UPC · Release
A Prairie Home Companion: 40th Anniversary Collection
Garrison Keillor
9781622315574
85 tracksReleased 2015-01-01HighBridge
Last verified:
9781622315574 is the Universal Product Code (UPC barcode) for the release “A Prairie Home Companion: 40th Anniversary Collection” by Garrison Keillor, released 2015-01-01 on HighBridge. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 85 tracks, each with its own ISRC.
Format
978GS1 prefix
1622Company prefix
31557Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCA Prairie Home Companion: 40th Anniversary Collection
ISWC35 works
IPI35 songwriters
Track List (85)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hello Love | — | ||
| 2 | Tiger Rag | — | ||
| 3 | Frankie Jean | — | ||
| 4 | Powdermilk Biscuit Theme | — | ||
| 5 | Red Dancing Shoes | — | ||
| 6 | Nobody Knows You When You’re Down and Out | — | ||
| 7 | Dreadful Wind and Rain | — | ||
| 8 | Mouth Music | — | ||
| 9 | Please, Mr. Conductor | — | ||
| 10 | Ajua Hot Sauce (sketch) | — | ||
| 11 | New Ulm Polka | — | ||
| 12 | Minneapolis Blues | — | ||
| 13 | Candy Man | — | ||
| 14 | Why Should I Be Lonely | — | ||
| 15 | Tennessee Waltz | — | ||
| 16 | Sponsors, 1980 (sketch) | — | ||
| 17 | My Fate Is in Your Hands | — | ||
| 18 | Diet Squad (sketch) | — | ||
| 19 | Sweet Lorraine | — | ||
| 20 | St. Louis Blues | — | ||
| 2-1 | Way Downtown | — | ||
| 2-2 | Little Sadie | — | ||
| 2-3 | Fearmonger’s Shop (sketch) | — | ||
| 2-4 | On Raglan Road | — | ||
| 2-5 | San Antonio Stroll | — | ||
| 2-6 | Vincent | — | ||
| 2-7 | Tom’s New Door (sketch) | — | ||
| 2-8 | Eriskay Love Lilt | — | ||
| 2-9 | Tuna, the Food of My Soul | — | ||
| 2-10 | He Wipes the Tear From Every Eye | — | ||
| 2-11 | Willie’s Cats | — | ||
| 2-12 | Riding Down the Canyon | — | ||
| 2-13 | Oh Babe It Ain’t No Lie | — | ||
| 2-14 | Key to the Highway | — | ||
| 2-15 | If I Needed You | — | ||
| 2-16 | Somebody Touched Me | — | ||
| 2-17 | Cara Mia | — | ||
| 2-18 | Drive | — | ||
| 2-19 | Barnyard Dance | — | ||
| 2-20 | Pattin’ That Cat | — | ||
| 2-21 | Stop That Thing | — | ||
| 2-22 | Iowa Waltz | — | ||
| 2-23 | Blues Stay Away From Me | — | ||
| 2-24 | Everly Duet Contest | — | ||
| 3-1 | Cascades | — | ||
| 3-2 | When I Awake Up to Sleep No More | — | ||
| 3-3 | Jordan | — | ||
| 3-4 | Brownie and Pete | — | ||
| 3-5 | Early | — | ||
| 3-6 | Driftin’ Too Far From the Shore | — | ||
| 3-7 | Heavenly Celebrities (sketch) | — | ||
| 3-8 | Boy From Laupahoehoe | — | ||
| 3-9 | Queen Bee | — | ||
| 3-10 | Nostalgia in Times Square | — | ||
| 3-11 | Mary Lou Williams Blues | — | ||
| 3-12 | A Straw Hat Full of Lilacs | — | ||
| 3-13 | Pepper Steak | — | ||
| 3-14 | Guy Noir & The Tanglewood Caper (sketch) | — | ||
| 3-15 | Our Town | — | ||
| 3-16 | Banks of Marble | — | ||
| 3-17 | Meiko Tribute (sketch) | — | ||
| 3-18 | It’s a Lonesome Road in This World of Sin | — | ||
| 3-19 | Fred Farrell Animal Calls (sketch) | — | ||
| 3-20 | Stride by Stride | — | ||
| 4-1 | The Weary and Farewell Blues | — | ||
| 4-2 | Rhubarb (sketch) | — | ||
| 4-3 | In the Garden | — | ||
| 4-4 | Crazy People | — | ||
| 4-5 | Sitting on Top of the World | — | ||
| 4-6 | Amor de Mi Vida (Love of My Life) | — | ||
| 4-7 | Bright Morning Stars | — | ||
| 4-8 | Catchup Advisory Board (sketch) | — | ||
| 4-9 | Make Me a Pallet on Your Floor | — | ||
| 4-10 | The Hitchhikers (sketch) | — | ||
| 4-11 | Paseo Romántico | — | ||
| 4-12 | Where Will You Be | — | ||
| 4-13 | Guy Noir Blues (sketch) | — | ||
| 4-14 | Visions of Mother and Dad | — | ||
| 4-15 | Orphan Girl | — | ||
| 4-16 | Fritz Electronics (sketch) | — | ||
| 4-17 | Too Gone | — | ||
| 4-18 | Cat Discipline (sketch) | — | ||
| 4-19 | Bird Song | — | ||
| 4-20 | Fiddle Medley: Liberty / Whiskey Before Breakfast / Big Mon | — | ||
| 4-21 | Six Days on the Road | — |
Hello Love
—
Tiger Rag
—
Frankie Jean
—
Powdermilk Biscuit Theme
—
Red Dancing Shoes
—
Nobody Knows You When You’re Down and Out
—
Dreadful Wind and Rain
—
Mouth Music
—
Please, Mr. Conductor
—
Ajua Hot Sauce (sketch)
—
New Ulm Polka
—
Minneapolis Blues
—
Candy Man
—
Why Should I Be Lonely
—
Tennessee Waltz
—
Sponsors, 1980 (sketch)
—
My Fate Is in Your Hands
—
Diet Squad (sketch)
—
Sweet Lorraine
—
St. Louis Blues
—
Way Downtown
—
Little Sadie
—
Fearmonger’s Shop (sketch)
—
On Raglan Road
—
San Antonio Stroll
—
Vincent
—
Tom’s New Door (sketch)
—
Eriskay Love Lilt
—
Tuna, the Food of My Soul
—
He Wipes the Tear From Every Eye
—
Willie’s Cats
—
Riding Down the Canyon
—
Oh Babe It Ain’t No Lie
—
Key to the Highway
—
If I Needed You
—
Somebody Touched Me
—
Cara Mia
—
Drive
—
Barnyard Dance
—
Pattin’ That Cat
—
Stop That Thing
—
Iowa Waltz
—
Blues Stay Away From Me
—
Everly Duet Contest
—
Cascades
—
When I Awake Up to Sleep No More
—
Jordan
—
Brownie and Pete
—
Early
—
Driftin’ Too Far From the Shore
—
Heavenly Celebrities (sketch)
—
Boy From Laupahoehoe
—
Queen Bee
—
Nostalgia in Times Square
—
Mary Lou Williams Blues
—
A Straw Hat Full of Lilacs
—
Pepper Steak
—
Guy Noir & The Tanglewood Caper (sketch)
—
Our Town
—
Banks of Marble
—
Meiko Tribute (sketch)
—
It’s a Lonesome Road in This World of Sin
—
Fred Farrell Animal Calls (sketch)
—
Stride by Stride
—
The Weary and Farewell Blues
—
Rhubarb (sketch)
—
In the Garden
—
Crazy People
—
Sitting on Top of the World
—
Amor de Mi Vida (Love of My Life)
—
Bright Morning Stars
—
Catchup Advisory Board (sketch)
—
Make Me a Pallet on Your Floor
—
The Hitchhikers (sketch)
—
Paseo Romántico
—
Where Will You Be
—
Guy Noir Blues (sketch)
—
Visions of Mother and Dad
—
Orphan Girl
—
Fritz Electronics (sketch)
—
Too Gone
—
Cat Discipline (sketch)
—
Bird Song
—
Fiddle Medley: Liberty / Whiskey Before Breakfast / Big Mon
—
Six Days on the Road
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.435.651-5T-030.059.228-2T-030.113.906-9T-070.026.317-7T-070.139.504-1T-070.231.895-3T-070.247.612-7T-070.271.782-5T-071.017.357-1T-071.070.529-5
+25 more
T-071.137.725-1T-071.210.978-8T-071.218.197-9T-071.936.071-0T-072.178.341-0T-302.218.119-3T-302.341.957-6T-700.049.741-8T-700.098.149-9T-802.458.253-5T-900.245.476-4T-901.321.157-9T-902.873.507-1T-903.625.029-0T-904.047.211-5T-904.648.932-1T-905.767.644-5T-910.254.029-4T-914.755.203-2T-914.831.944-2T-918.222.770-9T-919.651.315-2T-925.055.489-3T-926.092.266-5T-926.324.618-0
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000023385418000000003147376800000000327661160000000035362301000000003566912700000000511865040000000055131121000000005513266900000000551434640000000055190367
+31 more
000000005550184X0000000055542158000000006158109X0000000066907423000000007144228800000000735898140000000073643120000000007364353400000000783950580000000078397627000000008103790500000000810628790000000081357722000000008398476200000001065542050000000111626226000000011460977100000001146343010000000115988398000000011679137800000001202793850000000120291982000000012127850100000001225379660000000122811152000000035727950000000003728919250000000383275503000000038429837900000004036321770000000469766039
SourcesMusicBrainzDiscogs2 sources
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People also ask
What is UPC 9781622315574?
9781622315574 is a Universal Product Code (UPC) assigned to A Prairie Home Companion: 40th Anniversary Collection by Garrison Keillor. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 85 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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