UPC · Release
Complete Takemitsu Edition 5: Popular Songs / Tape‐Music / Music for the Theater, Radio and TV / Addenda
武満徹, Various Artists
Last verified:
9784096131053 is the Universal Product Code (UPC barcode) for the release “Complete Takemitsu Edition 5: Popular Songs / Tape‐Music / Music for the Theater, Radio and TV / Addenda” by 武満徹, Various Artists, released 2004-01-01 on Shogakukan. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 410 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (410)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sayonara | — | ||
| 2 | Chiisana Heya de / In a Small Room | — | ||
| 3 | Utai dake / I Just Sing | — | ||
| 4 | Koi no Kakurembo / The Game of Love | — | ||
| 5 | Maru to Sankaku no Uta / A Song of Circles and Triangles | — | ||
| 6 | Chiisana Sora / Small Sky | — | ||
| 7 | Subarashii Akujo / A Marvelous Kid | — | ||
| 8 | Yuki / La Neige | — | ||
| 9 | Mienai Kodomo / Unseen Child | — | ||
| 10 | Shinda Otoko no Nokoshita Mono wa / All That the Man Left Behind When He Died | — | ||
| 11 | Sangatsu no Uta / In the Month of March | — | ||
| 12 | Waltz | — | ||
| 13 | Meguriai / The Encounter | — | ||
| 14 | Moeru Aki / Glowing Autumn | — | ||
| 15 | Tsubasa / Wings | — | ||
| 16 | Shima e / To the Island | — | ||
| 17 | Ashita wa Hare kana, Kumori kana / Will Tomorrow, I Wonder, Be Cloudy or Clear? | — | ||
| 18 | Potsunen / All Alone | — | ||
| 19 | Kino no Shimi / Yesterday’s Spot | — | ||
| 20 | MI‐YO‐TA | — | ||
| 2-1 | Static Relief | — | ||
| 2-2 | Vocalism A‐I | — | ||
| 2-3 | Ki‐Sora‐Tori | — | ||
| 2-4 | Clap Vocalism | — | ||
| 2-5 | La Mort de Eurydice | — | ||
| 2-6 | Sky, Horse and Death | — | ||
| 2-7 | Quiet Design | — | ||
| 2-8 | Water Music | — | ||
| 2-9 | Toward | — | ||
| 3-1 | Wavelength | — | ||
| 3-2 | A Minneapolis Garden | — | ||
| 3-3 | The Sea is Still | — | ||
| 4-1 | Summer and Smoke, Part I | — | ||
| 4-2 | Summer and Smoke, Part II | — | ||
| 4-3 | Summer and Smoke, Part III | — | ||
| 4-4 | Summer and Smoke, Part IV | — | ||
| 4-5 | Summer and Smoke, Part V | — | ||
| 4-6 | La Sauvage, Part I | — | ||
| 4-7 | La Sauvage, Part II | — | ||
| 4-8 | La Sauvage, Part III | — | ||
| 4-9 | La Sauvage, Part IV | — | ||
| 4-10 | La Sauvage, Part V | — | ||
| 4-11 | La Sauvage, Part VI | — | ||
| 4-12 | La Sauvage, Part VII | — | ||
| 4-13 | Amphitryon 38, Part I | — | ||
| 4-14 | Amphitryon 38, Part II | — | ||
| 4-15 | Amphitryon 38, Part III | — | ||
| 4-16 | Amphitryon 38, Part IV | — | ||
| 4-17 | Amphitryon 38, Part V | — | ||
| 4-18 | Semushi no Seijo | — | ||
| 4-19 | La Guerre de Troie n’aura pas lieu, Part I | — | ||
| 4-20 | La Guerre de Troie n’aura pas lieu, Part II | — | ||
| 4-21 | La Guerre de Troie n’aura pas lieu, Part III | — | ||
| 4-22 | La Guerre de Troie n’aura pas lieu, Part IV | — | ||
| 4-23 | La Guerre de Troie n’aura pas lieu, Part V | — | ||
| 4-24 | La Guerre de Troie n’aura pas lieu, Part VI | — | ||
| 4-25 | La Guerre de Troie n’aura pas lieu, Part VII | — | ||
| 4-26 | Kokusenya, Part I | — | ||
| 4-27 | Kokusenya, Part II | — | ||
| 4-28 | Kokusenya, Part III | — | ||
| 4-29 | Kokusenya, Part IV | — | ||
| 4-30 | Kokusenya, Part V | — | ||
| 4-31 | Kokusenya, Part VI | — | ||
| 4-32 | Kokusenya, Part VII | — | ||
| 4-33 | Kokusenya, Part VIII | — | ||
| 4-34 | Kokusenya, Part IX | — | ||
| 4-35 | Kokusenya, Part X | — | ||
| 4-36 | Kokusenya, Part XI | — | ||
| 4-37 | La Corsaire, Part I | — | ||
| 4-38 | La Corsaire, Part II | — | ||
| 4-39 | La Corsaire, Part III | — | ||
| 4-40 | La Corsaire, Part IV | — | ||
| 4-41 | La Corsaire, Part V | — | ||
| 4-42 | La Corsaire, Part VI | — | ||
| 4-43 | La Corsaire, Part VII | — | ||
| 4-44 | La Corsaire, Part VIII | — | ||
| 4-45 | La Reine Morte, Part I | — | ||
| 4-46 | La Reine Morte, Part II | — | ||
| 4-47 | La Reine Morte, Part III | — | ||
| 4-48 | Ookami Ikiro Buta wa Shine, Part I | — | ||
| 4-49 | Ookami Ikiro Buta wa Shine, Part II | — | ||
| 4-50 | Ookami Ikiro Buta wa Shine, Part III | — | ||
| 4-51 | Ookami Ikiro Buta wa Shine, Part IV | — | ||
| 4-52 | Ookami Ikiro Buta wa Shine, Part V | — | ||
| 4-53 | Ookami Ikiro Buta wa Shine, Part VI | — | ||
| 4-54 | Ookami Ikiro Buta wa Shine, Part VII | — | ||
| 4-55 | Ookami Ikiro Buta wa Shine, Part VIII | — | ||
| 4-56 | Ookami Ikiro Buta wa Shine, Part IX | — | ||
| 4-57 | Oshibai wa Oshimai | — | ||
| 5-1 | Kuro no Higeki, Part I | — | ||
| 5-2 | Kuro no Higeki, Part II | — | ||
| 5-3 | Kuro no Higeki, Part III | — | ||
| 5-4 | Kuro no Higeki, Part IV | — | ||
| 5-5 | Kuro no Higeki, Part V | — | ||
| 5-6 | Ichinotani Monogatari, Part I | — | ||
| 5-7 | Ichinotani Monogatari, Part II | — | ||
| 5-8 | Bratʹya Karamazovï, Part I | — | ||
| 5-9 | Bratʹya Karamazovï, Part II | — | ||
| 5-10 | Bratʹya Karamazovï, Part III | — | ||
| 5-11 | Bratʹya Karamazovï, Part IV | — | ||
| 5-12 | Bratʹya Karamazovï, Part V | — | ||
| 5-13 | Shukuten Kigeki Poseidon Kamensai, Part I | — | ||
| 5-14 | Shukuten Kigeki Poseidon Kamensai, Part II | — | ||
| 5-15 | Shukuten Kigeki Poseidon Kamensai, Part III | — | ||
| 5-16 | Shukuten Kigeki Poseidon Kamensai, Part IV | — | ||
| 5-17 | Shukuten Kigeki Poseidon Kamensai, Part V | — | ||
| 5-18 | Shukuten Kigeki Poseidon Kamensai, Part VI | — | ||
| 5-19 | Cyrano de Bergerac, Part I | — | ||
| 5-20 | Cyrano de Bergerac, Part II | — | ||
| 5-21 | Cyrano de Bergerac, Part III | — | ||
| 5-22 | Cyrano de Bergerac, Part IV | — | ||
| 5-23 | Cyrano de Bergerac, Part V | — | ||
| 5-24 | Cyrano de Bergerac, Part VI | — | ||
| 5-25 | Cyrano de Bergerac, Part VII | — | ||
| 5-26 | Cyrano de Bergerac, Part VIII | — | ||
| 5-27 | Cyrano de Bergerac, Part IX | — | ||
| 5-28 | Cyrano de Bergerac, Part X | — | ||
| 5-29 | Cyrano de Bergerac, Part XI | — | ||
| 5-30 | Cyrano de Bergerac, Part XII | — | ||
| 5-31 | Cyrano de Bergerac, Part XIII | — | ||
| 5-32 | Cyrano de Bergerac, Part XIV | — | ||
| 5-33 | Cyrano de Bergerac, Part XV | — | ||
| 5-34 | Shigosen no Matsuri, Part I | — | ||
| 5-35 | Shigosen no Matsuri, Part II | — | ||
| 5-36 | Shigosen no Matsuri, Part III | — | ||
| 5-37 | Shigosen no Matsuri, Part IV | — | ||
| 5-38 | Shigosen no Matsuri, Part V | — | ||
| 5-39 | Shigosen no Matsuri, Part VI | — | ||
| 5-40 | Shigosen no Matsuri, Part VII | — | ||
| 5-41 | Wings, Part I | — | ||
| 5-42 | Wings, Part II | — | ||
| 5-43 | Wings, Part III | — | ||
| 5-44 | Wings, Part IV | — | ||
| 5-45 | Wings, Part V | — | ||
| 5-46 | Wings, Part VI | — | ||
| 5-47 | Wings, Part VII | — | ||
| 5-48 | Wings, Part VIII | — | ||
| 6-1 | Oto no Shiki | — | ||
| 6-2 | Umi no Genso | — | ||
| 6-3 | Honoo | — | ||
| 6-4 | K no Shi I | — | ||
| 6-5 | K no Shi II | — | ||
| 6-6 | Aki no Cho | — | ||
| 6-7 | Otoko no Shi / Billy the Kid, Part I | — | ||
| 6-8 | Otoko no Shi / Billy the Kid, Part II | — | ||
| 6-9 | Otoko no Shi / Billy the Kid, Part III | — | ||
| 6-10 | Otoko no Shi / Billy the Kid, Part IV | — | ||
| 6-11 | Otoko no Shi / Billy the Kid, Part V | — | ||
| 6-12 | Otoko no Shi / Billy the Kid, Part VI | — | ||
| 6-13 | Otoko no Shi / Billy the Kid, Part VII | — | ||
| 6-14 | Otoko no Shi / Billy the Kid, Part VIII | — | ||
| 6-15 | Otoko no Shi / Billy the Kid, Part IX | — | ||
| 6-16 | Otoko no Shi / Billy the Kid, Part X | — | ||
| 6-17 | Otoko no Shi / Billy the Kid, Part XI | — | ||
| 6-18 | Otoko no Shi / Billy the Kid, Part XII | — | ||
| 6-19 | Otoko no Shi / Billy the Kid, Part XIII | — | ||
| 6-20 | Otoko no Shi / Billy the Kid, Part XIV | — | ||
| 6-21 | Otoko no Shi / Billy the Kid, Part XV | — | ||
| 6-22 | Otoko no Shi / Billy the Kid, Part XVI | — | ||
| 6-23 | Otoko no Shi / Billy the Kid, Part XVII | — | ||
| 6-24 | Otoko no Shi / Billy the Kid, Part XVIII | — | ||
| 6-25 | Kao, matawa Don Juan no Shi | — | ||
| 6-26 | Shinju Ten no Amijima | — | ||
| 7-1 | Position, Part I | — | ||
| 7-2 | Position, Part II | — | ||
| 7-3 | Position, Part III | — | ||
| 7-4 | Position, Part IV | — | ||
| 7-5 | Position, Part V | — | ||
| 7-6 | Position, Part VI | — | ||
| 7-7 | Shiroi Kyofu | — | ||
| 7-8 | Futen Rojin Nikki, Part I | — | ||
| 7-9 | Futen Rojin Nikki, Part II | — | ||
| 7-10 | Futen Rojin Nikki, Part III | — | ||
| 7-11 | Futen Rojin Nikki, Part IV | — | ||
| 7-12 | Futen Rojin Nikki, Part V | — | ||
| 7-13 | Futen Rojin Nikki, Part VI | — | ||
| 7-14 | Futen Rojin Nikki, Part VII | — | ||
| 7-15 | Champion | — | ||
| 7-16 | Tsunokunibito, Part I | — | ||
| 7-17 | Tsunokunibito, Part II | — | ||
| 7-18 | Katachi mo Naku Sabishi | — | ||
| 7-19 | Shanghai Geneiro, Part I | — | ||
| 7-20 | Shanghai Geneiro, Part II | — | ||
| 7-21 | Shanghai Geneiro, Part III | — | ||
| 7-22 | Shanghai Geneiro, Part IV | — | ||
| 7-23 | Shanghai Geneiro, Part V | — | ||
| 7-24 | Shanghai Geneiro, Part VI | — | ||
| 7-25 | Shanghai Geneiro, Part VII | — | ||
| 8-1 | Ienakiko | — | ||
| 8-2 | Azu no Aru Onna, Part I | — | ||
| 8-3 | Azu no Aru Onna, Part II | — | ||
| 8-4 | Mukkuri o Fuku Onna | — | ||
| 8-5 | Nippon no Monyo | — | ||
| 8-6 | Matsuri | — | ||
| 8-7 | Kumo ni Mukatte Tatsu | — | ||
| 8-8 | Shozuka no Baasan | — | ||
| 8-9 | Seishun no Hi | — | ||
| 8-10 | Mokugekisha | — | ||
| 8-11 | Aru Onna no Kage | — | ||
| 8-12 | Genji Monogatari / The Tale of Genji | — | ||
| 8-13 | Minamotono Yoshitsune | — | ||
| 8-14 | Kusunoki Masashige | — | ||
| 8-15 | Ashikaga Takauji | — | ||
| 8-16 | Anata wa… | — | ||
| 8-17 | Ken | — | ||
| 8-18 | Onshu no Kanata ni, Part I | — | ||
| 8-19 | Onshu no Kanata ni, Part II | — | ||
| 8-20 | Aku Ichidai | — | ||
| 8-21 | Tenno no Seiki | — | ||
| 8-22 | In Motion | — | ||
| 8-23 | Waga Ai | — | ||
| 9-1 | Watashi to lu Tanin, Part I | — | ||
| 9-2 | Watashi to lu Tanin, Part II | — | ||
| 9-3 | Mirai eno Isan / The Legend of the Future, Part I | — | ||
| 9-4 | Mirai eno Isan / The Legend of the Future, Part II | — | ||
| 9-5 | Mirai eno Isan / The Legend of the Future, Part III | — | ||
| 9-6 | Mirai eno Isan / The Legend of the Future, Part IV | — | ||
| 9-7 | Mirai eno Isan / The Legend of the Future, Part V | — | ||
| 9-8 | Mirai eno Isan / The Legend of the Future, Part VI | — | ||
| 9-9 | Mirai eno Isan / The Legend of the Future, Part VII | — | ||
| 9-10 | Mirai eno Isan / The Legend of the Future, Part VIII | — | ||
| 9-11 | Mirai eno Isan / The Legend of the Future, Part IX | — | ||
| 9-12 | Mirai eno Isan / The Legend of the Future, Part X | — | ||
| 9-13 | Mirai eno Isan / The Legend of the Future, Part XI | — | ||
| 9-14 | Mirai eno Isan / The Legend of the Future, Part XII | — | ||
| 9-15 | Mirai eno Isan / The Legend of the Future, Part XIII | — | ||
| 9-16 | Mirai eno Isan / The Legend of the Future, Part XIV | — | ||
| 9-17 | Mirai eno Isan / The Legend of the Future, Part XV | — | ||
| 9-18 | Mirai eno Isan / The Legend of the Future, Part XVI | — | ||
| 9-19 | Mirai eno Isan / The Legend of the Future, Part XVII | — | ||
| 9-20 | Mirai eno Isan / The Legend of the Future, Part XVIII | — | ||
| 9-21 | Mirai eno Isan / The Legend of the Future, Part XIX | — | ||
| 9-22 | Fuyu no Niji | — | ||
| 9-23 | Inochi mo Irazu Na mo Irazu; Saigo Takamori Den | — | ||
| 9-24 | Toono Monogatari o Yuku | — | ||
| 9-25 | Ohan | — | ||
| 10-1 | Le Musée du Louvre, Part I | — | ||
| 10-2 | Le Musée du Louvre, Part II | — | ||
| 10-3 | Le Musée du Louvre, Part III | — | ||
| 10-4 | Le Musée du Louvre, Part IV | — | ||
| 10-5 | Le Musée du Louvre, Part V | — | ||
| 10-6 | Le Musée du Louvre, Part VI | — | ||
| 10-7 | Le Musée du Louvre, Part VII | — | ||
| 10-8 | Le Musée du Louvre, Part VIII | — | ||
| 10-9 | Le Musée du Louvre, Part IX | — | ||
| 10-10 | Le Musée du Louvre, Part X | — | ||
| 10-11 | Le Musée du Louvre, Part XI | — | ||
| 10-12 | Le Musée du Louvre, Part XII | — | ||
| 10-13 | Le Musée du Louvre, Part XIII | — | ||
| 10-14 | Le Musée du Louvre, Part XIV | — | ||
| 10-15 | Le Musée du Louvre, Part XV | — | ||
| 10-16 | Le Musée du Louvre, Part XVI | — | ||
| 10-17 | Le Musée du Louvre, Part XVII | — | ||
| 10-18 | Le Musée du Louvre, Part XVIII | — | ||
| 10-19 | Ako Roshi, Part I | — | ||
| 10-20 | Ako Roshi, Part II | — | ||
| 10-21 | Ako Roshi, Part III | — | ||
| 10-22 | Ako Roshi, Part IV | — | ||
| 10-23 | Ako Roshi, Part V | — | ||
| 10-24 | Ako Roshi, Part VI | — | ||
| 10-25 | Ako Roshi, Part VII | — | ||
| 10-26 | Ketsyzoku | — | ||
| 10-27 | Yumechiyo Nikki, Part I | — | ||
| 10-28 | Yumechiyo Nikki, Part II | — | ||
| 10-29 | Yumechiyo Nikki, Part III | — | ||
| 10-30 | Yumechiyo Nikki, Part IV | — | ||
| 10-31 | Yumechiyo Nikki, Part V | — | ||
| 10-32 | Yumechiyo Nikki, Part VI | — | ||
| 10-33 | Yumechiyo Nikki, Part VII | — | ||
| 10-34 | Yumechiyo Nikki, Part VIII | — | ||
| 10-35 | Yumechiyo Nikki, Part IX | — | ||
| 10-36 | Yumechiyo Nikki, Part X | — | ||
| 10-37 | Yumechiyo Nikki, Part XI | — | ||
| 10-38 | Yumechiyo Nikki, Part XII | — | ||
| 10-39 | Yumechiyo Nikki, Part XIII | — | ||
| 10-40 | Yumechiyo Nikki, Part XIV | — | ||
| 10-41 | Yumechiyo Nikki, Part XV | — | ||
| 10-42 | Yumechiyo Nikki, Part XVI | — | ||
| 10-43 | Yumechiyo Nikki, Part XVII | — | ||
| 10-44 | Yumechiyo Nikki, Part XVIII | — | ||
| 11-1 | NHK Shimin Daigaku | — | ||
| 11-2 | Giovanni no Ginga 1983, Part I | — | ||
| 11-3 | Giovanni no Ginga 1983, Part II | — | ||
| 11-4 | Giovanni no Ginga 1983, Part III | — | ||
| 11-5 | Giovanni no Ginga 1983, Part IV | — | ||
| 11-6 | Giovanni no Ginga 1983, Part V | — | ||
| 11-7 | Giovanni no Ginga 1983, Part VI | — | ||
| 11-8 | Giovanni no Ginga 1983, Part VII | — | ||
| 11-9 | Giovanni no Ginga 1983, Part VIII | — | ||
| 11-10 | Giovanni no Ginga 1983, Part IX | — | ||
| 11-11 | Giovanni no Ginga 1983, Part X | — | ||
| 11-12 | Giovanni no Ginga 1983, Part XI | — | ||
| 11-13 | Giovanni no Ginga 1983, Part XII | — | ||
| 11-14 | Maa Eewaina | — | ||
| 11-15 | Hanasu Koto wa Nai, Part I | — | ||
| 11-16 | Hanasu Koto wa Nai, Part II | — | ||
| 11-17 | Nami no Bon, Part I | — | ||
| 11-18 | Nami no Bon, Part II | — | ||
| 11-19 | Nami no Bon, Part III | — | ||
| 11-20 | Nami no Bon, Part IV | — | ||
| 11-21 | Nami no Bon, Part V | — | ||
| 11-22 | Nami no Bon, Part VI | — | ||
| 11-23 | Nami no Bon, Part VII | — | ||
| 11-24 | Nami no Bon, Part VIII | — | ||
| 11-25 | Nami no Bon, Part IX | — | ||
| 11-26 | Nami no Bon, Part X | — | ||
| 11-27 | Nami no Bon, Part XI | — | ||
| 11-28 | Nami no Bon, Part XII | — | ||
| 11-29 | Nami no Bon, Part XIII | — | ||
| 11-30 | Nami no Bon, Part XIV | — | ||
| 11-31 | Nami no Bon, Part XV | — | ||
| 11-32 | 21 Seiki wa Keikokusuru | — | ||
| 11-33 | Osan no Koi | — | ||
| 11-34 | Tanizaki, sono Ai; Ware to lu Hito no Kokoro wa | — | ||
| 11-35 | Zen no Sekai | — | ||
| 11-36 | Kesa no Aki | — | ||
| 11-37 | Santoka, Part I | — | ||
| 11-38 | Santoka, Part II | — | ||
| 11-39 | Santoka, Part III | — | ||
| 11-40 | Maboroshi, Genji Monogatari Emaki, Part I | — | ||
| 11-41 | Maboroshi, Genji Monogatari Emaki, Part II | — | ||
| 11-42 | Maboroshi, Genji Monogatari Emaki, Part III | — | ||
| 11-43 | Maboroshi, Genji Monogatari Emaki, Part IV | — | ||
| 12-1 | The Sun’s Hunter I, Part I | — | ||
| 12-2 | The Sun’s Hunter I, Part II | — | ||
| 12-3 | The Sun’s Hunter I, Part III | — | ||
| 12-4 | The Sun’s Hunter I, Part IV | — | ||
| 12-5 | The Sun’s Hunter I, Part V | — | ||
| 12-6 | The Sun’s Hunter I, Part VI | — | ||
| 12-7 | Wonder World, Part I | — | ||
| 12-8 | Wonder World, Part II | — | ||
| 12-9 | Wonder World, Part III | — | ||
| 12-10 | Farm Song, Part I | — | ||
| 12-11 | Farm Song, Part II | — | ||
| 12-12 | Farm Song, Part III | — | ||
| 12-13 | Silk Road, Part I | — | ||
| 12-14 | Silk Road, Part II | — | ||
| 12-15 | Silk Road, Part III | — | ||
| 12-16 | Silk Road, Part IV | — | ||
| 12-17 | Silk Road, Part V | — | ||
| 12-18 | Silk Road, Part VI | — | ||
| 12-19 | Silk Road, Part VII | — | ||
| 12-20 | The Inland Sea, Part I | — | ||
| 12-21 | The Inland Sea, Part II | — | ||
| 12-22 | The Inland Sea, Part III | — | ||
| 12-23 | The Inland Sea, Part IV | — | ||
| 12-24 | The Inland Sea, Part V | — | ||
| 12-25 | The Inland Sea, Part VI | — | ||
| 12-26 | The Inland Sea, Part VII | — | ||
| 12-27 | The Inland Sea, Part VIII | — | ||
| 12-28 | The Inland Sea, Part IX | — | ||
| 12-29 | 100 Years of Japanese Cinema, Part I | — | ||
| 12-30 | 100 Years of Japanese Cinema, Part II | — | ||
| 12-31 | 100 Years of Japanese Cinema, Part III | — | ||
| 13-1 | NHK Background Music: I. Shizen Aki | — | ||
| 13-2 | NHK Background Music: II. Shizen Nami | — | ||
| 13-3 | NHK Background Music: III. Shizen Uchu Kukan | — | ||
| 13-4 | NHK Background Music: IV. Jocho Jojo | — | ||
| 13-5 | NHK Background Music: V. Gakujutsu Rekishi Iseki | — | ||
| 13-6 | NHK Background Music: VI. Shukyo Hotoke | — | ||
| 13-7 | NHK Background Music: VII. Nihonmono Noh | — | ||
| 13-8 | NHK Background Music: VIII. Nihonmono Bushido | — | ||
| 13-9 | NHK Background Music: IX. Nihonmono Hokuriku | — | ||
| 13-10 | NHK Background Music: X. Shizen Haru | — | ||
| 13-11 | NHK Background Music: XI. Shizen Shinya | — | ||
| 13-12 | NHK Background Music: XII. Jocho Kakki | — | ||
| 13-13 | NHK Background Music: XIII. Jocho Tsuioku | — | ||
| 13-14 | NHK Background Music: XIV. Jocho Mezame | — | ||
| 13-15 | NHK Background Music: XV. Sangyo Kensetsu | — | ||
| 13-16 | NHK Background Music: XVI. Nihonmono Chashitsu | — | ||
| 13-17 | NHK Background Music: XVII. Gaikoku Africa‐fu | — | ||
| 13-18 | NHK Background Music: XVIII. Kodomo Yoji | — | ||
| 14-1 | 2 Melodies | — | ||
| 14-2 | 2 Pieces for Piano, Part I | — | ||
| 14-3 | 2 Pieces for Piano, Part II | — | ||
| 14-4 | 2 Piano Works, Part I | — | ||
| 14-5 | 2 Piano Works, Part II | — | ||
| 14-6 | 2 Piano Works, Part III | — | ||
| 14-7 | Concerto de Chambre | — | ||
| 14-8 | Panampe no Omoigakenai Shori no Hanashi | — | ||
| 14-9 | Scene | — | ||
| 14-10 | Love Me | — | ||
| 14-11 | Awaremitamae | — | ||
| 14-12 | Be Sleep Baby! | — | ||
| 14-13 | 3 Tasu 3 to 3 Hiku 3 | — | ||
| 14-14 | Yugure ni | — | ||
| 14-15 | Les Feuilles Mortes | — | ||
| 14-16 | L.A., New York, Paris, Rome, Helsinki, Part I | — | ||
| 14-17 | L.A., New York, Paris, Rome, Helsinki, Part II | — | ||
| 14-18 | L.A., New York, Paris, Rome, Helsinki, Part III | — | ||
| 14-19 | L.A., New York, Paris, Rome, Helsinki, Part IV | — | ||
| 14-20 | L.A., New York, Paris, Rome, Helsinki, Part V | — | ||
| 14-21 | L.A., New York, Paris, Rome, Helsinki, Part VI | — | ||
| 14-22 | L.A., New York, Paris, Rome, Helsinki, Part VII | — | ||
| 14-23 | L.A., New York, Paris, Rome, Helsinki, Part VIII | — | ||
| 14-24 | L.A., New York, Paris, Rome, Helsinki, Part IX | — | ||
| 14-25 | L.A., New York, Paris, Rome, Helsinki, Part X | — | ||
| 14-26 | L.A., New York, Paris, Rome, Helsinki, Part XI | — | ||
| 14-27 | L.A., New York, Paris, Rome, Helsinki, Part XII | — | ||
| 14-28 | L.A., New York, Paris, Rome, Helsinki, Part XIII | — | ||
| 14-29 | L.A., New York, Paris, Rome, Helsinki, Part XIV | — | ||
| 14-30 | L.A., New York, Paris, Rome, Helsinki, Part XV | — | ||
| 14-31 | L.A., New York, Paris, Rome, Helsinki, Part XVI | — | ||
| 14-32 | L.A., New York, Paris, Rome, Helsinki, Part XVII | — | ||
| 14-33 | L.A., New York, Paris, Rome, Helsinki, Part XVIII | — | ||
| 14-34 | L.A., New York, Paris, Rome, Helsinki, Part XIX | — | ||
| 14-35 | L.A., New York, Paris, Rome, Helsinki, Part XX | — | ||
| 14-36 | L.A., New York, Paris, Rome, Helsinki, Part XXI | — | ||
| 14-37 | L.A., New York, Paris, Rome, Helsinki, Part XXII | — | ||
| 14-38 | L.A., New York, Paris, Rome, Helsinki, Part XXIII | — |
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What is UPC 9784096131053?
9784096131053 is a Universal Product Code (UPC) assigned to Complete Takemitsu Edition 5: Popular Songs / Tape‐Music / Music for the Theater, Radio and TV / Addenda by 武満徹, Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 410 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm