UPC · Release
Twilight
Stephenie Meyer
Last verified:
9781742333052 is the Universal Product Code (UPC barcode) for the release “Twilight” by Stephenie Meyer, released 2009-01-01 on Bolinda Audio. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 220 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (220)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction, Preface | — | ||
| 2 | Chapter 1: First Sight 1 | — | ||
| 3 | Chapter 1: First Sight 2 | — | ||
| 4 | Chapter 1: First Sight 3 | — | ||
| 5 | Chapter 1: First Sight 4 | — | ||
| 6 | Chapter 1: First Sight 5 | — | ||
| 7 | Chapter 1: First Sight 6 | — | ||
| 8 | Chapter 1: First Sight 7 | — | ||
| 9 | Chapter 1: First Sight 8 | — | ||
| 10 | Chapter 1: First Sight 9 | — | ||
| 11 | Chapter 1: First Sight 10 | — | ||
| 12 | Chapter 1: First Sight 11 | — | ||
| 13 | Chapter 2: Open Book 1 | — | ||
| 14 | Chapter 2: Open Book 2 | — | ||
| 15 | Chapter 2: Open Book 3 | — | ||
| 16 | Chapter 2: Open Book 4 | — | ||
| 17 | Chapter 2: Open Book 5 | — | ||
| 18 | Chapter 2: Open Book 6 | — | ||
| 19 | Chapter 2: Open Book 7 | — | ||
| 20 | Chapter 2: Open Book 8 | — | ||
| 21 | Chapter 2: Open Book 9 | — | ||
| 22 | Chapter 2: Open Book 10 | — | ||
| 23 | Disc End | — | ||
| 2-1 | Disc Start | — | ||
| 2-2 | Chapter 2: Open Book 11 | — | ||
| 2-3 | Chapter 3: Phenomenon 1 | — | ||
| 2-4 | Chapter 3: Phenomenon 2 | — | ||
| 2-5 | Chapter 3: Phenomenon 3 | — | ||
| 2-6 | Chapter 3: Phenomenon 4 | — | ||
| 2-7 | Chapter 3: Phenomenon 5 | — | ||
| 2-8 | Chapter 3: Phenomenon 6 | — | ||
| 2-9 | Chapter 4: Invitations 1 | — | ||
| 2-10 | Chapter 4: Invitations 2 | — | ||
| 2-11 | Chapter 4: Invitations 3 | — | ||
| 2-12 | Chapter 4: Invitations 4 | — | ||
| 2-13 | Chapter 4: Invitations 5 | — | ||
| 2-14 | Chapter 4: Invitations 6 | — | ||
| 2-15 | Chapter 4: Invitations 7 | — | ||
| 2-16 | Chapter 4: Invitations 8 | — | ||
| 2-17 | Chapter 5: Blood Type 1 | — | ||
| 2-18 | Chapter 5: Blood Type 2 | — | ||
| 2-19 | Chapter 5: Blood Type 3 | — | ||
| 2-20 | Chapter 5: Blood Type 4 | — | ||
| 2-21 | Disc End | — | ||
| 3-1 | Disc Start | — | ||
| 3-2 | Chapter 5: Blood Type 5 | — | ||
| 3-3 | Chapter 5: Blood Type 6 | — | ||
| 3-4 | Chapter 5: Blood Type 7 | — | ||
| 3-5 | Chapter 5: Blood Type 8 | — | ||
| 3-6 | Chapter 5: Blood Type 9 | — | ||
| 3-7 | Chapter 6: Scary Stories 1 | — | ||
| 3-8 | Chapter 6: Scary Stories 2 | — | ||
| 3-9 | Chapter 6: Scary Stories 3 | — | ||
| 3-10 | Chapter 6: Scary Stories 4 | — | ||
| 3-11 | Chapter 6: Scary Stories 5 | — | ||
| 3-12 | Chapter 6: Scary Stories 6 | — | ||
| 3-13 | Chapter 6: Scary Stories 7 | — | ||
| 3-14 | Chapter 7: Nightmare 1 | — | ||
| 3-15 | Chapter 7: Nightmare 2 | — | ||
| 3-16 | Chapter 7: Nightmare 3 | — | ||
| 3-17 | Chapter 7: Nightmare 4 | — | ||
| 3-18 | Chapter 7: Nightmare 5 | — | ||
| 3-19 | Disc End | — | ||
| 4-1 | Disc Start | — | ||
| 4-2 | Chapter 7: Nightmare 6 | — | ||
| 4-3 | Chapter 7: Nightmare 7 | — | ||
| 4-4 | Chapter 7: Nightmare 8 | — | ||
| 4-5 | Chapter 8: Port Angeles 1 | — | ||
| 4-6 | Chapter 8: Port Angeles 2 | — | ||
| 4-7 | Chapter 8: Port Angeles 3 | — | ||
| 4-8 | Chapter 8: Port Angeles 4 | — | ||
| 4-9 | Chapter 8: Port Angeles 5 | — | ||
| 4-10 | Chapter 8: Port Angeles 6 | — | ||
| 4-11 | Chapter 8: Port Angeles 7 | — | ||
| 4-12 | Chapter 8: Port Angeles 8 | — | ||
| 4-13 | Chapter 8: Port Angeles 9 | — | ||
| 4-14 | Chapter 9: Theory 1 | — | ||
| 4-15 | Chapter 9: Theory 2 | — | ||
| 4-16 | Chapter 9: Theory 3 | — | ||
| 4-17 | Chapter 9: Theory 4 | — | ||
| 4-18 | Disc End | — | ||
| 5-1 | Disc. Start | — | ||
| 5-2 | Chapter 9: Theory 5 | — | ||
| 5-3 | Chapter 9: Theory 6 | — | ||
| 5-4 | Chapter 9: Theory 7 | — | ||
| 5-5 | Chapter 10: Interrogations 1 | — | ||
| 5-6 | Chapter 10: Interrogations 2 | — | ||
| 5-7 | Chapter 10: Interrogations 3 | — | ||
| 5-8 | Chapter 10: Interrogations 4 | — | ||
| 5-9 | Chapter 10: Interrogations 5 | — | ||
| 5-10 | Chapter 10: Interrogations 6 | — | ||
| 5-11 | Chapter 10: Interrogations 7 | — | ||
| 5-12 | Chapter 11: Complications 1 | — | ||
| 5-13 | Chapter 11: Complications 2 | — | ||
| 5-14 | Chapter 11: Complications 3 | — | ||
| 5-15 | Chapter 11: Complications 4 | — | ||
| 5-16 | Chapter 11: Complications 5 | — | ||
| 5-17 | Chapter 11: Complications 6 | — | ||
| 5-18 | Disc. End | — | ||
| 6-1 | Disc Start | — | ||
| 6-2 | Chapter 12: Balancing 1 | — | ||
| 6-3 | Chapter 12: Balancing 2 | — | ||
| 6-4 | Chapter 12: Balancing 3 | — | ||
| 6-5 | Chapter 12: Balancing 4 | — | ||
| 6-6 | Chapter 12: Balancing 5 | — | ||
| 6-7 | Chapter 12: Balancing 6 | — | ||
| 6-8 | Chapter 12: Balancing 7 | — | ||
| 6-9 | Chapter 12: Balancing 8 | — | ||
| 6-10 | Chapter 12: Balancing 9 | — | ||
| 6-11 | Chapter 13: Confessions 1 | — | ||
| 6-12 | Chapter 13: Confessions 2 | — | ||
| 6-13 | Chapter 13: Confessions 3 | — | ||
| 6-14 | Chapter 13: Confessions 4 | — | ||
| 6-15 | Chapter 13: Confessions 5 | — | ||
| 6-16 | Chapter 13: Confessions 6 | — | ||
| 6-17 | Chapter 13: Confessions 7 | — | ||
| 6-18 | Disc End | — | ||
| 7-1 | Disc Start | — | ||
| 7-2 | Chapter 13: Confessions 8 | — | ||
| 7-3 | Chapter 13: Confessions 9 | — | ||
| 7-4 | Chapter 13: Confessions 10 | — | ||
| 7-5 | Chapter 14: Mind Over Matter 1 | — | ||
| 7-6 | Chapter 14: Mind Over Matter 2 | — | ||
| 7-7 | Chapter 14: Mind Over Matter 3 | — | ||
| 7-8 | Chapter 14: Mind Over Matter 4 | — | ||
| 7-9 | Chapter 14: Mind Over Matter 5 | — | ||
| 7-10 | Chapter 14: Mind Over Matter 6 | — | ||
| 7-11 | Chapter 14: Mind Over Matter 7 | — | ||
| 7-12 | Chapter 14: Mind Over Matter 8 | — | ||
| 7-13 | Chapter 14: Mind Over Matter 9 | — | ||
| 7-14 | Chapter 14: Mind Over Matter 10 | — | ||
| 7-15 | Chapter 15: The Cullens 1 | — | ||
| 7-16 | Chapter 15: The Cullens 2 | — | ||
| 7-17 | Chapter 15: The Cullens 3 | — | ||
| 7-18 | Chapter 15: The Cullens 4 | — | ||
| 7-19 | Disc End | — | ||
| 8-1 | Disc Start | — | ||
| 8-2 | Chapter 15: The Cullens 5 | — | ||
| 8-3 | Chapter 15: The Cullens 6 | — | ||
| 8-4 | Chapter 15: The Cullens 7 | — | ||
| 8-5 | Chapter 15: The Cullens 8 | — | ||
| 8-6 | Chapter 15: The Cullens 9 | — | ||
| 8-7 | Chapter 15: The Cullens 10 | — | ||
| 8-8 | Chapter 16: Carlisle 1 | — | ||
| 8-9 | Chapter 16: Carlisle 2 | — | ||
| 8-10 | Chapter 16: Carlisle 3 | — | ||
| 8-11 | Chapter 16: Carlisle 4 | — | ||
| 8-12 | Chapter 16: Carlisle 5 | — | ||
| 8-13 | Chapter 17: The Game 1 | — | ||
| 8-14 | Chapter 17: The Game 2 | — | ||
| 8-15 | Chapter 17: The Game 3 | — | ||
| 8-16 | Chapter 17: The Game 4 | — | ||
| 8-17 | Chapter 17: The Game 5 | — | ||
| 8-18 | Chapter 17: The Game 6 | — | ||
| 8-19 | Chapter 17: The Game 7 | — | ||
| 8-20 | Chapter 17: The Game 8 | — | ||
| 8-21 | Disc End | — | ||
| 9-1 | Disc Start | — | ||
| 9-2 | Chapter 17: The Game 9 | — | ||
| 9-3 | Chapter 17: The Game 10 | — | ||
| 9-4 | Chapter 17: The Game 11 | — | ||
| 9-5 | Chapter 18: The Hunt 1 | — | ||
| 9-6 | Chapter 18: The Hunt 2 | — | ||
| 9-7 | Chapter 18: The Hunt 3 | — | ||
| 9-8 | Chapter 18: The Hunt 4 | — | ||
| 9-9 | Chapter 18: The Hunt 5 | — | ||
| 9-10 | Chapter 18: The Hunt 6 | — | ||
| 9-11 | Chapter 19: Goodbyes 1 | — | ||
| 9-12 | Chapter 19: Goodbyes 2 | — | ||
| 9-13 | Chapter 19: Goodbyes 3 | — | ||
| 9-14 | Chapter 19: Goodbyes 4 | — | ||
| 9-15 | Chapter 19: Goodbyes 5 | — | ||
| 9-16 | Disc End | — | ||
| 10-1 | Disc Start | — | ||
| 10-2 | Chapter 20: Impatience 1 | — | ||
| 10-3 | Chapter 20: Impatience 2 | — | ||
| 10-4 | Chapter 20: Impatience 3 | — | ||
| 10-5 | Chapter 20: Impatience 4 | — | ||
| 10-6 | Chapter 20: Impatience 5 | — | ||
| 10-7 | Chapter 20: Impatience 6 | — | ||
| 10-8 | Chapter 20: Impatience 7 | — | ||
| 10-9 | Chapter 20: Impatience 8 | — | ||
| 10-10 | Chapter 21: Phone Call 1 | — | ||
| 10-11 | Chapter 21: Phone Call 2 | — | ||
| 10-12 | Chapter 21: Phone Call 3 | — | ||
| 10-13 | Chapter 21: Phone Call 4 | — | ||
| 10-14 | Chapter 22: Hide-And-Seek 1 | — | ||
| 10-15 | Chapter 22: Hide-And-Seek 2 | — | ||
| 10-16 | Chapter 22: Hide-And-Seek 3 | — | ||
| 10-17 | Chapter 22: Hide-And-Seek 4 | — | ||
| 10-18 | Chapter 22: Hide-And-Seek 5 | — | ||
| 10-19 | Chapter 22: Hide-And-Seek 6 | — | ||
| 10-20 | Chapter 22: Hide-And-Seek 7 | — | ||
| 10-21 | Chapter 22: Hide-And-Seek 8 | — | ||
| 10-22 | Chapter 22: Hide-And-Seek 9 | — | ||
| 10-23 | Chapter 22: Hide-And-Seek 10 | — | ||
| 10-24 | Disc End | — | ||
| 11-1 | Disc Start | — | ||
| 11-2 | Chapter 23: The Angel 1 | — | ||
| 11-3 | Chapter 23: The Angel 2 | — | ||
| 11-4 | Chapter 24: An Impasse 1 | — | ||
| 11-5 | Chapter 24: An Impasse 2 | — | ||
| 11-6 | Chapter 24: An Impasse 3 | — | ||
| 11-7 | Chapter 24: An Impasse 4 | — | ||
| 11-8 | Chapter 24: An Impasse 5 | — | ||
| 11-9 | Chapter 24: An Impasse 6 | — | ||
| 11-10 | Chapter 24: An Impasse 7 | — | ||
| 11-11 | Chapter 24: An Impasse 8 | — | ||
| 11-12 | Chapter 24: An Impasse 9 | — | ||
| 11-13 | Chapter 24: An Impasse 10 | — | ||
| 11-14 | Epilogue: An Occasion 1 | — | ||
| 11-15 | Epilogue: An Occasion 2 | — | ||
| 11-16 | Epilogue: An Occasion 3 | — | ||
| 11-17 | Epilogue: An Occasion 4 | — | ||
| 11-18 | Epilogue: An Occasion 5 | — | ||
| 11-19 | Epilogue: An Occasion 6 | — | ||
| 11-20 | Epilogue: An Occasion 7 | — | ||
| 11-21 | Epilogue: An Occasion 8 | — | ||
| 11-22 | Epilogue: An Occasion 9 | — | ||
| 11-23 | Disc End | — |
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What is UPC 9781742333052?
9781742333052 is a Universal Product Code (UPC) assigned to Twilight by Stephenie Meyer. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 220 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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