UPC · Release
Doctor Who: The Light at the End
Nicholas Briggs, Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann
Last verified:
9781781781074 is the Universal Product Code (UPC barcode) for the release “Doctor Who: The Light at the End” by Nicholas Briggs, Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, released 2013-01-01 on Big Finish. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 88 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (88)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | “Part One”, Part 1 | — | ||
| 2 | “Part One”, Part 2 | — | ||
| 3 | “Part One”, Part 3 | — | ||
| 4 | “Part One”, Part 4 | — | ||
| 5 | “Part One”, Part 5 | — | ||
| 6 | “Part One”, Part 6 | — | ||
| 7 | “Part One”, Part 7 | — | ||
| 8 | “Part One”, Part 8 | — | ||
| 9 | “Part One”, Part 9 | — | ||
| 10 | “Part One”, Part 10 | — | ||
| 11 | “Part One”, Part 11 | — | ||
| 12 | “Part One”, Part 12 | — | ||
| 13 | “Part One”, Part 13 | — | ||
| 14 | “Part One”, Part 14 | — | ||
| 15 | “Part One”, Part 15 | — | ||
| 16 | “Part One”, Part 16 | — | ||
| 2-1 | “Part Two”, Part 1 | — | ||
| 2-2 | “Part Two”, Part 2 | — | ||
| 2-3 | “Part Two”, Part 3 | — | ||
| 2-4 | “Part Two”, Part 4 | — | ||
| 2-5 | “Part Two”, Part 5 | — | ||
| 2-6 | “Part Two”, Part 6 | — | ||
| 2-7 | “Part Two”, Part 7 | — | ||
| 2-8 | “Part Two”, Part 8 | — | ||
| 2-9 | “Part Two”, Part 9 | — | ||
| 2-10 | “Part Two”, Part 10 | — | ||
| 2-11 | “Part Two”, Part 11 | — | ||
| 2-12 | “Part Two”, Part 12 | — | ||
| 2-13 | “Part Two”, Part 13 | — | ||
| 2-14 | “Part Two”, Part 14 | — | ||
| 2-15 | “Part Two”, Part 15 | — | ||
| 2-16 | “Part Two”, Part 16 | — | ||
| 2-17 | “Part Two”, Part 17 | — | ||
| 3-1 | “The Making of 'The Light at the End'”, Part 1 | — | ||
| 3-2 | “The Making of 'The Light at the End'”, Part 2 | — | ||
| 3-3 | “The Making of 'The Light at the End'”, Part 3 | — | ||
| 3-4 | “The Making of 'The Light at the End'”, Part 4 | — | ||
| 3-5 | “The Making of 'The Light at the End'”, Part 5 | — | ||
| 3-6 | “The Making of 'The Light at the End'”, Part 6 | — | ||
| 3-7 | “The Making of 'The Light at the End'”, Part 7 | — | ||
| 3-8 | “The Making of 'The Light at the End'”, Part 8 | — | ||
| 3-9 | “The Making of 'The Light at the End'”, Part 9 | — | ||
| 3-10 | “The Making of 'The Light at the End'”, Part 10 | — | ||
| 3-11 | “The Making of 'The Light at the End'”, Part 11 | — | ||
| 3-12 | “The Making of 'The Light at the End'”, Part 12 | — | ||
| 3-13 | “The Making of 'The Light at the End'”, Part 13 | — | ||
| 3-14 | “The Making of 'The Light at the End'”, Part 14 | — | ||
| 3-15 | “The Making of 'The Light at the End'”, Part 15 | — | ||
| 4-1 | “This is Big Finish”, Part 1 | — | ||
| 4-2 | “This is Big Finish”, Part 2 | — | ||
| 4-3 | “This is Big Finish”, Part 3 | — | ||
| 4-4 | “This is Big Finish”, Part 4 | — | ||
| 4-5 | “This is Big Finish”, Part 5 | — | ||
| 4-6 | “This is Big Finish”, Part 6 | — | ||
| 4-7 | “This is Big Finish”, Part 7 | — | ||
| 4-8 | “This is Big Finish”, Part 8 | — | ||
| 4-9 | “This is Big Finish”, Part 9 | — | ||
| 4-10 | “This is Big Finish”, Part 10 | — | ||
| 4-11 | “This is Big Finish”, Part 11 | — | ||
| 4-12 | “This is Big Finish”, Part 12 | — | ||
| 4-13 | “This is Big Finish”, Part 13 | — | ||
| 4-14 | “This is Big Finish”, Part 14 | — | ||
| 5-1 | “The Companion Chronicles: The Revenants”, Part 1 | — | ||
| 5-2 | “The Companion Chronicles: The Revenants”, Part 2 | — | ||
| 5-3 | “The Companion Chronicles: The Revenants”, Part 3 | — | ||
| 5-4 | “The Companion Chronicles: The Revenants”, Part 4 | — | ||
| 5-5 | “The Companion Chronicles: The Revenants”, Part 5 | — | ||
| 5-6 | “The Companion Chronicles: The Revenants”, Part 6 | — | ||
| 5-7 | “The Companion Chronicles: The Revenants”, Part 7 | — | ||
| 5-8 | “The Companion Chronicles: The Revenants”, Part 8 | — | ||
| 5-9 | “The Companion Chronicles: The Revenants”, Part 9 | — | ||
| 5-10 | “The Companion Chronicles: The Revenants”, Part 10 | — | ||
| 5-11 | “The Companion Chronicles: The Revenants”, Part 11 | — | ||
| 5-12 | “The Companion Chronicles: The Revenants”, Part 12 | — | ||
| 5-13 | “The Companion Chronicles: The Revenants”, Part 13 | — | ||
| 5-14 | “The Companion Chronicles: The Revenants”, Part 14 | — | ||
| 5-15 | “The Companion Chronicles: The Revenants”, Part 15 | — | ||
| 5-16 | “The Companion Chronicles: The Revenants”, Part 16 | — | ||
| 5-17 | “The Companion Chronicles: The Revenants”, Part 17 | — | ||
| 5-18 | “The Companion Chronicles: The Revenants”, Part 18 | — | ||
| 5-19 | “The Companion Chronicles: The Revenants”, Part 19 | — | ||
| 5-20 | “The Companion Chronicles: The Revenants”, Part 20 | — | ||
| 5-21 | “The Companion Chronicles: The Revenants”, Part 21 | — | ||
| 5-22 | “The Companion Chronicles: The Revenants”, Part 22 | — | ||
| 5-23 | “The Companion Chronicles: The Revenants”, Part 23 | — | ||
| 5-24 | “The Companion Chronicles: The Revenants”, Part 24 | — | ||
| 6-1 | “The Light at the End”, Part One | — | ||
| 6-2 | “The Light at the End”, Part Two | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 9781781781074?
9781781781074 is a Universal Product Code (UPC) assigned to Doctor Who: The Light at the End by Nicholas Briggs, Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 88 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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