UPC · Release
Joseph von Westphalen
Last verified:
The UPC for “Wie man mit Jazz die Herzen der Frauen gewinnt” by Joseph von Westphalen is 9783906547800. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1999-01-01. Label: Kein & Aber Records. This release contains 96 tracks, each with its own ISRC. Tracks include USSM12800057, USSM13600057, USMC15201027.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | West End Blues | Louis Armstrong and His Hot Five | T-070.280.775-7 | |
| 2 | Ubangi Man | — | ||
| 3 | Zulu Wail | — | ||
| 4 | The Head Hunter's Dream | — | ||
| 5 | You Bring Out the Savage in Me | — | ||
| 6 | Caravan | Barney Bigard and His Jazzopaters | T-072.208.071-8 | |
| 7 | La Conga Primitive Man | — | ||
| 8 | Pour Commencer | — | ||
| 9 | Find Me a Primitive Man | — | ||
| 10 | Tiger Moan | — | ||
| 11 | Klavierstück | — | ||
| 12 | Sweet Like a Honey Bee | — | ||
| 13 | Tickle Britches Blues | — | ||
| 14 | Why Don't You Do Right | — | ||
| 15 | The Trumpet's Prayer | — | ||
| 16 | Me and My Chauffeur Blues | Memphis Minnie | T-902.185.585-6 | |
| 17 | Yes, Yes | — | ||
| 18 | Kansas City Man Blues | Clarence Williams’ Blue Five | — | |
| 19 | Sensation Blues | — | ||
| 20 | El Ritmo | — | ||
| 21 | Si Soy Asi | — | ||
| 22 | My Man Rocks Me | — | ||
| 23 | That's a Plenty | — | ||
| 24 | Wabash Blues | — | ||
| 25 | Caravan | — | ||
| 2-1 | Lotus Blossom | — | ||
| 2-2 | Maelstrom | — | ||
| 2-3 | The Blues | — | ||
| 2-4 | Summertime | — | ||
| 2-5 | Black and Tan Fantasy | — | ||
| 2-6 | Marche Funebre | — | ||
| 2-7 | Your Feet's Too Big | — | ||
| 2-8 | Jesse | — | ||
| 2-9 | Funny Feathers Blues | — | ||
| 2-10 | Jazznocrazy | — | ||
| 2-11 | Linden Blues | — | ||
| 2-12 | Trouble, Trouble | — | ||
| 2-13 | 6 Moments Musicaux, op. 94, D. 780: Allegro moderato, F minor | Jenő Jandó | — | |
| 2-14 | My Man Rocks Me | — | ||
| 2-15 | Krum Elbow Blues | — | ||
| 2-16 | Comes Love | — | ||
| 2-17 | Blues Naughty Sweetie | — | ||
| 2-18 | After You've Gone | — | ||
| 2-19 | After You've Gone | — | ||
| 2-20 | St. James Infirmary | — | ||
| 2-21 | Agitata Infido Flatu | — | ||
| 2-22 | Some of These Days | — | ||
| 2-23 | Lover, Come Back to Me | — | ||
| 2-24 | Lover, Come Back to Me | — | ||
| 2-25 | September in the Rain | — | ||
| 3-1 | My Gal Is Gone | — | ||
| 3-2 | Love Me or Leave Me | — | ||
| 3-3 | Love Me or Leave Me | — | ||
| 3-4 | Evil Gal Blues | — | ||
| 3-5 | Stompin' at the Savoy | — | ||
| 3-6 | I Wish You Were Mine | — | ||
| 3-7 | The Man I Love | — | ||
| 3-8 | Travelin' All Alone | — | ||
| 3-9 | Evil Man's Blues | — | ||
| 3-10 | Sweet Sue | — | ||
| 3-11 | Dark Eyes | — | ||
| 3-12 | Dark Eyes | — | ||
| 3-13 | You Call It Madness, but I Call It Love | — | ||
| 3-14 | You Call It Madness, but I Call It Love | — | ||
| 3-15 | Stormy Weather | — | ||
| 3-16 | Tea for Two | — | ||
| 3-17 | Tea for Two | — | ||
| 3-18 | Empty Bed Blues | — | ||
| 3-19 | I Love My Man | — | ||
| 3-20 | Victory Stride | — | ||
| 3-21 | You're Gonna Miss Me | — | ||
| 3-22 | Rockin' at Ryans | — | ||
| 3-23 | Be-Bop | — | ||
| 3-24 | Telephoning the Blues | — | ||
| 3-25 | 'Nuff Said | — | ||
| 4-1 | Hart ist das Leben des Rechtsanwalts | — | ||
| 4-2 | Wenn der Pudding nicht schmeckt | — | ||
| 4-3 | Die Wonnen des Zitterorgasmus | — | ||
| 4-4 | Deutsch für Fortgeschrittene | — | ||
| 4-5 | Wohin essen gehen? | — | ||
| 4-6 | Liebe alla turca | — | ||
| 4-7 | Probleme der Untreue | — | ||
| 4-8 | Pinkeln und Tanken | — | ||
| 4-9 | Der Wahlabend | — | ||
| 4-10 | Das Wunder der heiligen Hostien | — | ||
| 4-11 | Die Frühstücksmoden | — | ||
| 4-12 | Wenn Männer allzu junge Frauen lieben: I. Neue Wörter für's Bett | — | ||
| 4-13 | Wenn Männer allzu junge Frauen lieben: II. Die Konditionsschwäche | — | ||
| 4-14 | Wenn Männer allzu junge Frauen lieben: III. Na endlich! | — | ||
| 4-15 | Die segensreichen Unterhosen | — | ||
| 4-16 | Der Sieg des guten Geschmacks | — | ||
| 4-17 | Die Nachteile der Kondome. Eine Aufforderung an die Industrie | — | ||
| 4-18 | Meine Ruh ist hin oder Das Elend der Gesangsausbildung | — | ||
| 4-19 | Die Nacht von Palermo. Robertas schwarze Augen. Zwei Bettgeschichten | — | ||
| 4-20 | Die Freuden der Korruption oder Bebop macht Laune | — | ||
| 4-21 | Die Vorteile von Langstreckenflügen oder Kulturpessimismus macht froh | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
9783906547800 is a Universal Product Code (UPC) assigned to Wie man mit Jazz die Herzen der Frauen gewinnt by Joseph von Westphalen. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 96 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Wie man mit Jazz die Herzen der Frauen gewinnt” by Joseph von Westphalen is 9783906547800. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1999-01-01. Label: Kein & Aber Records. This release contains 96 tracks, each with its own ISRC. Tracks include USSM12800057, USSM13600057, USMC15201027.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | West End Blues | Louis Armstrong and His Hot Five | T-070.280.775-7 | |
| 2 | Ubangi Man | — | ||
| 3 | Zulu Wail | — | ||
| 4 | The Head Hunter's Dream | — | ||
| 5 | You Bring Out the Savage in Me | — | ||
| 6 | Caravan | Barney Bigard and His Jazzopaters | T-072.208.071-8 | |
| 7 | La Conga Primitive Man | — | ||
| 8 | Pour Commencer | — | ||
| 9 | Find Me a Primitive Man | — | ||
| 10 | Tiger Moan | — | ||
| 11 | Klavierstück | — | ||
| 12 | Sweet Like a Honey Bee | — | ||
| 13 | Tickle Britches Blues | — | ||
| 14 | Why Don't You Do Right | — | ||
| 15 | The Trumpet's Prayer | — | ||
| 16 | Me and My Chauffeur Blues | Memphis Minnie | T-902.185.585-6 | |
| 17 | Yes, Yes | — | ||
| 18 | Kansas City Man Blues | Clarence Williams’ Blue Five | — | |
| 19 | Sensation Blues | — | ||
| 20 | El Ritmo | — | ||
| 21 | Si Soy Asi | — | ||
| 22 | My Man Rocks Me | — | ||
| 23 | That's a Plenty | — | ||
| 24 | Wabash Blues | — | ||
| 25 | Caravan | — | ||
| 2-1 | Lotus Blossom | — | ||
| 2-2 | Maelstrom | — | ||
| 2-3 | The Blues | — | ||
| 2-4 | Summertime | — | ||
| 2-5 | Black and Tan Fantasy | — | ||
| 2-6 | Marche Funebre | — | ||
| 2-7 | Your Feet's Too Big | — | ||
| 2-8 | Jesse | — | ||
| 2-9 | Funny Feathers Blues | — | ||
| 2-10 | Jazznocrazy | — | ||
| 2-11 | Linden Blues | — | ||
| 2-12 | Trouble, Trouble | — | ||
| 2-13 | 6 Moments Musicaux, op. 94, D. 780: Allegro moderato, F minor | Jenő Jandó | — | |
| 2-14 | My Man Rocks Me | — | ||
| 2-15 | Krum Elbow Blues | — | ||
| 2-16 | Comes Love | — | ||
| 2-17 | Blues Naughty Sweetie | — | ||
| 2-18 | After You've Gone | — | ||
| 2-19 | After You've Gone | — | ||
| 2-20 | St. James Infirmary | — | ||
| 2-21 | Agitata Infido Flatu | — | ||
| 2-22 | Some of These Days | — | ||
| 2-23 | Lover, Come Back to Me | — | ||
| 2-24 | Lover, Come Back to Me | — | ||
| 2-25 | September in the Rain | — | ||
| 3-1 | My Gal Is Gone | — | ||
| 3-2 | Love Me or Leave Me | — | ||
| 3-3 | Love Me or Leave Me | — | ||
| 3-4 | Evil Gal Blues | — | ||
| 3-5 | Stompin' at the Savoy | — | ||
| 3-6 | I Wish You Were Mine | — | ||
| 3-7 | The Man I Love | — | ||
| 3-8 | Travelin' All Alone | — | ||
| 3-9 | Evil Man's Blues | — | ||
| 3-10 | Sweet Sue | — | ||
| 3-11 | Dark Eyes | — | ||
| 3-12 | Dark Eyes | — | ||
| 3-13 | You Call It Madness, but I Call It Love | — | ||
| 3-14 | You Call It Madness, but I Call It Love | — | ||
| 3-15 | Stormy Weather | — | ||
| 3-16 | Tea for Two | — | ||
| 3-17 | Tea for Two | — | ||
| 3-18 | Empty Bed Blues | — | ||
| 3-19 | I Love My Man | — | ||
| 3-20 | Victory Stride | — | ||
| 3-21 | You're Gonna Miss Me | — | ||
| 3-22 | Rockin' at Ryans | — | ||
| 3-23 | Be-Bop | — | ||
| 3-24 | Telephoning the Blues | — | ||
| 3-25 | 'Nuff Said | — | ||
| 4-1 | Hart ist das Leben des Rechtsanwalts | — | ||
| 4-2 | Wenn der Pudding nicht schmeckt | — | ||
| 4-3 | Die Wonnen des Zitterorgasmus | — | ||
| 4-4 | Deutsch für Fortgeschrittene | — | ||
| 4-5 | Wohin essen gehen? | — | ||
| 4-6 | Liebe alla turca | — | ||
| 4-7 | Probleme der Untreue | — | ||
| 4-8 | Pinkeln und Tanken | — | ||
| 4-9 | Der Wahlabend | — | ||
| 4-10 | Das Wunder der heiligen Hostien | — | ||
| 4-11 | Die Frühstücksmoden | — | ||
| 4-12 | Wenn Männer allzu junge Frauen lieben: I. Neue Wörter für's Bett | — | ||
| 4-13 | Wenn Männer allzu junge Frauen lieben: II. Die Konditionsschwäche | — | ||
| 4-14 | Wenn Männer allzu junge Frauen lieben: III. Na endlich! | — | ||
| 4-15 | Die segensreichen Unterhosen | — | ||
| 4-16 | Der Sieg des guten Geschmacks | — | ||
| 4-17 | Die Nachteile der Kondome. Eine Aufforderung an die Industrie | — | ||
| 4-18 | Meine Ruh ist hin oder Das Elend der Gesangsausbildung | — | ||
| 4-19 | Die Nacht von Palermo. Robertas schwarze Augen. Zwei Bettgeschichten | — | ||
| 4-20 | Die Freuden der Korruption oder Bebop macht Laune | — | ||
| 4-21 | Die Vorteile von Langstreckenflügen oder Kulturpessimismus macht froh | — |
