UPC · Release
Doctor Who: The Twilight Kingdom
Will Shindler, Paul McGann, Michael Keating, India Fisher, Conrad Westmaas
9781844350377
110 tracksReleased 2004-03-01
Last verified:
9781844350377 is the Universal Product Code (UPC barcode) for the release “Doctor Who: The Twilight Kingdom” by Will Shindler, Paul McGann, Michael Keating, India Fisher, Conrad Westmaas, released 2004-03-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 110 tracks, each with its own ISRC.
Format
978GS1 prefix
1844Company prefix
35037Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (110)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | “Part One”, Part 1 | — | ||
| 2 | “Part One”, Part 2 | — | ||
| 3 | “Part One”, Part 3 | — | ||
| 4 | “Part One”, Part 4 | — | ||
| 5 | “Part One”, Part 5 | — | ||
| 6 | “Part One”, Part 6 | — | ||
| 7 | “Part One”, Part 7 | — | ||
| 8 | “Part One”, Part 8 | — | ||
| 9 | “Part One”, Part 9 | — | ||
| 10 | “Part One”, Part 10 | — | ||
| 11 | “Part One”, Part 11 | — | ||
| 12 | “Part One”, Part 12 | — | ||
| 13 | “Part One”, Part 13 | — | ||
| 14 | “Part One”, Part 14 | — | ||
| 15 | “Part One”, Part 15 | — | ||
| 16 | “Part One”, Part 16 | — | ||
| 17 | “Part One”, Part 17 | — | ||
| 18 | “Part One”, Part 18 | — | ||
| 19 | “Part One”, Part 19 | — | ||
| 20 | “Part One”, Part 20 | — | ||
| 21 | “Part One”, Part 21 | — | ||
| 22 | “Part One”, Part 22 | — | ||
| 23 | “Part One”, Part 23 | — | ||
| 24 | “Part One”, Part 24 | — | ||
| 25 | “Part One”, Part 25 | — | ||
| 26 | “Part One”, Part 26 | — | ||
| 27 | “Part Two”, Part 1 | — | ||
| 28 | “Part Two”, Part 2 | — | ||
| 29 | “Part Two”, Part 3 | — | ||
| 30 | “Part Two”, Part 4 | — | ||
| 31 | “Part Two”, Part 5 | — | ||
| 32 | “Part Two”, Part 6 | — | ||
| 33 | “Part Two”, Part 7 | — | ||
| 34 | “Part Two”, Part 8 | — | ||
| 35 | “Part Two”, Part 9 | — | ||
| 36 | “Part Two”, Part 10 | — | ||
| 37 | “Part Two”, Part 11 | — | ||
| 38 | “Part Two”, Part 12 | — | ||
| 39 | “Part Two”, Part 13 | — | ||
| 40 | “Part Two”, Part 14 | — | ||
| 41 | “Part Two”, Part 15 | — | ||
| 42 | “Part Two”, Part 16 | — | ||
| 43 | “Part Two”, Part 17 | — | ||
| 44 | “Part Two”, Part 18 | — | ||
| 45 | “Part Two”, Part 19 | — | ||
| 46 | “Part Two”, Part 20 | — | ||
| 47 | “Part Two”, Part 21 | — | ||
| 48 | “Part Two”, Part 22 | — | ||
| 49 | “Part Two”, Part 23 | — | ||
| 50 | “Part Two”, Part 24 | — | ||
| 51 | “Part Two”, Part 25 | — | ||
| 52 | “Part Two”, Part 26 | — | ||
| 53 | “Part Two”, Part 27 | — | ||
| 2-1 | “Part Three”, Part 1 | — | ||
| 2-2 | “Part Three”, Part 2 | — | ||
| 2-3 | “Part Three”, Part 3 | — | ||
| 2-4 | “Part Three”, Part 4 | — | ||
| 2-5 | “Part Three”, Part 5 | — | ||
| 2-6 | “Part Three”, Part 6 | — | ||
| 2-7 | “Part Three”, Part 7 | — | ||
| 2-8 | “Part Three”, Part 8 | — | ||
| 2-9 | “Part Three”, Part 9 | — | ||
| 2-10 | “Part Three”, Part 10 | — | ||
| 2-11 | “Part Three”, Part 11 | — | ||
| 2-12 | “Part Three”, Part 12 | — | ||
| 2-13 | “Part Three”, Part 13 | — | ||
| 2-14 | “Part Three”, Part 14 | — | ||
| 2-15 | “Part Three”, Part 15 | — | ||
| 2-16 | “Part Three”, Part 16 | — | ||
| 2-17 | “Part Three”, Part 17 | — | ||
| 2-18 | “Part Three”, Part 18 | — | ||
| 2-19 | “Part Three”, Part 19 | — | ||
| 2-20 | “Part Three”, Part 20 | — | ||
| 2-21 | “Part Three”, Part 21 | — | ||
| 2-22 | “Part Three”, Part 22 | — | ||
| 2-23 | “Part Three”, Part 23 | — | ||
| 2-24 | “Part Three”, Part 24 | — | ||
| 2-25 | “Part Three”, Part 25 | — | ||
| 2-26 | “Part Three”, Part 26 | — | ||
| 2-27 | “Part Four”, Part 1 | — | ||
| 2-28 | “Part Four”, Part 2 | — | ||
| 2-29 | “Part Four”, Part 3 | — | ||
| 2-30 | “Part Four”, Part 4 | — | ||
| 2-31 | “Part Four”, Part 5 | — | ||
| 2-32 | “Part Four”, Part 6 | — | ||
| 2-33 | “Part Four”, Part 7 | — | ||
| 2-34 | “Part Four”, Part 8 | — | ||
| 2-35 | “Part Four”, Part 9 | — | ||
| 2-36 | “Part Four”, Part 10 | — | ||
| 2-37 | “Part Four”, Part 11 | — | ||
| 2-38 | “Part Four”, Part 12 | — | ||
| 2-39 | “Part Four”, Part 13 | — | ||
| 2-40 | “Part Four”, Part 14 | — | ||
| 2-41 | “Part Four”, Part 15 | — | ||
| 2-42 | “Part Four”, Part 16 | — | ||
| 2-43 | “Part Four”, Part 17 | — | ||
| 2-44 | “Part Four”, Part 18 | — | ||
| 2-45 | “Part Four”, Part 19 | — | ||
| 2-46 | “Part Four”, Part 20 | — | ||
| 2-47 | “Part Four”, Part 21 | — | ||
| 2-48 | “Part Four”, Part 22 | — | ||
| 2-49 | “Part Four”, Part 23 | — | ||
| 2-50 | “Part Four”, Part 24 | — | ||
| 2-51 | “Part Four”, Part 25 | — | ||
| 2-52 | “Part Four”, Part 26 | — | ||
| 2-53 | “Part Four”, Part 27 | — | ||
| 2-54 | “Part Four”, Part 28 | — | ||
| 2-55 | “Part Four”, Part 29 | — | ||
| 2-56 | “Part Four”, Part 30 | — | ||
| 2-57 | [Dalek Empire 3 trailer] | — |
“Part One”, Part 1
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“Part One”, Part 2
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“Part One”, Part 3
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“Part One”, Part 4
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“Part One”, Part 5
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“Part One”, Part 6
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“Part One”, Part 7
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“Part One”, Part 8
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“Part One”, Part 9
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“Part One”, Part 10
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“Part One”, Part 11
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“Part One”, Part 12
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“Part One”, Part 13
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“Part One”, Part 14
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“Part One”, Part 15
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“Part One”, Part 16
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“Part One”, Part 17
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“Part One”, Part 18
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“Part One”, Part 19
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“Part One”, Part 20
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“Part One”, Part 21
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“Part One”, Part 22
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“Part One”, Part 23
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“Part One”, Part 24
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“Part One”, Part 25
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“Part One”, Part 26
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“Part Two”, Part 1
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“Part Two”, Part 2
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“Part Two”, Part 3
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“Part Two”, Part 4
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“Part Two”, Part 5
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“Part Two”, Part 6
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“Part Two”, Part 7
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“Part Two”, Part 8
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“Part Two”, Part 9
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“Part Two”, Part 10
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“Part Two”, Part 11
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“Part Two”, Part 12
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“Part Two”, Part 13
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“Part Two”, Part 14
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“Part Two”, Part 15
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“Part Two”, Part 16
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“Part Two”, Part 17
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“Part Two”, Part 18
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“Part Two”, Part 19
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“Part Two”, Part 20
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“Part Two”, Part 21
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“Part Two”, Part 22
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“Part Two”, Part 23
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“Part Two”, Part 24
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“Part Two”, Part 25
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“Part Two”, Part 26
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“Part Two”, Part 27
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“Part Three”, Part 1
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“Part Three”, Part 2
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“Part Three”, Part 3
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“Part Three”, Part 4
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“Part Three”, Part 5
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“Part Three”, Part 6
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“Part Three”, Part 7
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“Part Three”, Part 8
—
“Part Three”, Part 9
—
“Part Three”, Part 10
—
“Part Three”, Part 11
—
“Part Three”, Part 12
—
“Part Three”, Part 13
—
“Part Three”, Part 14
—
“Part Three”, Part 15
—
“Part Three”, Part 16
—
“Part Three”, Part 17
—
“Part Three”, Part 18
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“Part Three”, Part 19
—
“Part Three”, Part 20
—
“Part Three”, Part 21
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“Part Three”, Part 22
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“Part Three”, Part 23
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“Part Three”, Part 24
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“Part Three”, Part 25
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“Part Three”, Part 26
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“Part Four”, Part 1
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“Part Four”, Part 2
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“Part Four”, Part 3
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“Part Four”, Part 4
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“Part Four”, Part 5
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“Part Four”, Part 6
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“Part Four”, Part 7
—
“Part Four”, Part 8
—
“Part Four”, Part 9
—
“Part Four”, Part 10
—
“Part Four”, Part 11
—
“Part Four”, Part 12
—
“Part Four”, Part 13
—
“Part Four”, Part 14
—
“Part Four”, Part 15
—
“Part Four”, Part 16
—
“Part Four”, Part 17
—
“Part Four”, Part 18
—
“Part Four”, Part 19
—
“Part Four”, Part 20
—
“Part Four”, Part 21
—
“Part Four”, Part 22
—
“Part Four”, Part 23
—
“Part Four”, Part 24
—
“Part Four”, Part 25
—
“Part Four”, Part 26
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“Part Four”, Part 27
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“Part Four”, Part 28
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“Part Four”, Part 29
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“Part Four”, Part 30
—
[Dalek Empire 3 trailer]
—
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What is UPC 9781844350377?
9781844350377 is a Universal Product Code (UPC) assigned to Doctor Who: The Twilight Kingdom by Will Shindler, Paul McGann, Michael Keating, India Fisher, Conrad Westmaas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 110 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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