UPC · Release
Jeeves: Joy in the Morning
P. G. Wodehouse
Last verified:
9781846071379 is the Universal Product Code (UPC barcode) for the release “Jeeves: Joy in the Morning” by P. G. Wodehouse, released 2006-06-05. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Episode One, Part 1. "Even before the events occurred which I am about to relate..." | — | ||
| 2 | Episode One, Part 2. "Ah, odds bodikins Jeeves, I'm in rare fettle this a.m.!" | — | ||
| 3 | Episode One, Part 3. "Am I made my way to the bookery, I found my thoughts turning..." | — | ||
| 4 | Episode One, Part 4. "Can I help you, sir?" "Good morning, good morning. Yes, I want a book." | — | ||
| 5 | Episode One, Part 5. "And, shuddering from brilliantine topknot to rubber shoe sole..." | — | ||
| 6 | Episode One, Part 6. "It was a grave and thoughtful Bertram Wooster who latchkeyed back into the old flat..." | — | ||
| 7 | Episode One, Part 7. "Yes, Jeeves? Do I detect a note of disapproval?" | — | ||
| 8 | Episode One, Part 8. "Rem...?" "..Acu tetigesti, sir. A latin expression..." | — | ||
| 9 | Episode Two, Part 1. "On morning of my departure from Steeple Bumphleigh.." | — | ||
| 10 | Episode Two, Part 2. "Yes, sir, her ladyship expects to be absent for some little time..." | — | ||
| 11 | Episode Two, Part 3. "Can't take place at all? Jeeves, are you pulling the Wooster leg?" | — | ||
| 12 | Episode Two, Part 4. "On our way down to rural Hampshire a few hours later..." | — | ||
| 13 | Episode Two, Part 5. "Fancy having to get anyone's consent to your getting married..." | — | ||
| 14 | Episode Two, Part 6. "My mood, as I set forth for Wee Nooke, a good deal less effervescent..." | — | ||
| 15 | Episode Two, Part 7. "Stap my vitals, Stilton, why the fancy dress?" | — | ||
| 16 | Episode Two, Part 8. "He hardly needed to say. The menancing way in which he hopped on his bicycle..." | — | ||
| 17 | Episode Three, Part 1. "When Percival, Lord Worplesdon, second husband of my Aunt Agatha..." | — | ||
| 18 | Episode Three, Part 2. "Ah, oh, dash it, dash it! Edwin, where are you? Edwin?" | — | ||
| 19 | Episode Three, Part 3. "And with that the old ass withdrew, leaving me to my meditations..." | — | ||
| 2-1 | Episode Three, Part 4. "The Florence alluded in the recent scene, was..." | — | ||
| 2-2 | Episode Three, Part 5. "Yoo hoo, darling!" "Hello, darling!" | — | ||
| 2-3 | Episode Three, Part 6. "The word of a Wooster had been pledged, but not blithely..." | — | ||
| 2-4 | Episode Four, Part 1. "Boko Fittleworth was smirking." | — | ||
| 2-5 | Episode Four, Part 2. "And full to the brim of dudgeon, he strode off into the darkness." | — | ||
| 2-6 | Episode Four, Part 3. "After Jeeves had popped off, I started to do a bit of pacing to and fro..." | — | ||
| 2-7 | Episode Four, Part 4. "Despite the order I had placed for a strengthening snort..." | — | ||
| 2-8 | Episode Four, Part 5. "And sighing reproachfully, he faded away, and left me alone with the stars..." | — | ||
| 2-9 | Episode Four, Part 6. "As I was saying, sir, I encountered young Master Edwin..." | — | ||
| 2-10 | Episode Four, Part 7. "Exactly." "Yes, sir. I think this is Lady Florence approaching now..." | — | ||
| 2-11 | Episode Five, Part 1. "It had been quite an evening in the gardens and messuages of Bumphleigh Hall..." | — | ||
| 2-12 | Episode Five, Part 2. "It was but a troubled slumber that I enjoyed that night..." | — | ||
| 2-13 | Episode Five, Part 3. "Well, Jeeves?" "I have the data you require, sir." | — | ||
| 2-14 | Episode Five, Part 4. "Ah, hello young Edwin." "Oh, hello, Bertie." | — | ||
| 2-15 | Episode Five, Part 5. "Despite the mood of fiery resolution in which I strode towards the house..." | — | ||
| 2-16 | Episode Five, Part 6. "Now do sit down, my dear fellow. I want you to be all relaxed..." | — | ||
| 3-1 | Episode Six, Part 1. "When Florence Craye, daughter of my uncle by marriage Percival, Lord Worplesdon..." | — | ||
| 3-2 | Episode Six, Part 2. "I told you so!" "Eh? What?" "About Jeeves being baffled." | — | ||
| 3-3 | Episode Six, Part 3. "Bertie!" "Coming! Ah, Jeeves! There you are at last." | — | ||
| 3-4 | Episode Six, Part 4. "Jeeves's prediction that Uncle Percy would require constant exhortation...." | — | ||
| 3-5 | Episode Six, Part 5. "Well, of course, you can't ginger up an uncle by marriage..." | — | ||
| 3-6 | Episode Six, Part 6. "Ah, come in Bertie, come in. Jeeves is in the kitchen brewing a cup of tea." | — | ||
| 3-7 | Episode Six, Part 7. "It had been Boko's idea that he and I should make the journey to East Wibley..." | — | ||
| 3-8 | Episode Six, Part 8. "There you are Uncle Percy, just stick your toes out of the window..." | — | ||
| 3-9 | Episode Seven, Part 1. "The sun was high in the heavens, or fairly high, when awoke..." | — | ||
| 3-10 | Episode Seven, Part 2. "The word had scarcely left my lips before I was skimming garagewards..." | — | ||
| 3-11 | Episode Seven, Part 3. "Bertie, haven't you gone yet?" "No, Boko, I have not!" | — | ||
| 3-12 | Episode Seven, Part 4. "Her, what?" "Her Ladyship, sir." "Her Ladyship?" | — | ||
| 3-13 | Episode Seven, Part 5. "Might as well hear what you've got to say, I suppose." | — | ||
| 3-14 | Episode Seven, Part 6. "Well...There you are." "Thank you, my dear Worplesdon." | — | ||
| 3-15 | Episode Seven, Part 7. "I escorted Uncle Percy to my room, dug out the suit,..." | — |
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What is UPC 9781846071379?
9781846071379 is a Universal Product Code (UPC) assigned to Jeeves: Joy in the Morning by P. G. Wodehouse. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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