UPC · Release
Doctor Who: Stranded 3
Tim Foley, Lizzie Hopley, James Kettle, John Dorney, Paul McGann, Nicola Walker, Hattie Morahan, Rebecca Root, Tom Price, Nicholas Briggs
Last verified:
9781838681692 is the Universal Product Code (UPC barcode) for the release “Doctor Who: Stranded 3” by Tim Foley, Lizzie Hopley, James Kettle, John Dorney, Paul McGann, Nicola Walker, Hattie Morahan, Rebecca Root, Tom Price, Nicholas Briggs, released 2021-12-02. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 84 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (84)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Big Finish Ident | — | ||
| 2 | Prelude | — | ||
| 3 | Opening Theme | — | ||
| 4 | Part 1 | — | ||
| 5 | Part 2 | — | ||
| 6 | Part 3 | — | ||
| 7 | Part 4 | — | ||
| 8 | Part 5 | — | ||
| 9 | Part 6 | — | ||
| 10 | Part 7 | — | ||
| 11 | Part 8 | — | ||
| 12 | Part 9 | — | ||
| 13 | Part 10 | — | ||
| 14 | Part 11 | — | ||
| 15 | Part 12 | — | ||
| 16 | Part 13 | — | ||
| 17 | Part 14 | — | ||
| 18 | Closing Theme | — | ||
| 19 | Credits | — | ||
| 20 | Interviews 1 | — | ||
| 21 | Interviews 2 | — | ||
| 22 | Interviews 3 | — | ||
| 2-1 | Big Finish Ident | — | ||
| 2-2 | Prelude | — | ||
| 2-3 | Opening Theme | — | ||
| 2-4 | Part 1 | — | ||
| 2-5 | Part 2 | — | ||
| 2-6 | Part 3 | — | ||
| 2-7 | Part 4 | — | ||
| 2-8 | Part 5 | — | ||
| 2-9 | Part 6 | — | ||
| 2-10 | Part 7 | — | ||
| 2-11 | Part 8 | — | ||
| 2-12 | Part 9 | — | ||
| 2-13 | Part 10 | — | ||
| 2-14 | Part 11 | — | ||
| 2-15 | Closing Theme | — | ||
| 2-16 | Credits | — | ||
| 2-17 | Interviews 1 | — | ||
| 2-18 | Interviews 2 | — | ||
| 2-19 | Interviews 3 | — | ||
| 2-20 | Interviews 4 | — | ||
| 2-21 | Interviews 5 | — | ||
| 3-1 | Big Finish Ident | — | ||
| 3-2 | Prelude | — | ||
| 3-3 | Part 1 | — | ||
| 3-4 | Part 2 | — | ||
| 3-5 | Part 3 | — | ||
| 3-6 | Part 4 | — | ||
| 3-7 | Part 5 | — | ||
| 3-8 | Part 6 | — | ||
| 3-9 | Part 7 | — | ||
| 3-10 | Part 8 | — | ||
| 3-11 | Part 9 | — | ||
| 3-12 | Part 10 | — | ||
| 3-13 | Closing Theme | — | ||
| 3-14 | Credits | — | ||
| 3-15 | Interviews 1 | — | ||
| 3-16 | Interviews 2 | — | ||
| 3-17 | Interviews 3 | — | ||
| 3-18 | Interviews 4 | — | ||
| 4-1 | Credits | — | ||
| 4-2 | Opening Theme | — | ||
| 4-3 | Part 12 | — | ||
| 4-4 | Part 11 | — | ||
| 4-5 | Part 10 | — | ||
| 4-6 | Part 9 | — | ||
| 4-7 | Part 8 | — | ||
| 4-8 | Part 7 | — | ||
| 4-9 | Part 6 | — | ||
| 4-10 | Part 5 | — | ||
| 4-11 | Part 4 | — | ||
| 4-12 | Part 3 | — | ||
| 4-13 | Part 2 | — | ||
| 4-14 | Part 1 | — | ||
| 4-15 | Closing Theme | — | ||
| 4-16 | Big Finish Ident | — | ||
| 4-17 | Interviews 1 | — | ||
| 4-18 | Interviews 2 | — | ||
| 4-19 | Interviews 3 | — | ||
| 5-1 | Stranded 3 Music Suite 1 | — | ||
| 5-2 | Stranded 3 Music Suite 2 | — | ||
| 5-3 | Stranded 3 Music Suite 3 | — | ||
| 5-4 | Stranded 3 Music Suite 4 | — |
What other identifiers does this connect to?
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People also ask
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What is UPC 9781838681692?
9781838681692 is a Universal Product Code (UPC) assigned to Doctor Who: Stranded 3 by Tim Foley, Lizzie Hopley, James Kettle, John Dorney, Paul McGann, Nicola Walker, Hattie Morahan, Rebecca Root, Tom Price, Nicholas Briggs. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 84 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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