UPC · Release
Douglas Adams
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9781602834798 is the Universal Product Code (UPC barcode) for the release “The Hitchhiker’s Guide to the Galaxy: The Complete Radio Series” by Douglas Adams, released 2008-11-04 on AudioGo. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 276 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | This Is the Story | — | ||
| 2 | You’ve Got to Build Bypasses | — | ||
| 3 | A Strange Coincidence | — | ||
| 4 | Six Pints of Bitter | — | ||
| 5 | On This Particular Thursday | — | ||
| 6 | Let Them Have Their Fun | — | ||
| 7 | People of Earth, Your Attention Please | — | ||
| 8 | I Bought Some Peanuts | — | ||
| 9 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 10 | What the Devil’s That? | — | ||
| 11 | The Babel Fish | — | ||
| 12 | What an Extraordinary Book | — | ||
| 13 | Vogon Poetry | — | ||
| 14 | Far Out in the Uncharted Backwaters | — | ||
| 15 | Your Very Lives in Your Hands | — | ||
| 16 | The Girls? The Leather? The Machismo? | — | ||
| 17 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 18 | Perhaps We Died | — | ||
| 19 | The Infinite Improbability Drive | — | ||
| 20 | 5 to 1 Against and Falling | — | ||
| 21 | The Encyclopædia Galactica | — | ||
| 22 | Select Your Own Re-Entry Point | — | ||
| 23 | Has the Big Z Finally Flipped? / Glad to Be of Service | — | ||
| 2-1 | Far Back in the Mists | — | ||
| 2-2 | In Orbit Around It | — | ||
| 2-3 | Arthur Dent Had Basically Assumed | — | ||
| 2-4 | The Five Million Year Old Tape Recording | — | ||
| 2-5 | One of Our Heroes Sustains a Slight Bruise | — | ||
| 2-6 | A Sperm Whale Had Suddenly Been Called | — | ||
| 2-7 | The Mind of a Bowl of Petunias | — | ||
| 2-8 | This Is Really Spooky | — | ||
| 2-9 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 2-10 | Night Is Falling | — | ||
| 2-11 | An Important and Popular Fact | — | ||
| 2-12 | Forced to Resort to Astonishment | — | ||
| 2-13 | Life, the Universe and Everything | — | ||
| 2-14 | Philosophers | — | ||
| 2-15 | Seven-And-a-Half Million Years Later | — | ||
| 2-16 | So There You Have It | — | ||
| 2-17 | It Is of Course Well-Known | — | ||
| 2-18 | Welcome to Lunch, Earth Creature | — | ||
| 2-19 | We’ve Got You Covered | — | ||
| 3-1 | In the Beginning | — | ||
| 3-2 | The Restaurant at the End of the Universe | — | ||
| 3-3 | The End of History Itself | — | ||
| 3-4 | Marvin and the Car Park | — | ||
| 3-5 | The Moment You’ve All Been Waiting For | — | ||
| 3-6 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 3-7 | You Can’t Control It | — | ||
| 3-8 | The History of Every Major Galactic Civilisation | — | ||
| 3-9 | The Admiral’s Flagship | — | ||
| 3-10 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 3-11 | The Prospect of Death | — | ||
| 3-12 | Far From Its Starting Point | — | ||
| 3-13 | The Place Is Full of Sarcophagi | — | ||
| 3-14 | Our Planet Was Doomed | — | ||
| 3-15 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 3-16 | We’ve Made a Discovery | — | ||
| 3-17 | Q Scores 10 | — | ||
| 4-1 | There Is a Theory | — | ||
| 4-2 | Ursa Minor Beta Air Traffic Control | — | ||
| 4-3 | I’ve Recovered | — | ||
| 4-4 | It Is of Course Perfectly Natural | — | ||
| 4-5 | There Must Be Some Way | — | ||
| 4-6 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 4-7 | Thanks for the Ride, Guys | — | ||
| 4-8 | Several Hours Later | — | ||
| 4-9 | Trillian Also Effected a Fortuitous Escape | — | ||
| 4-10 | Modern Elevators Are Strange and Complex Entities | — | ||
| 4-11 | The Future I Was So Worried About | — | ||
| 4-12 | The Universe Continued Unabated | — | ||
| 4-13 | No Food | — | ||
| 4-14 | Two Million Years Backwards in Time | — | ||
| 4-15 | Perhaps We Could Wave Your Towel | — | ||
| 4-16 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 4-17 | On Improbability Drive | — | ||
| 4-18 | Many Stories Were Told | — | ||
| 4-19 | Dancing Robots | — | ||
| 4-20 | In-Flight Entertainment | — | ||
| 4-21 | The Vortex Is Ready for You Now | — | ||
| 4-22 | One Momentary Glimpse | — | ||
| 4-23 | An Invisible Dot on an Invisible Dot | — | ||
| 4-24 | The Vortex Derives Its Picture | — | ||
| 5-1 | The Most Important Being in the Entire Universe | — | ||
| 5-2 | Not a Pleasant Sight, Even for Other Vogons | — | ||
| 5-3 | You All Get It in the Neck | — | ||
| 5-4 | A Vogon Fleet on Our Tail | — | ||
| 5-5 | Share and Enjoy | — | ||
| 5-6 | It Tastes Filthy | — | ||
| 5-7 | Life Is Terribly Unfair | — | ||
| 5-8 | The Living Are All the Same | — | ||
| 5-9 | The Following Facts | — | ||
| 5-10 | 48 Seconds | — | ||
| 5-11 | An Unearthly Voice Came | — | ||
| 5-12 | A Remarkable Effect on the Universe | — | ||
| 5-13 | Some Kind of Cave | — | ||
| 5-14 | The Problems of Real Life | — | ||
| 5-15 | This Is Utterly Ludicrous | — | ||
| 5-16 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 5-17 | Come and Meet the Rest of Us | — | ||
| 5-18 | The Wise Old Bird | — | ||
| 5-19 | Distastefully Explicit | — | ||
| 5-20 | Arthur Is in the Thick of It | — | ||
| 6-1 | Some Form of Explanation | — | ||
| 6-2 | All Non-Starters Really | — | ||
| 6-3 | The Major Problem | — | ||
| 6-4 | The Most Worthwhile Thing in Ford’s Possession | — | ||
| 6-5 | A Sense of Mystery and Wonder | — | ||
| 6-6 | The Clone Rangers | — | ||
| 6-7 | The Terrifying Truth | — | ||
| 6-8 | The New Noise | — | ||
| 6-9 | I Could Just Have You Revoked | — | ||
| 6-10 | The Shoe Event Horizon | — | ||
| 6-11 | The Excitement Is Mounting | — | ||
| 6-12 | You’d Better Keep Your Head Screwed On | — | ||
| 6-13 | Where Are We Going? | — | ||
| 6-14 | A Quiet Social Get Together | — | ||
| 6-15 | Nerve Rackingly Enough | — | ||
| 6-16 | Switching Tracks | — | ||
| 6-17 | Reality Is on the Blink Again | — | ||
| 6-18 | Who You Get to Do It | — | ||
| 6-19 | Pussy Want His Fish? | — | ||
| 6-20 | What Does the Future Hold? | — | ||
| 7-1 | An Updated Guide | — | ||
| 7-2 | The Two Earth Survivors | — | ||
| 7-3 | A Frustrating Encounter | — | ||
| 7-4 | Wowbagger | — | ||
| 7-5 | Reunion | — | ||
| 7-6 | Chasing the Sofa | — | ||
| 7-7 | Starships of Legend | — | ||
| 7-8 | Marvin Rotating | — | ||
| 7-9 | The Ratchet Screwdriver Fruit | — | ||
| 7-10 | Goodbye Trillian | — | ||
| 7-11 | Time Travel | — | ||
| 7-12 | Lords Cricket Ground | — | ||
| 7-13 | A Cup of Tea and a Newspaper | — | ||
| 7-14 | Somebody Else’s Problem | — | ||
| 7-15 | The Krikkit Robots Attack | — | ||
| 7-16 | Aftermath | — | ||
| 7-17 | Robot Restaurant | — | ||
| 7-18 | The Bistromathic Drive | — | ||
| 7-19 | Mattress Globbering | — | ||
| 7-20 | Marvin’s Depressing Tale | — | ||
| 8-1 | Lallafa and the Leaves | — | ||
| 8-2 | A Souvenir Offer | — | ||
| 8-3 | An Informational Visit | — | ||
| 8-4 | The Krikkit Men Awake | — | ||
| 8-5 | Brockian Ultra-Cricket | — | ||
| 8-6 | Zaphod’s Sneaky Visitors | — | ||
| 8-7 | The Krikkit War Crimes Trial | — | ||
| 8-8 | Judiciary Pag Rules | — | ||
| 8-9 | The Campaign for Real Time | — | ||
| 8-10 | Arthur Diverted | — | ||
| 8-11 | Inside the Labyrinth | — | ||
| 8-12 | The Cathedral of Hate | — | ||
| 8-13 | Agrajag | — | ||
| 8-14 | Flying Lessons | — | ||
| 8-15 | Lost Property | — | ||
| 8-16 | The Longest Party | — | ||
| 8-17 | Bring a Bottle | — | ||
| 8-18 | Disco Fever | — | ||
| 8-19 | Gatecrashers | — | ||
| 8-20 | Arthur Gets Tough | — | ||
| 9-1 | Silastic Armorfiends | — | ||
| 9-2 | Hactar | — | ||
| 9-3 | Trillian’s Homework | — | ||
| 9-4 | The Wikkit Gate | — | ||
| 9-5 | Philadeeleya Soundscapers | — | ||
| 9-6 | Zaphod Bales Out | — | ||
| 9-7 | Fast and Faster | — | ||
| 9-8 | Pan Galactic Crisis | — | ||
| 9-9 | The Planet Krikkit | — | ||
| 9-10 | Zaphod the Intrepid | — | ||
| 9-11 | Everything to Play For | — | ||
| 9-12 | The Brains of the Outfit | — | ||
| 9-13 | Trillian Puts a Case | — | ||
| 9-14 | Teamwork | — | ||
| 9-15 | Hactar in Particular | — | ||
| 9-16 | Dissolution | — | ||
| 9-17 | Prak | — | ||
| 9-18 | The Ultimate Question | — | ||
| 9-19 | Dr Dan’s Opus | — | ||
| 9-20 | Return to Lords | — | ||
| 10-1 | A Planet in the Way | — | ||
| 10-2 | Now Wash Your Hands Please | — | ||
| 10-3 | Alien Teaser | — | ||
| 10-4 | The Old Pink Dog | — | ||
| 10-5 | The Taunton Road | — | ||
| 10-6 | Rain Type 232 | — | ||
| 10-7 | Wealth Counselling | — | ||
| 10-8 | Another Updated Guide | — | ||
| 10-9 | Love at First Groan | — | ||
| 10-10 | Ford’s New Responsibilities | — | ||
| 10-11 | Arthur’s Cottage | — | ||
| 10-12 | Putting the Universe to Rights | — | ||
| 10-13 | When Do Hedgehogs Stop Hibernating? | — | ||
| 10-14 | Fenchurch | — | ||
| 10-15 | Ticket Number 37 | — | ||
| 10-16 | A Fracture in Time | — | ||
| 10-17 | Still Raining, Still Dreaming | — | ||
| 10-18 | Xaxisian Robot Ship | — | ||
| 10-19 | Arthur’s Good Deed | — | ||
| 10-20 | A Cave in Islington | — | ||
| 11-1 | Rich Tea | — | ||
| 11-2 | Fenchurch’s Story | — | ||
| 11-3 | Arthur’s Guide | — | ||
| 11-4 | Vogon Court of Inquiry | — | ||
| 11-5 | An Inch Taller | — | ||
| 11-6 | Flying on the Flight Path | — | ||
| 11-7 | East River Nightmare | — | ||
| 11-8 | Murray Bost Henson | — | ||
| 11-9 | Another Flight | — | ||
| 11-10 | Wonko the Sane | — | ||
| 11-11 | Return of the Rain God | — | ||
| 11-12 | An American Trillian | — | ||
| 11-13 | Ford Prefect Unbound | — | ||
| 11-14 | The World at One | — | ||
| 11-15 | Novelties | — | ||
| 11-16 | Hitching a Lift on a Robot Ship | — | ||
| 11-17 | Multidimensional Infinity | — | ||
| 11-18 | Two for the Message | — | ||
| 11-19 | Marvin’s Last Journey | — | ||
| 11-20 | Hyperspace Jump | — | ||
| 12-1 | Who Are You? | — | ||
| 12-2 | The Terminal | — | ||
| 12-3 | Tricia McMillion Billion Trillian | — | ||
| 12-4 | Rupert Rises | — | ||
| 12-5 | Astrology in Alpha | — | ||
| 12-6 | Zaphod Delivers a Pizza | — | ||
| 12-7 | Vann Harl | — | ||
| 12-8 | Prophets and Losses | — | ||
| 12-9 | The Hitchhiker’s Building | — | ||
| 12-10 | A Happy Robot | — | ||
| 12-11 | Smelly Photocopier Woman | — | ||
| 12-12 | Aliens on the Lawn | — | ||
| 12-13 | Zarniwoop | — | ||
| 12-14 | Spread a Little Happiness | — | ||
| 12-15 | The Grebulon Mission | — | ||
| 12-16 | Old Man Up the Pole | — | ||
| 12-17 | InfiniDim Enterprises | — | ||
| 12-18 | Total Perspective Vortex | — | ||
| 12-19 | Hoping for a Miracle | — | ||
| 12-20 | Taking a Leap | — | ||
| 13-1 | The Sandwichmaker | — | ||
| 13-2 | Old Thrashbarg Propitiates | — | ||
| 13-3 | Stuck on a Ledge | — | ||
| 13-4 | Trillian’s Little Surprise | — | ||
| 13-5 | Tricia Dines on Rupert | — | ||
| 13-6 | Bonding | — | ||
| 13-7 | A Parcel Arrives | — | ||
| 13-8 | That Which Survives | — | ||
| 13-9 | Reverse Temporal Engineering | — | ||
| 13-10 | RW6 | — | ||
| 13-11 | Ford’s Theory | — | ||
| 13-12 | In Post-Production | — | ||
| 13-13 | A Perfectly Normal Ride | — | ||
| 13-14 | Regent’s Park | — | ||
| 13-15 | Stampede | — | ||
| 13-16 | In The Domain of the King | — | ||
| 13-17 | The Threads Draw Together | — | ||
| 13-18 | Number 42 | — | ||
| 13-19 | The Probability Arc | — | ||
| 13-20 | Advanced Bistromathics | — | ||
| 14-1 | To Mark the Twentieth Anniversary Of... | — | ||
| 14-2 | Anyway, I Think It Was in My... | — | ||
| 14-3 | These Early Beginnings, and Early Shoulder-Rubbings | — | ||
| 14-4 | So Really I Wanted to Try and Make the Sort of Things... | — | ||
| 14-5 | In That First Episode, the Characters in the Bar | — | ||
| 14-6 | With So Many Intellectual Manoeuvres Going On | — | ||
| 14-7 | I Hope This Doesn't Sound Too Self-Serving | — | ||
| 14-8 | I Think I'm Quite Good At... | — | ||
| 14-9 | Douglas, Quite Apart From the People... | — | ||
| 14-10 | It's Perhaps No Wonder That in Douglas's World | — | ||
| 14-11 | Having Addressed Yourself, in Comedy | — | ||
| 14-12 | Do You Think Your Time...? | — | ||
| 14-13 | Earlier Portraits of You... | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
9781602834798 is a Universal Product Code (UPC) assigned to The Hitchhiker’s Guide to the Galaxy: The Complete Radio Series by Douglas Adams. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 276 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
9781602834798 is the Universal Product Code (UPC barcode) for the release “The Hitchhiker’s Guide to the Galaxy: The Complete Radio Series” by Douglas Adams, released 2008-11-04 on AudioGo. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 276 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | This Is the Story | — | ||
| 2 | You’ve Got to Build Bypasses | — | ||
| 3 | A Strange Coincidence | — | ||
| 4 | Six Pints of Bitter | — | ||
| 5 | On This Particular Thursday | — | ||
| 6 | Let Them Have Their Fun | — | ||
| 7 | People of Earth, Your Attention Please | — | ||
| 8 | I Bought Some Peanuts | — | ||
| 9 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 10 | What the Devil’s That? | — | ||
| 11 | The Babel Fish | — | ||
| 12 | What an Extraordinary Book | — | ||
| 13 | Vogon Poetry | — | ||
| 14 | Far Out in the Uncharted Backwaters | — | ||
| 15 | Your Very Lives in Your Hands | — | ||
| 16 | The Girls? The Leather? The Machismo? | — | ||
| 17 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 18 | Perhaps We Died | — | ||
| 19 | The Infinite Improbability Drive | — | ||
| 20 | 5 to 1 Against and Falling | — | ||
| 21 | The Encyclopædia Galactica | — | ||
| 22 | Select Your Own Re-Entry Point | — | ||
| 23 | Has the Big Z Finally Flipped? / Glad to Be of Service | — | ||
| 2-1 | Far Back in the Mists | — | ||
| 2-2 | In Orbit Around It | — | ||
| 2-3 | Arthur Dent Had Basically Assumed | — | ||
| 2-4 | The Five Million Year Old Tape Recording | — | ||
| 2-5 | One of Our Heroes Sustains a Slight Bruise | — | ||
| 2-6 | A Sperm Whale Had Suddenly Been Called | — | ||
| 2-7 | The Mind of a Bowl of Petunias | — | ||
| 2-8 | This Is Really Spooky | — | ||
| 2-9 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 2-10 | Night Is Falling | — | ||
| 2-11 | An Important and Popular Fact | — | ||
| 2-12 | Forced to Resort to Astonishment | — | ||
| 2-13 | Life, the Universe and Everything | — | ||
| 2-14 | Philosophers | — | ||
| 2-15 | Seven-And-a-Half Million Years Later | — | ||
| 2-16 | So There You Have It | — | ||
| 2-17 | It Is of Course Well-Known | — | ||
| 2-18 | Welcome to Lunch, Earth Creature | — | ||
| 2-19 | We’ve Got You Covered | — | ||
| 3-1 | In the Beginning | — | ||
| 3-2 | The Restaurant at the End of the Universe | — | ||
| 3-3 | The End of History Itself | — | ||
| 3-4 | Marvin and the Car Park | — | ||
| 3-5 | The Moment You’ve All Been Waiting For | — | ||
| 3-6 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 3-7 | You Can’t Control It | — | ||
| 3-8 | The History of Every Major Galactic Civilisation | — | ||
| 3-9 | The Admiral’s Flagship | — | ||
| 3-10 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 3-11 | The Prospect of Death | — | ||
| 3-12 | Far From Its Starting Point | — | ||
| 3-13 | The Place Is Full of Sarcophagi | — | ||
| 3-14 | Our Planet Was Doomed | — | ||
| 3-15 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 3-16 | We’ve Made a Discovery | — | ||
| 3-17 | Q Scores 10 | — | ||
| 4-1 | There Is a Theory | — | ||
| 4-2 | Ursa Minor Beta Air Traffic Control | — | ||
| 4-3 | I’ve Recovered | — | ||
| 4-4 | It Is of Course Perfectly Natural | — | ||
| 4-5 | There Must Be Some Way | — | ||
| 4-6 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 4-7 | Thanks for the Ride, Guys | — | ||
| 4-8 | Several Hours Later | — | ||
| 4-9 | Trillian Also Effected a Fortuitous Escape | — | ||
| 4-10 | Modern Elevators Are Strange and Complex Entities | — | ||
| 4-11 | The Future I Was So Worried About | — | ||
| 4-12 | The Universe Continued Unabated | — | ||
| 4-13 | No Food | — | ||
| 4-14 | Two Million Years Backwards in Time | — | ||
| 4-15 | Perhaps We Could Wave Your Towel | — | ||
| 4-16 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 4-17 | On Improbability Drive | — | ||
| 4-18 | Many Stories Were Told | — | ||
| 4-19 | Dancing Robots | — | ||
| 4-20 | In-Flight Entertainment | — | ||
| 4-21 | The Vortex Is Ready for You Now | — | ||
| 4-22 | One Momentary Glimpse | — | ||
| 4-23 | An Invisible Dot on an Invisible Dot | — | ||
| 4-24 | The Vortex Derives Its Picture | — | ||
| 5-1 | The Most Important Being in the Entire Universe | — | ||
| 5-2 | Not a Pleasant Sight, Even for Other Vogons | — | ||
| 5-3 | You All Get It in the Neck | — | ||
| 5-4 | A Vogon Fleet on Our Tail | — | ||
| 5-5 | Share and Enjoy | — | ||
| 5-6 | It Tastes Filthy | — | ||
| 5-7 | Life Is Terribly Unfair | — | ||
| 5-8 | The Living Are All the Same | — | ||
| 5-9 | The Following Facts | — | ||
| 5-10 | 48 Seconds | — | ||
| 5-11 | An Unearthly Voice Came | — | ||
| 5-12 | A Remarkable Effect on the Universe | — | ||
| 5-13 | Some Kind of Cave | — | ||
| 5-14 | The Problems of Real Life | — | ||
| 5-15 | This Is Utterly Ludicrous | — | ||
| 5-16 | The Hitchhiker’s Guide to the Galaxy | — | ||
| 5-17 | Come and Meet the Rest of Us | — | ||
| 5-18 | The Wise Old Bird | — | ||
| 5-19 | Distastefully Explicit | — | ||
| 5-20 | Arthur Is in the Thick of It | — | ||
| 6-1 | Some Form of Explanation | — | ||
| 6-2 | All Non-Starters Really | — | ||
| 6-3 | The Major Problem | — | ||
| 6-4 | The Most Worthwhile Thing in Ford’s Possession | — | ||
| 6-5 | A Sense of Mystery and Wonder | — | ||
| 6-6 | The Clone Rangers | — | ||
| 6-7 | The Terrifying Truth | — | ||
| 6-8 | The New Noise | — | ||
| 6-9 | I Could Just Have You Revoked | — | ||
| 6-10 | The Shoe Event Horizon | — | ||
| 6-11 | The Excitement Is Mounting | — | ||
| 6-12 | You’d Better Keep Your Head Screwed On | — | ||
| 6-13 | Where Are We Going? | — | ||
| 6-14 | A Quiet Social Get Together | — | ||
| 6-15 | Nerve Rackingly Enough | — | ||
| 6-16 | Switching Tracks | — | ||
| 6-17 | Reality Is on the Blink Again | — | ||
| 6-18 | Who You Get to Do It | — | ||
| 6-19 | Pussy Want His Fish? | — | ||
| 6-20 | What Does the Future Hold? | — | ||
| 7-1 | An Updated Guide | — | ||
| 7-2 | The Two Earth Survivors | — | ||
| 7-3 | A Frustrating Encounter | — | ||
| 7-4 | Wowbagger | — | ||
| 7-5 | Reunion | — | ||
| 7-6 | Chasing the Sofa | — | ||
| 7-7 | Starships of Legend | — | ||
| 7-8 | Marvin Rotating | — | ||
| 7-9 | The Ratchet Screwdriver Fruit | — | ||
| 7-10 | Goodbye Trillian | — | ||
| 7-11 | Time Travel | — | ||
| 7-12 | Lords Cricket Ground | — | ||
| 7-13 | A Cup of Tea and a Newspaper | — | ||
| 7-14 | Somebody Else’s Problem | — | ||
| 7-15 | The Krikkit Robots Attack | — | ||
| 7-16 | Aftermath | — | ||
| 7-17 | Robot Restaurant | — | ||
| 7-18 | The Bistromathic Drive | — | ||
| 7-19 | Mattress Globbering | — | ||
| 7-20 | Marvin’s Depressing Tale | — | ||
| 8-1 | Lallafa and the Leaves | — | ||
| 8-2 | A Souvenir Offer | — | ||
| 8-3 | An Informational Visit | — | ||
| 8-4 | The Krikkit Men Awake | — | ||
| 8-5 | Brockian Ultra-Cricket | — | ||
| 8-6 | Zaphod’s Sneaky Visitors | — | ||
| 8-7 | The Krikkit War Crimes Trial | — | ||
| 8-8 | Judiciary Pag Rules | — | ||
| 8-9 | The Campaign for Real Time | — | ||
| 8-10 | Arthur Diverted | — | ||
| 8-11 | Inside the Labyrinth | — | ||
| 8-12 | The Cathedral of Hate | — | ||
| 8-13 | Agrajag | — | ||
| 8-14 | Flying Lessons | — | ||
| 8-15 | Lost Property | — | ||
| 8-16 | The Longest Party | — | ||
| 8-17 | Bring a Bottle | — | ||
| 8-18 | Disco Fever | — | ||
| 8-19 | Gatecrashers | — | ||
| 8-20 | Arthur Gets Tough | — | ||
| 9-1 | Silastic Armorfiends | — | ||
| 9-2 | Hactar | — | ||
| 9-3 | Trillian’s Homework | — | ||
| 9-4 | The Wikkit Gate | — | ||
| 9-5 | Philadeeleya Soundscapers | — | ||
| 9-6 | Zaphod Bales Out | — | ||
| 9-7 | Fast and Faster | — | ||
| 9-8 | Pan Galactic Crisis | — | ||
| 9-9 | The Planet Krikkit | — | ||
| 9-10 | Zaphod the Intrepid | — | ||
| 9-11 | Everything to Play For | — | ||
| 9-12 | The Brains of the Outfit | — | ||
| 9-13 | Trillian Puts a Case | — | ||
| 9-14 | Teamwork | — | ||
| 9-15 | Hactar in Particular | — | ||
| 9-16 | Dissolution | — | ||
| 9-17 | Prak | — | ||
| 9-18 | The Ultimate Question | — | ||
| 9-19 | Dr Dan’s Opus | — | ||
| 9-20 | Return to Lords | — | ||
| 10-1 | A Planet in the Way | — | ||
| 10-2 | Now Wash Your Hands Please | — | ||
| 10-3 | Alien Teaser | — | ||
| 10-4 | The Old Pink Dog | — | ||
| 10-5 | The Taunton Road | — | ||
| 10-6 | Rain Type 232 | — | ||
| 10-7 | Wealth Counselling | — | ||
| 10-8 | Another Updated Guide | — | ||
| 10-9 | Love at First Groan | — | ||
| 10-10 | Ford’s New Responsibilities | — | ||
| 10-11 | Arthur’s Cottage | — | ||
| 10-12 | Putting the Universe to Rights | — | ||
| 10-13 | When Do Hedgehogs Stop Hibernating? | — | ||
| 10-14 | Fenchurch | — | ||
| 10-15 | Ticket Number 37 | — | ||
| 10-16 | A Fracture in Time | — | ||
| 10-17 | Still Raining, Still Dreaming | — | ||
| 10-18 | Xaxisian Robot Ship | — | ||
| 10-19 | Arthur’s Good Deed | — | ||
| 10-20 | A Cave in Islington | — | ||
| 11-1 | Rich Tea | — | ||
| 11-2 | Fenchurch’s Story | — | ||
| 11-3 | Arthur’s Guide | — | ||
| 11-4 | Vogon Court of Inquiry | — | ||
| 11-5 | An Inch Taller | — | ||
| 11-6 | Flying on the Flight Path | — | ||
| 11-7 | East River Nightmare | — | ||
| 11-8 | Murray Bost Henson | — | ||
| 11-9 | Another Flight | — | ||
| 11-10 | Wonko the Sane | — | ||
| 11-11 | Return of the Rain God | — | ||
| 11-12 | An American Trillian | — | ||
| 11-13 | Ford Prefect Unbound | — | ||
| 11-14 | The World at One | — | ||
| 11-15 | Novelties | — | ||
| 11-16 | Hitching a Lift on a Robot Ship | — | ||
| 11-17 | Multidimensional Infinity | — | ||
| 11-18 | Two for the Message | — | ||
| 11-19 | Marvin’s Last Journey | — | ||
| 11-20 | Hyperspace Jump | — | ||
| 12-1 | Who Are You? | — | ||
| 12-2 | The Terminal | — | ||
| 12-3 | Tricia McMillion Billion Trillian | — | ||
| 12-4 | Rupert Rises | — | ||
| 12-5 | Astrology in Alpha | — | ||
| 12-6 | Zaphod Delivers a Pizza | — | ||
| 12-7 | Vann Harl | — | ||
| 12-8 | Prophets and Losses | — | ||
| 12-9 | The Hitchhiker’s Building | — | ||
| 12-10 | A Happy Robot | — | ||
| 12-11 | Smelly Photocopier Woman | — | ||
| 12-12 | Aliens on the Lawn | — | ||
| 12-13 | Zarniwoop | — | ||
| 12-14 | Spread a Little Happiness | — | ||
| 12-15 | The Grebulon Mission | — | ||
| 12-16 | Old Man Up the Pole | — | ||
| 12-17 | InfiniDim Enterprises | — | ||
| 12-18 | Total Perspective Vortex | — | ||
| 12-19 | Hoping for a Miracle | — | ||
| 12-20 | Taking a Leap | — | ||
| 13-1 | The Sandwichmaker | — | ||
| 13-2 | Old Thrashbarg Propitiates | — | ||
| 13-3 | Stuck on a Ledge | — | ||
| 13-4 | Trillian’s Little Surprise | — | ||
| 13-5 | Tricia Dines on Rupert | — | ||
| 13-6 | Bonding | — | ||
| 13-7 | A Parcel Arrives | — | ||
| 13-8 | That Which Survives | — | ||
| 13-9 | Reverse Temporal Engineering | — | ||
| 13-10 | RW6 | — | ||
| 13-11 | Ford’s Theory | — | ||
| 13-12 | In Post-Production | — | ||
| 13-13 | A Perfectly Normal Ride | — | ||
| 13-14 | Regent’s Park | — | ||
| 13-15 | Stampede | — | ||
| 13-16 | In The Domain of the King | — | ||
| 13-17 | The Threads Draw Together | — | ||
| 13-18 | Number 42 | — | ||
| 13-19 | The Probability Arc | — | ||
| 13-20 | Advanced Bistromathics | — | ||
| 14-1 | To Mark the Twentieth Anniversary Of... | — | ||
| 14-2 | Anyway, I Think It Was in My... | — | ||
| 14-3 | These Early Beginnings, and Early Shoulder-Rubbings | — | ||
| 14-4 | So Really I Wanted to Try and Make the Sort of Things... | — | ||
| 14-5 | In That First Episode, the Characters in the Bar | — | ||
| 14-6 | With So Many Intellectual Manoeuvres Going On | — | ||
| 14-7 | I Hope This Doesn't Sound Too Self-Serving | — | ||
| 14-8 | I Think I'm Quite Good At... | — | ||
| 14-9 | Douglas, Quite Apart From the People... | — | ||
| 14-10 | It's Perhaps No Wonder That in Douglas's World | — | ||
| 14-11 | Having Addressed Yourself, in Comedy | — | ||
| 14-12 | Do You Think Your Time...? | — | ||
| 14-13 | Earlier Portraits of You... | — |
