UPC · Release
The Peripheral
William Gibson, Lorelei King
Last verified:
9781611763355 is the Universal Product Code (UPC barcode) for the release “The Peripheral” by William Gibson, Lorelei King, released 2014-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 147 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (147)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Intro | — | ||
| 2 | Chapter 1: "The Haptics" | — | ||
| 3 | Chapter 2: "Death Cookie" | — | ||
| 4 | Chapter 3: "Pushing Bugs" | — | ||
| 5 | Chapter 4: "Something So Deeply Earned" | — | ||
| 6 | Chapter 5: "Dragonflies" | — | ||
| 7 | Chapter 6: "Patchers" | — | ||
| 8 | Chapter 7: "Surveillant" | — | ||
| 9 | Chapter 8: "Double Dickage" | — | ||
| 10 | Chapter 9: "Protective Custody" | — | ||
| 11 | Chapter 10: "The Maenads" Crush" | — | ||
| 12 | Chapter 11: "Tarantula" | — | ||
| 13 | Chapter 12: "Thylacine" | — | ||
| 14 | Chapter 13: "Easy Ice", Part 1 | — | ||
| 2-1 | Chapter 13: "Easy Ice", Part 2 | — | ||
| 2-2 | Chapter 13: "Easy Ice", Part 3 | — | ||
| 2-3 | Chapter 14: "Mourning Jet" | — | ||
| 2-4 | Chapter 15: "Anything Nice" | — | ||
| 2-5 | Chapter 16: "Lego" | — | ||
| 2-6 | Chapter 17: "Cottonwood" | — | ||
| 2-7 | Chapter 18: "The God Club" | — | ||
| 2-8 | Chapter 19: "Aquamarine Duct Tape" | — | ||
| 2-9 | Chapter 20: "Hope" | — | ||
| 2-10 | Chapter 21: "Grifter", Part 1 | — | ||
| 2-11 | Chapter 21: "Grifter", Part 2 | — | ||
| 2-12 | Chapter 22: "Archaism", Part 1 | — | ||
| 3-1 | Chapter 22: "Archaism", Part 2 | — | ||
| 3-2 | Chapter 23: "Celtic Knot" | — | ||
| 3-3 | Chapter 24: "Anathema" | — | ||
| 3-4 | Chapter 25: "Kydex", Part 1 | — | ||
| 3-5 | Chapter 25: "Kydex", Part 2 | — | ||
| 3-6 | Chapter 26: "Very Senior", Part 1 | — | ||
| 3-7 | Chapter 26: "Very Senior", Part 2 | — | ||
| 3-8 | Chapter 27: "Dead Old Boys", Part 1 | — | ||
| 3-9 | Chapter 27: "Dead Old Boys", Part 2 | — | ||
| 3-10 | Chapter 28: "The House of Love" | — | ||
| 3-11 | Chapter 29: "Atrium" | — | ||
| 3-12 | Chapter 30: "Hermès" | — | ||
| 4-1 | Chapter 31: "Funny" | — | ||
| 4-2 | Chapter 32: "Tipstaff", Part 1 | — | ||
| 4-3 | Chapter 32: "Tipstaff", Part 2 | — | ||
| 4-4 | Chapter 33: "Stupidity Tax" | — | ||
| 4-5 | Chapter 34: "Headless" | — | ||
| 4-6 | Chapter 35: "The Stuff in His Yard", Part 1 | — | ||
| 4-7 | Chapter 35: "The Stuff in His Yard", Part 2 | — | ||
| 4-8 | Chapter 36: "In Spite of Everything" | — | ||
| 4-9 | Chapter 37: "County" | — | ||
| 4-10 | Chapter 38: "Stub Girl" | — | ||
| 4-11 | Chapter 39: "The Fairy Shoemakers" | — | ||
| 4-12 | Chapter 40: "Bullshit Artist" | — | ||
| 4-13 | Chapter 41: "Zero", Part 1 | — | ||
| 4-14 | Chapter 41: "Zero", Part 2 | — | ||
| 5-1 | Chapter 41: "Zero", Part 3 | — | ||
| 5-2 | Chapter 42:"Body Language", Part 1 | — | ||
| 5-3 | Chapter 42:"Body Language", Part 2 | — | ||
| 5-4 | Chapter 43: ""Sploding" | — | ||
| 5-5 | Chapter 44: "Perversely Difficult" | — | ||
| 5-6 | Chapter 45: "Up There" | — | ||
| 5-7 | Chapter 46: "The Sights" | — | ||
| 5-8 | Chapter 47: "Power Relationships" | — | ||
| 5-9 | Chapter 48: "Pavel" | — | ||
| 5-10 | Chapter 49: "The Sounds He Made" | — | ||
| 5-11 | Chapter 50: "While the Getting"s Good" | — | ||
| 5-12 | Chapter 51: "Tango Hotel Soldier Shit" | — | ||
| 5-13 | Chapter 52: "Boots on the Ground" | — | ||
| 5-14 | Chapter 53: "Santa Claus"s Headquarters", Part 1 | — | ||
| 6-1 | Chapter 53: "Santa Claus"s Headquarters", Part 2 | — | ||
| 6-2 | Chapter 54: "Imposter Syndrome" | — | ||
| 6-3 | Chapter 55: "Complicated" | — | ||
| 6-4 | Chapter 56: "The Light in Her Voice Mail" | — | ||
| 6-5 | Chapter 57: "Good China" | — | ||
| 6-6 | Chapter 58: "Wu" | — | ||
| 6-7 | Chapter 59: "Adventure Capitalists" | — | ||
| 6-8 | Chapter 60: "Browning in" | — | ||
| 6-9 | Chapter 61: "Timesick" | — | ||
| 6-10 | Chapter 62: "Not Expected" | — | ||
| 6-11 | Chapter 63: "Threw Up" | — | ||
| 6-12 | Chapter 64: "Sterile" | — | ||
| 6-13 | Chapter 65: "Backdoor to Now", Part 1 | — | ||
| 7-1 | Chapter 65: "Backdoor to Now", Part 2 | — | ||
| 7-2 | Chapter 66: "Drop Bears", Part 1 | — | ||
| 7-3 | Chapter 66: "Drop Bears", Part 2 | — | ||
| 7-4 | Chapter 67: "Black Beauty" | — | ||
| 7-5 | Chapter 68: "Antibody" | — | ||
| 7-6 | Chapter 69: "How it Sounds" | — | ||
| 7-7 | Chapter 70: "Asset" | — | ||
| 7-8 | Chapter 71: "McMansion" | — | ||
| 7-9 | Chapter 72: "Halfway Posh" | — | ||
| 7-10 | Chapter 73: "Red Green Blue" | — | ||
| 7-11 | Chapter 74: "That First Gentle Touch" | — | ||
| 7-12 | Chapter 75: "Precursors", Part 1 | — | ||
| 8-1 | Chapter 75: "Precursors", Part 2 | — | ||
| 8-2 | Chapter 76: "Emulation App" | — | ||
| 8-3 | Chapter 77: "Wheelie Boy" | — | ||
| 8-4 | Chapter 78: "Frontierland" | — | ||
| 8-5 | Chapter 79: "The Jackpot" | — | ||
| 8-6 | Chapter 80: "The Clovis Limit", Part 1 | — | ||
| 8-7 | Chapter 80: "The Clovis Limit", Part 2 | — | ||
| 8-8 | Chapter 81: "Alamo", Part 1 | — | ||
| 8-9 | Chapter 81: "Alamo", Part 2 | — | ||
| 8-10 | Chapter 82: "The Nastiness" | — | ||
| 8-11 | Chapter 83: "All the Kingdoms of the World in a Moment of Time" | — | ||
| 8-12 | Chapter 84: "Soho Square" | — | ||
| 8-13 | Chapter 85: "Future People", Part 1 | — | ||
| 8-14 | Chapter 85: "Future People", Part 2 | — | ||
| 9-1 | Chapter 86: "Chatelaine" | — | ||
| 9-2 | Chapter 87: "The Antidote for Party Time" | — | ||
| 9-3 | Chapter 88: "Parliament of Birds" | — | ||
| 9-4 | Chapter 89: "Stobe" | — | ||
| 9-5 | Chapter 90: "Metric of Caution" | — | ||
| 9-6 | Chapter 91: "Isopod" | — | ||
| 9-7 | Chapter 92: "You Guys" | — | ||
| 9-8 | Chapter 93: "Mission Statement" | — | ||
| 9-9 | Chapter 94: "Apollinaris Water" | — | ||
| 9-10 | Chapter 95: "Whole Worlds Falling" | — | ||
| 9-11 | Chapter 96: "Disanthropomorphized" | — | ||
| 9-12 | Chapter 97: "Convoy", Part 1 | — | ||
| 10-1 | Chapter 97: "Convoy", Part 2 | — | ||
| 10-2 | Chapter 98: "Bicentennial" | — | ||
| 10-3 | Chapter 99: "American Antiquities" | — | ||
| 10-4 | Chapter 100: "Back Here" | — | ||
| 10-5 | Chapter 101: "Ordinary Sad-Ass Humanness" | — | ||
| 10-6 | Chapter 102: "Transplant" | — | ||
| 10-7 | Chapter 103: "Sushi Barn" | — | ||
| 10-8 | Chapter 104: "The Red Medici" | — | ||
| 10-9 | Chapter 105: "Static in Your Bones" | — | ||
| 10-10 | Chapter 106: "Buttholeville" | — | ||
| 10-11 | Chapter 107: "Little Buddy" | — | ||
| 10-12 | Chapter 108: "Cold Iron Morning" | — | ||
| 10-13 | Chapter 109: "Black Silk Frogs" | — | ||
| 10-14 | Chapter 110: "Nothing Fancy" | — | ||
| 11-1 | Chapter 111: "ZIL" | — | ||
| 11-2 | Chapter 112: "To Farringdon" | — | ||
| 11-3 | Chapter 113: "Bouncy Castle" | — | ||
| 11-4 | Chapter 114: "Celebration of Life", Part 1 | — | ||
| 11-5 | Chapter 114: "Celebration of Life", Part 2 | — | ||
| 11-6 | Chapter 115: "Dissociative State" | — | ||
| 11-7 | Chapter 116: "Cannonball" | — | ||
| 11-8 | Chapter 117: "Its Granite Face, Bristling with Iron" | — | ||
| 11-9 | Chapter 118: "Balcony Man" | — | ||
| 11-10 | Chapter 119: "Sir Henry" | — | ||
| 11-11 | Chapter 120: "Vespasian"s Cube" | — | ||
| 11-12 | Chapter 121: "Notting Hill" | — | ||
| 11-13 | Chapter 122: "Coldiron Miracles" | — | ||
| 11-14 | Chapter 123: "Compound" | — | ||
| 11-15 | Chapter 124: "Putney" | — | ||
| 11-16 | Outro | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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People also ask
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What is UPC 9781611763355?
9781611763355 is a Universal Product Code (UPC) assigned to The Peripheral by William Gibson, Lorelei King. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 147 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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