UPC · Release
Shadow of the Hegemon
Orson Scott Card
Last verified:
9781593974800 is the Universal Product Code (UPC barcode) for the release “Shadow of the Hegemon” by Orson Scott Card, released 2000-12-10. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 114 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (114)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction | — | ||
| 2 | Titles | — | ||
| 3 | Chapter 01-01: Petra | — | ||
| 4 | Chapter 01-02: Petra | — | ||
| 5 | Chapter 01-03: Petra | — | ||
| 6 | Chapter 01-04: Petra | — | ||
| 7 | Chapter 02-01: Bean | — | ||
| 8 | Chapter 02-02: Bean | — | ||
| 9 | Chapter 02-03: Bean | — | ||
| 10 | Chapter 03-01: Message in a Bottle | — | ||
| 11 | Chapter 03-02: Message in a Bottle | — | ||
| 12 | Chapter 03-03: Message in a Bottle | — | ||
| 13 | [silence] | — | ||
| 2-1 | Chapter 03-04: Message in a Bottle | — | ||
| 2-2 | Chapter 04-01: Custody | — | ||
| 2-3 | Chapter 04-02: Custody | — | ||
| 2-4 | Chapter 04-03: Custody | — | ||
| 2-5 | Chapter 05-01: Ambition | — | ||
| 2-6 | Chapter 05-02: Ambition | — | ||
| 2-7 | Chapter 05-03: Ambition | — | ||
| 2-8 | Chapter 05-04: Ambition | — | ||
| 2-9 | Chapter 06-01: Code | — | ||
| 2-10 | [silence] | — | ||
| 3-1 | Chapter 06-02: Code | — | ||
| 3-2 | Chapter 06-03: Code | — | ||
| 3-3 | Chapter 06-04: Code | — | ||
| 3-4 | Chapter 06-05: Code | — | ||
| 3-5 | Chapter 06-06: Code | — | ||
| 3-6 | Chapter 07-01: Going Public | — | ||
| 3-7 | Chapter 07-02: Going Public | — | ||
| 3-8 | Chapter 07-03: Going Public | — | ||
| 3-9 | Chapter 08-01: Bread Van | — | ||
| 3-10 | [silence] | — | ||
| 4-1 | Chapter 08-02: Bread Van | — | ||
| 4-2 | Chapter 08-03: Bread Van | — | ||
| 4-3 | Chapter 08-04: Bread Van | — | ||
| 4-4 | Chapter 08-05: Bread Van | — | ||
| 4-5 | Chapter 08-06: Bread Van | — | ||
| 4-6 | Chapter 08-07: Bread Van | — | ||
| 4-7 | Chapter 08-08: Bread Van | — | ||
| 4-8 | Chapter 09-01: Communing With the Dead | — | ||
| 4-9 | Chapter 09-02: Communing With the Dead | — | ||
| 4-10 | [silence] | — | ||
| 5-1 | Chapter 09-03: Communing With the Dead | — | ||
| 5-2 | Chapter 09-04: Communing With the Dead | — | ||
| 5-3 | Chapter 09-05: Communing With the Dead | — | ||
| 5-4 | Chapter 09-06: Communing With the Dead | — | ||
| 5-5 | Chapter 09-07: Communing With the Dead | — | ||
| 5-6 | Chapter 09-08: Communing With the Dead | — | ||
| 5-7 | Chapter 10-01: Brothers in Arms | — | ||
| 5-8 | Chapter 10-02: Brothers in Arms | — | ||
| 5-9 | Chapter 10-03: Brothers in Arms | — | ||
| 5-10 | [silence] | — | ||
| 6-1 | Chapter 10-04: Brothers in Arms | — | ||
| 6-2 | Chapter 10-05: Brothers in Arms | — | ||
| 6-3 | Chapter 10-06: Brothers in Arms | — | ||
| 6-4 | Chapter 11-01: Bangkok | — | ||
| 6-5 | Chapter 11-02: Bangkok | — | ||
| 6-6 | Chapter 11-03: Bangkok | — | ||
| 6-7 | Chapter 11-04: Bangkok | — | ||
| 6-8 | Chapter 12-01: Islamabad | — | ||
| 6-9 | Chapter 12-02: Islamabad | — | ||
| 6-10 | [silence] | — | ||
| 7-1 | Chapter 12-03: Islamabad | — | ||
| 7-2 | Chapter 12-04: Islamabad | — | ||
| 7-3 | Chapter 13-01: Warnings | — | ||
| 7-4 | Chapter 13-02: Warnings | — | ||
| 7-5 | Chapter 13-03: Warnings | — | ||
| 7-6 | Chapter 13-04: Warnings | — | ||
| 7-7 | Chapter 13-05: Warnings | — | ||
| 7-8 | Chapter 13-06: Warnings | — | ||
| 7-9 | Chapter 13-07: Warnings | — | ||
| 7-10 | [silence] | — | ||
| 8-1 | Chapter 13-08: Warnings | — | ||
| 8-2 | Chapter 14-01: Hyderabad | — | ||
| 8-3 | Chapter 14-02: Hyderabad | — | ||
| 8-4 | Chapter 14-03: Hyderabad | — | ||
| 8-5 | Chapter 14-04: Hyderabad | — | ||
| 8-6 | Chapter 14-05: Hyderabad | — | ||
| 8-7 | Chapter 14-06: Hyderabad | — | ||
| 8-8 | Chapter 14-07: Hyderabad | — | ||
| 8-9 | Chapter 14-08: Hyderabad | — | ||
| 8-10 | [silence] | — | ||
| 9-1 | Chapter 14-09: Hyderabad | — | ||
| 9-2 | Chapter 15-01: Murder | — | ||
| 9-3 | Chapter 15-02: Murder | — | ||
| 9-4 | Chapter 15-03: Murder | — | ||
| 9-5 | Chapter 15-04: Murder | — | ||
| 9-6 | Chapter 15-05: Murder | — | ||
| 9-7 | Chapter 16-01: Treachery | — | ||
| 9-8 | Chapter 16-02: Treachery | — | ||
| 9-9 | Chapter 16-03: Treachery | — | ||
| 9-10 | [silence] | — | ||
| 10-1 | Chapter 17-01: On a Bridge | — | ||
| 10-2 | Chapter 17-02: On a Bridge | — | ||
| 10-3 | Chapter 17-03: On a Bridge | — | ||
| 10-4 | Chapter 17-04: On a Bridge | — | ||
| 10-5 | Chapter 17-05: On a Bridge | — | ||
| 10-6 | Chapter 18-01: Satyagraha | — | ||
| 10-7 | Chapter 18-02: Satyagraha | — | ||
| 10-8 | Chapter 18-03: Satyagraha | — | ||
| 10-9 | Chapter 18-04: Satyagraha | — | ||
| 10-10 | [silence] | — | ||
| 11-1 | Chapter 19-01: Rescue | — | ||
| 11-2 | Chapter 19-02: Rescue | — | ||
| 11-3 | Chapter 19-03: Rescue | — | ||
| 11-4 | Chapter 19-04: Rescue | — | ||
| 11-5 | Chapter 20-01: Hegemon | — | ||
| 11-6 | Chapter 20-02: Hegemon | — | ||
| 11-7 | Chapter 20-03: Hegemon | — | ||
| 11-8 | Chapter 20-04: Hegemon | — | ||
| 11-9 | Afterword 1 | — | ||
| 11-10 | Afterword 2 | — | ||
| 11-11 | [silence] | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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People also ask
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What is UPC 9781593974800?
9781593974800 is a Universal Product Code (UPC) assigned to Shadow of the Hegemon by Orson Scott Card. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 114 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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