen: All's Well, Part 4 | — | ||
| 6-17 | Eighteen: All's Well, Part 5 | — | ||
| 6-18 | Eighteen: All's Well, Part 6 | — | ||
| 6-19 | Eighteen: All's Well, Part 7 | — |
