UPC · Release
Sure, I’ll Join Your Cult
Maria Bamford
Last verified:
9781797162072 is the Universal Product Code (UPC barcode) for the release “Sure, I’ll Join Your Cult” by Maria Bamford, released 2023-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 101 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (101)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | [opening credits] | — | ||
| 2 | [Dedication] | — | ||
| 3 | [Epigraph] | — | ||
| 4 | Introduction: Sure, I’ll Join Your Cult, Part 1 | — | ||
| 5 | Introduction: Sure, I’ll Join Your Cult, Part 2 | — | ||
| 6 | Introduction: Sure, I’ll Join Your Cult, Part 3 | — | ||
| 7 | Introduction: Sure, I’ll Join Your Cult, Part 4 | — | ||
| 8 | Introduction: Sure, I’ll Join Your Cult, Part 5 | — | ||
| 9 | Chapter 1: Getting Current: What Life Is Like Now, Part 1 | — | ||
| 10 | Chapter 1: Getting Current: What Life Is Like Now, Part 2 | — | ||
| 11 | Chapter 1: Getting Current: What Life Is Like Now, Part 3 | — | ||
| 12 | Chapter 2: Diagnos-YES! Part 1 | — | ||
| 13 | Chapter 2: Diagnos-YES! Part 2 | — | ||
| 14 | Chapter 2: Diagnos-YES! Part 3 | — | ||
| 15 | Chapter 3: My First Cult: My Family, Part 1 | — | ||
| 16 | Chapter 3: My First Cult: My Family, Part 2 | — | ||
| 17 | Chapter 3: My First Cult: My Family, Part 3 | — | ||
| 18 | [end of disc] | — | ||
| 2-1 | Chapter 3: My First Cult: My Family, Part 4 | — | ||
| 2-2 | Chapter 3: My First Cult: My Family, Part 5 | — | ||
| 2-3 | Chapter 3: My First Cult: My Family, Part 6 | — | ||
| 2-4 | Chapter 4: Loose Cannon (and High Priest of Hilarity), Part 1 | — | ||
| 2-5 | Chapter 4: Loose Cannon (and High Priest of Hilarity), Part 2 | — | ||
| 2-6 | Chapter 4: Loose Cannon (and High Priest of Hilarity), Part 3 | — | ||
| 2-7 | Chapter 4: Loose Cannon (and High Priest of Hilarity), Part 4 | — | ||
| 2-8 | Chapter 4: Loose Cannon (and High Priest of Hilarity), Part 5 | — | ||
| 2-9 | Chapter 5: My Sister: The Funny (Chosen) One, Part 1 | — | ||
| 2-10 | Chapter 5: My Sister: The Funny (Chosen) One, Part 2 | — | ||
| 2-11 | Chapter 5: My Sister: The Funny (Chosen) One, Part 3 | — | ||
| 2-12 | Chapter 5: My Sister: The Funny (Chosen) One, Part 4 | — | ||
| 2-13 | Chapter 5: My Sister: The Funny (Chosen) One, Part 5 | — | ||
| 2-14 | Chapter 6: The Temple of Thin! Part 1 | — | ||
| 2-15 | Chapter 6: The Temple of Thin! Part 2 | — | ||
| 2-16 | Chapter 6: The Temple of Thin! Part 3 | — | ||
| 2-17 | [end of disc] | — | ||
| 3-1 | Chapter 7: Suzuki Violin, Part 1 | — | ||
| 3-2 | Chapter 7: Suzuki Violin, Part 2 | — | ||
| 3-3 | Chapter 7: Suzuki Violin, Part 3 | — | ||
| 3-4 | Chapter 7: Suzuki Violin, Part 4 | — | ||
| 3-5 | Chapter 7: Suzuki Violin, Part 5 | — | ||
| 3-6 | Chapter 7: Suzuki Violin, Part 6 | — | ||
| 3-7 | Chapter 8: Dale Carnegie (Winning Friends and Influencing People!), Part 1 | — | ||
| 3-8 | Chapter 8: Dale Carnegie (Winning Friends and Influencing People!), Part 2 | — | ||
| 3-9 | Chapter 8: Dale Carnegie (Winning Friends and Influencing People!), Part 3 | — | ||
| 3-10 | Chapter 9: Overeaters Anonymous, Part 1 | — | ||
| 3-11 | Chapter 9: Overeaters Anonymous, Part 2 | — | ||
| 3-12 | Chapter 9: Overeaters Anonymous, Part 3 | — | ||
| 3-13 | Chapter 10: Showbiz! The Cult! The Artist’s Way! Part 1 | — | ||
| 3-14 | Chapter 10: Showbiz! The Cult! The Artist’s Way! Part 2 | — | ||
| 3-15 | Chapter 10: Showbiz! The Cult! The Artist’s Way! Part 3 | — | ||
| 3-16 | Chapter 10: Showbiz! The Cult! The Artist’s Way! Part 4 | — | ||
| 3-17 | [end of disc] | — | ||
| 4-1 | Chapter 11: Debtors Anonymous! Part 1 | — | ||
| 4-2 | Chapter 11: Debtors Anonymous! Part 2 | — | ||
| 4-3 | Chapter 11: Debtors Anonymous! Part 3 | — | ||
| 4-4 | Chapter 11: Debtors Anonymous! Part 4 | — | ||
| 4-5 | Chapter 11: Debtors Anonymous! Part 5 | — | ||
| 4-6 | Chapter 11: Debtors Anonymous! Part 6 | — | ||
| 4-7 | Chapter 11: Debtors Anonymous! Part 7 | — | ||
| 4-8 | Chapter 11: Debtors Anonymous! Part 8 | — | ||
| 4-9 | Chapter 12: OCD CBT THAT IS NOT FREE, Part 1 | — | ||
| 4-10 | Chapter 12: OCD CBT THAT IS NOT FREE, Part 2 | — | ||
| 4-11 | Chapter 13: My Fourth, Fifth, Who Cares Cult: Sex and Love Addicts Anonymous, Part 1 | — | ||
| 4-12 | Chapter 13: My Fourth, Fifth, Who Cares Cult: Sex and Love Addicts Anonymous, Part 2 | — | ||
| 4-13 | Chapter 13: My Fourth, Fifth, Who Cares Cult: Sex and Love Addicts Anonymous, Part 3 | — | ||
| 4-14 | Chapter 14: The Cult of Success, Part 1 | — | ||
| 4-15 | Chapter 14: The Cult of Success, Part 2 | — | ||
| 4-16 | Chapter 14: The Cult of Success, Part 3 | — | ||
| 4-17 | Chapter 15: I Killed God (and the Circumstances Leading Up to a Breakdown), Part 1 | — | ||
| 4-18 | [end of disc] | — | ||
| 5-1 | Chapter 15: I Killed God (and the Circumstances Leading Up to a Breakdown), Part 2 | — | ||
| 5-2 | Chapter 16: The Breakdown Begins, Part 1 | — | ||
| 5-3 | Chapter 16: The Breakdown Begins, Part 2 | — | ||
| 5-4 | Chapter 16: The Breakdown Begins, Part 3 | — | ||
| 5-5 | Chapter 17: Hospitalization #1, Part 1 | — | ||
| 5-6 | Chapter 17: Hospitalization #1, Part 2 | — | ||
| 5-7 | Chapter 17: Hospitalization #1, Part 3 | — | ||
| 5-8 | Chapter 18: Hospitalization #2, Part 1 | — | ||
| 5-9 | Chapter 18: Hospitalization #2, Part 2 | — | ||
| 5-10 | Chapter 18: Hospitalization #2, Part 3 | — | ||
| 5-11 | Chapter 19: Hospitalization #3: Certificate of Completion, Part 1 | — | ||
| 5-12 | Chapter 19: Hospitalization #3: Certificate of Completion, Part 2 | — | ||
| 5-13 | Chapter 20: BOUNDARIES: I WILL NOT JOIN *JUST* ANYTHING, Part 1 | — | ||
| 5-14 | Chapter 20: BOUNDARIES: I WILL NOT JOIN *JUST* ANYTHING, Part 2 | — | ||
| 5-15 | Chapter 21: Bipolar Acting Job: Lady Dynamite, Part 1 | — | ||
| 5-16 | [end of disc] | — | ||
| 6-1 | Chapter 21: Bipolar Acting Job: Lady Dynamite, Part 2 | — | ||
| 6-2 | Chapter 21: Bipolar Acting Job: Lady Dynamite, Part 3 | — | ||
| 6-3 | Chapter 21: Bipolar Acting Job: Lady Dynamite, Part 4 | — | ||
| 6-4 | Chapter 22: My Tenth Cult: Recovering Couples Anonymous, Part 1 | — | ||
| 6-5 | Chapter 22: My Tenth Cult: Recovering Couples Anonymous, Part 2 | — | ||
| 6-6 | Chapter 22: My Tenth Cult: Recovering Couples Anonymous, Part 3 | — | ||
| 6-7 | Chapter 22: My Tenth Cult: Recovering Couples Anonymous, Part 4 | — | ||
| 6-8 | Chapter 22: My Tenth Cult: Recovering Couples Anonymous, Part 5 | — | ||
| 6-9 | Chapter 23: Obligatory Suicide Disclaimer, Part 1 | — | ||
| 6-10 | Chapter 23: Obligatory Suicide Disclaimer, Part 2 | — | ||
| 6-11 | Chapter 23: Obligatory Suicide Disclaimer, Part 3 | — | ||
| 6-12 | [ending credits] | — | ||
| 7-1 | Appendix: The Twelve (Silly) Steps of (Super Stupid) Twelve-Step Programs (My Version — Which Is Unapproved and Apostate), Part 1 | — | ||
| 7-2 | Appendix: The Twelve (Silly) Steps of (Super Stupid) Twelve-Step Programs (My Version — Which Is Unapproved and Apostate), Part 2 | — | ||
| 7-3 | Appendix: The Twelve (Silly) Steps of (Super Stupid) Twelve-Step Programs (My Version — Which Is Unapproved and Apostate), Part 3 / Acknowledgments / About the Author | — |
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People also ask
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What is UPC 9781797162072?
9781797162072 is a Universal Product Code (UPC) assigned to Sure, I’ll Join Your Cult by Maria Bamford. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 101 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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