UPC · Release
Doctor Who: The Roundheads
Mark Gatiss, Anneke Wills
Last verified:
9781785290657 is the Universal Product Code (UPC barcode) for the release “Doctor Who: The Roundheads” by Mark Gatiss, Anneke Wills. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 190 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (190)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prologue | — | ||
| 2 | Chapter 1, Part 1 | — | ||
| 3 | Chapter 1, Part 2 | — | ||
| 4 | Chapter 1, Part 3 | — | ||
| 5 | Chapter 1, Part 4 | — | ||
| 6 | Chapter 1, Part 5 | — | ||
| 7 | Chapter 1, Part 6 | — | ||
| 8 | Chapter 1, Part 7 | — | ||
| 9 | Chapter 1, Part 8 | — | ||
| 10 | Chapter 1, Part 9 | — | ||
| 11 | Chapter 1, Part 10 | — | ||
| 12 | Chapter 1, Part 11 | — | ||
| 13 | Chapter 1, Part 12 | — | ||
| 14 | Chapter 1, Part 13 | — | ||
| 15 | Chapter 1, Part 14 | — | ||
| 16 | Chapter 1, Part 15 | — | ||
| 17 | Chapter 1, Part 16 | — | ||
| 18 | Chapter 1, Part 17 | — | ||
| 19 | Chapter 1, Part 18 | — | ||
| 20 | Chapter 2, Part 1 | — | ||
| 21 | Chapter 2, Part 2 | — | ||
| 22 | Chapter 2, Part 3 | — | ||
| 23 | Chapter 2, Part 4 | — | ||
| 24 | Chapter 2, Part 5 | — | ||
| 25 | Chapter 2, Part 6 | — | ||
| 2-1 | Chapter 2, Part 7 | — | ||
| 2-2 | Chapter 2, Part 8 | — | ||
| 2-3 | Chapter 2, Part 9 | — | ||
| 2-4 | Chapter 2, Part 10 | — | ||
| 2-5 | Chapter 2, Part 11 | — | ||
| 2-6 | Chapter 2, Part 12 | — | ||
| 2-7 | Chapter 2, Part 13 | — | ||
| 2-8 | Chapter 2, Part 14 | — | ||
| 2-9 | Chapter 2, Part 15 | — | ||
| 2-10 | Chapter 2, Part 16 | — | ||
| 2-11 | Chapter 2, Part 17 | — | ||
| 2-12 | Chapter 2, Part 18 | — | ||
| 2-13 | Chapter 2, Part 19 | — | ||
| 2-14 | Chapter 2, Part 20 | — | ||
| 2-15 | Chapter 2, Part 21 | — | ||
| 2-16 | Chapter 2, Part 22 | — | ||
| 2-17 | Chapter 2, Part 23 | — | ||
| 2-18 | Chapter 3, Part 1 | — | ||
| 2-19 | Chapter 3, Part 2 | — | ||
| 2-20 | Chapter 3, Part 3 | — | ||
| 2-21 | Chapter 3, Part 4 | — | ||
| 2-22 | Chapter 3, Part 5 | — | ||
| 2-23 | Chapter 3, Part 6 | — | ||
| 3-1 | Chapter 3, Part 7 | — | ||
| 3-2 | Chapter 3, Part 8 | — | ||
| 3-3 | Chapter 3, Part 9 | — | ||
| 3-4 | Chapter 3, Part 10 | — | ||
| 3-5 | Chapter 3, Part 11 | — | ||
| 3-6 | Chapter 3, Part 12 | — | ||
| 3-7 | Chapter 3, Part 13 | — | ||
| 3-8 | Chapter 3, Part 14 | — | ||
| 3-9 | Chapter 3, Part 15 | — | ||
| 3-10 | Chapter 3, Part 16 | — | ||
| 3-11 | Chapter 3, Part 17 | — | ||
| 3-12 | Chapter 3, Part 18 | — | ||
| 3-13 | Chapter 4, Part 1 | — | ||
| 3-14 | Chapter 4, Part 2 | — | ||
| 3-15 | Chapter 4, Part 3 | — | ||
| 3-16 | Chapter 4, Part 4 | — | ||
| 3-17 | Chapter 4, Part 5 | — | ||
| 3-18 | Chapter 4, Part 6 | — | ||
| 3-19 | Chapter 4, Part 7 | — | ||
| 3-20 | Chapter 4, Part 8 | — | ||
| 3-21 | Chapter 4, Part 9 | — | ||
| 3-22 | Chapter 4, Part 10 | — | ||
| 3-23 | Chapter 4, Part 11 | — | ||
| 3-24 | Chapter 4, Part 12 | — | ||
| 3-25 | Chapter 4, Part 13 | — | ||
| 4-1 | Chapter 4, Part 26 | — | ||
| 4-2 | Chapter 4, Part 27 | — | ||
| 4-3 | Chapter 4, Part 28 | — | ||
| 4-4 | Chapter 4, Part 29 | — | ||
| 4-5 | Chapter 4, Part 30 | — | ||
| 4-6 | Chapter 4, Part 31 | — | ||
| 4-7 | Chapter 5, Part 1 | — | ||
| 4-8 | Chapter 5, Part 2 | — | ||
| 4-9 | Chapter 5, Part 3 | — | ||
| 4-10 | Chapter 5, Part 4 | — | ||
| 4-11 | Chapter 5, Part 5 | — | ||
| 4-12 | Chapter 5, Part 6 | — | ||
| 4-13 | Chapter 5, Part 7 | — | ||
| 4-14 | Chapter 5, Part 8 | — | ||
| 4-15 | Chapter 5, Part 9 | — | ||
| 4-16 | Chapter 5, Part 10 | — | ||
| 4-17 | Chapter 5, Part 11 | — | ||
| 4-18 | Chapter 5, Part 12 | — | ||
| 4-19 | Chapter 5, Part 13 | — | ||
| 4-20 | Chapter 5, Part 14 | — | ||
| 4-21 | Chapter 5, Part 15 | — | ||
| 5-1 | Chapter 6, Part 1 | — | ||
| 5-2 | Chapter 6, Part 2 | — | ||
| 5-3 | Chapter 6, Part 3 | — | ||
| 5-4 | Chapter 6, Part 4 | — | ||
| 5-5 | Chapter 6, Part 5 | — | ||
| 5-6 | Chapter 6, Part 6 | — | ||
| 5-7 | Chapter 6, Part 7 | — | ||
| 5-8 | Chapter 6, Part 8 | — | ||
| 5-9 | Chapter 6, Part 9 | — | ||
| 5-10 | Chapter 6, Part 10 | — | ||
| 5-11 | Chapter 6, Part 11 | — | ||
| 5-12 | Chapter 6, Part 12 | — | ||
| 5-13 | Chapter 6, Part 13 | — | ||
| 5-14 | Chapter 6, Part 14 | — | ||
| 5-15 | Chapter 6, Part 15 | — | ||
| 5-16 | Chapter 6, Part 16 | — | ||
| 5-17 | Chapter 7, Part 1 | — | ||
| 5-18 | Chapter 7, Part 2 | — | ||
| 5-19 | Chapter 7, Part 3 | — | ||
| 5-20 | Chapter 7, Part 4 | — | ||
| 5-21 | Chapter 7, Part 5 | — | ||
| 5-22 | Chapter 7, Part 6 | — | ||
| 5-23 | Chapter 7, Part 7 | — | ||
| 5-24 | Chapter 7, Part 8 | — | ||
| 5-25 | Chapter 7, Part 9 | — | ||
| 6-1 | Chapter 7, Part 10 | — | ||
| 6-2 | Chapter 7, Part 11 | — | ||
| 6-3 | Chapter 7, Part 12 | — | ||
| 6-4 | Chapter 7, Part 13 | — | ||
| 6-5 | Chapter 7, Part 14 | — | ||
| 6-6 | Chapter 8, Part 1 | — | ||
| 6-7 | Chapter 8, Part 2 | — | ||
| 6-8 | Chapter 8, Part 3 | — | ||
| 6-9 | Chapter 8, Part 4 | — | ||
| 6-10 | Chapter 8, Part 5 | — | ||
| 6-11 | Chapter 8, Part 6 | — | ||
| 6-12 | Chapter 8, Part 7 | — | ||
| 6-13 | Chapter 8, Part 8 | — | ||
| 6-14 | Chapter 8, Part 9 | — | ||
| 6-15 | Chapter 8, Part 10 | — | ||
| 6-16 | Chapter 8, Part 11 | — | ||
| 6-17 | Chapter 8, Part 12 | — | ||
| 6-18 | Chapter 8, Part 13 | — | ||
| 6-19 | Chapter 9, Part 1 | — | ||
| 6-20 | Chapter 9, Part 2 | — | ||
| 6-21 | Chapter 9, Part 3 | — | ||
| 6-22 | Chapter 9, Part 4 | — | ||
| 6-23 | Chapter 9, Part 5 | — | ||
| 7-1 | Chapter 9, Part 6 | — | ||
| 7-2 | Chapter 9, Part 7 | — | ||
| 7-3 | Chapter 9, Part 8 | — | ||
| 7-4 | Chapter 9, Part 9 | — | ||
| 7-5 | Chapter 9, Part 10 | — | ||
| 7-6 | Chapter 9, Part 11 | — | ||
| 7-7 | Chapter 9, Part 12 | — | ||
| 7-8 | Chapter 9, Part 13 | — | ||
| 7-9 | Chapter 9, Part 14 | — | ||
| 7-10 | Chapter 10, Part 1 | — | ||
| 7-11 | Chapter 10, Part 2 | — | ||
| 7-12 | Chapter 10, Part 3 | — | ||
| 7-13 | Chapter 10, Part 4 | — | ||
| 7-14 | Chapter 10, Part 5 | — | ||
| 7-15 | Chapter 10, Part 6 | — | ||
| 7-16 | Chapter 10, Part 7 | — | ||
| 7-17 | Chapter 10, Part 8 | — | ||
| 7-18 | Chapter 10, Part 9 | — | ||
| 7-19 | Chapter 10, Part 10 | — | ||
| 7-20 | Chapter 10, Part 11 | — | ||
| 7-21 | Chapter 10, Part 12 | — | ||
| 7-22 | Chapter 10, Part 13 | — | ||
| 7-23 | Chapter 10, Part 14 | — | ||
| 8-1 | Chapter 11, Part 1 | — | ||
| 8-2 | Chapter 11, Part 2 | — | ||
| 8-3 | Chapter 11, Part 3 | — | ||
| 8-4 | Chapter 11, Part 4 | — | ||
| 8-5 | Chapter 11, Part 5 | — | ||
| 8-6 | Chapter 11, Part 6 | — | ||
| 8-7 | Chapter 11, Part 7 | — | ||
| 8-8 | Chapter 11, Part 8 | — | ||
| 8-9 | Chapter 11, Part 9 | — | ||
| 8-10 | Chapter 11, Part 10 | — | ||
| 8-11 | Chapter 11, Part 11 | — | ||
| 8-12 | Chapter 11, Part 12 | — | ||
| 8-13 | Chapter 11, Part 13 | — | ||
| 8-14 | Chapter 11, Part 14 | — | ||
| 8-15 | Chapter 12, Part 1 | — | ||
| 8-16 | Chapter 12, Part 2 | — | ||
| 8-17 | Chapter 12, Part 3 | — | ||
| 8-18 | Chapter 12, Part 4 | — | ||
| 8-19 | Chapter 12, Part 5 | — | ||
| 8-20 | Chapter 12, Part 6 | — | ||
| 8-21 | Chapter 12, Part 7 | — | ||
| 8-22 | Chapter 12, Part 8 | — | ||
| 8-23 | Chapter 12, Part 9 | — | ||
| 8-24 | Chapter 12, Part 10 | — | ||
| 8-25 | Chapter 12, Part 11 | — |
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What is UPC 9781785290657?
9781785290657 is a Universal Product Code (UPC) assigned to Doctor Who: The Roundheads by Mark Gatiss, Anneke Wills. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 190 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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