UPC · Release
Various Artists
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9783862270491 is the Universal Product Code (UPC barcode) for the release “Tonart Sekundarstufe II Bayern (Ausgabe 2009)” by Various Artists, released 2009-09-18. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 156 tracks, each with its own ISRC. Tracks include DEF057530410, DEF057530405, DEF057530400.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dolcissim mia vita | — | ||
| 2 | What Then is Love but Mourning (Countertenor) | — | ||
| 3 | What Then is Love but Mourrning (Tenor) | — | ||
| 4 | Der Gutzgauch auf dem Zaune saß | — | ||
| 5 | Schäfers Klagelied | — | ||
| 6 | Liederkreis, op. 39: Im Walde | Dietrich Fischer-Dieskau, Christoph Eschenbach | T-802.365.389-7 | |
| 7 | Liederkreis, op. 39: Schöne Fremde | Dietrich Fischer-Dieskau, Christoph Eschenbach | T-900.138.974-8 | |
| 8 | Liederkreis, op. 39: In der Fremde | Dietrich Fischer-Dieskau, Christoph Eschenbach | — | |
| 9 | Moses und Aron - Zwischenspiel, Chor | — | ||
| 10 | Moses und Aron - 2.. Akt, 5. Szene, Beginn | — | ||
| 11 | Moses und Aron - 2. Akt, 5. Szene, Fortsetzung | — | ||
| 12 | Ursonate ("Sonate in Urlauten"), Scherzo | — | ||
| 13 | Aventures für 3 Sänger und 7 Instrumentalisten | — | ||
| 14 | How High the Moon | Ella Fitzgerald | T-070.074.622-0 | |
| 15 | After the Storm | — | ||
| 16 | Four Brothers | — | ||
| 17 | Four Brothers | — | ||
| 18 | Gernegroß | — | ||
| 19 | Englishman in New York | Sting | T-900.063.597-2 | |
| 20 | The Message (Originalaufnahme) | — | ||
| 21 | The Message (Playback-Loop) | — | ||
| 22 | Der Weg | Herbert Grönemeyer | T-800.809.523-7 | |
| 23 | Sema-Ritual: Hymne (Ausschnitt) | — | ||
| 24 | Sema-Ritual: Ney-Improvisation (Ausschnitt) | — | ||
| 25 | Sema-Ritual: Drehtanz (Ausschnitt) | — | ||
| 26 | Kui Kyon Pan | — | ||
| 27 | OM | — | ||
| 28 | Nyen-seng | — | ||
| 29 | Alleluja (Osternacht) | — | ||
| 30 | Alleluja (Jubilus) | — | ||
| 2-1 | Missa L'homme armé super voces musicales | — | ||
| 2-2 | Hymnus Pange lingua | — | ||
| 2-3 | Missa Pange Lingua | — | ||
| 2-4 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 “Coronation Mass”: I. “Kyrie” | Emma Kirkby, John Mark Ainsley, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | — | |
| 2-5 | Messe C-Dur KV 317 Credo | — | ||
| 2-6 | Freue dich des Weibes deiner Jugend | — | ||
| 2-7 | Johannes Passion, BWV245: 13 Arie (Sopran) - Ich folge dir gleichfalls mit freudigen Schritten | Barbara Schlick, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-8 | JoPa BWV 245 Nr. 11 Choral | — | ||
| 2-9 | JoPa BWV 245 Nr. 12a Rezitativ | — | ||
| 2-10 | JoPa BWV 245 Nr. 12b Chor | — | ||
| 2-11 | JoPa BWV 245 Nr. 12c Rezitativ | — | ||
| 2-12 | Credo für Klavier solo, gem. Chor und Orch. Anfang | — | ||
| 2-13 | Credo für Klavier solo, gem. Chor und Orch. Steigerungsteil | — | ||
| 2-14 | Credo für Klavier solo, gem. Chor und Orch. Schluss | — | ||
| 2-15 | Berliner Messe, Credo | — | ||
| 2-16 | Tschüss Bayernland | — | ||
| 2-17 | Die schlesischen Weber | — | ||
| 2-18 | The Times They Are A‐Changin’ | Bob Dylan | T-070.250.142-5 | |
| 2-19 | DEAR MR. PRESIDENT (FEAT. INDIGO GIRLS) | P!NK FEAT. INDIGO GIRLS | T-306.402.823-1 | |
| 2-20 | Lied der Partei | — | ||
| 2-21 | Irgendwo auf der Welt | — | ||
| 2-22 | 12. Sinfonie, 1. Satz Thema 1 | — | ||
| 2-23 | Schostakowitsch 12. Sinfonie, 1. Satz Thema 2 | — | ||
| 2-24 | Brüder, zur Sonne, zur Freiheit | — | ||
| 2-25 | 12. Sinfonie, 1. Satz Zitat "Brüder, zur Sonne..." | — | ||
| 2-26 | 5. Sinfonie, 4. Satz | — | ||
| 2-27 | Ein Sommernachtstraum, Nocturno | — | ||
| 2-28 | Loreley | — | ||
| 2-29 | Olympische Hymne für gemischten Chor und großes Orchester, op. 119 | — | ||
| 2-30 | Chattanooga Choo Choo | — | ||
| 2-31 | Chattanooga Choo Choo (Ausschnitt) | — | ||
| 2-32 | Oops! ... I Did It Again (Playback) | — | ||
| 3-1 | Es geht alles vorüber (1) | — | ||
| 3-2 | Es geht alles vorüber (2) | — | ||
| 3-3 | Canzon per sonar primi toni à 8 T. 1 - 47 | — | ||
| 3-4 | Canzon per sonar primi toni à 8 T. 48 bis Ende | — | ||
| 3-5 | Suite D-Dur "Wassermusik" 1. Satz | — | ||
| 3-6 | Seltenes Glück | — | ||
| 3-7 | Sinfonia à 8, 1. Satz, La Melodia Germanica | — | ||
| 3-8 | Beethoven 8. Sinf. F-Dur, 1. Satz Exposition | — | ||
| 3-9 | Beethoven 8. Sinf. F-Dur, 1. Satz Durchführung und Reprise | — | ||
| 3-10 | Beethoven 8. Sinf. F-Dur, 1. Satz Übergang zur Reprise (Ausschnitt) | — | ||
| 3-11 | Tannhäuser, Ouvertüre Anfang | — | ||
| 3-12 | Tannhäuser, Ouvertüre Venusberg-Episode | — | ||
| 3-13 | Bruckner, 7. Sinfonie E-Dur, 2. Satz (Ausschnitt) | — | ||
| 3-14 | Wagner, Rheingold, Vorspiel | — | ||
| 3-15 | Soundtrack zu "Close Encounters of the Third Kind" | — | ||
| 3-16 | 2. Sinfonie e-Moll, op. 27, 4. Satz | — | ||
| 3-17 | Mänadentanz | — | ||
| 3-18 | 9. Sinfonie e-Moll, op. 95 "Aus der Neuen Welt", 2. Satz | — | ||
| 3-19 | L'estro armonico, op. 3, Concerto Nr. 11, 5. Satz | — | ||
| 3-20 | Violinkonzert D-Dur, op. 35, 3. Satz (Ausschnitt) | — | ||
| 3-21 | Klaviersonate f-Moll, op. 57 "Appassionata", 1. Satz, G. Gould | — | ||
| 3-22 | Klaviersonate f-Moll, op. 57 "Appassionata", 1. Satz, A. Schnabel | — | ||
| 3-23 | No Ordinary World | Joe Cocker | — | |
| 3-24 | Keyboard Suite in D minor, HWV 437: Sarabande | Andrei Gavrilov | — | |
| 3-25 | Sarabande (Ausschnitt) M. Borgstede | — | ||
| 3-26 | Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: 1. Satz, H. Koch | — | ||
| 3-27 | Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: 1. Satz, G. Antonini | — | ||
| 3-28 | Italienisches Konzert F-Dur, BWV 971, 2. Satz (Cembalo) (Ausschnitt) | — | ||
| 3-29 | Italienisches Konzert F-Dur, BWV 971, 2. Satz (Flügel) (Ausschnitt) | — | ||
| 3-30 | Konzertetüde "Mazeppa" | — | ||
| 4-1 | Sonata g-Moll, op. 5, Nr. 5: Adagio, Wallfisch | — | ||
| 4-2 | Sonata g-Moll, op. 5, Nr. 5: Adagio, Montanari | — | ||
| 4-3 | Careless Love | Bessie Smith, Madeleine Peyroux | T-900.304.340-1 | |
| 4-5 | Careless Love Blues (Ausschnitt) | — | ||
| 4-6 | Careless Love Blues (Ausschnitt) | — | ||
| 4-7 | Careless Love Blues (Ausschnitt) | — | ||
| 4-8 | Oops!…I Did It Again | Britney Spears | T-000.155.930-3 | |
| 4-9 | Oops! ... I Did It Again! (Ausschnitt) | — | ||
| 4-10 | Oops! ... I Did It Again! (Ausschnitt) | — | ||
| 4-11 | Oops! ... I Did It Again! (Ausschnitt) | — | ||
| 4-12 | Oops! ... I Did It Again! (Ausschnitt) | — | ||
| 4-13 | Risveglio di una città | — | ||
| 4-14 | Amériques (Ausschnitt) | — | ||
| 4-15 | Koko (Ausschnitt) | — | ||
| 4-16 | ’Round About Midnight (Ausschnitt) | — | ||
| 4-17 | So What (Ausschnitt) | — | ||
| 4-18 | Naima | John Coltrane | T-900.307.245-5 | |
| 4-19 | Norwegian Wood (This Bird Has Flown) | The Beatles | T-010.433.936-7 | |
| 4-20 | Titelmelodie zu "The Simpsons" | — | ||
| 4-21 | Altenberg Lieder, op. 4: No. 3. Über die Grenzen des All | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 4-22 | 4. Bagatelle für Streichquartett | — | ||
| 4-23 | Streichquartett op. 28, 3. Satz | — | ||
| 4-24 | Bohemian Rhapsody, Anfang bis Textzeile 19 | — | ||
| 4-25 | Bohemian Rhapsody, Textzeile 20 bis Ende | — | ||
| 4-26 | Caprice for Solo Violin, op. 1 no. 5: Agitato in A minor | Shlomo Mintz | T-902.571.014-9 | |
| 4-27 | Blitzkrieg | — | ||
| 4-28 | Petruschka: Abschnitt 17 - 22 | — | ||
| 4-29 | Petruschka: Abschnitt 23 - 29 | — | ||
| 4-30 | Kammerkonzert: 1. Satz (Ausschnitt) | — | ||
| 4-31 | Kammerkonzert: 4. Satz | — | ||
| 5-1 | 2. Sinfonie c-Moll, 3. Satz, T. 45 - 53 | — | ||
| 5-2 | 2. Sinfonie c-Moll, 3. Satz, Zitat "Rewoda" | — | ||
| 5-3 | Sinfonie Nr. 2 c-Moll „Auferstehungs-Sinfonie“: III. In ruhig fließender Bewegung – Sehr gemächlich, nicht eilen – | Tonhalle Orchestra Zurich, David Zinman | — | |
| 5-4 | Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt | Dietrich Henschel, Orchestre des Champs-Élysées, Philippe Herreweghe | — | |
| 5-5 | Malambo, op. 12 | — | ||
| 5-6 | Estancia, op. 8, 4. Satz | — | ||
| 5-7 | Imaginary Landscape No. 4 | — | ||
| 5-8 | Klavierstück XI, 2. Notengruppe | — | ||
| 5-9 | Klavierstück XI, 1. Notengruppe | — | ||
| 5-10 | Klavierstück XI, 3. Notengruppe | — | ||
| 5-11 | Klavierstück XI, 2. und 1. Notengruppe | — | ||
| 5-12 | Klavierstück XI, 4. Notengruppe | — | ||
| 5-13 | Ssematimba ne Kikwabanga | — | ||
| 5-14 | Six Pianos | — | ||
| 5-15 | Mannenberg, Anfang | — | ||
| 5-16 | Mannenberg, Schluss | — | ||
| 5-17 | Charrag, gattaa | — | ||
| 5-18 | Aicha (version mixte) | Khaled | T-003.107.339-8 | |
| 5-19 | Monstr Jam | — | ||
| 5-20 | Rapture | — | ||
| 5-21 | Good Times | — | ||
| 5-22 | Apache | — | ||
| 5-23 | Another One Bites The Dust | — | ||
| 5-24 | Adventures of Grandmaster Flash on th Wheels of Steel | — | ||
| 5-25 | Stars on 45 | Stars on 45 | — | |
| 5-26 | Strawberry Fields Forever (Demoversion) | — | ||
| 5-27 | Strawberry Fields Forever (Studioversion vom 24.11.1966) | — | ||
| 5-28 | Strawberry Fields Forever (Plattenfassung) | — | ||
| 5-29 | I JUST CALLED TO SAY I LOVE YOU | STEVIE WONDER, DIONNE WARWICK | T-070.083.391-5 | |
| 5-30 | I Just Called To Say I Love You (Playback) | — | ||
| 5-31 | I Know You Got Soul | — | ||
| 5-32 | Funkin' For Jamaika | — | ||
| 5-33 | Im Nin' Alu | — | ||
| 5-34 | Pump Up the Volume | M|A|R|R|S | T-011.340.768-3 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Careless Love | Madeleine Peyroux | T-900.304.340-1 |
| No Ordinary World | Joe Cocker | — |
| Stars on 45 | Stars on 45 | T-900.035.323-1 |
| Careless Love Blues | Bessie Smith | T-900.304.340-1 |
| The Times They Are a Changing | Bob Dylan | T-070.250.142-5 |
| I JUST CALLED TO SAY I LOVE YOU [SINGLE VERSION] | STEVIE WONDER | T-070.083.391-5 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
9783862270491 is a Universal Product Code (UPC) assigned to Tonart Sekundarstufe II Bayern (Ausgabe 2009) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 156 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
9783862270491 is the Universal Product Code (UPC barcode) for the release “Tonart Sekundarstufe II Bayern (Ausgabe 2009)” by Various Artists, released 2009-09-18. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 156 tracks, each with its own ISRC. Tracks include DEF057530410, DEF057530405, DEF057530400.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dolcissim mia vita | — | ||
| 2 | What Then is Love but Mourning (Countertenor) | — | ||
| 3 | What Then is Love but Mourrning (Tenor) | — | ||
| 4 | Der Gutzgauch auf dem Zaune saß | — | ||
| 5 | Schäfers Klagelied | — | ||
| 6 | Liederkreis, op. 39: Im Walde | Dietrich Fischer-Dieskau, Christoph Eschenbach | T-802.365.389-7 | |
| 7 | Liederkreis, op. 39: Schöne Fremde | Dietrich Fischer-Dieskau, Christoph Eschenbach | T-900.138.974-8 | |
| 8 | Liederkreis, op. 39: In der Fremde | Dietrich Fischer-Dieskau, Christoph Eschenbach | — | |
| 9 | Moses und Aron - Zwischenspiel, Chor | — | ||
| 10 | Moses und Aron - 2.. Akt, 5. Szene, Beginn | — | ||
| 11 | Moses und Aron - 2. Akt, 5. Szene, Fortsetzung | — | ||
| 12 | Ursonate ("Sonate in Urlauten"), Scherzo | — | ||
| 13 | Aventures für 3 Sänger und 7 Instrumentalisten | — | ||
| 14 | How High the Moon | Ella Fitzgerald | T-070.074.622-0 | |
| 15 | After the Storm | — | ||
| 16 | Four Brothers | — | ||
| 17 | Four Brothers | — | ||
| 18 | Gernegroß | — | ||
| 19 | Englishman in New York | Sting | T-900.063.597-2 | |
| 20 | The Message (Originalaufnahme) | — | ||
| 21 | The Message (Playback-Loop) | — | ||
| 22 | Der Weg | Herbert Grönemeyer | T-800.809.523-7 | |
| 23 | Sema-Ritual: Hymne (Ausschnitt) | — | ||
| 24 | Sema-Ritual: Ney-Improvisation (Ausschnitt) | — | ||
| 25 | Sema-Ritual: Drehtanz (Ausschnitt) | — | ||
| 26 | Kui Kyon Pan | — | ||
| 27 | OM | — | ||
| 28 | Nyen-seng | — | ||
| 29 | Alleluja (Osternacht) | — | ||
| 30 | Alleluja (Jubilus) | — | ||
| 2-1 | Missa L'homme armé super voces musicales | — | ||
| 2-2 | Hymnus Pange lingua | — | ||
| 2-3 | Missa Pange Lingua | — | ||
| 2-4 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 “Coronation Mass”: I. “Kyrie” | Emma Kirkby, John Mark Ainsley, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood | — | |
| 2-5 | Messe C-Dur KV 317 Credo | — | ||
| 2-6 | Freue dich des Weibes deiner Jugend | — | ||
| 2-7 | Johannes Passion, BWV245: 13 Arie (Sopran) - Ich folge dir gleichfalls mit freudigen Schritten | Barbara Schlick, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-8 | JoPa BWV 245 Nr. 11 Choral | — | ||
| 2-9 | JoPa BWV 245 Nr. 12a Rezitativ | — | ||
| 2-10 | JoPa BWV 245 Nr. 12b Chor | — | ||
| 2-11 | JoPa BWV 245 Nr. 12c Rezitativ | — | ||
| 2-12 | Credo für Klavier solo, gem. Chor und Orch. Anfang | — | ||
| 2-13 | Credo für Klavier solo, gem. Chor und Orch. Steigerungsteil | — | ||
| 2-14 | Credo für Klavier solo, gem. Chor und Orch. Schluss | — | ||
| 2-15 | Berliner Messe, Credo | — | ||
| 2-16 | Tschüss Bayernland | — | ||
| 2-17 | Die schlesischen Weber | — | ||
| 2-18 | The Times They Are A‐Changin’ | Bob Dylan | T-070.250.142-5 | |
| 2-19 | DEAR MR. PRESIDENT (FEAT. INDIGO GIRLS) | P!NK FEAT. INDIGO GIRLS | T-306.402.823-1 | |
| 2-20 | Lied der Partei | — | ||
| 2-21 | Irgendwo auf der Welt | — | ||
| 2-22 | 12. Sinfonie, 1. Satz Thema 1 | — | ||
| 2-23 | Schostakowitsch 12. Sinfonie, 1. Satz Thema 2 | — | ||
| 2-24 | Brüder, zur Sonne, zur Freiheit | — | ||
| 2-25 | 12. Sinfonie, 1. Satz Zitat "Brüder, zur Sonne..." | — | ||
| 2-26 | 5. Sinfonie, 4. Satz | — | ||
| 2-27 | Ein Sommernachtstraum, Nocturno | — | ||
| 2-28 | Loreley | — | ||
| 2-29 | Olympische Hymne für gemischten Chor und großes Orchester, op. 119 | — | ||
| 2-30 | Chattanooga Choo Choo | — | ||
| 2-31 | Chattanooga Choo Choo (Ausschnitt) | — | ||
| 2-32 | Oops! ... I Did It Again (Playback) | — | ||
| 3-1 | Es geht alles vorüber (1) | — | ||
| 3-2 | Es geht alles vorüber (2) | — | ||
| 3-3 | Canzon per sonar primi toni à 8 T. 1 - 47 | — | ||
| 3-4 | Canzon per sonar primi toni à 8 T. 48 bis Ende | — | ||
| 3-5 | Suite D-Dur "Wassermusik" 1. Satz | — | ||
| 3-6 | Seltenes Glück | — | ||
| 3-7 | Sinfonia à 8, 1. Satz, La Melodia Germanica | — | ||
| 3-8 | Beethoven 8. Sinf. F-Dur, 1. Satz Exposition | — | ||
| 3-9 | Beethoven 8. Sinf. F-Dur, 1. Satz Durchführung und Reprise | — | ||
| 3-10 | Beethoven 8. Sinf. F-Dur, 1. Satz Übergang zur Reprise (Ausschnitt) | — | ||
| 3-11 | Tannhäuser, Ouvertüre Anfang | — | ||
| 3-12 | Tannhäuser, Ouvertüre Venusberg-Episode | — | ||
| 3-13 | Bruckner, 7. Sinfonie E-Dur, 2. Satz (Ausschnitt) | — | ||
| 3-14 | Wagner, Rheingold, Vorspiel | — | ||
| 3-15 | Soundtrack zu "Close Encounters of the Third Kind" | — | ||
| 3-16 | 2. Sinfonie e-Moll, op. 27, 4. Satz | — | ||
| 3-17 | Mänadentanz | — | ||
| 3-18 | 9. Sinfonie e-Moll, op. 95 "Aus der Neuen Welt", 2. Satz | — | ||
| 3-19 | L'estro armonico, op. 3, Concerto Nr. 11, 5. Satz | — | ||
| 3-20 | Violinkonzert D-Dur, op. 35, 3. Satz (Ausschnitt) | — | ||
| 3-21 | Klaviersonate f-Moll, op. 57 "Appassionata", 1. Satz, G. Gould | — | ||
| 3-22 | Klaviersonate f-Moll, op. 57 "Appassionata", 1. Satz, A. Schnabel | — | ||
| 3-23 | No Ordinary World | Joe Cocker | — | |
| 3-24 | Keyboard Suite in D minor, HWV 437: Sarabande | Andrei Gavrilov | — | |
| 3-25 | Sarabande (Ausschnitt) M. Borgstede | — | ||
| 3-26 | Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: 1. Satz, H. Koch | — | ||
| 3-27 | Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: 1. Satz, G. Antonini | — | ||
| 3-28 | Italienisches Konzert F-Dur, BWV 971, 2. Satz (Cembalo) (Ausschnitt) | — | ||
| 3-29 | Italienisches Konzert F-Dur, BWV 971, 2. Satz (Flügel) (Ausschnitt) | — | ||
| 3-30 | Konzertetüde "Mazeppa" | — | ||
| 4-1 | Sonata g-Moll, op. 5, Nr. 5: Adagio, Wallfisch | — | ||
| 4-2 | Sonata g-Moll, op. 5, Nr. 5: Adagio, Montanari | — | ||
| 4-3 | Careless Love | Bessie Smith, Madeleine Peyroux | T-900.304.340-1 | |
| 4-5 | Careless Love Blues (Ausschnitt) | — | ||
| 4-6 | Careless Love Blues (Ausschnitt) | — | ||
| 4-7 | Careless Love Blues (Ausschnitt) | — | ||
| 4-8 | Oops!…I Did It Again | Britney Spears | T-000.155.930-3 | |
| 4-9 | Oops! ... I Did It Again! (Ausschnitt) | — | ||
| 4-10 | Oops! ... I Did It Again! (Ausschnitt) | — | ||
| 4-11 | Oops! ... I Did It Again! (Ausschnitt) | — | ||
| 4-12 | Oops! ... I Did It Again! (Ausschnitt) | — | ||
| 4-13 | Risveglio di una città | — | ||
| 4-14 | Amériques (Ausschnitt) | — | ||
| 4-15 | Koko (Ausschnitt) | — | ||
| 4-16 | ’Round About Midnight (Ausschnitt) | — | ||
| 4-17 | So What (Ausschnitt) | — | ||
| 4-18 | Naima | John Coltrane | T-900.307.245-5 | |
| 4-19 | Norwegian Wood (This Bird Has Flown) | The Beatles | T-010.433.936-7 | |
| 4-20 | Titelmelodie zu "The Simpsons" | — | ||
| 4-21 | Altenberg Lieder, op. 4: No. 3. Über die Grenzen des All | London Symphony Orchestra, Claudio Abbado, Margaret Price | — | |
| 4-22 | 4. Bagatelle für Streichquartett | — | ||
| 4-23 | Streichquartett op. 28, 3. Satz | — | ||
| 4-24 | Bohemian Rhapsody, Anfang bis Textzeile 19 | — | ||
| 4-25 | Bohemian Rhapsody, Textzeile 20 bis Ende | — | ||
| 4-26 | Caprice for Solo Violin, op. 1 no. 5: Agitato in A minor | Shlomo Mintz | T-902.571.014-9 | |
| 4-27 | Blitzkrieg | — | ||
| 4-28 | Petruschka: Abschnitt 17 - 22 | — | ||
| 4-29 | Petruschka: Abschnitt 23 - 29 | — | ||
| 4-30 | Kammerkonzert: 1. Satz (Ausschnitt) | — | ||
| 4-31 | Kammerkonzert: 4. Satz | — | ||
| 5-1 | 2. Sinfonie c-Moll, 3. Satz, T. 45 - 53 | — | ||
| 5-2 | 2. Sinfonie c-Moll, 3. Satz, Zitat "Rewoda" | — | ||
| 5-3 | Sinfonie Nr. 2 c-Moll „Auferstehungs-Sinfonie“: III. In ruhig fließender Bewegung – Sehr gemächlich, nicht eilen – | Tonhalle Orchestra Zurich, David Zinman | — | |
| 5-4 | Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt | Dietrich Henschel, Orchestre des Champs-Élysées, Philippe Herreweghe | — | |
| 5-5 | Malambo, op. 12 | — | ||
| 5-6 | Estancia, op. 8, 4. Satz | — | ||
| 5-7 | Imaginary Landscape No. 4 | — | ||
| 5-8 | Klavierstück XI, 2. Notengruppe | — | ||
| 5-9 | Klavierstück XI, 1. Notengruppe | — | ||
| 5-10 | Klavierstück XI, 3. Notengruppe | — | ||
| 5-11 | Klavierstück XI, 2. und 1. Notengruppe | — | ||
| 5-12 | Klavierstück XI, 4. Notengruppe | — | ||
| 5-13 | Ssematimba ne Kikwabanga | — | ||
| 5-14 | Six Pianos | — | ||
| 5-15 | Mannenberg, Anfang | — | ||
| 5-16 | Mannenberg, Schluss | — | ||
| 5-17 | Charrag, gattaa | — | ||
| 5-18 | Aicha (version mixte) | Khaled | T-003.107.339-8 | |
| 5-19 | Monstr Jam | — | ||
| 5-20 | Rapture | — | ||
| 5-21 | Good Times | — | ||
| 5-22 | Apache | — | ||
| 5-23 | Another One Bites The Dust | — | ||
| 5-24 | Adventures of Grandmaster Flash on th Wheels of Steel | — | ||
| 5-25 | Stars on 45 | Stars on 45 | — | |
| 5-26 | Strawberry Fields Forever (Demoversion) | — | ||
| 5-27 | Strawberry Fields Forever (Studioversion vom 24.11.1966) | — | ||
| 5-28 | Strawberry Fields Forever (Plattenfassung) | — | ||
| 5-29 | I JUST CALLED TO SAY I LOVE YOU | STEVIE WONDER, DIONNE WARWICK | T-070.083.391-5 | |
| 5-30 | I Just Called To Say I Love You (Playback) | — | ||
| 5-31 | I Know You Got Soul | — | ||
| 5-32 | Funkin' For Jamaika | — | ||
| 5-33 | Im Nin' Alu | — | ||
| 5-34 | Pump Up the Volume | M|A|R|R|S | T-011.340.768-3 |
