UPC · Release
[unknown]
Last verified:
The UPC for “Tonart Sekundarstufe II, Band 1 (Ausgabe 2023)” by [unknown] is 9783862275779. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-01-01. This release contains 136 tracks, each with its own ISRC. Tracks include USAT52102401, USAT52102419, USAT52102424.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Früh morgens zwischen vier und fünfen, Playback | — | ||
| 2 | Va, pensiero, Nabucco | — | ||
| 3 | Nocturno, Ein Sommernachtstraum | — | ||
| 4 | 4. Bagatelle für Streichquartett | — | ||
| 5 | Olympische Hymne für gemischten Chor und großes Orchester, Opus 119 | — | ||
| 6 | Es geht alles vorüber, Lale Andersen | — | ||
| 7 | Es geht alles vorüber, Lucie Mannheim | — | ||
| 8 | 5. Sinfonie, Schluss | — | ||
| 9 | 12. Sinfonie in d-Moll, Opus 112, Thema 1 | — | ||
| 10 | 12. Sinfonie in d-Moll, Opus 112, Thema 2 | — | ||
| 11 | Brüder, zur Sonne, zur Freiheit | — | ||
| 12 | 12. Sinfonie in d-Moll, Opus 112, Takt 297 bis 301 | — | ||
| 13 | Die Partei | — | ||
| 14 | Irgendwo auf der Welt | — | ||
| 15 | A desalambrar | — | ||
| 16 | El pueblo unido jamas sera vencido | — | ||
| 17 | The People United Will Never Be Defeated! (36 Variations on a Chilean Song): Thema | Ursula Oppens | — | |
| 18 | The People United Will Never Be Defeated! (36 Variations on a Chilean Song): Variation 18 | Ursula Oppens | — | |
| 19 | The People United Will Never Be Defeated! (36 Variations on a Chilean Song): Variation 23 | Ursula Oppens | — | |
| 20 | Wann, Playback | — | ||
| 21 | Wann? | Rio Reiser | T-802.651.406-8 | |
| 23 | Wann, 2021 | — | ||
| 25 | all the good girls go to hell | Billie Eilish | T-928.032.823-6 | |
| 26 | All Good Girls Go to Hell, Playback | — | ||
| 27 | Hymne 1, Niederlande | — | ||
| 28 | Hymne 2, Italien | — | ||
| 29 | The Star Spangled Banner, Festakt | — | ||
| 30 | The Star Spangled Banner, Jimi Hendrix | — | ||
| 2-1 | Hungarian Rhapsodie Nr. 15, Rakoczi-Marsch | — | ||
| 2-2 | La Damnation de Faust: Première partie. Scène 3 | Richard Verreau, Orchestre Lamoureux, Igor Markevitch | — | |
| 2-3 | Autrefois un roi de Thule, La damnation de Faust | — | ||
| 2-4 | Traun, Bogen und Pfeil, Die schoene Magelone | — | ||
| 2-5 | Hochzeitsmarsch, Ein Sommernachtstraum | — | ||
| 2-6 | Ruepeltanz, Ein Sommernachtstraum | — | ||
| 2-7 | Melodram, Ein Sommernachtstraum | — | ||
| 2-8 | kperioum | — | ||
| 2-9 | Ursonate | — | ||
| 2-10 | Blowin in the Wind | — | ||
| 2-11 | The Times They Are A‐Changin’ | Bob Dylan | T-070.250.142-5 | |
| 2-12 | The Times They Are A-Changing, Playback | — | ||
| 2-13 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-14 | Requiem, K. 626: III. Sequenz: Dies irae | The New Siberian Singers, MusicAeterna, Teodor Currentzis | — | |
| 2-15 | Magnificat a 14, Gloria | — | ||
| 2-16 | Magnificat a 14, Magnificat, Schluss | — | ||
| 2-17 | Magnificat a 14, Gloria, Beginn | — | ||
| 2-18 | Missa Salisburgensis a 53, Gloria | — | ||
| 2-19 | Missa Salisburgensis a 53, Kyrie | — | ||
| 2-20 | Rheingold, Vorspiel | — | ||
| 2-21 | Environs - Hackbrettmusi - Szene am Bach - Credo | — | ||
| 2-22 | Non Disperar, Chi Sa | — | ||
| 2-23 | 4. Sinfonie, 4. Satz | — | ||
| 2-24 | Poeme Electronique | — | ||
| 2-25 | Mikrokosmos, Ungarisches Lied | — | ||
| 2-26 | Nuper rosarum flores, Abschnitt 1 und 2 | — | ||
| 2-27 | Nuper rosarum flores, Tenorstimme 1 | — | ||
| 2-28 | Nuper rosarum flores, Tenorstimme 2 | — | ||
| 2-29 | Nuper rosarum flores, Tenorstimme 3 | — | ||
| 2-30 | Nuper rosarum flores, Tenorstimme 4 | — | ||
| 2-31 | Nuper Rosarum Flores | Paul Van Nevel, Huelgas Ensemble | — | |
| 2-32 | Weet, ghy Maachden arm en rijck | — | ||
| 2-33 | Nigun | — | ||
| 3-1 | Promenade, Bilder einer Ausstellung | — | ||
| 3-2 | Gelaeut der Kirchenglocken, Das grosse Tor von Kiew, Bilder einer Ausstellung | — | ||
| 3-3 | Das grosse Tor von Kiew, Bilder einer Ausstellung, Urgestalt | — | ||
| 3-4 | Pictures at an Exhibition: X. La grande porte de Kiev | The Cleveland Orchestra, George Szell | T-061.792.492-1 | |
| 3-5 | Im Spiel der Wellen | — | ||
| 3-6 | Im Spiel der Wellen, NB 1 | — | ||
| 3-7 | Im Spiel der Wellen, NB 2 | — | ||
| 3-8 | Im Spiel der Wellen, NB 3 | — | ||
| 3-9 | Im Spiel der Wellen, NB 4 | — | ||
| 3-10 | Im Spiel der Wellen, Schluss | — | ||
| 3-11 | Die Toteninsel | — | ||
| 3-12 | Bacchanal | — | ||
| 3-13 | Der geigende Eremit | — | ||
| 3-14 | Akkorde | — | ||
| 3-15 | Album für die Jugend, op. 68, erste Abteilung: Volksliedchen | Florian Uhlig | — | |
| 3-16 | The Poem of Fire, Anfang | — | ||
| 3-17 | The Poem of Fire, Schluss | — | ||
| 3-18 | Der erste Schnee | — | ||
| 3-19 | Rugby, NB 1 | — | ||
| 3-20 | Rugby | — | ||
| 3-21 | Ballet-Fechtschule, NB 1 | — | ||
| 3-22 | Ballet-Fechtschule | — | ||
| 3-23 | Merengue-Rhythmus, Softwarebeispiel | — | ||
| 3-24 | Cumbia-Rhythmus, Softwarebeispiel | — | ||
| 3-25 | Reggaeton-Rhythmus | — | ||
| 3-26 | Zumbachoreografie, Softwarebeispiel | — | ||
| 3-27 | You ll Never Walk Alone, Playback | — | ||
| 3-28 | You ll Never Walk Alone, Carousel | — | ||
| 3-29 | You’ll Never Walk Alone | Gerry & the Pacemakers | T-010.519.159-0 | |
| 3-30 | Yellow Submarine | — | ||
| 3-31 | Zadok, the Priest, Anfang | — | ||
| 3-32 | Zadok, the Priest, Choreinsatz | — | ||
| 3-33 | UEFA Champions League Anthem | — | ||
| 3-34 | The Star Spangled Banner, Whitney Houston | — | ||
| 3-35 | Les Patineurs, Opus 183 | — | ||
| 3-36 | Nathan Chen, Olympiakuer | — | ||
| 3-37 | Nathan Chen, Olympiakuer, Salchow | — | ||
| 4-1 | Ouvertuere zum Fliegenden Hollaender wie sie eine schlechte Kurkapelle morgens um 7 am Brunnen vom Blatt spielt | — | ||
| 4-2 | Streichquartett Nr. 4, Fugato | — | ||
| 4-3 | III Versuchung des heiligen Antonius | — | ||
| 4-4 | I Engelkonzert, Satzanfang | — | ||
| 4-5 | II Grablegung, Satzanfang | — | ||
| 4-6 | III Versuchung des heiligen Antonius, Satzanfang | — | ||
| 4-7 | I Engelkonzert, Beginn | — | ||
| 4-8 | Engelkonzert, Thema 1 | — | ||
| 4-9 | Engelkonzert, Thema 2 | — | ||
| 4-10 | Engelkonzert, Thema 3 | — | ||
| 4-11 | Engelkonzert, Kontrapunkt der Themen | — | ||
| 4-12 | Engelkonzert, Ausschnitt | — | ||
| 4-13 | Engelkonzert, Beginn | — | ||
| 4-14 | 8. Sinfonie, 2. Satz | — | ||
| 4-15 | Trawt allerliebstes frewlein czart | — | ||
| 4-16 | Silentium, Silentium | — | ||
| 4-17 | Da zu dir der Heiland kam, Playback | — | ||
| 4-18 | Da zu dir der Heiland kam, Die Meistersinger von Nuernberg | — | ||
| 4-19 | Ein jedes Meistersanges Bar, Die Meistersinger von Nuernberg | — | ||
| 4-20 | Morgenlich leuchtend in rosigem Schein, Die Meistersinger von Nuernberg | — | ||
| 4-21 | Den Tag seh ich erscheinen, Die Meistersinger von Nuernberg | — | ||
| 4-22 | Meistersinger-Motiv, Die Meistersinger von Nuernberg | — | ||
| 4-23 | Koenig-David-Motiv, Die Meistersinger von Nuernberg | — | ||
| 4-24 | Gemeinschaft-der-Meistersinger-Motiv, Die Meistersinger von Nuernberg | — | ||
| 4-25 | Lehrbuben-Motiv, Die Meistersinger von Nuernberg | — | ||
| 4-26 | Die Meistersinger von Nürnberg: Prelude, Act I | Chicago Symphony Orchestra, Sir Georg Solti | T-050.071.427-1 | |
| 4-27 | O Taeler weit, Opus 59/3 | — | ||
| 4-28 | L’Enfant et les sortilèges: Musique d’insectes, de rainettes, etc. | Orchestre national de la Radio-télévision française, Lorin Maazel | T-003.009.022-2 | |
| 4-29 | L’Enfant et les sortilèges: "Ah ! Quelle joie de te retrouver, Jardin!" (L’Enfant, L’Arbre, Les Autres Arbres) | René Alix, Chœur de la Radio-télévision française, Maîtrise de la Radio-télévision française, Françoise Ogéas, Heinz Rehfuss, Orchestre national de la Radio-télévision française, Lorin Maazel | T-003.009.021-1 | |
| 4-30 | Lamento della ninfa, SV 163 | — | ||
| 4-31 | Oiseaux tristes, Miroirs | — | ||
| 4-32 | Nachtigall - Amsel - Gruenspecht - Buchfink | — | ||
| 4-33 | Le chant des oiseaux | — | ||
| 4-34 | Le merle noir | — | ||
| 4-35 | Blackbird | — | ||
| 4-36 | Earth Song | Michael Jackson | T-909.188.274-5 | |
| 4-37 | The Landscape Is Changing | Depeche Mode | T-906.908.895-5 | |
| 4-38 | 10.000 Tränen | Berge | — |
Identifier Graph
9783862275779 is a Universal Product Code (UPC) assigned to Tonart Sekundarstufe II, Band 1 (Ausgabe 2023) by [unknown]. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 136 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Times They Are a Changing | Bob Dylan | T-070.250.142-5 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Tonart Sekundarstufe II, Band 1 (Ausgabe 2023)” by [unknown] is 9783862275779. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-01-01. This release contains 136 tracks, each with its own ISRC. Tracks include USAT52102401, USAT52102419, USAT52102424.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Früh morgens zwischen vier und fünfen, Playback | — | ||
| 2 | Va, pensiero, Nabucco | — | ||
| 3 | Nocturno, Ein Sommernachtstraum | — | ||
| 4 | 4. Bagatelle für Streichquartett | — | ||
| 5 | Olympische Hymne für gemischten Chor und großes Orchester, Opus 119 | — | ||
| 6 | Es geht alles vorüber, Lale Andersen | — | ||
| 7 | Es geht alles vorüber, Lucie Mannheim | — | ||
| 8 | 5. Sinfonie, Schluss | — | ||
| 9 | 12. Sinfonie in d-Moll, Opus 112, Thema 1 | — | ||
| 10 | 12. Sinfonie in d-Moll, Opus 112, Thema 2 | — | ||
| 11 | Brüder, zur Sonne, zur Freiheit | — | ||
| 12 | 12. Sinfonie in d-Moll, Opus 112, Takt 297 bis 301 | — | ||
| 13 | Die Partei | — | ||
| 14 | Irgendwo auf der Welt | — | ||
| 15 | A desalambrar | — | ||
| 16 | El pueblo unido jamas sera vencido | — | ||
| 17 | The People United Will Never Be Defeated! (36 Variations on a Chilean Song): Thema | Ursula Oppens | — | |
| 18 | The People United Will Never Be Defeated! (36 Variations on a Chilean Song): Variation 18 | Ursula Oppens | — | |
| 19 | The People United Will Never Be Defeated! (36 Variations on a Chilean Song): Variation 23 | Ursula Oppens | — | |
| 20 | Wann, Playback | — | ||
| 21 | Wann? | Rio Reiser | T-802.651.406-8 | |
| 23 | Wann, 2021 | — | ||
| 25 | all the good girls go to hell | Billie Eilish | T-928.032.823-6 | |
| 26 | All Good Girls Go to Hell, Playback | — | ||
| 27 | Hymne 1, Niederlande | — | ||
| 28 | Hymne 2, Italien | — | ||
| 29 | The Star Spangled Banner, Festakt | — | ||
| 30 | The Star Spangled Banner, Jimi Hendrix | — | ||
| 2-1 | Hungarian Rhapsodie Nr. 15, Rakoczi-Marsch | — | ||
| 2-2 | La Damnation de Faust: Première partie. Scène 3 | Richard Verreau, Orchestre Lamoureux, Igor Markevitch | — | |
| 2-3 | Autrefois un roi de Thule, La damnation de Faust | — | ||
| 2-4 | Traun, Bogen und Pfeil, Die schoene Magelone | — | ||
| 2-5 | Hochzeitsmarsch, Ein Sommernachtstraum | — | ||
| 2-6 | Ruepeltanz, Ein Sommernachtstraum | — | ||
| 2-7 | Melodram, Ein Sommernachtstraum | — | ||
| 2-8 | kperioum | — | ||
| 2-9 | Ursonate | — | ||
| 2-10 | Blowin in the Wind | — | ||
| 2-11 | The Times They Are A‐Changin’ | Bob Dylan | T-070.250.142-5 | |
| 2-12 | The Times They Are A-Changing, Playback | — | ||
| 2-13 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-14 | Requiem, K. 626: III. Sequenz: Dies irae | The New Siberian Singers, MusicAeterna, Teodor Currentzis | — | |
| 2-15 | Magnificat a 14, Gloria | — | ||
| 2-16 | Magnificat a 14, Magnificat, Schluss | — | ||
| 2-17 | Magnificat a 14, Gloria, Beginn | — | ||
| 2-18 | Missa Salisburgensis a 53, Gloria | — | ||
| 2-19 | Missa Salisburgensis a 53, Kyrie | — | ||
| 2-20 | Rheingold, Vorspiel | — | ||
| 2-21 | Environs - Hackbrettmusi - Szene am Bach - Credo | — | ||
| 2-22 | Non Disperar, Chi Sa | — | ||
| 2-23 | 4. Sinfonie, 4. Satz | — | ||
| 2-24 | Poeme Electronique | — | ||
| 2-25 | Mikrokosmos, Ungarisches Lied | — | ||
| 2-26 | Nuper rosarum flores, Abschnitt 1 und 2 | — | ||
| 2-27 | Nuper rosarum flores, Tenorstimme 1 | — | ||
| 2-28 | Nuper rosarum flores, Tenorstimme 2 | — | ||
| 2-29 | Nuper rosarum flores, Tenorstimme 3 | — | ||
| 2-30 | Nuper rosarum flores, Tenorstimme 4 | — | ||
| 2-31 | Nuper Rosarum Flores | Paul Van Nevel, Huelgas Ensemble | — | |
| 2-32 | Weet, ghy Maachden arm en rijck | — | ||
| 2-33 | Nigun | — | ||
| 3-1 | Promenade, Bilder einer Ausstellung | — | ||
| 3-2 | Gelaeut der Kirchenglocken, Das grosse Tor von Kiew, Bilder einer Ausstellung | — | ||
| 3-3 | Das grosse Tor von Kiew, Bilder einer Ausstellung, Urgestalt | — | ||
| 3-4 | Pictures at an Exhibition: X. La grande porte de Kiev | The Cleveland Orchestra, George Szell | T-061.792.492-1 | |
| 3-5 | Im Spiel der Wellen | — | ||
| 3-6 | Im Spiel der Wellen, NB 1 | — | ||
| 3-7 | Im Spiel der Wellen, NB 2 | — | ||
| 3-8 | Im Spiel der Wellen, NB 3 | — | ||
| 3-9 | Im Spiel der Wellen, NB 4 | — | ||
| 3-10 | Im Spiel der Wellen, Schluss | — | ||
| 3-11 | Die Toteninsel | — | ||
| 3-12 | Bacchanal | — | ||
| 3-13 | Der geigende Eremit | — | ||
| 3-14 | Akkorde | — | ||
| 3-15 | Album für die Jugend, op. 68, erste Abteilung: Volksliedchen | Florian Uhlig | — | |
| 3-16 | The Poem of Fire, Anfang | — | ||
| 3-17 | The Poem of Fire, Schluss | — | ||
| 3-18 | Der erste Schnee | — | ||
| 3-19 | Rugby, NB 1 | — | ||
| 3-20 | Rugby | — | ||
| 3-21 | Ballet-Fechtschule, NB 1 | — | ||
| 3-22 | Ballet-Fechtschule | — | ||
| 3-23 | Merengue-Rhythmus, Softwarebeispiel | — | ||
| 3-24 | Cumbia-Rhythmus, Softwarebeispiel | — | ||
| 3-25 | Reggaeton-Rhythmus | — | ||
| 3-26 | Zumbachoreografie, Softwarebeispiel | — | ||
| 3-27 | You ll Never Walk Alone, Playback | — | ||
| 3-28 | You ll Never Walk Alone, Carousel | — | ||
| 3-29 | You’ll Never Walk Alone | Gerry & the Pacemakers | T-010.519.159-0 | |
| 3-30 | Yellow Submarine | — | ||
| 3-31 | Zadok, the Priest, Anfang | — | ||
| 3-32 | Zadok, the Priest, Choreinsatz | — | ||
| 3-33 | UEFA Champions League Anthem | — | ||
| 3-34 | The Star Spangled Banner, Whitney Houston | — | ||
| 3-35 | Les Patineurs, Opus 183 | — | ||
| 3-36 | Nathan Chen, Olympiakuer | — | ||
| 3-37 | Nathan Chen, Olympiakuer, Salchow | — | ||
| 4-1 | Ouvertuere zum Fliegenden Hollaender wie sie eine schlechte Kurkapelle morgens um 7 am Brunnen vom Blatt spielt | — | ||
| 4-2 | Streichquartett Nr. 4, Fugato | — | ||
| 4-3 | III Versuchung des heiligen Antonius | — | ||
| 4-4 | I Engelkonzert, Satzanfang | — | ||
| 4-5 | II Grablegung, Satzanfang | — | ||
| 4-6 | III Versuchung des heiligen Antonius, Satzanfang | — | ||
| 4-7 | I Engelkonzert, Beginn | — | ||
| 4-8 | Engelkonzert, Thema 1 | — | ||
| 4-9 | Engelkonzert, Thema 2 | — | ||
| 4-10 | Engelkonzert, Thema 3 | — | ||
| 4-11 | Engelkonzert, Kontrapunkt der Themen | — | ||
| 4-12 | Engelkonzert, Ausschnitt | — | ||
| 4-13 | Engelkonzert, Beginn | — | ||
| 4-14 | 8. Sinfonie, 2. Satz | — | ||
| 4-15 | Trawt allerliebstes frewlein czart | — | ||
| 4-16 | Silentium, Silentium | — | ||
| 4-17 | Da zu dir der Heiland kam, Playback | — | ||
| 4-18 | Da zu dir der Heiland kam, Die Meistersinger von Nuernberg | — | ||
| 4-19 | Ein jedes Meistersanges Bar, Die Meistersinger von Nuernberg | — | ||
| 4-20 | Morgenlich leuchtend in rosigem Schein, Die Meistersinger von Nuernberg | — | ||
| 4-21 | Den Tag seh ich erscheinen, Die Meistersinger von Nuernberg | — | ||
| 4-22 | Meistersinger-Motiv, Die Meistersinger von Nuernberg | — | ||
| 4-23 | Koenig-David-Motiv, Die Meistersinger von Nuernberg | — | ||
| 4-24 | Gemeinschaft-der-Meistersinger-Motiv, Die Meistersinger von Nuernberg | — | ||
| 4-25 | Lehrbuben-Motiv, Die Meistersinger von Nuernberg | — | ||
| 4-26 | Die Meistersinger von Nürnberg: Prelude, Act I | Chicago Symphony Orchestra, Sir Georg Solti | T-050.071.427-1 | |
| 4-27 | O Taeler weit, Opus 59/3 | — | ||
| 4-28 | L’Enfant et les sortilèges: Musique d’insectes, de rainettes, etc. | Orchestre national de la Radio-télévision française, Lorin Maazel | T-003.009.022-2 | |
| 4-29 | L’Enfant et les sortilèges: "Ah ! Quelle joie de te retrouver, Jardin!" (L’Enfant, L’Arbre, Les Autres Arbres) | René Alix, Chœur de la Radio-télévision française, Maîtrise de la Radio-télévision française, Françoise Ogéas, Heinz Rehfuss, Orchestre national de la Radio-télévision française, Lorin Maazel | T-003.009.021-1 | |
| 4-30 | Lamento della ninfa, SV 163 | — | ||
| 4-31 | Oiseaux tristes, Miroirs | — | ||
| 4-32 | Nachtigall - Amsel - Gruenspecht - Buchfink | — | ||
| 4-33 | Le chant des oiseaux | — | ||
| 4-34 | Le merle noir | — | ||
| 4-35 | Blackbird | — | ||
| 4-36 | Earth Song | Michael Jackson | T-909.188.274-5 | |
| 4-37 | The Landscape Is Changing | Depeche Mode | T-906.908.895-5 | |
| 4-38 | 10.000 Tränen | Berge | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Times They Are a Changing | Bob Dylan | T-070.250.142-5 |
