UPC · Release
100 for 100 Musical Decades of Freedom
Various Artists
9788322451298
157 tracksReleased 2018-01-01
Last verified:
9788322451298 is the Universal Product Code (UPC barcode) for the release “100 for 100 Musical Decades of Freedom” by Various Artists, released 2018-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 157 tracks, each with its own ISRC.
Format
978GS1 prefix
8322Company prefix
45129Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (157)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Songs of the Infatuated Muezzin, op. 42: Allah, Allah, Akbar... | — | ||
| 2 | Songs of the Infatuated Muezzin, op. 42: At Noon the City is White from the Heat... | — | ||
| 3 | Songs of the Infatuated Muezzin, op. 42: On the Hour when the City Sleeps... | — | ||
| 4 | Songs of the Infatuated Muezzin, op. 42: You Departed into Western Dessert... | — | ||
| 5 | Symphony no. 1 in A minor, op. 5: Allegro con fuoco | — | ||
| 6 | Symphony no. 1 in A minor, op. 5: Adagio | — | ||
| 7 | Symphony no. 1 in A minor, op. 5: Presto appasionato | — | ||
| 8 | Symphony no. 1 in A minor, op. 5: Fugue | — | ||
| 9 | Fantasmagories: Berceuse (Mâyâ chante) | — | ||
| 10 | Fantasmagories: Danse de Krichna | — | ||
| 11 | Fantasmagories: Priére a Ganêça | — | ||
| 12 | Fantasmagories: Les abeilles de Kâma | — | ||
| 13 | Fantasmagories: Invocation d'Agni | — | ||
| 2-1 | 7 Preludes: Prelude no. 1 | — | ||
| 2-2 | 7 Preludes: Prelude no. 2 | — | ||
| 2-3 | 7 Preludes: Prelude no. 3 | — | ||
| 2-4 | 7 Preludes: Prelude no. 4 | — | ||
| 2-5 | 7 Preludes: Prelude no. 5 | — | ||
| 2-6 | 7 Preludes: Prelude no. 6 | — | ||
| 2-7 | 7 Preludes: Prelude no. 7 | — | ||
| 2-8 | Świtezianka: Act 1 | — | ||
| 2-9 | Świtezianka: Act 2 | — | ||
| 2-10 | Sir Thaddeus: Return of the Young Master | — | ||
| 2-11 | Sir Thaddeus: Hunting the Hare with Hounds | — | ||
| 2-12 | Sir Thaddeus: Confession and Death of Friar Robak | — | ||
| 2-13 | Sir Thaddeus: The Concert of Concerts | — | ||
| 2-14 | Sir Thaddeus: The Last Old Polish Banquet | — | ||
| 3-1 | King Roger, op. 46: Act I: Holy!, Holy! | — | ||
| 3-2 | King Roger, op. 46: Act I: Lord, Be Gracious To Him! | — | ||
| 3-3 | King Roger, op. 46: Act I: What Do You Say? | — | ||
| 3-4 | King Roger, op. 46: Act I: Wretched Blasphemer! | — | ||
| 3-5 | King Roger, op. 46: Act I: My God Is Young And Handsome | — | ||
| 3-6 | King Roger, op. 46: Act I: His Smiling Face! | — | ||
| 3-7 | King Roger, op. 46: Act I: He Must Go, The Shepherd | — | ||
| 3-8 | King Roger, op. 46: Act II: [Orchestra] | — | ||
| 3-9 | King Roger, op. 46: Act II: How Pale The Stars Shine | — | ||
| 3-10 | King Roger, op. 46: Act II: Ah... Roxsana, Her Song! | — | ||
| 3-11 | King Roger, op. 46: Act II: A Shadow Passed There | — | ||
| 3-12 | King Roger, op. 46: Act II: See, I Have Come To You | — | ||
| 3-13 | King Roger, op. 46: Act II: Ah, Set Aside Anger And Wrath | — | ||
| 3-14 | King Roger, op. 46: Act II: With This Hand I Wake The Deep Secret | — | ||
| 3-15 | King Roger, op. 46: Act II: [Dance Of The Shepherd's Followers] | — | ||
| 3-16 | King Roger, op. 46: Act II: Ah, Ah, In Joyfull Dance | — | ||
| 3-17 | King Roger, op. 46: Act II: Who Would Bind Me | — | ||
| 3-18 | King Roger, op. 46: Act II: Hear… In The Silence Of The Night | — | ||
| 3-19 | King Roger, op. 46: Act III: [Orchestra] | — | ||
| 3-20 | King Roger, op. 46: Act III: Only Dead Stone Around | — | ||
| 3-21 | King Roger, op. 46: Act III: Roger! Roger! | — | ||
| 3-22 | King Roger, op. 46: Act III: To Judgement | — | ||
| 3-23 | King Roger, op. 46: Act III: Feed the Sacrificial Fire! | — | ||
| 3-24 | King Roger, op. 46: Act III: Edrisi, Day Dawns! | — | ||
| 3-25 | King Roger, op. 46: Act III: The Sun! The Sun! | — | ||
| 4-1 | Piano Concerto no. 1: Allegro moderato | — | ||
| 4-2 | Piano Concerto no. 1: Lento | — | ||
| 4-3 | Piano Concerto no. 1: Intermezzo scherzino | — | ||
| 4-4 | Piano Concerto no. 1: Allegro molto | — | ||
| 4-5 | Stabat Mater, op. 53: Mother, Bowed with Grief Appalling | — | ||
| 4-6 | Stabat Mater, op. 53: Is There Any, Tears Withholding | — | ||
| 4-7 | Stabat Mater, op. 53: Love's Sweet Fountain, Mother Tender | — | ||
| 4-8 | Stabat Mater, op. 53: In Thy Keeping, Watching, Weeping | — | ||
| 4-9 | Stabat Mater, op. 53: Maid Immaculate, Excelling | — | ||
| 4-10 | Stabat Mater, op. 53: May His Sacred Cross Defend Me | — | ||
| 4-11 | The Hop. Nuptial Dance for Symphony Orchestra | — | ||
| 5-1 | Kurpian Songs: Not My Garden | — | ||
| 5-2 | Kurpian Songs: Why | — | ||
| 5-3 | Kurpian Songs: Slow Dance (2.3) | — | ||
| 5-4 | Kurpian Songs: Kazachok from Kurpie | — | ||
| 5-5 | Kaziuki: Fair | — | ||
| 5-6 | Kaziuki: Waltz | — | ||
| 5-7 | Kaziuki: Dajna | — | ||
| 5-8 | Kaziuki: Fantastic March | — | ||
| 5-9 | Kaziuki: Rauda | — | ||
| 5-10 | Kaziuki: Belorussian Dance | — | ||
| 5-11 | A Little Highland Symphony "Pictures on Glass", op. 8: Young Shepards at Play | — | ||
| 5-12 | A Little Highland Symphony "Pictures on Glass", op. 8: In the Mountain Pasture | — | ||
| 5-13 | A Little Highland Symphony "Pictures on Glass", op. 8: The Bagpipes | — | ||
| 6-1 | Harnasie, op. 55: Tableau I: In the Mountain Pasture: Driving the Sheep - Karol Szymanowski | — | ||
| 6-2 | Harnasie, op. 55: Tableau I: In the Mountain Pasture: Mimic Scene (Courtship) | — | ||
| 6-3 | Harnasie, op. 55: Tableau I: In the Mountain Pasture: The Highland Robbers’ March | — | ||
| 6-4 | Harnasie, op. 55: Tableau I: In the Mountain Pasture: Mimic Scene (Band Leader and the Girl) | — | ||
| 6-5 | Harnasie, op. 55: Tableau I: In the Mountain Pasture: The Highland Robbers’ Dance | — | ||
| 6-6 | Harnasie, op. 55: Tableau II: In the Inn: The Wedding | — | ||
| 6-7 | Harnasie, op. 55: Tableau II: In the Inn: Capping the Bride | — | ||
| 6-8 | Harnasie, op. 55: Tableau II: In the Inn: Song of the Lads | — | ||
| 6-9 | Harnasie, op. 55: Tableau II: In the Inn: The Tatra Highlanders’ Dance | — | ||
| 6-10 | Harnasie, op. 55: Tableau II: In the Inn: Raid of The Highland Robbers’. Dance | — | ||
| 6-11 | Harnasie, op. 55: Tableau II: In the Inn: Epiloque | — | ||
| 6-12 | Piano Concerto, op. 13: Toccata | — | ||
| 6-13 | Piano Concerto, op. 13: Notturno | — | ||
| 6-14 | Piano Concerto, op. 13: Cracovienne | — | ||
| 7-1 | Organ Symphony no. 9 in F minor, op. 45: I. Toccata | — | ||
| 7-2 | Organ Symphony no. 9 in F minor, op. 45: II. Scherzo | — | ||
| 7-3 | Organ Symphony no. 9 in F minor, op. 45: III. Finale. Improvvisazione | — | ||
| 7-4 | Wedding in Upper Silesia: Scene 1: Betrothal: Grey Pigeon | — | ||
| 7-5 | Wedding in Upper Silesia: Scene 1: Betrothal: Straw Marzanna Bows to Mrs Teresa | — | ||
| 7-6 | Wedding in Upper Silesia: Scene 1: Betrothal: In Our Grove | — | ||
| 7-7 | Wedding in Upper Silesia: Scene 1: Betrothal: Spark and Fire | — | ||
| 7-8 | Wedding in Upper Silesia: Scene 1: Betrothal: The Sun is Setting | — | ||
| 7-9 | Wedding in Upper Silesia: Scene 1: Betrothal: None is a Surprise | — | ||
| 7-10 | Wedding in Upper Silesia: Scene 2: Taking the Bride: At Every Hour | — | ||
| 7-11 | Wedding in Upper Silesia: Scene 2: Taking the Bride: If You Don't Like Me | — | ||
| 7-12 | Wedding in Upper Silesia: Scene 2: Taking the Bride: I Wouldn't Have Thought | — | ||
| 7-13 | Wedding in Upper Silesia: Scene 2: Taking the Bride: Sit Down, My Dear | — | ||
| 7-14 | Wedding in Upper Silesia: Scene 2: Taking the Bride: We the Faithful Children of St Barbara | — | ||
| 7-15 | Wedding in Upper Silesia: Scene 2: Taking the Bride: Mum, We Are Leaving | — | ||
| 7-16 | Wedding in Upper Silesia: Scene 2: Taking the Bride: Come Out, It Is Time | — | ||
| 7-17 | Wedding in Upper Silesia: Scene 2: Taking the Bride: Caroline Went to Gogolin | — | ||
| 7-18 | Wedding in Upper Silesia: Scene 3: The Wedding: We are Coming from the Church, On the Green Bridge | — | ||
| 7-19 | Wedding in Upper Silesia: Scene 3: The Wedding: Our Dear Guests | — | ||
| 7-20 | Wedding in Upper Silesia: Scene 3: The Wedding: Highlanders Have Sown | — | ||
| 7-21 | Wedding in Upper Silesia: Scene 3: The Wedding: Good to be Young | — | ||
| 7-22 | Wedding in Upper Silesia: Scene 4: Capping the Bride: The Cane Struck the Threshold | — | ||
| 7-23 | Wedding in Upper Silesia: Scene 4: Capping the Bride: The Bride Collects for Her Cap | — | ||
| 7-24 | Wedding in Upper Silesia: Scene 4: Capping the Bride: She Did Not Want | — | ||
| 7-25 | Wedding in Upper Silesia: Scene 4: Capping the Bride: Now, My Dear Girl, Wear this Gold-Netted Cap | — | ||
| 7-26 | Wedding in Upper Silesia: Scene 4: Capping the Bride: Hop | — | ||
| 7-27 | Wedding in Upper Silesia: Scene 4: Capping the Bride: Sunday Was Yesterday | — | ||
| 7-28 | Wedding in Upper Silesia: Scene 4: Capping the Bride: Look, fathers | — | ||
| 7-29 | Wedding in Upper Silesia: Scene 4: Capping the Bride: The Girl Went | — | ||
| 7-30 | Wedding in Upper Silesia: Scene 4: Capping the Bride: Behind the Barn by the River | — | ||
| 7-31 | Wedding in Upper Silesia: Scene 4: Capping the Bride: What I Promised to You, Francis | — | ||
| 8-1 | Polish Suite: Molto moderato. Allegretto | — | ||
| 8-2 | Polish Suite: Andantino | — | ||
| 8-3 | Polish Suite: Allegro molto | — | ||
| 8-4 | Overture | — | ||
| 8-5 | Apollo and the Maiden: Tableau I. Moderato ma non troppo | — | ||
| 8-6 | Apollo and the Maiden: Tableau II. Allegro moderato | — | ||
| 8-7 | Apollo and the Maiden: Tableau III. Con passione | — | ||
| 8-8 | Apollo and the Maiden: Tableau IV. Moderato ma non troppo | — | ||
| 8-9 | Apollo and the Maiden: Tableau V. Allegro alla marcia | — | ||
| 8-10 | Apollo and the Maiden: Tableau VI. Allegro moderato | — | ||
| 9-1 | Cagliostro in Warsaw: Introduction - Tableau I. Allegro vivace | — | ||
| 9-2 | Cagliostro in Warsaw: Tableau II. Allegro ma non troppo. Scherzando | — | ||
| 9-3 | Cagliostro in Warsaw: Tableau III. Alla polacca | — | ||
| 9-4 | Stabat Mater | — | ||
| 9-5 | Concertino for Piano and Orchestra | — | ||
| 10-1 | Concertino for Clarinet and Orchestra: Allegro | — | ||
| 10-2 | Concertino for Clarinet and Orchestra: Andante | — | ||
| 10-4 | Tragic Overture | — | ||
| 10-5 | Polonaise symphonique, op. 52 | — | ||
| 10-6 | Quintet for Clarinet, Bassoon, Violin, Cello and Piano: Tema con variazioni | — | ||
| 10-7 | Quintet for Clarinet, Bassoon, Violin, Cello and Piano: Intermezzo romantico | — | ||
| 10-8 | Quintet for Clarinet, Bassoon, Violin, Cello and Piano: Rondo | — | ||
| 11-1 | Symphony no. 2 "Warsaw": Sinfonia | — | ||
| 11-2 | Symphony no. 2 "Warsaw": Scherzo | — | ||
| 11-3 | Symphony no. 2 "Warsaw": Fuga | — | ||
| 11-4 | Symphony no. 2 "Warsaw": Finale | — | ||
| 11-5 | Concertino for Oboe and String Orchestra: Allegro grazioso | — | ||
| 11-6 | Concertino for Oboe and String Orchestra: Lento | — | ||
| 11-7 | Concertino for Oboe and String Orchestra: Vivace assai | — | ||
| 11-8 | Lamento di Tristano | — | ||
| 12-1 | Symphony no. 2 "Olympic": Andante ma con moto - Allegro non troppo - Lento sostenuto - Tempo I | — | ||
| 12-2 | Symphony no. 2 "Olympic": Larghetto - Presto - Larghetto - Presto | — | ||
| 12-3 | Symphony no. 2 "Olympic": Allegro risoluto - Presto | — | ||
| 12-4 | Concerto for Chamber Orchestra: Allegro vivo | — | ||
| 12-5 | Concerto for Chamber Orchestra: Andante sostenuto | — | ||
| 12-6 | Concerto for Chamber Orchestra: Allegro vivace con grazia | — |
Songs of the Infatuated Muezzin, op. 42: Allah, Allah, Akbar...
—
Songs of the Infatuated Muezzin, op. 42: At Noon the City is White from the Heat...
—
Songs of the Infatuated Muezzin, op. 42: On the Hour when the City Sleeps...
—
Songs of the Infatuated Muezzin, op. 42: You Departed into Western Dessert...
—
Symphony no. 1 in A minor, op. 5: Allegro con fuoco
—
Symphony no. 1 in A minor, op. 5: Adagio
—
Symphony no. 1 in A minor, op. 5: Presto appasionato
—
Symphony no. 1 in A minor, op. 5: Fugue
—
Fantasmagories: Berceuse (Mâyâ chante)
—
Fantasmagories: Danse de Krichna
—
Fantasmagories: Priére a Ganêça
—
Fantasmagories: Les abeilles de Kâma
—
Fantasmagories: Invocation d'Agni
—
7 Preludes: Prelude no. 1
—
7 Preludes: Prelude no. 2
—
7 Preludes: Prelude no. 3
—
7 Preludes: Prelude no. 4
—
7 Preludes: Prelude no. 5
—
7 Preludes: Prelude no. 6
—
7 Preludes: Prelude no. 7
—
Świtezianka: Act 1
—
Świtezianka: Act 2
—
Sir Thaddeus: Return of the Young Master
—
Sir Thaddeus: Hunting the Hare with Hounds
—
Sir Thaddeus: Confession and Death of Friar Robak
—
Sir Thaddeus: The Concert of Concerts
—
Sir Thaddeus: The Last Old Polish Banquet
—
King Roger, op. 46: Act I: Holy!, Holy!
—
King Roger, op. 46: Act I: Lord, Be Gracious To Him!
—
King Roger, op. 46: Act I: What Do You Say?
—
King Roger, op. 46: Act I: Wretched Blasphemer!
—
King Roger, op. 46: Act I: My God Is Young And Handsome
—
King Roger, op. 46: Act I: His Smiling Face!
—
King Roger, op. 46: Act I: He Must Go, The Shepherd
—
King Roger, op. 46: Act II: [Orchestra]
—
King Roger, op. 46: Act II: How Pale The Stars Shine
—
King Roger, op. 46: Act II: Ah... Roxsana, Her Song!
—
King Roger, op. 46: Act II: A Shadow Passed There
—
King Roger, op. 46: Act II: See, I Have Come To You
—
King Roger, op. 46: Act II: Ah, Set Aside Anger And Wrath
—
King Roger, op. 46: Act II: With This Hand I Wake The Deep Secret
—
King Roger, op. 46: Act II: [Dance Of The Shepherd's Followers]
—
King Roger, op. 46: Act II: Ah, Ah, In Joyfull Dance
—
King Roger, op. 46: Act II: Who Would Bind Me
—
King Roger, op. 46: Act II: Hear… In The Silence Of The Night
—
King Roger, op. 46: Act III: [Orchestra]
—
King Roger, op. 46: Act III: Only Dead Stone Around
—
King Roger, op. 46: Act III: Roger! Roger!
—
King Roger, op. 46: Act III: To Judgement
—
King Roger, op. 46: Act III: Feed the Sacrificial Fire!
—
King Roger, op. 46: Act III: Edrisi, Day Dawns!
—
King Roger, op. 46: Act III: The Sun! The Sun!
—
Piano Concerto no. 1: Allegro moderato
—
Piano Concerto no. 1: Lento
—
Piano Concerto no. 1: Intermezzo scherzino
—
Piano Concerto no. 1: Allegro molto
—
Stabat Mater, op. 53: Mother, Bowed with Grief Appalling
—
Stabat Mater, op. 53: Is There Any, Tears Withholding
—
Stabat Mater, op. 53: Love's Sweet Fountain, Mother Tender
—
Stabat Mater, op. 53: In Thy Keeping, Watching, Weeping
—
Stabat Mater, op. 53: Maid Immaculate, Excelling
—
Stabat Mater, op. 53: May His Sacred Cross Defend Me
—
The Hop. Nuptial Dance for Symphony Orchestra
—
Kurpian Songs: Not My Garden
—
Kurpian Songs: Why
—
Kurpian Songs: Slow Dance (2.3)
—
Kurpian Songs: Kazachok from Kurpie
—
Kaziuki: Fair
—
Kaziuki: Waltz
—
Kaziuki: Dajna
—
Kaziuki: Fantastic March
—
Kaziuki: Rauda
—
Kaziuki: Belorussian Dance
—
A Little Highland Symphony "Pictures on Glass", op. 8: Young Shepards at Play
—
A Little Highland Symphony "Pictures on Glass", op. 8: In the Mountain Pasture
—
A Little Highland Symphony "Pictures on Glass", op. 8: The Bagpipes
—
Harnasie, op. 55: Tableau I: In the Mountain Pasture: Driving the Sheep - Karol Szymanowski
—
Harnasie, op. 55: Tableau I: In the Mountain Pasture: Mimic Scene (Courtship)
—
Harnasie, op. 55: Tableau I: In the Mountain Pasture: The Highland Robbers’ March
—
Harnasie, op. 55: Tableau I: In the Mountain Pasture: Mimic Scene (Band Leader and the Girl)
—
Harnasie, op. 55: Tableau I: In the Mountain Pasture: The Highland Robbers’ Dance
—
Harnasie, op. 55: Tableau II: In the Inn: The Wedding
—
Harnasie, op. 55: Tableau II: In the Inn: Capping the Bride
—
Harnasie, op. 55: Tableau II: In the Inn: Song of the Lads
—
Harnasie, op. 55: Tableau II: In the Inn: The Tatra Highlanders’ Dance
—
Harnasie, op. 55: Tableau II: In the Inn: Raid of The Highland Robbers’. Dance
—
Harnasie, op. 55: Tableau II: In the Inn: Epiloque
—
Piano Concerto, op. 13: Toccata
—
Piano Concerto, op. 13: Notturno
—
Piano Concerto, op. 13: Cracovienne
—
Organ Symphony no. 9 in F minor, op. 45: I. Toccata
—
Organ Symphony no. 9 in F minor, op. 45: II. Scherzo
—
Organ Symphony no. 9 in F minor, op. 45: III. Finale. Improvvisazione
—
Wedding in Upper Silesia: Scene 1: Betrothal: Grey Pigeon
—
Wedding in Upper Silesia: Scene 1: Betrothal: Straw Marzanna Bows to Mrs Teresa
—
Wedding in Upper Silesia: Scene 1: Betrothal: In Our Grove
—
Wedding in Upper Silesia: Scene 1: Betrothal: Spark and Fire
—
Wedding in Upper Silesia: Scene 1: Betrothal: The Sun is Setting
—
Wedding in Upper Silesia: Scene 1: Betrothal: None is a Surprise
—
Wedding in Upper Silesia: Scene 2: Taking the Bride: At Every Hour
—
Wedding in Upper Silesia: Scene 2: Taking the Bride: If You Don't Like Me
—
Wedding in Upper Silesia: Scene 2: Taking the Bride: I Wouldn't Have Thought
—
Wedding in Upper Silesia: Scene 2: Taking the Bride: Sit Down, My Dear
—
Wedding in Upper Silesia: Scene 2: Taking the Bride: We the Faithful Children of St Barbara
—
Wedding in Upper Silesia: Scene 2: Taking the Bride: Mum, We Are Leaving
—
Wedding in Upper Silesia: Scene 2: Taking the Bride: Come Out, It Is Time
—
Wedding in Upper Silesia: Scene 2: Taking the Bride: Caroline Went to Gogolin
—
Wedding in Upper Silesia: Scene 3: The Wedding: We are Coming from the Church, On the Green Bridge
—
Wedding in Upper Silesia: Scene 3: The Wedding: Our Dear Guests
—
Wedding in Upper Silesia: Scene 3: The Wedding: Highlanders Have Sown
—
Wedding in Upper Silesia: Scene 3: The Wedding: Good to be Young
—
Wedding in Upper Silesia: Scene 4: Capping the Bride: The Cane Struck the Threshold
—
Wedding in Upper Silesia: Scene 4: Capping the Bride: The Bride Collects for Her Cap
—
Wedding in Upper Silesia: Scene 4: Capping the Bride: She Did Not Want
—
Wedding in Upper Silesia: Scene 4: Capping the Bride: Now, My Dear Girl, Wear this Gold-Netted Cap
—
Wedding in Upper Silesia: Scene 4: Capping the Bride: Hop
—
Wedding in Upper Silesia: Scene 4: Capping the Bride: Sunday Was Yesterday
—
Wedding in Upper Silesia: Scene 4: Capping the Bride: Look, fathers
—
Wedding in Upper Silesia: Scene 4: Capping the Bride: The Girl Went
—
Wedding in Upper Silesia: Scene 4: Capping the Bride: Behind the Barn by the River
—
Wedding in Upper Silesia: Scene 4: Capping the Bride: What I Promised to You, Francis
—
Polish Suite: Molto moderato. Allegretto
—
Polish Suite: Andantino
—
Polish Suite: Allegro molto
—
Overture
—
Apollo and the Maiden: Tableau I. Moderato ma non troppo
—
Apollo and the Maiden: Tableau II. Allegro moderato
—
Apollo and the Maiden: Tableau III. Con passione
—
Apollo and the Maiden: Tableau IV. Moderato ma non troppo
—
Apollo and the Maiden: Tableau V. Allegro alla marcia
—
Apollo and the Maiden: Tableau VI. Allegro moderato
—
Cagliostro in Warsaw: Introduction - Tableau I. Allegro vivace
—
Cagliostro in Warsaw: Tableau II. Allegro ma non troppo. Scherzando
—
Cagliostro in Warsaw: Tableau III. Alla polacca
—
Stabat Mater
—
Concertino for Piano and Orchestra
—
Concertino for Clarinet and Orchestra: Allegro
—
Concertino for Clarinet and Orchestra: Andante
—
Tragic Overture
—
Polonaise symphonique, op. 52
—
Quintet for Clarinet, Bassoon, Violin, Cello and Piano: Tema con variazioni
—
Quintet for Clarinet, Bassoon, Violin, Cello and Piano: Intermezzo romantico
—
Quintet for Clarinet, Bassoon, Violin, Cello and Piano: Rondo
—
Symphony no. 2 "Warsaw": Sinfonia
—
Symphony no. 2 "Warsaw": Scherzo
—
Symphony no. 2 "Warsaw": Fuga
—
Symphony no. 2 "Warsaw": Finale
—
Concertino for Oboe and String Orchestra: Allegro grazioso
—
Concertino for Oboe and String Orchestra: Lento
—
Concertino for Oboe and String Orchestra: Vivace assai
—
Lamento di Tristano
—
Symphony no. 2 "Olympic": Andante ma con moto - Allegro non troppo - Lento sostenuto - Tempo I
—
Symphony no. 2 "Olympic": Larghetto - Presto - Larghetto - Presto
—
Symphony no. 2 "Olympic": Allegro risoluto - Presto
—
Concerto for Chamber Orchestra: Allegro vivo
—
Concerto for Chamber Orchestra: Andante sostenuto
—
Concerto for Chamber Orchestra: Allegro vivace con grazia
—
What other identifiers does this connect to?
Creative Contributors (ISNI)
000000003686448500000000435610790000000055532312000000007164252X00000000727665670000000080808931000000008379749X000000010891935100000001094130370000000109560643
+19 more
000000011007365800000001105165270000000110712691000000011444932500000001144685690000000115809337000000011679171400000001192542600000000119302904000000011953269700000001195802930000000121095545000000012114557300000001213220230000000121572495000000012981476X000000038309598300000004092326680000000444581388
Credits Graph
People also ask
SourcesMusicBrainz
Verified on
What is UPC 9788322451298?
9788322451298 is a Universal Product Code (UPC) assigned to 100 for 100 Musical Decades of Freedom by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 157 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm