UPC · Release
The New Anthology of Music
Various Artists
9781901507041
74 tracksReleased 2000-01-01
Last verified:
9781901507041 is the Universal Product Code (UPC barcode) for the release “The New Anthology of Music” by Various Artists, released 2000-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC. Tracks include NLA507500253, NLA507617704, GBF076710071.
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978GS1 prefix
1901Company prefix
50704Product
1Check digit
- GS1 prefix:
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- Company prefix:
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- Product:
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- Check digit:
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Credit Chain
UPCThe New Anthology of Music
ISRC19 recordings
ISWC18 works
IPI12 songwriters
Track List (74)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 4 in G: movement I | — | ||
| 2 | Symphony no. 26 in D minor, “Lamentatione”: movement I | — | ||
| 3 | Harold en Italie, op. 16: 3. Sérénade (Allegro assai - Allegretto) | Nobuko Imai, London Symphony Orchestra, Sir Colin Davis | — | |
| 4 | Prelude to Tristan und Isolde | — | ||
| 5 | Prélude à l’après‐midi d’un faune | Concertgebouw Orchestra, Bernard Haitink | — | |
| 6 | Concerto for Double String Orchestra: movement I | — | ||
| 7 | Pulcinella (Concert Suite): I. Sinfonia | Academy of St Martin in the Fields, Sir Neville Marriner | T-905.033.238-2 | |
| 8 | Pulcinella (Concert Suite): VI. Gavotta con due variazioni | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9 | Pulcinella (Concert Suite): VII. Vivo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Quartet, op. 22: movement I | — | ||
| 11 | String Quartet no. 8, op. 110: movement I | — | ||
| 12 | Sonatas and Interludes for Prepared Piano: Sonata I | — | ||
| 13 | Sonatas and Interludes for Prepared Piano: Sonata II | — | ||
| 14 | Sonatas and Interludes for Prepared Piano: Sonata III | — | ||
| 15 | Sequenza III for female voice | — | ||
| 16 | New York Counterpoint: movement II | — | ||
| 2-1 | Pavane “The image of melancholy” | — | ||
| 2-2 | Galliard “Ecce quam bonum” | — | ||
| 2-3 | Sacrae Symphoniae: Sonata pian' e forte a 8, alla bassa quarta, C.175 | His Majestys Sagbutts and Cornetts, Timothy Roberts | — | |
| 2-4 | Trio Sonata in D, op. 3 no. 2: movement IV | — | ||
| 2-5 | String Quartet in E♭, op. 33 no. 2, “The Joke”: movement IV | — | ||
| 2-6 | Septet in E♭: movement I | — | ||
| 2-7 | Piano Quintet in F minor: movement III | — | ||
| 2-8 | Sonata for Horn, Trumpet and Trombone: movement I | — | ||
| 2-9 | Pavana Lachrimae | — | ||
| 2-10 | Partita no. 4 in D, BWV 828: V. Sarabande | András Schiff | — | |
| 2-11 | Partita no. 4 in D, BWV 828: VII. Gigue | András Schiff | — | |
| 2-12 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro | Alfred Brendel | T-306.395.786-4 | |
| 2-13 | Kinderscenen, op. 15: No. 1 | — | ||
| 2-14 | Kinderscenen, op. 15: No. 3 | — | ||
| 2-15 | Kinderscenen, op. 15: No. 11 | — | ||
| 2-16 | Pour le Piano: II. Sarabande | Zoltán Kocsis | — | |
| 2-17 | Prelude and Fugue in A, op. 87 no. 7: Prelude | — | ||
| 2-18 | Prelude and Fugue in A, op. 87 no. 7: Fugue | — | ||
| 3-1 | O Wilhelme, pastor bone | — | ||
| 3-2 | Symphonia Sacrae Liber Secundus: In ecclesiis à 14, C 78 | Gabrieli Consort & Players, Paul McCreesh, Timothy Wilson, Charles Pott, Julian Podger, Donald Greig | — | |
| 3-3 | Cantata no. 48, “Ich elender Mensch”: movement I | — | ||
| 3-4 | Cantata no. 48, “Ich elender Mensch”: movement II | — | ||
| 3-5 | Cantata no. 48, “Ich elender Mensch”: movement III | — | ||
| 3-6 | Cantata no. 48, “Ich elender Mensch”: movement IV | — | ||
| 3-7 | “Quoniam tu solus” from The Nelson Mass | — | ||
| 3-8 | Locus Iste | — | ||
| 3-9 | Symphony of Psalms: movement III | — | ||
| 3-10 | The Lamb | — | ||
| 3-11 | Flow my tears | — | ||
| 3-12 | Sing we at pleasure | — | ||
| 3-13 | Ohimè, se tanto amate | — | ||
| 3-14 | “Thy hand, Belinda” and “When I am laid in earth” from Dido and Aeneas | — | ||
| 3-15 | My mother bids me bind my hair | — | ||
| 3-16 | Der Doppelgänger | — | ||
| 3-17 | Après un rêve | — | ||
| 3-18 | Pierrot lunaire, op. 21, Part I: 7. Der kranke Mond | Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez | — | |
| 3-19 | “Summertime” from Porgy and Bess | — | ||
| 4-1 | Passport to Pimlico: The Siege of Burgundy | — | ||
| 4-2 | On the Waterfront Symphonic Suite (opening) | — | ||
| 4-3 | Planet of the Apes: The Hunt (opening) | — | ||
| 4-4 | Flying Theme | The City of Prague Philharmonic Orchestra, Paul Bateman | T-070.233.848-4 | |
| 4-5 | Morse on the Case | — | ||
| 4-6 | Titanic - Take Her to Sea, Mr. Murdoch | The City of Prague Philharmonic Orchestra | — | |
| 4-7 | West End Blues | — | ||
| 4-8 | Black and Tan Fantasy | Duke Ellington and His Orchestra | — | |
| 4-9 | Four (opening) | — | ||
| 4-10 | I’m leavin’ you | — | ||
| 4-11 | Honey Don’t | Carl Perkins | T-918.231.952-4 | |
| 4-12 | Waterloo Sunset | The Kinks | T-010.153.220-0 | |
| 4-13 | You can get it if you really want | — | ||
| 4-14 | Tupelo Honey | Van Morrison | T-070.247.514-6 | |
| 4-15 | Don’t Look Back in Anger | Oasis | T-011.496.026-7 | |
| 4-16 | Rag Bhairav | — | ||
| 4-17 | Baris Melampahan | — | ||
| 4-18 | Yellow Bird | — | ||
| 4-19 | Tom McElvogue’s Jig, New Irish Barndance (reel) | — | ||
| 4-20 | Agbekor Dance | — | ||
| 4-21 | Se quema la chumbambá | — |
Brandenburg Concerto no. 4 in G: movement I
—
Symphony no. 26 in D minor, “Lamentatione”: movement I
—
Harold en Italie, op. 16: 3. Sérénade (Allegro assai - Allegretto)
Nobuko Imai, London Symphony Orchestra, Sir Colin Davis
—
Prelude to Tristan und Isolde
—
Prélude à l’après‐midi d’un faune
Concertgebouw Orchestra, Bernard Haitink
—
Concerto for Double String Orchestra: movement I
—
Academy of St Martin in the Fields, Sir Neville Marriner
Pulcinella (Concert Suite): VI. Gavotta con due variazioni
Academy of St Martin in the Fields, Sir Neville Marriner
—
Pulcinella (Concert Suite): VII. Vivo
Academy of St Martin in the Fields, Sir Neville Marriner
—
Quartet, op. 22: movement I
—
String Quartet no. 8, op. 110: movement I
—
Sonatas and Interludes for Prepared Piano: Sonata I
—
Sonatas and Interludes for Prepared Piano: Sonata II
—
Sonatas and Interludes for Prepared Piano: Sonata III
—
Sequenza III for female voice
—
New York Counterpoint: movement II
—
Pavane “The image of melancholy”
—
Galliard “Ecce quam bonum”
—
Sacrae Symphoniae: Sonata pian' e forte a 8, alla bassa quarta, C.175
His Majestys Sagbutts and Cornetts, Timothy Roberts
—
Trio Sonata in D, op. 3 no. 2: movement IV
—
String Quartet in E♭, op. 33 no. 2, “The Joke”: movement IV
—
Septet in E♭: movement I
—
Piano Quintet in F minor: movement III
—
Sonata for Horn, Trumpet and Trombone: movement I
—
Pavana Lachrimae
—
Partita no. 4 in D, BWV 828: V. Sarabande
András Schiff
—
Partita no. 4 in D, BWV 828: VII. Gigue
András Schiff
—
Kinderscenen, op. 15: No. 1
—
Kinderscenen, op. 15: No. 3
—
Kinderscenen, op. 15: No. 11
—
Pour le Piano: II. Sarabande
Zoltán Kocsis
—
Prelude and Fugue in A, op. 87 no. 7: Prelude
—
Prelude and Fugue in A, op. 87 no. 7: Fugue
—
O Wilhelme, pastor bone
—
Symphonia Sacrae Liber Secundus: In ecclesiis à 14, C 78
Gabrieli Consort & Players, Paul McCreesh, Timothy Wilson, Charles Pott, Julian Podger, Donald Greig
—
Cantata no. 48, “Ich elender Mensch”: movement I
—
Cantata no. 48, “Ich elender Mensch”: movement II
—
Cantata no. 48, “Ich elender Mensch”: movement III
—
Cantata no. 48, “Ich elender Mensch”: movement IV
—
“Quoniam tu solus” from The Nelson Mass
—
Locus Iste
—
Symphony of Psalms: movement III
—
The Lamb
—
Flow my tears
—
Sing we at pleasure
—
Ohimè, se tanto amate
—
“Thy hand, Belinda” and “When I am laid in earth” from Dido and Aeneas
—
My mother bids me bind my hair
—
Der Doppelgänger
—
Après un rêve
—
Pierrot lunaire, op. 21, Part I: 7. Der kranke Mond
Yvonne Minton, Daniel Barenboim, Michel Debost, Lynn Harrell, Antony Pay, Pinchas Zukerman, Pierre Boulez
—
“Summertime” from Porgy and Bess
—
Passport to Pimlico: The Siege of Burgundy
—
On the Waterfront Symphonic Suite (opening)
—
Planet of the Apes: The Hunt (opening)
—
Morse on the Case
—
Titanic - Take Her to Sea, Mr. Murdoch
The City of Prague Philharmonic Orchestra
—
West End Blues
—
Black and Tan Fantasy
Duke Ellington and His Orchestra
—
Four (opening)
—
I’m leavin’ you
—
You can get it if you really want
—
Rag Bhairav
—
Baris Melampahan
—
Yellow Bird
—
Tom McElvogue’s Jig, New Irish Barndance (reel)
—
Agbekor Dance
—
Se quema la chumbambá
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Black and Tan Fantasy | Duke Ellington and His Orchestra | — |
Black and Tan Fantasy
Duke Ellington and His Orchestra
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000023474007000000005513421800000000551442640000000059272650000000006308589000000000783851400000000078396042000000008130690900000000815283330000000084111584
+40 more
000000009860679900000001016327100000000107262036000000010784444X000000010816090400000001082297480000000108234440000000010860494X00000001086940840000000108770016000000010882344800000001092179920000000109300665000000010937230000000001093759820000000110083450000000011011976700000001103401700000000110684918000000011079825300000001109019000000000114371759000000011450431200000001145046970000000114509359000000011453295400000001145557500000000114761474000000011480044500000001149212040000000114948052000000011540482300000001160431180000000116279753000000011844619900000001188456080000000119352151000000011941688000000001194505280000000119455265
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What is UPC 9781901507041?
9781901507041 is a Universal Product Code (UPC) assigned to The New Anthology of Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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