UPC · Release
Thema Musik: Jazz
Various Artists
Last verified:
9783121789719 is the Universal Product Code (UPC barcode) for the release “Thema Musik: Jazz” by Various Artists, released 2002-04-09. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 67 tracks, each with its own ISRC. Tracks include DEU240801437, USF096300180, DEU240812344.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (67)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Let your Hammer ring | — | ||
| 2 | Every Time I feel the Spirit | — | ||
| 3 | Strenuous Life | — | ||
| 4 | Maryland my Maryville | — | ||
| 5 | Mohamed | — | ||
| 6 | Backwater Blues | — | ||
| 7 | Backwater Blues | — | ||
| 8 | Boogie Woogie Blues | — | ||
| 9 | Potato Head Blues | — | ||
| 10 | Potato Head Blues (ab 3. Chorus) | — | ||
| 11 | Ain’t she sweet? | — | ||
| 12 | Changes | — | ||
| 13 | Echoes Of The Jungle | Duke Ellington & His Orchestra | — | |
| 14 | Jumping at the Woodside | — | ||
| 15 | Jumping at the Woodside (Playback) | — | ||
| 16 | Jumping at the Woodside (ab 3. Chorus) | — | ||
| 17 | HONEYSUCKLE ROSE | Ella Fitzgerald, The Count Basie Orchestra | T-070.074.170-3 | |
| 18 | My Man | — | ||
| 19 | My Man | — | ||
| 20 | Strange Fruit | — | ||
| 21 | Introspection | — | ||
| 22 | Scrapple From the Apple | Charlie Parker Quintet | T-070.243.398-4 | |
| 23 | Venus de Milo | Miles Davis | T-070.195.321-0 | |
| 24 | Line for Lyons | — | ||
| 25 | Call the Police | — | ||
| 26 | Call the Police (Playback) | — | ||
| 27 | Call the Police (Playback) (ab „Da Da') | — | ||
| 28 | The Lady is a Tramp | — | ||
| 29 | The Lady is a Tramp, ab „She likes the ...“ | — | ||
| 30 | The Lady is a Tramp, ab „She gets too hungry ...“ | — | ||
| 31 | The Lady is a Tramp, ab „Shelovesthe ...“ | — | ||
| 32 | Beyond the blue Horizon | — | ||
| 33 | Sunnymoon for Two | — | ||
| 34 | Sunnymoon for Two | — | ||
| 2-1 | Giant Steps | — | ||
| 2-2 | So What | — | ||
| 2-3 | So What | — | ||
| 2-4 | Hammer Head | — | ||
| 2-5 | Só Danço Samba | — | ||
| 2-6 | Só Danço Samba | — | ||
| 2-7 | Intuition | — | ||
| 2-8 | Free Jazz | — | ||
| 2-9 | Ghosts | Albert Ayler Quartet | — | |
| 2-10 | Maiden Voyage | — | ||
| 2-11 | Sunflower | — | ||
| 2-12 | America drinks | — | ||
| 2-13 | Circus 68/69 | — | ||
| 2-14 | Spanish Key (I) | — | ||
| 2-15 | Nubian Sundance | — | ||
| 2-16 | Maiysha [tr, eng] | — | ||
| 2-17 | One Word | — | ||
| 2-18 | What Garne shall | — | ||
| 2-19 | Chameleon [ts] | — | ||
| 2-20 | Raga up and down | — | ||
| 2-21 | Saptarsh | — | ||
| 2-22 | Breezin' | — | ||
| 2-23 | Breezin' (Playback) | — | ||
| 2-24 | Köln Concert Part II | — | ||
| 2-25 | Sister Moon | Sting | T-010.041.378-2 | |
| 2-26 | Cherokee | — | ||
| 2-27 | Cherokee | — | ||
| 2-28 | Slicker Than Most | Guru, Gary Barnacle | T-070.926.170-0 | |
| 2-29 | It Feels so Good | — | ||
| 2-30 | Acid Jazz (Einzelsamples) | — | ||
| 2-31 | Acid Jazz (fertiges Stück) | — | ||
| 2-32 | Rose Rouge (K) | — | ||
| 2-33 | Take Five | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
People also ask
Verified on
What is UPC 9783121789719?
9783121789719 is a Universal Product Code (UPC) assigned to Thema Musik: Jazz by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 67 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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