UPC · Release
Out of Your Mind
Alan Watts
Last verified:
9781591791652 is the Universal Product Code (UPC barcode) for the release “Out of Your Mind” by Alan Watts, released 2004-01-01 on Sounds True. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 117 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (117)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction | — | ||
| 2 | Our Image of the World | — | ||
| 3 | The Myth of the Ceramic Construct | — | ||
| 4 | The Myth of the Automatic Universe | — | ||
| 5 | A Wiggly World | — | ||
| 6 | A Game That's Worth the Candle | — | ||
| 7 | An Independant System | — | ||
| 8 | Whose Game Is It | — | ||
| 9 | The World as a Drama | — | ||
| 2-1 | Introduction | — | ||
| 2-2 | Being Aware of Awareness | — | ||
| 2-3 | Captivated by the Drama | — | ||
| 2-4 | The Game of Hide and Seek | — | ||
| 2-5 | Consciousness Beyond Our Separateness | — | ||
| 2-6 | How Do We Define Ourselves? | — | ||
| 2-7 | What It Is to See | — | ||
| 2-8 | The Road to Here | — | ||
| 2-9 | A Re-Examination of Common Sense | — | ||
| 3-1 | Introduction | — | ||
| 3-2 | What Did You Forget? | — | ||
| 3-3 | A Spontaneous Life | — | ||
| 3-4 | Seeing Beyond Our Separateness | — | ||
| 3-5 | Intervals Between What Happens | — | ||
| 3-6 | Existence as a Function of Relationship | — | ||
| 3-7 | Understanding the Unitive World | — | ||
| 3-8 | An Implicit Agreement | — | ||
| 3-9 | To Be Aware of the Melody | — | ||
| 4-1 | Introduction | — | ||
| 4-2 | Web as Mutuality | — | ||
| 4-3 | The Nature of Selfishness | — | ||
| 4-4 | A Perfectly Genuine Act | — | ||
| 4-5 | The Sound of Rain Needs No Translation | — | ||
| 4-6 | What Game Would You Like to Play | — | ||
| 4-7 | Is It Serious | — | ||
| 4-8 | An Invitation to Dance | — | ||
| 5-1 | Introduction | — | ||
| 5-2 | Undifferentiated vs. Differentiated Awareness | — | ||
| 5-3 | The Marriage of an Illusion to a Futility | — | ||
| 5-4 | The Awareness of a Baby | — | ||
| 5-5 | The Fallacy of Misplaced Correctness | — | ||
| 5-6 | The Sensation of Happening | — | ||
| 5-7 | Of Pain and Suffering | — | ||
| 5-8 | Must Life Go on and On? | — | ||
| 5-9 | A Natural Satori | — | ||
| 5-10 | The Aversion to Death | — | ||
| 5-11 | The Eroticism of Pain | — | ||
| 5-12 | The Spectrum of Vibrations | — | ||
| 6-1 | Introduction | — | ||
| 6-2 | Seeing Beyond the Game | — | ||
| 6-3 | The Conspiracy We Play on Ourselves | — | ||
| 6-4 | The Illusion of the Ego | — | ||
| 6-5 | The Meaningless Life | — | ||
| 6-6 | This Is the Game | — | ||
| 6-7 | So What's the Problem? | — | ||
| 6-8 | Every Incarnation Is This One | — | ||
| 6-9 | The State of Nothing | — | ||
| 6-10 | The Line of Least Resistance | — | ||
| 7-1 | Introduction | — | ||
| 7-2 | To Say What Can't Be Said | — | ||
| 7-3 | Zen's Appeal to the West | — | ||
| 7-4 | Direct Pointing | — | ||
| 7-5 | The Origins of Zen | — | ||
| 7-6 | The Golden Age of Zen | — | ||
| 7-7 | No Mind, No Deliberation | — | ||
| 7-8 | Who Are You | — | ||
| 7-9 | Disturbing Confusions of the Mind | — | ||
| 7-10 | Who Is the Thinker Behind the Thoughts | — | ||
| 8-1 | Introduction | — | ||
| 8-2 | Escaping the Tangle | — | ||
| 8-3 | The in Defines the Out Defines the In | — | ||
| 8-4 | The Japanese Zen Monastery | — | ||
| 8-5 | Entering the Temple | — | ||
| 8-6 | Answering the Koan | — | ||
| 8-7 | Seeing Past the Illusion | — | ||
| 8-8 | The Decline of Modern Temples | — | ||
| 8-9 | The Truth of the Birthless Mind | — | ||
| 9-1 | Introduction | — | ||
| 9-2 | The Totality of All Being | — | ||
| 9-3 | Awareness of the Self | — | ||
| 9-4 | The Fundamental I | — | ||
| 9-5 | Self as Play | — | ||
| 9-6 | The Rhythmic Dance | — | ||
| 9-7 | Rules of the Game | — | ||
| 9-8 | The Hindu Yugas | — | ||
| 9-9 | Western Difficulty With Hindu Mythology | — | ||
| 10-1 | Introduction | — | ||
| 10-2 | The Human World as Self | — | ||
| 10-3 | Stages of Citizenship in India | — | ||
| 10-4 | Shedding the Masks | — | ||
| 10-5 | The Limits of Self-Awareness | — | ||
| 10-6 | The Role of the Trickster | — | ||
| 10-7 | The Journey to Where You Already Are | — | ||
| 10-8 | Fear of Enlightenment | — | ||
| 10-9 | The Yoga Sutra | — | ||
| 10-10 | How Not to Use the Mind | — | ||
| 10-11 | Gamesmanship in Spiritual Practice | — | ||
| 10-12 | A Place for the Hermit | — | ||
| 11-1 | Introduction | — | ||
| 11-2 | The Essence of Hinduism | — | ||
| 11-3 | The Four Noble Truths | — | ||
| 11-4 | The Cause of Suffering | — | ||
| 11-5 | The Eightfold Path | — | ||
| 11-6 | The Five Good Conducts | — | ||
| 11-7 | Presence of Mind | — | ||
| 11-8 | A Finger Pointing at the Moon | — | ||
| 11-9 | The Nature of Change | — | ||
| 11-10 | The Mystery of Change | — | ||
| 11-11 | Peaks and Valleys Go Together as One | — | ||
| 12-1 | Introduction | — | ||
| 12-2 | The Buddhist Attitude of Change | — | ||
| 12-3 | Willing to Die | — | ||
| 12-4 | A Happy Death | — | ||
| 12-5 | Raising the Alarm | — | ||
| 12-6 | The World as Void | — | ||
| 12-7 | Voiding the Void | — | ||
| 12-8 | Consider Death Now | — | ||
| 12-9 | Thunderous Silence | — |
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What is UPC 9781591791652?
9781591791652 is a Universal Product Code (UPC) assigned to Out of Your Mind by Alan Watts. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 117 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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