UPC · Release
Christopher H Bidmead, Peter Davison, Sarah Sutton, William Hope, Nicholas Briggs
Last verified:
The UPC for “Doctor Who: Renaissance of the Daleks” by Christopher H Bidmead, Peter Davison, Sarah Sutton, William Hope, Nicholas Briggs is 9781844352142. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-03-01. This release contains 101 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Coming soon… “I.D.” | — | ||
| 2 | “Part One”, Part 1 | — | ||
| 3 | “Part One”, Part 2 | — | ||
| 4 | “Part One”, Part 3 | — | ||
| 5 | “Part One”, Part 4 | — | ||
| 6 | “Part One”, Part 5 | — | ||
| 7 | “Part One”, Part 6 | — | ||
| 8 | “Part One”, Part 7 | — | ||
| 9 | “Part One”, Part 8 | — | ||
| 10 | “Part One”, Part 9 | — | ||
| 11 | “Part One”, Part 10 | — | ||
| 12 | “Part One”, Part 11 | — | ||
| 13 | “Part One”, Part 12 | — | ||
| 14 | “Part One”, Part 13 | — | ||
| 15 | “Part One”, Part 14 | — | ||
| 16 | “Part One”, Part 15 | — | ||
| 17 | “Part One”, Part 16 | — | ||
| 18 | “Part One”, Part 17 | — | ||
| 19 | “Part One”, Part 18 | — | ||
| 20 | “Part One”, Part 19 | — | ||
| 21 | “Part One”, Part 20 | — | ||
| 22 | “Part One”, Part 21 | — | ||
| 23 | “Part One”, Part 22 | — | ||
| 24 | “Part One”, Part 23 | — | ||
| 25 | “Part One”, Part 24 | — | ||
| 26 | “Part One”, Part 25 | — | ||
| 27 | “Part One”, Part 26 | — | ||
| 28 | “Part One”, Part 27 | — | ||
| 29 | “Part One”, Part 28 | — | ||
| 30 | “Part Two”, Part 1 | — | ||
| 31 | “Part Two”, Part 2 | — | ||
| 32 | “Part Two”, Part 3 | — | ||
| 33 | “Part Two”, Part 4 | — | ||
| 34 | “Part Two”, Part 5 | — | ||
| 35 | “Part Two”, Part 6 | — | ||
| 36 | “Part Two”, Part 7 | — | ||
| 37 | “Part Two”, Part 8 | — | ||
| 38 | “Part Two”, Part 9 | — | ||
| 39 | “Part Two”, Part 10 | — | ||
| 40 | “Part Two”, Part 11 | — | ||
| 41 | “Part Two”, Part 12 | — | ||
| 42 | “Part Two”, Part 13 | — | ||
| 43 | “Part Two”, Part 14 | — | ||
| 44 | “Part Two”, Part 15 | — | ||
| 45 | “Part Two”, Part 16 | — | ||
| 46 | “Part Two”, Part 17 | — | ||
| 47 | “Part Two”, Part 18 | — | ||
| 48 | “Part Two”, Part 19 | — | ||
| 49 | CD Extras: Interview with William Hope | — | ||
| 2-1 | “Part Three”, Part 1 | — | ||
| 2-2 | “Part Three”, Part 2 | — | ||
| 2-3 | “Part Three”, Part 3 | — | ||
| 2-4 | “Part Three”, Part 4 | — | ||
| 2-5 | “Part Three”, Part 5 | — | ||
| 2-6 | “Part Three”, Part 6 | — | ||
| 2-7 | “Part Three”, Part 7 | — | ||
| 2-8 | “Part Three”, Part 8 | — | ||
| 2-9 | “Part Three”, Part 9 | — | ||
| 2-10 | “Part Three”, Part 10 | — | ||
| 2-11 | “Part Three”, Part 11 | — | ||
| 2-12 | “Part Three”, Part 12 | — | ||
| 2-13 | “Part Three”, Part 13 | — | ||
| 2-14 | “Part Three”, Part 14 | — | ||
| 2-15 | “Part Three”, Part 15 | — | ||
| 2-16 | “Part Three”, Part 16 | — | ||
| 2-17 | “Part Three”, Part 17 | — | ||
| 2-18 | “Part Three”, Part 18 | — | ||
| 2-19 | “Part Three”, Part 19 | — | ||
| 2-20 | “Part Three”, Part 20 | — | ||
| 2-21 | “Part Three”, Part 21 | — | ||
| 2-22 | “Part Three”, Part 22 | — | ||
| 2-23 | “Part Four”, Part 1 | — | ||
| 2-24 | “Part Four”, Part 2 | — | ||
| 2-25 | “Part Four”, Part 3 | — | ||
| 2-26 | “Part Four”, Part 4 | — | ||
| 2-27 | “Part Four”, Part 5 | — | ||
| 2-28 | “Part Four”, Part 6 | — | ||
| 2-29 | “Part Four”, Part 7 | — | ||
| 2-30 | “Part Four”, Part 8 | — | ||
| 2-31 | “Part Four”, Part 9 | — | ||
| 2-32 | “Part Four”, Part 10 | — | ||
| 2-33 | “Part Four”, Part 11 | — | ||
| 2-34 | “Part Four”, Part 12 | — | ||
| 2-35 | “Part Four”, Part 13 | — | ||
| 2-36 | “Part Four”, Part 14 | — | ||
| 2-37 | “Part Four”, Part 15 | — | ||
| 2-38 | “Part Four”, Part 16 | — | ||
| 2-39 | “Part Four”, Part 17 | — | ||
| 2-40 | “Part Four”, Part 18 | — | ||
| 2-41 | “Part Four”, Part 19 | — | ||
| 2-42 | “Part Four”, Part 20 | — | ||
| 2-43 | “Part Four”, Part 21 | — | ||
| 2-44 | “Part Four”, Part 22 | — | ||
| 2-45 | “Part Four”, Part 23 | — | ||
| 2-46 | “Part Four”, Part 24 | — | ||
| 2-47 | “Part Four”, Part 25 | — | ||
| 2-48 | “Part Four”, Part 26 | — | ||
| 2-49 | “Part Four”, Part 27 | — | ||
| 2-50 | “Part Four”, Part 28 | — | ||
| 2-51 | CD Extras, Part 1 | — | ||
| 2-52 | CD Extras, Part 2 | — |
Creative Contributors (ISNI)
Credits Graph
9781844352142 is a Universal Product Code (UPC) assigned to Doctor Who: Renaissance of the Daleks by Christopher H Bidmead, Peter Davison, Sarah Sutton, William Hope, Nicholas Briggs. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 101 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Doctor Who: Renaissance of the Daleks” by Christopher H Bidmead, Peter Davison, Sarah Sutton, William Hope, Nicholas Briggs is 9781844352142. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-03-01. This release contains 101 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Coming soon… “I.D.” | — | ||
| 2 | “Part One”, Part 1 | — | ||
| 3 | “Part One”, Part 2 | — | ||
| 4 | “Part One”, Part 3 | — | ||
| 5 | “Part One”, Part 4 | — | ||
| 6 | “Part One”, Part 5 | — | ||
| 7 | “Part One”, Part 6 | — | ||
| 8 | “Part One”, Part 7 | — | ||
| 9 | “Part One”, Part 8 | — | ||
| 10 | “Part One”, Part 9 | — | ||
| 11 | “Part One”, Part 10 | — | ||
| 12 | “Part One”, Part 11 | — | ||
| 13 | “Part One”, Part 12 | — | ||
| 14 | “Part One”, Part 13 | — | ||
| 15 | “Part One”, Part 14 | — | ||
| 16 | “Part One”, Part 15 | — | ||
| 17 | “Part One”, Part 16 | — | ||
| 18 | “Part One”, Part 17 | — | ||
| 19 | “Part One”, Part 18 | — | ||
| 20 | “Part One”, Part 19 | — | ||
| 21 | “Part One”, Part 20 | — | ||
| 22 | “Part One”, Part 21 | — | ||
| 23 | “Part One”, Part 22 | — | ||
| 24 | “Part One”, Part 23 | — | ||
| 25 | “Part One”, Part 24 | — | ||
| 26 | “Part One”, Part 25 | — | ||
| 27 | “Part One”, Part 26 | — | ||
| 28 | “Part One”, Part 27 | — | ||
| 29 | “Part One”, Part 28 | — | ||
| 30 | “Part Two”, Part 1 | — | ||
| 31 | “Part Two”, Part 2 | — | ||
| 32 | “Part Two”, Part 3 | — | ||
| 33 | “Part Two”, Part 4 | — | ||
| 34 | “Part Two”, Part 5 | — | ||
| 35 | “Part Two”, Part 6 | — | ||
| 36 | “Part Two”, Part 7 | — | ||
| 37 | “Part Two”, Part 8 | — | ||
| 38 | “Part Two”, Part 9 | — | ||
| 39 | “Part Two”, Part 10 | — | ||
| 40 | “Part Two”, Part 11 | — | ||
| 41 | “Part Two”, Part 12 | — | ||
| 42 | “Part Two”, Part 13 | — | ||
| 43 | “Part Two”, Part 14 | — | ||
| 44 | “Part Two”, Part 15 | — | ||
| 45 | “Part Two”, Part 16 | — | ||
| 46 | “Part Two”, Part 17 | — | ||
| 47 | “Part Two”, Part 18 | — | ||
| 48 | “Part Two”, Part 19 | — | ||
| 49 | CD Extras: Interview with William Hope | — | ||
| 2-1 | “Part Three”, Part 1 | — | ||
| 2-2 | “Part Three”, Part 2 | — | ||
| 2-3 | “Part Three”, Part 3 | — | ||
| 2-4 | “Part Three”, Part 4 | — | ||
| 2-5 | “Part Three”, Part 5 | — | ||
| 2-6 | “Part Three”, Part 6 | — | ||
| 2-7 | “Part Three”, Part 7 | — | ||
| 2-8 | “Part Three”, Part 8 | — | ||
| 2-9 | “Part Three”, Part 9 | — | ||
| 2-10 | “Part Three”, Part 10 | — | ||
| 2-11 | “Part Three”, Part 11 | — | ||
| 2-12 | “Part Three”, Part 12 | — | ||
| 2-13 | “Part Three”, Part 13 | — | ||
| 2-14 | “Part Three”, Part 14 | — | ||
| 2-15 | “Part Three”, Part 15 | — | ||
| 2-16 | “Part Three”, Part 16 | — | ||
| 2-17 | “Part Three”, Part 17 | — | ||
| 2-18 | “Part Three”, Part 18 | — | ||
| 2-19 | “Part Three”, Part 19 | — | ||
| 2-20 | “Part Three”, Part 20 | — | ||
| 2-21 | “Part Three”, Part 21 | — | ||
| 2-22 | “Part Three”, Part 22 | — | ||
| 2-23 | “Part Four”, Part 1 | — | ||
| 2-24 | “Part Four”, Part 2 | — | ||
| 2-25 | “Part Four”, Part 3 | — | ||
| 2-26 | “Part Four”, Part 4 | — | ||
| 2-27 | “Part Four”, Part 5 | — | ||
| 2-28 | “Part Four”, Part 6 | — | ||
| 2-29 | “Part Four”, Part 7 | — | ||
| 2-30 | “Part Four”, Part 8 | — | ||
| 2-31 | “Part Four”, Part 9 | — | ||
| 2-32 | “Part Four”, Part 10 | — | ||
| 2-33 | “Part Four”, Part 11 | — | ||
| 2-34 | “Part Four”, Part 12 | — | ||
| 2-35 | “Part Four”, Part 13 | — | ||
| 2-36 | “Part Four”, Part 14 | — | ||
| 2-37 | “Part Four”, Part 15 | — | ||
| 2-38 | “Part Four”, Part 16 | — | ||
| 2-39 | “Part Four”, Part 17 | — | ||
| 2-40 | “Part Four”, Part 18 | — | ||
| 2-41 | “Part Four”, Part 19 | — | ||
| 2-42 | “Part Four”, Part 20 | — | ||
| 2-43 | “Part Four”, Part 21 | — | ||
| 2-44 | “Part Four”, Part 22 | — | ||
| 2-45 | “Part Four”, Part 23 | — | ||
| 2-46 | “Part Four”, Part 24 | — | ||
| 2-47 | “Part Four”, Part 25 | — | ||
| 2-48 | “Part Four”, Part 26 | — | ||
| 2-49 | “Part Four”, Part 27 | — | ||
| 2-50 | “Part Four”, Part 28 | — | ||
| 2-51 | CD Extras, Part 1 | — | ||
| 2-52 | CD Extras, Part 2 | — |
