UPC · Release

A Pelican at Blandings

P. G. Wodehouse, Martin Jarvis

9781904605652

57 tracksReleased 2006-01-01CSA Word

Last verified: March 26, 2026

9781904605652 is the Universal Product Code (UPC barcode) for the release “A Pelican at Blandings” by P. G. Wodehouse, Martin Jarvis, released 2006-01-01 on CSA Word. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC.

Format

978GS1 prefix

1904Company prefix

60565Product

2Check digit

GS1 prefix:: Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:: Label/distributor identifier assigned by the local GS1 office.
Product:: Unique product number assigned by the company.
Check digit:: Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCA Pelican at Blandings

IPI2 songwriters

Track List (57)

#	Track Title	ISWC
1	Part 01: “The summer day was drawing to a close and dusk had fallen on Blandings Castle.”	—
2	Part 02: “Selecting a volume from the shelf of pig books, his main source of mental refreshment, …”	—
3	Part 03: “It is possible that solitude and a further go at the pig book…”	—
4	Part 04: “At about the moment when Lady Constance was mounting the stairs…”	—
5	Part 05: “He went out into the hall, where the instrument was, …”	—
6	Part 06: “Gally stirred uneasily in his seat. He had always been a better raconteur than listener…”	—
7	Part 07: “The first person he saw on the platform was his brother Clarence…”	—
8	Part 08: “Up at the castle Beech was in his pantry sipping his evening glass of port…”	—
9	Part 09: “Two days elapsed before Linda Gilpin arrived.”	—
10	Part 10: “The Duke, a clear headed man, saw the objection to this immediately…”	—
11	Part 11: “Gally had had to change his plans. He had not been able to fulfil his intention…”	—
12	Part 12: “The Binks–Holloway anecdote was one of Gally’s best.”	—
13	Part 13: “‘I do not know why you call it revolting’, he said with dignity…”	—
14	Part 14: “The hollowness of John’s voice over the telephone…”	—
2-1	Part 15: “In order to avoid the glare of the sun, and the society of the Duke of Dunstable, …”	—
2-2	Part 16: “The train was just coming in as the car reached the station.”	—
2-3	Part 17: “Wilbur drank deeply of his gin and tonic to assist the marshalling of his thoughts.”	—
2-4	Part 18: “Night had fallen when John Halliday got back to London.”	—
2-5	Part 19: “‘Explain it from the beginning.’, he said.”	—
2-6	Part 20: “It wasn’t, however, till the following afternoon that John was at liberty to leave…”	—
2-7	Part 21: “He walked in a circle for a bit and must have mused to good purpose…”	—
2-8	Part 22: “It was Lord Emsworth who had so abruptly applied the closure…”	—
2-9	Part 23: “For three years in succession she’d been awarded the silver medal…”	—
2-10	Part 24: “The Duke of Dunstable prided himself on being a man who stood no nonsense…”	—
2-11	Part 25: “It was about time, reflected Gally, as he returned all fresh and rosy…”	—
2-12	Part 26: “The Duke found speech. ‘Do you know what time it is? …’”	—
2-13	Part 27: “To say that Lady Constance was glad to see her visitors…”	—
2-14	Part 28: “Lady Constance’s boudoir on the second floor of the castle…”	—
2-15	Part 29: “Thinking thus, he bubbled over with cheeriness…”	—
2-16	Part 30: “Several authorities have stated that the thing to do when your self control seems about to leave you…”	—
3-1	Part 31: “For possibly three minutes after they left Lady Constance’s boudoir…”	—
3-2	Part 32: “Linda Gilpin, returning from her visit from the old school, …”	—
3-3	Part 33: “…paused, with the air of one waiting for a round of applause.”	—
3-4	Part 34: “John, dressing in the room allotted to him on the second floor, …”	—
3-5	Part 35: “It was an awkward question for one so lacking in experience…”	—
3-6	Part 36: “Gally was in the hall when Linda came down from her room.”	—
3-7	Part 37: “One of the things he didn’t know was that as he and the table came together…”	—
3-8	Part 38: “Gally embarked on his narrative with the smooth suavity which had been wont to win all hearts…”	—
3-9	Part 39: “Even Gally, practised raconteur though he was, was obliged to stop occasionally…”	—
3-10	Part 40: “Lord Emsworth went to bed that night in something of a twitter.”	—
3-11	Part 41: “The explanation was absurdly simple.”	—
3-12	Part 42: “When she woke, it was still there, and her misgivings grew with breakfast, …”	—
3-13	Part 43: “At the time when his services had been desired, …”	—
4-1	Part 44: “It was Gally’s practice, when he favoured Blandings Castle with a visit, …”	—
4-2	Part 45: “Left alone, Gally returned to his meditations.”	—
4-3	Part 46: “Beech made the telling of his tale as succinct as possible, …”	—
4-4	Part 47: “’I see. And as a good secretary should, you look on him as a father…’”	—
4-5	Part 48: “‘Ready?’ asked Vanessa.”	—
4-6	Part 49: “The alarm clock beside Vanessa’s bed tinkled softly, …”	—
4-7	Part 50: “Vanessa performed the humane act as requested, …”	—
4-8	Part 51: “The following morning found Gally in his hammock, …”	—
4-9	Part 52: “At that moment, the rhythmic tooting of a horn…”	—
4-10	Part 53: “As Lady Constance seated herself at the desk and took pen in hand…”	—
4-11	Part 54: “Gally, in his hammock, had closed his eyes again…”	—
4-12	Part 55: “‘I was looking for you’, she said.”	—
4-13	Part 56: “The Duke was not laughing.”	—
4-14	Part 57: “Another summery day was drawing to a close…”	—

Part 01: “The summer day was drawing to a close and dusk had fallen on Blandings Castle.”

—

Part 02: “Selecting a volume from the shelf of pig books, his main source of mental refreshment, …”

—

Part 03: “It is possible that solitude and a further go at the pig book…”

—

Part 04: “At about the moment when Lady Constance was mounting the stairs…”

—

Part 05: “He went out into the hall, where the instrument was, …”

—

Part 06: “Gally stirred uneasily in his seat. He had always been a better raconteur than listener…”

—

Part 07: “The first person he saw on the platform was his brother Clarence…”

—

Part 08: “Up at the castle Beech was in his pantry sipping his evening glass of port…”

—

Part 09: “Two days elapsed before Linda Gilpin arrived.”

—

Part 10: “The Duke, a clear headed man, saw the objection to this immediately…”

—

Part 11: “Gally had had to change his plans. He had not been able to fulfil his intention…”

—

Part 12: “The Binks–Holloway anecdote was one of Gally’s best.”

—

Part 13: “‘I do not know why you call it revolting’, he said with dignity…”

—

Part 14: “The hollowness of John’s voice over the telephone…”

—

Part 15: “In order to avoid the glare of the sun, and the society of the Duke of Dunstable, …”

—

Part 16: “The train was just coming in as the car reached the station.”

—

Part 17: “Wilbur drank deeply of his gin and tonic to assist the marshalling of his thoughts.”

—

Part 18: “Night had fallen when John Halliday got back to London.”

—

Part 19: “‘Explain it from the beginning.’, he said.”

—

Part 20: “It wasn’t, however, till the following afternoon that John was at liberty to leave…”

—

Part 21: “He walked in a circle for a bit and must have mused to good purpose…”

—

Part 22: “It was Lord Emsworth who had so abruptly applied the closure…”

—

Part 23: “For three years in succession she’d been awarded the silver medal…”

—

Part 24: “The Duke of Dunstable prided himself on being a man who stood no nonsense…”

—

Part 25: “It was about time, reflected Gally, as he returned all fresh and rosy…”

—

Part 26: “The Duke found speech. ‘Do you know what time it is? …’”

—

Part 27: “To say that Lady Constance was glad to see her visitors…”

—

Part 28: “Lady Constance’s boudoir on the second floor of the castle…”

—

Part 29: “Thinking thus, he bubbled over with cheeriness…”

—

Part 30: “Several authorities have stated that the thing to do when your self control seems about to leave you…”

—

Part 31: “For possibly three minutes after they left Lady Constance’s boudoir…”

—

Part 32: “Linda Gilpin, returning from her visit from the old school, …”

—

Part 33: “…paused, with the air of one waiting for a round of applause.”

—

Part 34: “John, dressing in the room allotted to him on the second floor, …”

—

Part 35: “It was an awkward question for one so lacking in experience…”

—

Part 36: “Gally was in the hall when Linda came down from her room.”

—

Part 37: “One of the things he didn’t know was that as he and the table came together…”

—

Part 38: “Gally embarked on his narrative with the smooth suavity which had been wont to win all hearts…”

—

Part 39: “Even Gally, practised raconteur though he was, was obliged to stop occasionally…”

—

Part 40: “Lord Emsworth went to bed that night in something of a twitter.”

—

Part 41: “The explanation was absurdly simple.”

—

Part 42: “When she woke, it was still there, and her misgivings grew with breakfast, …”

—

Part 43: “At the time when his services had been desired, …”

—

Part 44: “It was Gally’s practice, when he favoured Blandings Castle with a visit, …”

—

Part 45: “Left alone, Gally returned to his meditations.”

—

Part 46: “Beech made the telling of his tale as succinct as possible, …”

—

Part 47: “’I see. And as a good secretary should, you look on him as a father…’”

—

Part 48: “‘Ready?’ asked Vanessa.”

—

Part 49: “The alarm clock beside Vanessa’s bed tinkled softly, …”

—

Part 50: “Vanessa performed the humane act as requested, …”

—

Part 51: “The following morning found Gally in his hammock, …”

—

Part 52: “At that moment, the rhythmic tooting of a horn…”

—

Part 53: “As Lady Constance seated herself at the desk and took pen in hand…”

—

Part 54: “Gally, in his hammock, had closed his eyes again…”

—

Part 55: “‘I was looking for you’, she said.”

—

Part 56: “The Duke was not laughing.”

—

Part 57: “Another summery day was drawing to a close…”

—

What other identifiers does this connect to?

Songwriters/Publishers (IPI)

00033135030 00335211796

Creative Contributors (ISNI)

0000000063096637 0000000121308723

Credits Graph

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What is UPC 9781904605652?

9781904605652 is a Universal Product Code (UPC) assigned to A Pelican at Blandings by P. G. Wodehouse, Martin Jarvis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.