UPC · Release
Musicassette 7
[unknown]
Last verified:
9783762783480 is the Universal Product Code (UPC barcode) for the release “Musicassette 7” by [unknown]. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 79 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (79)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite de danses plin (Ausschnitt) | — | ||
| 2 | Indischer Raga „Sindh-Bhairavi" (Ausschnitt) | — | ||
| 3 | The boxer (Ausschnitt) | — | ||
| 4 | Take five (Ausschnitt) | — | ||
| 5 | Boogie Woogie Blues (Ausschnitt) | — | ||
| 6 | Schreckliche Geschichte | — | ||
| 7 | Danke für diesen guten Morgen (Ausschnitt) | — | ||
| 8 | Sinfonie Nr. 5 c-Moll op. 67: 1. Satz: T. 1 - 5 | — | ||
| 9 | Sinfonie Nr. 5 c-Moll op. 67: 1. Satz: T. 1-57 | — | ||
| 10 | Sinfonie Nr. 5 c-Moll op. 67: 1. Satz: T. 58-97 | — | ||
| 11 | Sinfonie Nr. 5 c-Moll op. 67: 1. Satz: T. 1-124 | — | ||
| 12 | Flohlied | — | ||
| 13 | Fidelio: 1. Aufzug, Arie des Pizarro „Ha, welch ein Augenblick!": T. 1 -41 | — | ||
| 14 | Fidelio: 1. Aufzug, Arie des Pizarro „Ha, welch ein Augenblick!": T.70-89 | — | ||
| 15 | Fidelio: 2. Aufzug, Quartett Pizarro/Florestan/Leonore/ Rocca „Er sterbe!" | — | ||
| 16 | Fidelio: 2. Aufzug, Finale, T.1-102 | — | ||
| 17 | Sinfonie Nr. 9 d-Moll op.125: 4. Satz, Ode an die Freude (Ausschnitt) | — | ||
| 18 | Der Musensohn, 1. und 2. Strophe | — | ||
| 19 | Deutsche Tänze op. 33, Walzer Nr. 7 B-Dur | — | ||
| 20 | Das Wandern: 1. Strophe | — | ||
| 21 | Das Wandern: 4. und 5. Strophe | — | ||
| 22 | Die Forelle: 1. und 2. Strophe | — | ||
| 23 | Die Forelle: 3. Strophe | — | ||
| 24 | Quintett A-Dur („Forellenquintett"): 4. Satz „Thema mit Variationen": Thema und 1. - 3. Variation | — | ||
| 25 | Quintett A-Dur („Forellenquintett"): 4. Satz „Thema mit Variationen": 4.-6. Variation | — | ||
| 26 | Geistesgruß | — | ||
| 27 | Der Feuervogel: Tanz des Feuervogels (Ausschnitt) | — | ||
| 28 | Der Feuervogel: Tanz der Prinzessinnen (Ausschnitt) | — | ||
| 29 | Der Feuervogel: Höllentanz: Zi. 87 - 93 | — | ||
| 30 | Der Feuervogel: Höllentanz: Zi.103 -120 | — | ||
| 31 | Der Feuervogel: Wiegenlied: Zi. 150 -153 | — | ||
| 32 | Der Feuervogel: Wiegenlied: Zi.153-156 | — | ||
| 33 | Der Feuervogel: Finale: Zi. 166 - 175 | — | ||
| 34 | Der Feuervogel: Finale: Zi.160-Schluss | — | ||
| 2-1 | Johann Sebastian Bach: Brandenburgisches Konzert Nr. 3 G-Dur, 1. Satz, T 1 -23 | — | ||
| 2-2 | Igor Strawinsky: Dumbarton Oaks, 1. Satz (bis Zi. 7) | — | ||
| 2-3 | Jacques Louissier: Bach Präludium Nr. 2 (aus dem „Wohltemperierten Klavier", Teil 1) (A) | — | ||
| 2-4 | Wendy Carlos: Bach Brandenburgisches Konzert Nr. 3 (A, | — | ||
| 2-5 | Wolfgang Amadeus Mozart: Les petits riens KV 299 b, Gavotte (A) | — | ||
| 2-6 | Igor Strawinsky: Pulcinella, Gavotta con due Variazioni, 2. Variation | — | ||
| 2-7 | Franz Schubert: Marches militaires op. 51 für Klavier zu 4 Händen, Nr. 1 D-Dur (A) | — | ||
| 2-8 | Igor Strawinsky: Circus Polka (A) | — | ||
| 2-9 | Joseph Haydn: Streichquartett C-Dur op. 76,3 („Kaiserquartett'), 2. Satz, 2. Variation | — | ||
| 2-10 | Johann Sebastian Bach: Tokkata und Fugeiür Orgel d-Moll BWV 565, Tokkata (A) | — | ||
| 2-11 | Richard Wagner: Der fliegende Holländer, 3. Aufzug, 1. Auftritt, Chor der Mannschaft des Holländers „Johohoe! Hoe!" (A) | — | ||
| 2-12 | Wolfgang Amadeus Mozart: Die Entführung aus dem Serail, 3. Aufzug, 9. Auftritt, Finale (A) | — | ||
| 2-13 | Georg Friedrich Händel: DettingerTedeum, Chor Nr. 1 (A) | — | ||
| 2-14 | Benjamin Britten: War Requiem, Dies irae, Zi. 49-53 | — | ||
| 2-15 | Sukzessiv einsetzende Instrumente einer Rockband | — | ||
| 2-16 | Aerosmith: Love in an elevator (A) | — | ||
| 2-17 | Hard-Rock-Riff | — | ||
| 2-18 | Ice-T: Gotta lotta love (A) | — | ||
| 2-19 | Hip-Hop-Riff | — | ||
| 2-20 | Rap „Ich sage Hip Hop" (Playback) | — | ||
| 2-21 | Unlimited: Tribal dance (A) | — | ||
| 2-22 | Techno-Riff | — | ||
| 2-23 | -Sukzessiv einsetzende Instrumente | — | ||
| 2-24 | Tasmin Archer: Sleeping satellite (A) | — | ||
| 2-25 | Digital Excitation: Lifetime warranty (A) | — | ||
| 2-26 | Pet Shop Boys: Go west (A) | — | ||
| 2-27 | Die Fantastischen Vier: 4 gewinnt (A) | — | ||
| 2-28 | Bon Jovi: lf 1 was your mother (A) | — | ||
| 2-29 | Wet Wet Wet: Love is all around | — | ||
| 2-30 | -Instrumentalarrangement als Playback (J. Roth) | — | ||
| 2-31 | Nirvana: Smells like teen spirit (A) | — | ||
| 2-32 | George Gershwin: Porgy and Bess, Street cries: Strawberry woman, Crab man | — | ||
| 2-33 | Werbespot für „Smarties" (Nestlä) | — | ||
| 2-34 | Werbespot für„Lufthansa" | — | ||
| 2-35 | Werbespot für„KnorrFix" | — | ||
| 2-36 | Werbespot für„VizirUltra" | — | ||
| 2-37 | Werbespot für„Orbit ohne Zucker" | — | ||
| 2-38 | Werbespot für„lCestelli" | — | ||
| 2-39 | Georg Philipp Telemann: Konzert für Trompete, Streicher und Basso continuo D-Dur, 1. Satz (A) | — | ||
| 2-40 | Shanty „The drunken sailor" | — | ||
| 2-41 | Werbespot für„ Sheba" | — | ||
| 2-42 | Werbespot für„ Dr. Oetker Bratapfelkuchen" | — | ||
| 2-43 | Werbespot für „Signal" | — | ||
| 2-44 | Werbespot für„Brandt Zwieback" | — | ||
| 2-45 | Werbespot für Blumen | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 9783762783480?
9783762783480 is a Universal Product Code (UPC) assigned to Musicassette 7 by [unknown]. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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