UPC · Release
Tonart 9/10 Bayern (Ausgabe 2021)
Various Artists
9783862274437
42 tracksReleased 2021-01-01
Last verified:
9783862274437 is the Universal Product Code (UPC barcode) for the release “Tonart 9/10 Bayern (Ausgabe 2021)” by Various Artists, released 2021-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include USBC10700469, DEF058730125, FRZ209319602.
Format
978GS1 prefix
3862Company prefix
27443Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCTonart 9/10 Bayern (Ausgabe 2021)
ISRC4 recordings
ISWC8 works
IPI10 songwriters
Track List (42)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Concerto op. 6 (Beginn) | — | ||
| 3-2 | Concerto op. 6 (Fortführung) | — | ||
| 3-3 | Concerti op. 6 (Zuordnungsaufgabe) | — | ||
| 3-4 | Concerto grosso HWV 323: 2. Satz | — | ||
| 3-5 | Concerto per Violino concertante | — | ||
| 3-6 | Der Sommer: 1. Satz Beginn | — | ||
| 3-7 | Der Sommer: 1. Satz Fortführung | — | ||
| 3-8 | Cembalokonzert BWV 1052: 1. Satz | — | ||
| 3-9 | Orgelkonzert HWV 304: 4. Satz | — | ||
| 3-10 | Schaut hin dort liegt im finstern Stall | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-11 | Grosser Herr o starker König | — | ||
| 3-12 | Schlafe mein Liebster: Vorspiel | — | ||
| 3-13 | Schlafe mein Liebster: Gesang | — | ||
| 3-14 | Und da die Engel von ihnen gen Himmel fuhren | — | ||
| 3-15 | Lasset uns nun gehen gen Bethlehem | English Baroque Soloists, John Eliot Gardiner | T0700249611 | |
| 3-16 | Fuge Nr. 1 in C-Dur BWV 846: Beginn | — | ||
| 3-17 | Fuge Nr. 1 in C-Dur BWV 846: Engführung | — | ||
| 3-18 | Fuge Nr. 1 in C-Dur BWV 846: Schluss | — | ||
| 3-19 | Pièces de clavecin: Allemande unverziert | — | ||
| 3-20 | Second livre de pièces de clavecin, Ordre 8: II. L’Ausoniéne, allemande | Olivier Baumont | — | |
| 3-21 | Pièces de clavecin: Courante - Sarabande - Gigue | — | ||
| 3-22 | Air pour les divinités des fleuves et les nymphes | — | ||
| 3-23 | Des pas sur la neige: Beginn | — | ||
| 3-24 | Des pas sur la neige: Schlussteil | — | ||
| 3-25 | Rapsodie espagnole Habanera Beginn | — | ||
| 3-26 | Rapsodie espagnole Habanera Fortführung | — | ||
| 3-27 | Fantasie op. 9: Beginn | — | ||
| 3-28 | Fantasie op. 9: Fortfuehrung | — | ||
| 3-29 | Vexations | — | ||
| 3-30 | Les Courses | Marielle Labèque | — | |
| 3-31 | Pierrot lunaire: Der kranke Mond | — | ||
| 3-32 | Lied der Lulu | — | ||
| 3-33 | Das ist die Liebe der Matrosen | — | ||
| 3-34 | Variationen fur Orchester (Atonalität) | — | ||
| 3-35 | Don Juan Nachromantik | — | ||
| 3-36 | Tanzsuite Weiterentwicklung | — | ||
| 3-37 | The Unanswered Question: Beginn | — | ||
| 3-38 | The Unanswered Question: Fortführung | — | ||
| 3-39 | Romeo und Julia: Tanz der Ritter: Teil A | — | ||
| 3-40 | Romeo und Julia: Tanz der Ritter: Teil C | — | ||
| 3-41 | 1922 - Suite für Klavier: Ragtime | — | ||
| 3-42 | Sonate für Bratsche solo: 4. Satz | — |
Concerto op. 6 (Beginn)
—
Concerto op. 6 (Fortführung)
—
Concerti op. 6 (Zuordnungsaufgabe)
—
Concerto grosso HWV 323: 2. Satz
—
Concerto per Violino concertante
—
Der Sommer: 1. Satz Beginn
—
Der Sommer: 1. Satz Fortführung
—
Cembalokonzert BWV 1052: 1. Satz
—
Orgelkonzert HWV 304: 4. Satz
—
Schaut hin dort liegt im finstern Stall
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Grosser Herr o starker König
—
Schlafe mein Liebster: Vorspiel
—
Schlafe mein Liebster: Gesang
—
Und da die Engel von ihnen gen Himmel fuhren
—
Fuge Nr. 1 in C-Dur BWV 846: Beginn
—
Fuge Nr. 1 in C-Dur BWV 846: Engführung
—
Fuge Nr. 1 in C-Dur BWV 846: Schluss
—
Pièces de clavecin: Allemande unverziert
—
Second livre de pièces de clavecin, Ordre 8: II. L’Ausoniéne, allemande
Olivier Baumont
—
Pièces de clavecin: Courante - Sarabande - Gigue
—
Air pour les divinités des fleuves et les nymphes
—
Des pas sur la neige: Beginn
—
Des pas sur la neige: Schlussteil
—
Rapsodie espagnole Habanera Beginn
—
Rapsodie espagnole Habanera Fortführung
—
Fantasie op. 9: Beginn
—
Fantasie op. 9: Fortfuehrung
—
Vexations
—
Les Courses
Marielle Labèque
—
Pierrot lunaire: Der kranke Mond
—
Lied der Lulu
—
Das ist die Liebe der Matrosen
—
Variationen fur Orchester (Atonalität)
—
Don Juan Nachromantik
—
Tanzsuite Weiterentwicklung
—
The Unanswered Question: Beginn
—
The Unanswered Question: Fortführung
—
Romeo und Julia: Tanz der Ritter: Teil A
—
Romeo und Julia: Tanz der Ritter: Teil C
—
1922 - Suite für Klavier: Ragtime
—
Sonate für Bratsche solo: 4. Satz
—
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi - Andantino | Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | — |
| Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — |
| Danse macabre, op. 40 | Philharmonia Orchestra, Charles Dutoit | T-003008160-7 |
| Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | David Bell, Berliner Philharmoniker, Herbert von Karajan | — |
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | T8006397714 |
| Carmina Burana: Uf Dem Anger: Tanz | Berliner Philharmoniker, Simon Rattle | T3063785508 |
| Tiger Rag | Original Dixieland Jazz Band | — |
| Vendôme | The Modern Jazz Quartet | T-700.037.175-7 |
| Turandot. "Nessun dorma" (Calaf) | Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan | T-005000838-2 |
| Turandot: Atto I. “Là, sui monti dell’Est” (Ragazzi) | Wiener Sängerknaben, Wiener Philharmoniker, Herbert von Karajan | — |
Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi - Andantino
Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis
—
Kinderszenen, op. 15: VII. Träumerei
Martha Argerich
—
Philharmonia Orchestra, Charles Dutoit
Eine Alpensinfonie, op. 64: XX. Sonnenuntergang
David Bell, Berliner Philharmoniker, Herbert von Karajan
—
Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle
Berliner Philharmoniker, Simon Rattle
Tiger Rag
Original Dixieland Jazz Band
—
The Modern Jazz Quartet
Konzertvereinigung Wiener Staatsopernchor, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan
Turandot: Atto I. “Là, sui monti dell’Est” (Ragazzi)
Wiener Sängerknaben, Wiener Philharmoniker, Herbert von Karajan
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000007053566900000000735765620000000078398144000000010296977X000000010930050X00000001093501360000000109433484000000010970204X00000001103042250000000113701269
+34 more
0000000114439047000000011453282300000001147658380000000114819218000000011512088X0000000115863405000000011701318000000001194168800000000119546175000000011956623X000000011957360800000001201914980000000120955806000000012095618X00000001209780120000000120991997000000012100896600000001210391560000000121144247000000012119596800000001212389560000000121268995000000012142580700000001214410490000000121447141000000012161503700000001218923330000000122764157000000012282454300000001232169530000000123236110000000035408605X00000003686339740000000512117051
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What is UPC 9783862274437?
9783862274437 is a Universal Product Code (UPC) assigned to Tonart 9/10 Bayern (Ausgabe 2021) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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