UPC · Release
Liliane Susewind: Ein Eisbär kriegt keine kalten Füße
Tanya Stewner gelesen von Catherine Stoyan
Last verified:
9783839841280 is the Universal Product Code (UPC barcode) for the release “Liliane Susewind: Ein Eisbär kriegt keine kalten Füße” by Tanya Stewner gelesen von Catherine Stoyan, released 2016-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (74)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Schnurrdame Mit Sonderwunsch 1 | — | ||
| 2 | Schnurrdame Mit Sonderwunsch 2 | — | ||
| 3 | Schnurrdame Mit Sonderwunsch 3 | — | ||
| 4 | Schnurrdame Mit Sonderwunsch 4 | — | ||
| 5 | Schnurrdame Mit Sonderwunsch 5 | — | ||
| 6 | Schnurrdame Mit Sonderwunsch 6 | — | ||
| 7 | Schweineprinz 1 | — | ||
| 8 | Schweineprinz 2 | — | ||
| 9 | Schweineprinz 3 | — | ||
| 10 | Schweineprinz 4 | — | ||
| 11 | Schweineprinz 5 | — | ||
| 12 | Schweineprinz 6 | — | ||
| 13 | Milky 1 | — | ||
| 14 | Milky 2 | — | ||
| 15 | Milky 3 | — | ||
| 16 | Milky 4 | — | ||
| 17 | Milky 5 | — | ||
| 18 | Milky 6 | — | ||
| 2-1 | Bär An Bord 1 | — | ||
| 2-2 | Bär An Bord 2 | — | ||
| 2-3 | Bär An Bord 3 | — | ||
| 2-4 | Bär An Bord 4 | — | ||
| 2-5 | Bär An Bord 5 | — | ||
| 2-6 | Bär An Bord 6 | — | ||
| 2-7 | Verwicklungen 1 | — | ||
| 2-8 | Verwicklungen 2 | — | ||
| 2-9 | Verwicklungen 3 | — | ||
| 2-10 | Verwicklungen 4 | — | ||
| 2-11 | Verwicklungen 5 | — | ||
| 2-12 | Verwicklungen 6 | — | ||
| 2-13 | Verwicklungen 7 | — | ||
| 2-14 | Der Alte Brummbär 1 | — | ||
| 2-15 | Der Alte Brummbär 2 | — | ||
| 2-16 | Der Alte Brummbär 3 | — | ||
| 2-17 | Der Alte Brummbär 4 | — | ||
| 2-18 | Sturz 1 | — | ||
| 2-19 | Sturz 2 | — | ||
| 2-20 | Sturz 3 | — | ||
| 2-21 | Sturz 4 | — | ||
| 2-22 | Sturz 5 | — | ||
| 2-23 | Sturz 6 | — | ||
| 3-1 | Katastrophe 1 | — | ||
| 3-2 | Katastrophe 2 | — | ||
| 3-3 | Katastrophe 3 | — | ||
| 3-4 | Katastrophe 4 | — | ||
| 3-5 | Katastrophe 5 | — | ||
| 3-6 | Baum der Hoffnung 1 | — | ||
| 3-7 | Baum der Hoffnung 2 | — | ||
| 3-8 | Baum der Hoffnung 3 | — | ||
| 3-9 | Baum der Hoffnung 4 | — | ||
| 3-10 | Baum der Hoffnung 5 | — | ||
| 3-11 | Hochzeit 1 | — | ||
| 3-12 | Hochzeit 2 | — | ||
| 3-13 | Hochzeit 3 | — | ||
| 3-14 | Hochzeit 4 | — | ||
| 3-15 | Hochzeit 5 | — | ||
| 3-16 | Hochzeit 6 | — | ||
| 3-17 | Hochzeit 7 | — | ||
| 4-1 | Aufruhr im Zoo 1 | — | ||
| 4-2 | Aufruhr im Zoo 2 | — | ||
| 4-3 | Aufruhr im Zoo 3 | — | ||
| 4-4 | Aufruhr im Zoo 4 | — | ||
| 4-5 | Aufruhr im Zoo 5 | — | ||
| 4-6 | Aufruhr im Zoo 6 | — | ||
| 4-7 | Eisbär auf dem Dach 1 | — | ||
| 4-8 | Eisbär auf dem Dach 2 | — | ||
| 4-9 | Eisbär auf dem Dach 3 | — | ||
| 4-10 | Eisbär auf dem Dach 4 | — | ||
| 4-11 | Eisbär auf dem Dach 5 | — | ||
| 4-12 | Papabär 1 | — | ||
| 4-13 | Papabär 2 | — | ||
| 4-14 | Papabär 3 | — | ||
| 4-15 | Papabär 4 | — | ||
| 4-16 | Papabär 5 | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 9783839841280?
9783839841280 is a Universal Product Code (UPC) assigned to Liliane Susewind: Ein Eisbär kriegt keine kalten Füße by Tanya Stewner gelesen von Catherine Stoyan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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