UPC · Release
Jack and the Geniuses: At the Bottom of the World
Bill Nye the Science Guy, Gregory Mone, Jonathan Todd Ross
9781664460317
64 tracksReleased 2017-04-15
Last verified:
9781664460317 is the Universal Product Code (UPC barcode) for the release “Jack and the Geniuses: At the Bottom of the World” by Bill Nye the Science Guy, Gregory Mone, Jonathan Todd Ross, released 2017-04-15. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 64 tracks, each with its own ISRC.
Format
978GS1 prefix
1664Company prefix
46031Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (64)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chapter 1: "Attack of the Pizzabot", Part 1 | — | ||
| 2 | Chapter 1: "Attack of the Pizzabot", Part 2 | — | ||
| 3 | Chapter 1: "Attack of the Pizzabot", Part 3 | — | ||
| 4 | Chapter 1: "Attack of the Pizzabot", Part 4 | — | ||
| 5 | Chapter 1: "Attack of the Pizzabot", Part 5 | — | ||
| 6 | Chapter 1: "Attack of the Pizzabot", Part 6 | — | ||
| 7 | Chapter 2: "An Unusual Invitation", Part 1 | — | ||
| 8 | Chapter 2: "An Unusual Invitation", Part 2 | — | ||
| 9 | Chapter 2: "An Unusual Invitation", Part 3 | — | ||
| 10 | Chapter 2: "An Unusual Invitation", Part 4 | — | ||
| 11 | Chapter 2: "An Unusual Invitation", Part 5 | — | ||
| 12 | Chapter 2: "An Unusual Invitation", Part 6 | — | ||
| 13 | Chapter 3: "The Clutterbuck Prize", Part 1 | — | ||
| 2-1 | Chapter 3: "The Clutterbuck Prize", Part 2 | — | ||
| 2-2 | Chapter 3: "The Clutterbuck Prize", Part 3 | — | ||
| 2-3 | Chapter 3: "The Clutterbuck Prize", Part 4 | — | ||
| 2-4 | Chapter 4: "The Bottom of the World", Part 1 | — | ||
| 2-5 | Chapter 4: "The Bottom of the World", Part 2 | — | ||
| 2-6 | Chapter 4: "The Bottom of the World", Part 3 | — | ||
| 2-7 | Chapter 5: "Dining with the Enemy", Part 1 | — | ||
| 2-8 | Chapter 5: "Dining with the Enemy", Part 2 | — | ||
| 2-9 | Chapter 5: "Dining with the Enemy", Part 3 | — | ||
| 2-10 | Chapter 6: "Some Kind of Trouble", Part 1 | — | ||
| 2-11 | Chapter 6: "Some Kind of Trouble", Part 2 | — | ||
| 2-12 | Chapter 6: "Some Kind of Trouble", Part 3 | — | ||
| 3-1 | Chapter 7: "Happy Campers", Part 1 | — | ||
| 3-2 | Chapter 7: "Happy Campers", Part 2 | — | ||
| 3-3 | Chapter 7: "Happy Campers", Part 3 | — | ||
| 3-4 | Chapter 7: "Happy Campers", Part 4 | — | ||
| 3-5 | Chapter 8: "Mysterious Message", Part 1 | — | ||
| 3-6 | Chapter 8: "Mysterious Message", Part 2 | — | ||
| 3-7 | Chapter 8: "Mysterious Message", Part 3 | — | ||
| 3-8 | Chapter 9: "Genius Is Overrated", Part 1 | — | ||
| 3-9 | Chapter 9: "Genius Is Overrated", Part 2 | — | ||
| 3-10 | Chapter 9: "Genius Is Overrated", Part 3 | — | ||
| 3-11 | Chapter 10: "The Underside of the Ice", Part 1 | — | ||
| 3-12 | Chapter 10: "The Underside of the Ice", Part 2 | — | ||
| 4-1 | Chapter 10: "The Underside of the Ice", Part 3 | — | ||
| 4-2 | Chapter 11: "Circle Marks the Spot", Part 1 | — | ||
| 4-3 | Chapter 11: "Circle Marks the Spot", Part 2 | — | ||
| 4-4 | Chapter 11: "Circle Marks the Spot", Part 3 | — | ||
| 4-5 | Chapter 11: "Circle Marks the Spot", Part 4 | — | ||
| 4-6 | Chapter 12: "The Worst Idea Ever", Part 1 | — | ||
| 4-7 | Chapter 12: "The Worst Idea Ever", Part 2 | — | ||
| 4-8 | Chapter 12: "The Worst Idea Ever", Part 3 | — | ||
| 4-9 | Chapter 13: "Snowgoing", Part 1 | — | ||
| 4-10 | Chapter 13: "Snowgoing", Part 2 | — | ||
| 4-11 | Chapter 14: "A Desert of Ice and Snow", Part 1 | — | ||
| 4-12 | Chapter 14: "A Desert of Ice and Snow", Part 2 | — | ||
| 5-1 | Chapter 15: "The Call of the Seals", Part 1 | — | ||
| 5-2 | Chapter 15: "The Call of the Seals", Part 2 | — | ||
| 5-3 | Chapter 15: "The Call of the Seals", Part 3 | — | ||
| 5-4 | Chapter 15: "The Call of the Seals", Part 4 | — | ||
| 5-5 | Chapter 15: "The Call of the Seals", Part 5 | — | ||
| 5-6 | Chapter 15: "The Call of the Seals", Part 6 | — | ||
| 5-7 | Chapter 16: "World of Wonders", Part 1 | — | ||
| 5-8 | Chapter 16: "World of Wonders", Part 2 | — | ||
| 5-9 | Chapter 16: "World of Wonders", Part 3 | — | ||
| 5-10 | Chapter 16: "World of Wonders", Part 4 | — | ||
| 5-11 | Chapter 17: "The Future of Energy" | — | ||
| 5-12 | "This Is Reality, People!" | — | ||
| 5-13 | "Ten Absolutely Essential Questions about Antarctica", Part 1 | — | ||
| 5-14 | "Ten Absolutely Essential Questions about Antarctica", Part 2 | — | ||
| 5-15 | "The Density Difference" | — |
Chapter 1: "Attack of the Pizzabot", Part 1
—
Chapter 1: "Attack of the Pizzabot", Part 2
—
Chapter 1: "Attack of the Pizzabot", Part 3
—
Chapter 1: "Attack of the Pizzabot", Part 4
—
Chapter 1: "Attack of the Pizzabot", Part 5
—
Chapter 1: "Attack of the Pizzabot", Part 6
—
Chapter 2: "An Unusual Invitation", Part 1
—
Chapter 2: "An Unusual Invitation", Part 2
—
Chapter 2: "An Unusual Invitation", Part 3
—
Chapter 2: "An Unusual Invitation", Part 4
—
Chapter 2: "An Unusual Invitation", Part 5
—
Chapter 2: "An Unusual Invitation", Part 6
—
Chapter 3: "The Clutterbuck Prize", Part 1
—
Chapter 3: "The Clutterbuck Prize", Part 2
—
Chapter 3: "The Clutterbuck Prize", Part 3
—
Chapter 3: "The Clutterbuck Prize", Part 4
—
Chapter 4: "The Bottom of the World", Part 1
—
Chapter 4: "The Bottom of the World", Part 2
—
Chapter 4: "The Bottom of the World", Part 3
—
Chapter 5: "Dining with the Enemy", Part 1
—
Chapter 5: "Dining with the Enemy", Part 2
—
Chapter 5: "Dining with the Enemy", Part 3
—
Chapter 6: "Some Kind of Trouble", Part 1
—
Chapter 6: "Some Kind of Trouble", Part 2
—
Chapter 6: "Some Kind of Trouble", Part 3
—
Chapter 7: "Happy Campers", Part 1
—
Chapter 7: "Happy Campers", Part 2
—
Chapter 7: "Happy Campers", Part 3
—
Chapter 7: "Happy Campers", Part 4
—
Chapter 8: "Mysterious Message", Part 1
—
Chapter 8: "Mysterious Message", Part 2
—
Chapter 8: "Mysterious Message", Part 3
—
Chapter 9: "Genius Is Overrated", Part 1
—
Chapter 9: "Genius Is Overrated", Part 2
—
Chapter 9: "Genius Is Overrated", Part 3
—
Chapter 10: "The Underside of the Ice", Part 1
—
Chapter 10: "The Underside of the Ice", Part 2
—
Chapter 10: "The Underside of the Ice", Part 3
—
Chapter 11: "Circle Marks the Spot", Part 1
—
Chapter 11: "Circle Marks the Spot", Part 2
—
Chapter 11: "Circle Marks the Spot", Part 3
—
Chapter 11: "Circle Marks the Spot", Part 4
—
Chapter 12: "The Worst Idea Ever", Part 1
—
Chapter 12: "The Worst Idea Ever", Part 2
—
Chapter 12: "The Worst Idea Ever", Part 3
—
Chapter 13: "Snowgoing", Part 1
—
Chapter 13: "Snowgoing", Part 2
—
Chapter 14: "A Desert of Ice and Snow", Part 1
—
Chapter 14: "A Desert of Ice and Snow", Part 2
—
Chapter 15: "The Call of the Seals", Part 1
—
Chapter 15: "The Call of the Seals", Part 2
—
Chapter 15: "The Call of the Seals", Part 3
—
Chapter 15: "The Call of the Seals", Part 4
—
Chapter 15: "The Call of the Seals", Part 5
—
Chapter 15: "The Call of the Seals", Part 6
—
Chapter 16: "World of Wonders", Part 1
—
Chapter 16: "World of Wonders", Part 2
—
Chapter 16: "World of Wonders", Part 3
—
Chapter 16: "World of Wonders", Part 4
—
Chapter 17: "The Future of Energy"
—
"This Is Reality, People!"
—
"Ten Absolutely Essential Questions about Antarctica", Part 1
—
"Ten Absolutely Essential Questions about Antarctica", Part 2
—
"The Density Difference"
—
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What is UPC 9781664460317?
9781664460317 is a Universal Product Code (UPC) assigned to Jack and the Geniuses: At the Bottom of the World by Bill Nye the Science Guy, Gregory Mone, Jonathan Todd Ross. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 64 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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