UPC · Release
Torchwood: The Collected Radio Dramas
Joseph Lidster, Anita Sullivan, James Goss, Phil Ford, Rupert Laight, Ryan Scott, John Barrowman, Eve Myles, Gareth David-Lloyd
Last verified:
9781785297908 is the Universal Product Code (UPC barcode) for the release “Torchwood: The Collected Radio Dramas” by Joseph Lidster, Anita Sullivan, James Goss, Phil Ford, Rupert Laight, Ryan Scott, John Barrowman, Eve Myles, Gareth David-Lloyd. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 109 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (109)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lost Souls, Part 1 | — | ||
| 2 | Lost Souls, Part 2 | — | ||
| 3 | Lost Souls, Part 3 | — | ||
| 4 | Lost Souls, Part 4 | — | ||
| 5 | Lost Souls, Part 5 | — | ||
| 6 | Lost Souls, Part 6 | — | ||
| 7 | Lost Souls, Part 7 | — | ||
| 8 | Lost Souls, Part 8 | — | ||
| 9 | Lost Souls, Part 9 | — | ||
| 10 | Lost Souls, Part 10 | — | ||
| 11 | Lost Souls, Part 11 | — | ||
| 12 | Lost Souls, Part 12 | — | ||
| 13 | Lost Souls, Part 13 | — | ||
| 14 | Lost Souls, Part 14 | — | ||
| 15 | Lost Souls, Part 15 | — | ||
| 16 | Torchwood: All Access, Part 1 | — | ||
| 17 | Torchwood: All Access, Part 2 | — | ||
| 18 | Torchwood: All Access, Part 3 | — | ||
| 19 | Torchwood: All Access, Part 4 | — | ||
| 20 | Torchwood: All Access, Part 5 | — | ||
| 21 | Torchwood: All Access, Part 6 | — | ||
| 22 | Torchwood: All Access, Part 7 | — | ||
| 23 | Torchwood: All Access, Part 8 | — | ||
| 24 | Torchwood: All Access, Part 9 | — | ||
| 2-1 | Asylum, Part 1 | — | ||
| 2-2 | Asylum, Part 2 | — | ||
| 2-3 | Asylum, Part 3 | — | ||
| 2-4 | Asylum, Part 4 | — | ||
| 2-5 | Asylum, Part 5 | — | ||
| 2-6 | Asylum, Part 6 | — | ||
| 2-7 | Asylum, Part 7 | — | ||
| 2-8 | Asylum, Part 8 | — | ||
| 2-9 | Asylum, Part 9 | — | ||
| 2-10 | Asylum, Part 10 | — | ||
| 2-11 | Asylum, Part 11 | — | ||
| 2-12 | Asylum, Part 12 | — | ||
| 2-13 | Asylum, Part 13 | — | ||
| 2-14 | Asylum, Part 14 | — | ||
| 2-15 | Asylum, Part 15 | — | ||
| 3-1 | Golden Age, Part 1 | — | ||
| 3-2 | Golden Age, Part 2 | — | ||
| 3-3 | Golden Age, Part 3 | — | ||
| 3-4 | Golden Age, Part 4 | — | ||
| 3-5 | Golden Age, Part 5 | — | ||
| 3-6 | Golden Age, Part 6 | — | ||
| 3-7 | Golden Age, Part 7 | — | ||
| 3-8 | Golden Age, Part 8 | — | ||
| 3-9 | Golden Age, Part 9 | — | ||
| 3-10 | Golden Age, Part 10 | — | ||
| 3-11 | Golden Age, Part 11 | — | ||
| 3-12 | Golden Age, Part 12 | — | ||
| 3-13 | Golden Age, Part 13 | — | ||
| 3-14 | Golden Age, Part 14 | — | ||
| 3-15 | Golden Age, Part 15 | — | ||
| 4-1 | The Dead Line, Part 1 | — | ||
| 4-2 | The Dead Line, Part 2 | — | ||
| 4-3 | The Dead Line, Part 3 | — | ||
| 4-4 | The Dead Line, Part 4 | — | ||
| 4-5 | The Dead Line, Part 5 | — | ||
| 4-6 | The Dead Line, Part 6 | — | ||
| 4-7 | The Dead Line, Part 7 | — | ||
| 4-8 | The Dead Line, Part 8 | — | ||
| 4-9 | The Dead Line, Part 9 | — | ||
| 4-10 | The Dead Line, Part 10 | — | ||
| 4-11 | The Dead Line, Part 11 | — | ||
| 4-12 | The Dead Line, Part 12 | — | ||
| 4-13 | The Dead Line, Part 13 | — | ||
| 4-14 | The Dead Line, Part 14 | — | ||
| 5-1 | The Devil and Miss Carew, Part 1 | — | ||
| 5-2 | The Devil and Miss Carew, Part 2 | — | ||
| 5-3 | The Devil and Miss Carew, Part 3 | — | ||
| 5-4 | The Devil and Miss Carew, Part 4 | — | ||
| 5-5 | The Devil and Miss Carew, Part 5 | — | ||
| 5-6 | The Devil and Miss Carew, Part 6 | — | ||
| 5-7 | The Devil and Miss Carew, Part 7 | — | ||
| 5-8 | The Devil and Miss Carew, Part 8 | — | ||
| 5-9 | The Devil and Miss Carew, Part 9 | — | ||
| 5-10 | The Devil and Miss Carew, Part 10 | — | ||
| 5-11 | The Devil and Miss Carew, Part 11 | — | ||
| 5-12 | The Devil and Miss Carew, Part 12 | — | ||
| 5-13 | The Devil and Miss Carew, Part 13 | — | ||
| 5-14 | The Devil and Miss Carew, Part 14 | — | ||
| 5-15 | The Devil and Miss Carew, Part 15 | — | ||
| 5-16 | The Devil and Miss Carew, Part 16 | — | ||
| 5-17 | The Devil and Miss Carew, Part 17 | — | ||
| 5-18 | The Devil and Miss Carew, Part 18 | — | ||
| 5-19 | The Devil and Miss Carew, Part 19 | — | ||
| 6-1 | Submission, Part 1 | — | ||
| 6-2 | Submission, Part 2 | — | ||
| 6-3 | Submission, Part 3 | — | ||
| 6-4 | Submission, Part 4 | — | ||
| 6-5 | Submission, Part 5 | — | ||
| 6-6 | Submission, Part 6 | — | ||
| 6-7 | Submission, Part 7 | — | ||
| 6-8 | Submission, Part 8 | — | ||
| 6-9 | Submission, Part 9 | — | ||
| 6-10 | Submission, Part 10 | — | ||
| 6-11 | Submission, Part 11 | — | ||
| 7-1 | The House of the Dead, Part 1 | — | ||
| 7-2 | The House of the Dead, Part 2 | — | ||
| 7-3 | The House of the Dead, Part 3 | — | ||
| 7-4 | The House of the Dead, Part 4 | — | ||
| 7-5 | The House of the Dead, Part 5 | — | ||
| 7-6 | The House of the Dead, Part 6 | — | ||
| 7-7 | The House of the Dead, Part 7 | — | ||
| 7-8 | The House of the Dead, Part 8 | — | ||
| 7-9 | The House of the Dead, Part 9 | — | ||
| 7-10 | The House of the Dead, Part 10 | — | ||
| 7-11 | The House of the Dead, Part 11 | — |
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What is UPC 9781785297908?
9781785297908 is a Universal Product Code (UPC) assigned to Torchwood: The Collected Radio Dramas by Joseph Lidster, Anita Sullivan, James Goss, Phil Ford, Rupert Laight, Ryan Scott, John Barrowman, Eve Myles, Gareth David-Lloyd. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 109 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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