UPC · Album
Wie man mit Jazz die Herzen der Frauen gewinnt
Joseph von Westphalen
9783906547800
96 tracksReleased 1999-01-01Kein & Aber Records
Last verified:
9783906547800 is the Universal Product Code (UPC barcode) for the release “Wie man mit Jazz die Herzen der Frauen gewinnt” by Joseph von Westphalen, released 1999-01-01 on Kein & Aber Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 96 tracks, each with its own ISRC. Tracks include USSM12800057, USSM13600057, USMC15201027.
Format
978GS1 prefix
3906Company prefix
54780Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCWie man mit Jazz die Herzen der Frauen gewinnt
ISRC5 recordings
ISWC22 works
IPI41 songwriters
Track List (96)
| # | Track Title | Artist(s) | ISRC |
|---|---|---|---|
| 1 | West End Blues | Louis Armstrong and His Hot Five | USSM12800057 |
| 2 | Ubangi Man | — | |
| 3 | Zulu Wail | — | |
| 4 | The Head Hunter's Dream | — | |
| 5 | You Bring Out the Savage in Me | — | |
| 6 | Caravan | Barney Bigard and His Jazzopaters | USSM13600057 |
| 7 | La Conga Primitive Man | — | |
| 8 | Pour Commencer | — | |
| 9 | Find Me a Primitive Man | — | |
| 10 | Tiger Moan | — | |
| 11 | Klavierstück | — | |
| 12 | Sweet Like a Honey Bee | — | |
| 13 | Tickle Britches Blues | — | |
| 14 | Why Don't You Do Right | — | |
| 15 | The Trumpet's Prayer | — | |
| 16 | Me and My Chauffeur Blues | Memphis Minnie | USMC15201027 |
| 17 | Yes, Yes | — | |
| 18 | Kansas City Man Blues | Clarence Williams’ Blue Five | DEU240800482 |
| 19 | Sensation Blues | — | |
| 20 | El Ritmo | — | |
| 21 | Si Soy Asi | — | |
| 22 | My Man Rocks Me | — | |
| 23 | That's a Plenty | — | |
| 24 | Wabash Blues | — | |
| 25 | Caravan | — | |
| 2-1 | Lotus Blossom | — | |
| 2-2 | Maelstrom | — | |
| 2-3 | The Blues | — | |
| 2-4 | Summertime | — | |
| 2-5 | Black and Tan Fantasy | — | |
| 2-6 | Marche Funebre | — | |
| 2-7 | Your Feet's Too Big | — | |
| 2-8 | Jesse | — | |
| 2-9 | Funny Feathers Blues | — | |
| 2-10 | Jazznocrazy | — | |
| 2-11 | Linden Blues | — | |
| 2-12 | Trouble, Trouble | — | |
| 2-13 | 6 Moments Musicaux, op. 94, D. 780: Allegro moderato, F minor | Jenő Jandó | HKI199300803 |
| 2-14 | My Man Rocks Me | — | |
| 2-15 | Krum Elbow Blues | — | |
| 2-16 | Comes Love | — | |
| 2-17 | Blues Naughty Sweetie | — | |
| 2-18 | After You've Gone | — | |
| 2-19 | After You've Gone | — | |
| 2-20 | St. James Infirmary | — | |
| 2-21 | Agitata Infido Flatu | — | |
| 2-22 | Some of These Days | — | |
| 2-23 | Lover, Come Back to Me | — | |
| 2-24 | Lover, Come Back to Me | — | |
| 2-25 | September in the Rain | — | |
| 3-1 | My Gal Is Gone | — | |
| 3-2 | Love Me or Leave Me | — | |
| 3-3 | Love Me or Leave Me | — | |
| 3-4 | Evil Gal Blues | — | |
| 3-5 | Stompin' at the Savoy | — | |
| 3-6 | I Wish You Were Mine | — | |
| 3-7 | The Man I Love | — | |
| 3-8 | Travelin' All Alone | — | |
| 3-9 | Evil Man's Blues | — | |
| 3-10 | Sweet Sue | — | |
| 3-11 | Dark Eyes | — | |
| 3-12 | Dark Eyes | — | |
| 3-13 | You Call It Madness, but I Call It Love | — | |
| 3-14 | You Call It Madness, but I Call It Love | — | |
| 3-15 | Stormy Weather | — | |
| 3-16 | Tea for Two | — | |
| 3-17 | Tea for Two | — | |
| 3-18 | Empty Bed Blues | — | |
| 3-19 | I Love My Man | — | |
| 3-20 | Victory Stride | — | |
| 3-21 | You're Gonna Miss Me | — | |
| 3-22 | Rockin' at Ryans | — | |
| 3-23 | Be-Bop | — | |
| 3-24 | Telephoning the Blues | — | |
| 3-25 | 'Nuff Said | — | |
| 4-1 | Hart ist das Leben des Rechtsanwalts | — | |
| 4-2 | Wenn der Pudding nicht schmeckt | — | |
| 4-3 | Die Wonnen des Zitterorgasmus | — | |
| 4-4 | Deutsch für Fortgeschrittene | — | |
| 4-5 | Wohin essen gehen? | — | |
| 4-6 | Liebe alla turca | — | |
| 4-7 | Probleme der Untreue | — | |
| 4-8 | Pinkeln und Tanken | — | |
| 4-9 | Der Wahlabend | — | |
| 4-10 | Das Wunder der heiligen Hostien | — | |
| 4-11 | Die Frühstücksmoden | — | |
| 4-12 | Wenn Männer allzu junge Frauen lieben: I. Neue Wörter für's Bett | — | |
| 4-13 | Wenn Männer allzu junge Frauen lieben: II. Die Konditionsschwäche | — | |
| 4-14 | Wenn Männer allzu junge Frauen lieben: III. Na endlich! | — | |
| 4-15 | Die segensreichen Unterhosen | — | |
| 4-16 | Der Sieg des guten Geschmacks | — | |
| 4-17 | Die Nachteile der Kondome. Eine Aufforderung an die Industrie | — | |
| 4-18 | Meine Ruh ist hin oder Das Elend der Gesangsausbildung | — | |
| 4-19 | Die Nacht von Palermo. Robertas schwarze Augen. Zwei Bettgeschichten | — | |
| 4-20 | Die Freuden der Korruption oder Bebop macht Laune | — | |
| 4-21 | Die Vorteile von Langstreckenflügen oder Kulturpessimismus macht froh | — |
Louis Armstrong and His Hot Five
Ubangi Man
—
Zulu Wail
—
The Head Hunter's Dream
—
You Bring Out the Savage in Me
—
Barney Bigard and His Jazzopaters
La Conga Primitive Man
—
Pour Commencer
—
Find Me a Primitive Man
—
Tiger Moan
—
Klavierstück
—
Sweet Like a Honey Bee
—
Tickle Britches Blues
—
Why Don't You Do Right
—
The Trumpet's Prayer
—
Memphis Minnie
Yes, Yes
—
Kansas City Man Blues
Clarence Williams’ Blue Five
Sensation Blues
—
El Ritmo
—
Si Soy Asi
—
My Man Rocks Me
—
That's a Plenty
—
Wabash Blues
—
Caravan
—
Lotus Blossom
—
Maelstrom
—
The Blues
—
Summertime
—
Black and Tan Fantasy
—
Marche Funebre
—
Your Feet's Too Big
—
Jesse
—
Funny Feathers Blues
—
Jazznocrazy
—
Linden Blues
—
Trouble, Trouble
—
6 Moments Musicaux, op. 94, D. 780: Allegro moderato, F minor
Jenő Jandó
My Man Rocks Me
—
Krum Elbow Blues
—
Comes Love
—
Blues Naughty Sweetie
—
After You've Gone
—
After You've Gone
—
St. James Infirmary
—
Agitata Infido Flatu
—
Some of These Days
—
Lover, Come Back to Me
—
Lover, Come Back to Me
—
September in the Rain
—
My Gal Is Gone
—
Love Me or Leave Me
—
Love Me or Leave Me
—
Evil Gal Blues
—
Stompin' at the Savoy
—
I Wish You Were Mine
—
The Man I Love
—
Travelin' All Alone
—
Evil Man's Blues
—
Sweet Sue
—
Dark Eyes
—
Dark Eyes
—
You Call It Madness, but I Call It Love
—
You Call It Madness, but I Call It Love
—
Stormy Weather
—
Tea for Two
—
Tea for Two
—
Empty Bed Blues
—
I Love My Man
—
Victory Stride
—
You're Gonna Miss Me
—
Rockin' at Ryans
—
Be-Bop
—
Telephoning the Blues
—
'Nuff Said
—
Hart ist das Leben des Rechtsanwalts
—
Wenn der Pudding nicht schmeckt
—
Die Wonnen des Zitterorgasmus
—
Deutsch für Fortgeschrittene
—
Wohin essen gehen?
—
Liebe alla turca
—
Probleme der Untreue
—
Pinkeln und Tanken
—
Der Wahlabend
—
Das Wunder der heiligen Hostien
—
Die Frühstücksmoden
—
Wenn Männer allzu junge Frauen lieben: I. Neue Wörter für's Bett
—
Wenn Männer allzu junge Frauen lieben: II. Die Konditionsschwäche
—
Wenn Männer allzu junge Frauen lieben: III. Na endlich!
—
Die segensreichen Unterhosen
—
Der Sieg des guten Geschmacks
—
Die Nachteile der Kondome. Eine Aufforderung an die Industrie
—
Meine Ruh ist hin oder Das Elend der Gesangsausbildung
—
Die Nacht von Palermo. Robertas schwarze Augen. Zwei Bettgeschichten
—
Die Freuden der Korruption oder Bebop macht Laune
—
Die Vorteile von Langstreckenflügen oder Kulturpessimismus macht froh
—
Additional database matches (1)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Me and My Chauffeur Blues | Memphis Minnie | USSM14100084 |
Memphis Minnie
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
00001334546000060982010000648598100011379214000118918940001233691900013615713000138126140001421054600014281809
+31 more
00015070918000154158090001541631600015416708000154912010001763718800021507427000217062240002567377700028499351000290136080002963816600032204634000324451150003253920000032927487000329685660003296876200054603594000571113060006523419400074242391001298927300022465238600345422968004408556550044085575300440855851005504422810068626869301087899975
Creative Contributors (ISNI)
00000000455675380000000055130495000000005513935000000000551420900000000055143632000000005514423X0000000055542625000000005803173200000000593718430000000059511439
+40 more
00000000735761750000000073591148000000007364220800000000783908120000000079750402000000007975306400000000797785280000000079910007000000008034969100000000808699290000000080969268000000008101480X0000000081138220000000008125582200000000813330850000000081477599000000008149072600000000816196650000000081695289000000008376302X00000000839302540000000083930297000000010801550400000001081609040000000108854711000000010918152000000001101980710000000110215599000000011476748900000001148989720000000115718224000000011627988400000001193906090000000121299169000000012134054700000001213670880000000121385649000000012149372X00000001231979590000000368370676
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What is UPC 9783906547800?
9783906547800 is a Universal Product Code (UPC) assigned to Wie man mit Jazz die Herzen der Frauen gewinnt by Joseph von Westphalen. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 96 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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