UPC · Release
Wege zur Musik - Band 2
[unknown]
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9783850610995 is the Universal Product Code (UPC barcode) for the release “Wege zur Musik - Band 2” by [unknown]. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 126 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (126)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | HB 1 Neubayrischer, Pfeffer-Trio, AG für Volkstanz, Steiermark | — | ||
| 2 | HB 2 Sternpolka, Pfeffer-Trio, AG für Volkstanz, Steiermark | — | ||
| 3 | HB 3 Break Mixer, FIDULAFON 1197, Fidula Verlag, Salzburg | — | ||
| 4 | HB 4 Bingo, FIDULAFON 1306, Fidula Verlag, Salzburg | — | ||
| 5 | HB 5 Les Champs Elysees, Kögler Nr. 7980 003 | — | ||
| 6 | HB 6 Mayim, Israel. Volksmusikensemble Calig München, Cal 17702 | — | ||
| 7 | HB 7 Kyrie V, Choralschola der Wiener Hofburgkapelle, Ltg. Pater Hubert Dopf SJ, Philips 416 808-2 | — | ||
| 8 | HB 8 Te Deum laudamus, Capella Antiqua, Teldec 6.41214 | — | ||
| 9 | HB 9a Dies irae, Mönche der Benediktiner-Erzabtei, St. Martin, Beuron Archiv Produktion 2547 028 | — | ||
| 10 | HB 9ba Totentanz für Klavier, F. Liszt, Fontana 6530 049 | — | ||
| 11 | HB 9bb Symphonie fantastique (Ausschnitte), H. Berlioz Schulprod. Telefunken SP 102 | — | ||
| 12 | HB 10 Victimae paschali laudes, Choralschule Maria Einsiedeln Archiv 2533 131 | — | ||
| 13 | HB 11 Rotta, Musik des Mittelalters, DG LPEM 19306 | — | ||
| 14 | HB 12 Saltarello, Studio der Frühen Musik, TELDEC 6.35618DX | — | ||
| 15 | HB 13 Fas et nefas, Clemencic Consort, harmonia mundi 90 335 | — | ||
| 16 | HB 14a Chramer, gip die varwe mir, harmonia mundi 90 335 | — | ||
| 17 | HB 14b Chramer, gip die varwe mir, Riccardo Muti EMI CDC 747 1002 | — | ||
| 18 | HB 15 Willekommen malen schein, Eberhard Kummer PAN 170 005 | — | ||
| 19 | HB 16 Palästinalied, Bären Gässlin, pläne 88218 | — | ||
| 20 | HB 17 Nu huss, Studio der Frühen Musik, EMI C063-30101 | — | ||
| 21 | HB 18 Gaude Maria Virgo, The Early Music Consort Archiv Produktion 272 3045 | — | ||
| 22 | HB 19 Kyrie, G. de Machaut, Collegium aureum, EMI 1 C 065-99718 | — | ||
| 23 | HB 20 Ave Maria, J. Desprez, The Hilliard Ensemble EMI CDC 749 2092 | — | ||
| 24 | HB 21 Christe eleison, Palestrina, Chor der Westminster Abtei Archiv 415 517-2 | — | ||
| 25 | HB 22 Entlaubet ist der Walde, L. Senil, Early Music Consort of London DECCA 6.42753 | — | ||
| 26 | HB 23 Innsbruck, ich muß dich lassen, H. Isaac, Concentus musicu: Archiv 2547029 | — | ||
| 27 | HB 24 Christe eleison II, H. Isaac, Christophorus SCGLX 75 936 | — | ||
| 28 | HB 25 Innsbruck, ich muß dich lassen, C. Orff, Chor der Hochschuk Mozarteum Innsbruck, Ltg. Howard Arman, Edition Helbling | — | ||
| 29 | HB 26 Prelude, M. A. Charpentier, Musica polyphonica Gent ERATO ECD 88027 | — | ||
| 30 | HB 27 Come again!, J. Dowland, Ed. de L'oiseau Lyre 421 653-2 | — | ||
| 31 | HB 28 L'Orfeo (Ausschnitt), C. Monteverdi, Monteverdi Chor, Ltg. J. E. Gardiner, Archiv-Prod. 419 250-2 | — | ||
| 32 | HB 29 L'Orontea (Ausschnitt), M. A. Cesti, Ltg. Rene Jacobs HM 1100/02 | — | ||
| 33 | HB 30 Aller Augen warten auf dich, Herre, H. Schütz Bläserquartett des Musikkollegium Schwaz, Edition Helbling | — | ||
| 2-1 | HB 31 Brandenburgisches Konzert Nr. 4 G-Dur (Ausschnitte), J. S. Bach Academy of St. Martin in the Fields, Philips 400 077-2 | — | ||
| 2-2 | HB 32 Messias (Ausschnitte), G. F. Händel English Baroque Solists, J. E. Gardiner, Philips 411041-2 | — | ||
| 2-3 | HB 33 Lerchenquartett, J. Haydn, Hagen Quartett DG 423 622-2 | — | ||
| 2-4 | HB 34 Sinfonie Nr. 1 Es-Dur, W. A. Mozart Berliner Philharmoniker, Karl Böhm, DG 256 1334 | — | ||
| 2-5 | HB 35 Figaros Hochzeit (Ausschnitte), W. A. Mozart Deutsche Oper Berlin, Karl Böhm, DG 415 520-2 | — | ||
| 2-6 | HB 36 3. Klavierkonzert c-Moll (Ausschnitte), L. v. Beethoven The Academy of Ancient Music, Steven Lubin (Klavier) L'oiseau Lyre 421 408-2 | — | ||
| 2-7 | HB 37 5. Sinfonie c-Moll (Ausschnitte), L. v. Beethoven Berliner Philharmoniker, H. v. Karajan, DG 413 932-2 | — | ||
| 2-8 | HB 38 Ungeduld, F. Schubert, Francisco Araiza, Irwin Gage DG 415 347-2 | — | ||
| 2-9 | HB 39 Mondnacht, R. Schumann, D. Fischer-Dieskau, G. Moore EMI 1C06300274 | — | ||
| 2-10 | HB 40 Verschwiegene Liebe, H. Wolf, Hermann Prey DENON 8723 | — | ||
| 2-11 | HB 41 Gnomenreigen, F. Liszt, Jorge Bolet (Klavier) DECCA 6.42546 AS | — | ||
| 2-12 | HB 42 Glückes genug, R. Schumann, Stanislav Bunin DG 427 315-2 | — | ||
| 2-13 | HB 43 Sinfonie C-Dur (Ausschnitte), F. Schubert Chicago Symphonie Orchester, J. Levine, DG 413 437-2 | — | ||
| 2-14 | HB 44 4. Sinfonie Es-Dur (Ausschnitte), A. Bruckner, Wiener Philharmoniker, Karl Böhm, DECCA 425 760-2 XN | — | ||
| 2-15 | HB 45 4. Sinfonie e-Moll (Ausschnitte), J. Brahms Berliner Philharmoniker, H. v. Karajan, DG 427 602-2 | — | ||
| 3-1 | HB 46 6. Sinfonie h-Moll (Ausschnitte), P. 1. Tschaikowski The Cleveland Orchestra, Ch. v. Dohnanyi TELARC CD-80130 | — | ||
| 3-2 | HB 47 Siegfried (Ausschnitt), R. Wagner, Windgassen, Wolfahrt, Böhm Phi 6599 293 | — | ||
| 3-3 | HB 48 Der Troubadour (Ausschnitt), G. Verdi, Mailänder Scala, M. Callas, H. v. Karajan, EMI 1C 153-00454MS | — | ||
| 3-4 | HB 49a Ging heut Morgen übers Feld, G. Mahler, Frederica v. Stade CBS 76 828 | — | ||
| 3-5 | HB 49b Sinfonie Nr. 1 D-Dur (Ausschnitt), G. Mahler Concertgebouw-Orchester Amsterdam, B. Haitink Phi 802 883LY | — | ||
| 3-6 | HB 50 Salome (Ausschnitte), R. Strauss, B. Nilson, E. Wächter, Wiener Philharmoniker, G. Solti, DECCA 6.35090ER | — | ||
| 3-7 | HB 51 La Cathedrale engloutie, C. Debussy Arturo Benedetti Michelangelo, DG 2531 200 | — | ||
| 3-8 | HB 52 Der Nachmittag eines Fauns, C. Debussy London Symphony-Orchestra, A. Previn EMI CDC 7470012 | — | ||
| 3-9 | HB 53 Streichquartett Nr. 2 (Ausschnitt), A. Schönberg La Salle Quartett, DG 2561 051 | — | ||
| 3-10 | HB 54 Klavierstück op. 19 Nr. 2, A. Schönberg, Maurizio Pollini DG 423 249-2 | — | ||
| 3-11 | HB 55 Suite für Klavier (Ausschnitte), A. Schönberg, Maurizio Pollini DG 423 249 | — | ||
| 3-12 | HB 56 Ein Überlebender aus Warschau, A. Schönberg, BBC Symphony Orchestra, Pierre Boulez CBS 76 577 | — | ||
| 3-13 | HB 57 Bagatellen für Streichquartett, A. Webern, LaSalle Quartett DG 2561054 | — | ||
| 3-14 | HB 58 Kammerkonzert (Ausschnitt), A. Berg, Ensemble InterContemporain, P. Boulez, DG 423 237-2 | — | ||
| 3-15 | HB 59 Violinkonzert (Ausschnitt), A. Berg, Wha Chung (Violine), Chicago Symphony Orchestra, G. Solti, DECCA 411 804-2 | — | ||
| 3-16 | HB 60 Psalmensymphonie (Ausschnitte), 1. Strawinsky London Symphony Orch., L. Bernstein, MK 44710 | — | ||
| 3-17 | HB 61 Oedipus Rex (Ausschnitte), 1. Strawinsky, Peter Pears, London Philharmonic Orchestra, G. Solti, DECCA 430 001-2 | — | ||
| 4-1 | HB 62 Ecce gratum, C. Orff, Philharmonia Chorus u. Orchester, R. Muti, EMI CDC 7471002 | — | ||
| 4-2 | HB 63 Mathis-Sinfonie (Ausschnitte), P. Hindemith Orchestre de Paris, D. Barenboim, DG 423 241-2 | — | ||
| 4-3 | HB 64 Kis mäsod, aus Mikrokosmos, B. Bartök, Bela Bartök (Klavier) Hungarton LPX 12330-B | — | ||
| 4-4 | HB 65 Allegro barbaro, B. Bartök, Bela Bartök (Klavier) Hungarton LPX 12326-A | — | ||
| 4-5 | HB 66 Serenata, L. Russolo, Orchestra di intonarumori di Luigi Russolo, EMI 3C 065 17982M | — | ||
| 4-6 | HB 67 Ionisation (Ausschnitt), E. Varöse, New York Philharmonic, Pierre Boulez, CBS 76520 | — | ||
| 4-7 | HB 68 Mode de valeurs et d'intensites, O. Messiaen, Yuiji Takahshi DENON 3300-1052 | — | ||
| 4-8 | HB 69 Structures (Ausschnitt), P. Boulez, Alfons und Aloys Kontarsky WER 60011 | — | ||
| 4-9 | HB 70 Le Marteau sans Mäitre (Ausschnitte), P. Boulez, Pierre Boulez, harmonia mundi 2029 373/4 | — | ||
| 4-10 | HB 71a Gesang der Jünglinge (Ausschnitt), K. Stockhausen WDR Köln | — | ||
| 4-11 | HB 71b Cordulas Schnur, H. Wisser, Eigenproduktion | — | ||
| 4-12 | HB 72 Sonata 5 for prepared piano, J. Cage, WER 60156-50 | — | ||
| 4-13 | HB 73 Lukas-Passion (Ausschnitte), K. Penderecki Warshaw National Philharmonic, K. Penderecki, argo 430 328-2 | — | ||
| 4-14 | HB 74 Continuum (Ausschnitt), G. Ligeti, Antoinette Vischer (Cembalo WER 60 161-50 | — | ||
| 4-15 | HB 75 Atmospheres (Ausschnitt), G. Ligeti Orchester des Südwestfunks Baden Baden, Ernest Bour WER 60162-50 | — | ||
| 4-16 | HB 76 Trio für Violine, Horn und Klavier (Ausschnitt), G. Ligeti S. Gawriloff, H. Baumann, E. Besch, Wergo 60 100 | — | ||
| 4-17 | HB 77 Nr. IX aus „II canto sospeso", L. Nono, Aufnahme ORF, Wien | — | ||
| 4-18 | HB 78 Stimmung (Ausschnitt), K. Stockhausen, Collegium Vocale Köln DG 254 3003 | — | ||
| 4-19 | HB 79 Am Himmel wandre ich, K. Stockhausen Helga Hamm-Albrecht, Karl Barkey, DG 2530876 | — | ||
| 4-20 | HB 80 Fische, K. Stockhausen, Spieluhr | — | ||
| 5-1 | HB 81 Keyboard Studies (Ausschnitt), T. Riley Mitschnitt bei einem Konzert der Galerie St. Barbara, Hall | — | ||
| 5-2 | HB 82a Clapping Music, St. Reich , Steve Reich, Elektra 979 169-2 | — | ||
| 5-3 | HB 82b Octet (Ausschnitt), St. Reich, Steve Reich and Musiciens EMC 1168 | — | ||
| 5-4 | HB 83 Opening (Ausschnitt), P. Glass, Phil Glass CBS-MK 73640 | — | ||
| 5-5 | HB 84 Musikbogen und Gesang, An Anthology of African Music BM 30 L 2302 | — | ||
| 5-6 | HB 85 Frauenstimme und Chor, BM 30 L 2302 | — | ||
| 5-7 | HB 86 Königstrommeln, BM 30 L 2306 | — | ||
| 5-8 | HB 87 Chinesische Hofmusik, Lotus Lateran LL 7202 | — | ||
| 5-9 | HB 88 Musik für Ch'in, Anthology of the World's Music, China 1 | — | ||
| 5-10 | HB 89 Frauenstimme mit Ti und Pipa, China II | — | ||
| 5-11 | HB 90 Ausschnitt aus einer Peking-Oper, Chine, PS 3305 | — | ||
| 5-12 | HB 91 Koto, Kokiu und Shakuhachi, VG 590326 | — | ||
| 5-13 | HB 92 Japanisches Volkslied, Edition Helbling | — | ||
| 5-14 | HB 93 Männerstimme und Biwa, BM 30 L 2017 | — | ||
| 5-15 | HB 94 Gagaku-Orchester (Ausschnitt), BM 30 L 2013 | — | ||
| 5-16 | HB 95 Sitar, Tabla und Tambura, ALPC 7 | — | ||
| 5-17 | HB 96 Dhrupad, BM 30 L 2018 | — | ||
| 5-18 | HB 97 Tintala, FM 8369 | — | ||
| 5-19 | HB 98 Buddhistische Mönche, BM 30 L 2010 | — | ||
| 5-20 | HB 99 Magam Mansuri, Philips 658 6006 | — | ||
| 5-21 | HB 100 Taqsim im Magam Rast, OCR 63 | — | ||
| 5-22 | HB 101 Tar und Zarb, Philips 6586 005 | — | ||
| 5-23 | HB 102 Kanun, Musidisc CV 1108 | — | ||
| 5-24 | HB 103 Davul und Zurna, Musidisc CV 1108 | — | ||
| 5-25 | HB 104 Gong Kebijar, UNESCO Collection, Philips 6586 008 | — | ||
| 5-26 | HB 105 Argentinischer Tanz, SHB Wien | — | ||
| 5-27 | HB 106 Tanz der Hochlandindianer, SHB Wien | — | ||
| 5-28 | HB 107 Kubanisches Lied, SHB Wien | — | ||
| 5-29 | HB 108 Venezolanischer Tanz, SHB Wien | — | ||
| 5-30 | HB 109 Mary-Ann, SHB Wien | — | ||
| 5-31 | HB 110 Guantanamera, Philips 9279 003 | — | ||
| 5-32 | HB 111 EI cöndor pasa, Philips 9279 003 | — | ||
| 5-33 | HB 112 Mambo für Steel-Drums, SHB Wien | — | ||
| 5-34 | HB 113 Habanera aus „Carmen", G. Bizet, DG 413 322 | — | ||
| 5-35 | HB 114 Jalousie-Tango, J. Gade, Green Masters, Opus Records, Czechoslovakia | — | ||
| 5-36 | HB 115 Samba (afrokubanisch), SHB Wien | — | ||
| 5-37 | HB 116 Samba Traviata, SHB Wien | — | ||
| 5-38 | HB 117 Samba Carioca, SHB Wien | — | ||
| 5-39 | HB 118 The Girl from lpanema, A. C. Jobim, SHB Wien | — | ||
| 5-40 | HB 119 Afrokubanische Rumba, SHB Wien | — | ||
| 5-41 | HB 120 La Cucaracha (Rumbafassung), SHB Wien | — |
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What is UPC 9783850610995?
9783850610995 is a Universal Product Code (UPC) assigned to Wege zur Musik - Band 2 by [unknown]. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 126 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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