UPC · Release
Various Artists
Last verified:
The UPC for “Tonart 9/10 Bayern (Ausgabe 2021)” by Various Artists is 9783862274437. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. This release contains 177 tracks, each with its own ISRC. Tracks include GBPFW1800033, DEF058330101, GBF078010150.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Streichquartett op. 33 Nr. 1: 2. Satz: Beginn (Ausschnitt) | — | ||
| 2 | Streichquartett op. 33 Nr. 1: 2. Satz: motivische Arbeit (Ausschnitt) | — | ||
| 3 | Streichquartett op. 33 Nr. 1: 2. Satz: Fortführung (Ausschnitt) | — | ||
| 4 | Klaviersonate, op. 10, Nr. 3, 3. Satz (Menuett) (Ausschnitt) | — | ||
| 5 | Klaviersonate, op. 106, 1. Satz (Ausschnitt) | — | ||
| 6 | Sinfonia a 8 in A-Dur, 1. Satz (A) | — | ||
| 7 | Sinfonie Nr. 40 in g-Moll, KV 550: 1. Satz: Themen (Ausschnitt) | — | ||
| 8 | Sinfonie Nr. 40 in g-Moll, KV 550: 1. Satz: Durchführung (Ausschnitt) | — | ||
| 9 | Don Giovanni, KV 527: (Ballszene): Menuett (Ausschnitt) | — | ||
| 10 | Don Giovanni, KV 527: (Ballszene): Gespräch (Ausschnitt) | — | ||
| 11 | Don Giovanni, KV 527: (Ballszene): Fortführung (Ausschnitt) | — | ||
| 12 | Che faro senza Euridice_Countertenor | — | ||
| 13 | Che faro senza Euridice_Bariton | — | ||
| 14 | Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi - Andantino | Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | — | |
| 15 | Reigen seliger Geister_modern | — | ||
| 16 | Schottische Lieder, op. 108_7 | — | ||
| 17 | Weile an dieser Quelle | — | ||
| 18 | Der Wanderer an den Mond_Beginn | — | ||
| 19 | Der Wanderer an den Mond_3_Strophe | — | ||
| 20 | Der Wanderer an den Mond_komplett | — | ||
| 21 | Ich weiss nicht, was soll es bedeuten | — | ||
| 22 | Russische Ostern_Einleitung | — | ||
| 23 | Russische Ostern_Schluss | — | ||
| 24 | Klaenge aus Maehren_Der kleine Acker | — | ||
| 25 | Lyrische Stuecke op 47_4_Halling | — | ||
| 26 | Volkstuemlicher Halling_Reisaren | — | ||
| 27 | Peer-Gynt-Suite_Halling | — | ||
| 28 | Lucia di Lammermoor_Il dolce suono | — | ||
| 29 | Lucia di Lammermoor_Ohime | — | ||
| 30 | Lucia di Lammermoor_Ardon gli incensi | — | ||
| 31 | Zigeunerweisen_Anfang | — | ||
| 32 | Zigeunerweisen_Kunststuecke | — | ||
| 33 | Zigeunerweisen_sentimentale Wirkung | — | ||
| 34 | Zigeunerweisen_Finale | — | ||
| 35 | Lightning Csardas | — | ||
| 36 | Klaviertrio in d-Moll_2_Satz_Thema 1 | — | ||
| 37 | Klaviertrio in d-Moll_2_Satz_Thema 2 | — | ||
| 38 | Klaviertrio in d-Moll_2_Satz_Schlussteil | — | ||
| 39 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — | |
| 40 | Danse macabre, op. 40 | Philharmonia Orchestra, Charles Dutoit | T-003.008.160-7 | |
| 41 | Dies irae | — | ||
| 42 | Zitat des Dies irae | — | ||
| 43 | Aennchen von Tharau | — | ||
| 44 | Gebet | — | ||
| 45 | Sinfonie Nr. 4 in f-Moll_op. 36 | — | ||
| 2-1 | Sinfonie Nr. 6_op. 68_2_Satz | — | ||
| 2-2 | He is the Greatest Dancer | — | ||
| 2-3 | Tanz aus Xinjiang | — | ||
| 2-4 | Der Carneval in Paris_Galopp | — | ||
| 2-5 | Only You | — | ||
| 2-6 | Tico Tico | — | ||
| 2-7 | La Cumparsita | — | ||
| 2-8 | Traditional Jig | — | ||
| 2-9 | Gigue_D-Dur | — | ||
| 2-10 | Hey Jolly Broom Man | — | ||
| 2-11 | Menuett | — | ||
| 2-12 | Kassation D-Dur_KV 100_Menuett | — | ||
| 2-13 | Las alazanas | — | ||
| 2-14 | Caprice musette | — | ||
| 2-15 | Put Your Little Foot | — | ||
| 2-16 | Valses nobles_D 969_Nr. 2 | — | ||
| 2-17 | An der schoenen blauen Donau | — | ||
| 2-18 | Le malade imaginaire | — | ||
| 2-19 | Nehmet_esset_das ist mein Leib | — | ||
| 2-20 | Ol Man River | — | ||
| 2-21 | Aquarius | — | ||
| 2-22 | Working My Way Back to You | — | ||
| 2-23 | I_ll Wait for You | — | ||
| 2-24 | Wachs fuer mich | — | ||
| 2-25 | Little Shop of Horrors_PB | — | ||
| 2-26 | Little Shop of Horrors_OA | — | ||
| 2-27 | Da Doo Ron Ron | — | ||
| 2-28 | Be My Baby | — | ||
| 2-29 | One Fine Day | — | ||
| 2-30 | Im Gruenen irgendwo | — | ||
| 2-31 | Szene der Audrey | — | ||
| 2-32 | Gibs mir_PB | — | ||
| 2-33 | Gibs mir_OA | — | ||
| 2-34 | Finale | — | ||
| 2-35 | Turandot_Motiv 1 | — | ||
| 2-36 | Turandot_Motiv 2 | — | ||
| 2-37 | Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-38 | Auftritt der Turandot | — | ||
| 2-39 | In questa reggia | — | ||
| 2-40 | Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-41 | Tu, que di gel sei cinta | — | ||
| 2-42 | Letzte Szene_3. Akt | — | ||
| 3-1 | Concerto op. 6 (Beginn) | — | ||
| 3-2 | Concerto op. 6 (Fortführung) | — | ||
| 3-3 | Concerti op. 6 (Zuordnungsaufgabe) | — | ||
| 3-4 | Concerto grosso HWV 323: 2. Satz | — | ||
| 3-5 | Concerto per Violino concertante | — | ||
| 3-6 | Der Sommer: 1. Satz Beginn | — | ||
| 3-7 | Der Sommer: 1. Satz Fortführung | — | ||
| 3-8 | Cembalokonzert BWV 1052: 1. Satz | — | ||
| 3-9 | Orgelkonzert HWV 304: 4. Satz | — | ||
| 3-10 | Schaut hin dort liegt im finstern Stall | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-11 | Grosser Herr o starker König | — | ||
| 3-12 | Schlafe mein Liebster: Vorspiel | — | ||
| 3-13 | Schlafe mein Liebster: Gesang | — | ||
| 3-14 | Und da die Engel von ihnen gen Himmel fuhren | — | ||
| 3-15 | Lasset uns nun gehen gen Bethlehem | English Baroque Soloists, John Eliot Gardiner | T-070.024.961-1 | |
| 3-16 | Fuge Nr. 1 in C-Dur BWV 846: Beginn | — | ||
| 3-17 | Fuge Nr. 1 in C-Dur BWV 846: Engführung | — | ||
| 3-18 | Fuge Nr. 1 in C-Dur BWV 846: Schluss | — | ||
| 3-19 | Pièces de clavecin: Allemande unverziert | — | ||
| 3-20 | Second livre de pièces de clavecin, Ordre 8: II. L’Ausoniéne, allemande | Olivier Baumont | — | |
| 3-21 | Pièces de clavecin: Courante - Sarabande - Gigue | — | ||
| 3-22 | Air pour les divinités des fleuves et les nymphes | — | ||
| 3-23 | Des pas sur la neige: Beginn | — | ||
| 3-24 | Des pas sur la neige: Schlussteil | — | ||
| 3-25 | Rapsodie espagnole Habanera Beginn | — | ||
| 3-26 | Rapsodie espagnole Habanera Fortführung | — | ||
| 3-27 | Fantasie op. 9: Beginn | — | ||
| 3-28 | Fantasie op. 9: Fortfuehrung | — | ||
| 3-29 | Vexations | — | ||
| 3-30 | Les Courses | Marielle Labèque | — | |
| 3-31 | Pierrot lunaire: Der kranke Mond | — | ||
| 3-32 | Lied der Lulu | — | ||
| 3-33 | Das ist die Liebe der Matrosen | — | ||
| 3-34 | Variationen fur Orchester (Atonalität) | — | ||
| 3-35 | Don Juan Nachromantik | — | ||
| 3-36 | Tanzsuite Weiterentwicklung | — | ||
| 3-37 | The Unanswered Question: Beginn | — | ||
| 3-38 | The Unanswered Question: Fortführung | — | ||
| 3-39 | Romeo und Julia: Tanz der Ritter: Teil A | — | ||
| 3-40 | Romeo und Julia: Tanz der Ritter: Teil C | — | ||
| 3-41 | 1922 - Suite für Klavier: Ragtime | — | ||
| 3-42 | Sonate für Bratsche solo: 4. Satz | — | ||
| 4-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | T-800.639.771-4 | |
| 4-2 | Carmina Burana: Uf Dem Anger: Tanz | Berliner Philharmoniker, Simon Rattle | T-306.378.550-8 | |
| 4-3 | In taberna quando sumus | — | ||
| 4-4 | Chume_chum_Geselle min | — | ||
| 4-5 | Bella ciao_Remix | — | ||
| 4-6 | Ain_t Misbehavin_Intro | — | ||
| 4-7 | Ain_t Misbehavin_PB | — | ||
| 4-8 | Ain_t Misbehavin_Vergleich | — | ||
| 4-9 | Moritat von Mackie Messer_PB | — | ||
| 4-10 | Moritat von Mackie Messer_Vergleich | — | ||
| 4-11 | How Deep Is Your Love | — | ||
| 4-12 | Charleston | — | ||
| 4-13 | Tommy Dorseys Boogie | — | ||
| 4-14 | See You Later Alligator_OA | — | ||
| 4-15 | See You Later Alligator_PB | — | ||
| 4-16 | Arkansas Traveller | — | ||
| 4-17 | Blurred Lines | — | ||
| 4-18 | Hip-Hop | — | ||
| 4-19 | Independance Cha Cha | — | ||
| 4-20 | Field Holler | — | ||
| 4-21 | Wont You Ring_Old Hammer | — | ||
| 4-22 | Cool Water Blues | — | ||
| 4-23 | Blue Devil Blues | — | ||
| 4-24 | Empty Bed Blues_OA | — | ||
| 4-25 | Empty Bed Blues_PB | — | ||
| 4-26 | Moose March | — | ||
| 4-27 | The Entertainer | — | ||
| 4-28 | Das ist ein Floeten und Geigen | — | ||
| 4-29 | Basin Street Blues_Gesang | — | ||
| 4-30 | Basin Street Blues_Trompete | — | ||
| 4-31 | Sleepy Hollow | — | ||
| 4-32 | Blues_Beginn | — | ||
| 4-33 | Canal Street Blues | — | ||
| 4-34 | Eh_la bas | — | ||
| 4-35 | Tiger Rag | Original Dixieland Jazz Band | — | |
| 4-36 | One O_Clock Jump_Sections | — | ||
| 4-37 | One O_Clock Jump_Solostellen | — | ||
| 4-38 | One O_Clock Jump_Riffs | — | ||
| 4-39 | One O_Clock Jump_PB | — | ||
| 4-42 | Ko Ko (Beginn) | — | ||
| 4-43 | Ko Ko (Melodiegestaltung) | — | ||
| 4-44 | Donna Lee | — | ||
| 4-45 | Stella by Starlight | — | ||
| 4-46 | Boplicity | — | ||
| 4-47 | You Got to My Head | — | ||
| 4-48 | Klaunstance | — | ||
| 4-49 | Vendôme | The Modern Jazz Quartet | T-700.037.175-7 | |
| 4-50 | Fuge d-Moll_BWV 851 | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
9783862274437 is a Universal Product Code (UPC) assigned to Tonart 9/10 Bayern (Ausgabe 2021) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 177 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Turandot. "Nessun dorma" (Calaf) | Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan | T-005.000.838-2 |
| Turandot: Atto I. “Là, sui monti dell’Est” (Ragazzi) | Wiener Sängerknaben, Wiener Philharmoniker, Herbert von Karajan | — |
Creative Contributors (ISNI)
The UPC for “Tonart 9/10 Bayern (Ausgabe 2021)” by Various Artists is 9783862274437. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. This release contains 177 tracks, each with its own ISRC. Tracks include GBPFW1800033, DEF058330101, GBF078010150.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Streichquartett op. 33 Nr. 1: 2. Satz: Beginn (Ausschnitt) | — | ||
| 2 | Streichquartett op. 33 Nr. 1: 2. Satz: motivische Arbeit (Ausschnitt) | — | ||
| 3 | Streichquartett op. 33 Nr. 1: 2. Satz: Fortführung (Ausschnitt) | — | ||
| 4 | Klaviersonate, op. 10, Nr. 3, 3. Satz (Menuett) (Ausschnitt) | — | ||
| 5 | Klaviersonate, op. 106, 1. Satz (Ausschnitt) | — | ||
| 6 | Sinfonia a 8 in A-Dur, 1. Satz (A) | — | ||
| 7 | Sinfonie Nr. 40 in g-Moll, KV 550: 1. Satz: Themen (Ausschnitt) | — | ||
| 8 | Sinfonie Nr. 40 in g-Moll, KV 550: 1. Satz: Durchführung (Ausschnitt) | — | ||
| 9 | Don Giovanni, KV 527: (Ballszene): Menuett (Ausschnitt) | — | ||
| 10 | Don Giovanni, KV 527: (Ballszene): Gespräch (Ausschnitt) | — | ||
| 11 | Don Giovanni, KV 527: (Ballszene): Fortführung (Ausschnitt) | — | ||
| 12 | Che faro senza Euridice_Countertenor | — | ||
| 13 | Che faro senza Euridice_Bariton | — | ||
| 14 | Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi - Andantino | Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | — | |
| 15 | Reigen seliger Geister_modern | — | ||
| 16 | Schottische Lieder, op. 108_7 | — | ||
| 17 | Weile an dieser Quelle | — | ||
| 18 | Der Wanderer an den Mond_Beginn | — | ||
| 19 | Der Wanderer an den Mond_3_Strophe | — | ||
| 20 | Der Wanderer an den Mond_komplett | — | ||
| 21 | Ich weiss nicht, was soll es bedeuten | — | ||
| 22 | Russische Ostern_Einleitung | — | ||
| 23 | Russische Ostern_Schluss | — | ||
| 24 | Klaenge aus Maehren_Der kleine Acker | — | ||
| 25 | Lyrische Stuecke op 47_4_Halling | — | ||
| 26 | Volkstuemlicher Halling_Reisaren | — | ||
| 27 | Peer-Gynt-Suite_Halling | — | ||
| 28 | Lucia di Lammermoor_Il dolce suono | — | ||
| 29 | Lucia di Lammermoor_Ohime | — | ||
| 30 | Lucia di Lammermoor_Ardon gli incensi | — | ||
| 31 | Zigeunerweisen_Anfang | — | ||
| 32 | Zigeunerweisen_Kunststuecke | — | ||
| 33 | Zigeunerweisen_sentimentale Wirkung | — | ||
| 34 | Zigeunerweisen_Finale | — | ||
| 35 | Lightning Csardas | — | ||
| 36 | Klaviertrio in d-Moll_2_Satz_Thema 1 | — | ||
| 37 | Klaviertrio in d-Moll_2_Satz_Thema 2 | — | ||
| 38 | Klaviertrio in d-Moll_2_Satz_Schlussteil | — | ||
| 39 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — | |
| 40 | Danse macabre, op. 40 | Philharmonia Orchestra, Charles Dutoit | T-003.008.160-7 | |
| 41 | Dies irae | — | ||
| 42 | Zitat des Dies irae | — | ||
| 43 | Aennchen von Tharau | — | ||
| 44 | Gebet | — | ||
| 45 | Sinfonie Nr. 4 in f-Moll_op. 36 | — | ||
| 2-1 | Sinfonie Nr. 6_op. 68_2_Satz | — | ||
| 2-2 | He is the Greatest Dancer | — | ||
| 2-3 | Tanz aus Xinjiang | — | ||
| 2-4 | Der Carneval in Paris_Galopp | — | ||
| 2-5 | Only You | — | ||
| 2-6 | Tico Tico | — | ||
| 2-7 | La Cumparsita | — | ||
| 2-8 | Traditional Jig | — | ||
| 2-9 | Gigue_D-Dur | — | ||
| 2-10 | Hey Jolly Broom Man | — | ||
| 2-11 | Menuett | — | ||
| 2-12 | Kassation D-Dur_KV 100_Menuett | — | ||
| 2-13 | Las alazanas | — | ||
| 2-14 | Caprice musette | — | ||
| 2-15 | Put Your Little Foot | — | ||
| 2-16 | Valses nobles_D 969_Nr. 2 | — | ||
| 2-17 | An der schoenen blauen Donau | — | ||
| 2-18 | Le malade imaginaire | — | ||
| 2-19 | Nehmet_esset_das ist mein Leib | — | ||
| 2-20 | Ol Man River | — | ||
| 2-21 | Aquarius | — | ||
| 2-22 | Working My Way Back to You | — | ||
| 2-23 | I_ll Wait for You | — | ||
| 2-24 | Wachs fuer mich | — | ||
| 2-25 | Little Shop of Horrors_PB | — | ||
| 2-26 | Little Shop of Horrors_OA | — | ||
| 2-27 | Da Doo Ron Ron | — | ||
| 2-28 | Be My Baby | — | ||
| 2-29 | One Fine Day | — | ||
| 2-30 | Im Gruenen irgendwo | — | ||
| 2-31 | Szene der Audrey | — | ||
| 2-32 | Gibs mir_PB | — | ||
| 2-33 | Gibs mir_OA | — | ||
| 2-34 | Finale | — | ||
| 2-35 | Turandot_Motiv 1 | — | ||
| 2-36 | Turandot_Motiv 2 | — | ||
| 2-37 | Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-38 | Auftritt der Turandot | — | ||
| 2-39 | In questa reggia | — | ||
| 2-40 | Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-41 | Tu, que di gel sei cinta | — | ||
| 2-42 | Letzte Szene_3. Akt | — | ||
| 3-1 | Concerto op. 6 (Beginn) | — | ||
| 3-2 | Concerto op. 6 (Fortführung) | — | ||
| 3-3 | Concerti op. 6 (Zuordnungsaufgabe) | — | ||
| 3-4 | Concerto grosso HWV 323: 2. Satz | — | ||
| 3-5 | Concerto per Violino concertante | — | ||
| 3-6 | Der Sommer: 1. Satz Beginn | — | ||
| 3-7 | Der Sommer: 1. Satz Fortführung | — | ||
| 3-8 | Cembalokonzert BWV 1052: 1. Satz | — | ||
| 3-9 | Orgelkonzert HWV 304: 4. Satz | — | ||
| 3-10 | Schaut hin dort liegt im finstern Stall | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-11 | Grosser Herr o starker König | — | ||
| 3-12 | Schlafe mein Liebster: Vorspiel | — | ||
| 3-13 | Schlafe mein Liebster: Gesang | — | ||
| 3-14 | Und da die Engel von ihnen gen Himmel fuhren | — | ||
| 3-15 | Lasset uns nun gehen gen Bethlehem | English Baroque Soloists, John Eliot Gardiner | T-070.024.961-1 | |
| 3-16 | Fuge Nr. 1 in C-Dur BWV 846: Beginn | — | ||
| 3-17 | Fuge Nr. 1 in C-Dur BWV 846: Engführung | — | ||
| 3-18 | Fuge Nr. 1 in C-Dur BWV 846: Schluss | — | ||
| 3-19 | Pièces de clavecin: Allemande unverziert | — | ||
| 3-20 | Second livre de pièces de clavecin, Ordre 8: II. L’Ausoniéne, allemande | Olivier Baumont | — | |
| 3-21 | Pièces de clavecin: Courante - Sarabande - Gigue | — | ||
| 3-22 | Air pour les divinités des fleuves et les nymphes | — | ||
| 3-23 | Des pas sur la neige: Beginn | — | ||
| 3-24 | Des pas sur la neige: Schlussteil | — | ||
| 3-25 | Rapsodie espagnole Habanera Beginn | — | ||
| 3-26 | Rapsodie espagnole Habanera Fortführung | — | ||
| 3-27 | Fantasie op. 9: Beginn | — | ||
| 3-28 | Fantasie op. 9: Fortfuehrung | — | ||
| 3-29 | Vexations | — | ||
| 3-30 | Les Courses | Marielle Labèque | — | |
| 3-31 | Pierrot lunaire: Der kranke Mond | — | ||
| 3-32 | Lied der Lulu | — | ||
| 3-33 | Das ist die Liebe der Matrosen | — | ||
| 3-34 | Variationen fur Orchester (Atonalität) | — | ||
| 3-35 | Don Juan Nachromantik | — | ||
| 3-36 | Tanzsuite Weiterentwicklung | — | ||
| 3-37 | The Unanswered Question: Beginn | — | ||
| 3-38 | The Unanswered Question: Fortführung | — | ||
| 3-39 | Romeo und Julia: Tanz der Ritter: Teil A | — | ||
| 3-40 | Romeo und Julia: Tanz der Ritter: Teil C | — | ||
| 3-41 | 1922 - Suite für Klavier: Ragtime | — | ||
| 3-42 | Sonate für Bratsche solo: 4. Satz | — | ||
| 4-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | T-800.639.771-4 | |
| 4-2 | Carmina Burana: Uf Dem Anger: Tanz | Berliner Philharmoniker, Simon Rattle | T-306.378.550-8 | |
| 4-3 | In taberna quando sumus | — | ||
| 4-4 | Chume_chum_Geselle min | — | ||
| 4-5 | Bella ciao_Remix | — | ||
| 4-6 | Ain_t Misbehavin_Intro | — | ||
| 4-7 | Ain_t Misbehavin_PB | — | ||
| 4-8 | Ain_t Misbehavin_Vergleich | — | ||
| 4-9 | Moritat von Mackie Messer_PB | — | ||
| 4-10 | Moritat von Mackie Messer_Vergleich | — | ||
| 4-11 | How Deep Is Your Love | — | ||
| 4-12 | Charleston | — | ||
| 4-13 | Tommy Dorseys Boogie | — | ||
| 4-14 | See You Later Alligator_OA | — | ||
| 4-15 | See You Later Alligator_PB | — | ||
| 4-16 | Arkansas Traveller | — | ||
| 4-17 | Blurred Lines | — | ||
| 4-18 | Hip-Hop | — | ||
| 4-19 | Independance Cha Cha | — | ||
| 4-20 | Field Holler | — | ||
| 4-21 | Wont You Ring_Old Hammer | — | ||
| 4-22 | Cool Water Blues | — | ||
| 4-23 | Blue Devil Blues | — | ||
| 4-24 | Empty Bed Blues_OA | — | ||
| 4-25 | Empty Bed Blues_PB | — | ||
| 4-26 | Moose March | — | ||
| 4-27 | The Entertainer | — | ||
| 4-28 | Das ist ein Floeten und Geigen | — | ||
| 4-29 | Basin Street Blues_Gesang | — | ||
| 4-30 | Basin Street Blues_Trompete | — | ||
| 4-31 | Sleepy Hollow | — | ||
| 4-32 | Blues_Beginn | — | ||
| 4-33 | Canal Street Blues | — | ||
| 4-34 | Eh_la bas | — | ||
| 4-35 | Tiger Rag | Original Dixieland Jazz Band | — | |
| 4-36 | One O_Clock Jump_Sections | — | ||
| 4-37 | One O_Clock Jump_Solostellen | — | ||
| 4-38 | One O_Clock Jump_Riffs | — | ||
| 4-39 | One O_Clock Jump_PB | — | ||
| 4-42 | Ko Ko (Beginn) | — | ||
| 4-43 | Ko Ko (Melodiegestaltung) | — | ||
| 4-44 | Donna Lee | — | ||
| 4-45 | Stella by Starlight | — | ||
| 4-46 | Boplicity | — | ||
| 4-47 | You Got to My Head | — | ||
| 4-48 | Klaunstance | — | ||
| 4-49 | Vendôme | The Modern Jazz Quartet | T-700.037.175-7 | |
| 4-50 | Fuge d-Moll_BWV 851 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Turandot. "Nessun dorma" (Calaf) | Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan | T-005.000.838-2 |
| Turandot: Atto I. “Là, sui monti dell’Est” (Ragazzi) | Wiener Sängerknaben, Wiener Philharmoniker, Herbert von Karajan | — |
