UPC · Release
Bal·Kan: Miel & Sang
Hespèrion XXI, Jordi Savall
9788494138546
53 tracksReleased 2013-01-01Alia Vox
Last verified:
9788494138546 is the Universal Product Code (UPC barcode) for the release “Bal·Kan: Miel & Sang” by Hespèrion XXI, Jordi Savall, released 2013-01-01 on Alia Vox. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC.
Format
978GS1 prefix
8494Company prefix
13854Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (53)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tzigan nota (improvisation au style Tsigane) | — | ||
| 2 | Alef, mem, shin (texte juif IVe siècle, musique Séfarade, Turquie) | — | ||
| 3 | Taksim & Marche Ottomane (Cantemir 209) | — | ||
| 4 | Emina (Bosnie) | — | ||
| 5 | Doina Olteniasca – Hora Láutareascá (Roumanie) | — | ||
| 6 | Kadona sedi v bachona (Montagnes Rhodopes, Bulgarie) | — | ||
| 7 | Tillirkotissa (Chypre) | — | ||
| 8 | Egy veleg (Chanson et danse dans le style des Tsiganes de Budapest) | — | ||
| 9 | Berceuses: Hajda lilibe (Roumanie, Moldavie); Fúdd el jó szél (Pusztina); Szundi, szundi virágszál (Yiddish) | — | ||
| 10 | Taksim & Gulubovska Ruchenica (Danse de Trachea) | — | ||
| 11 | Milo mou kai mandarini – Konial (Grèce) | — | ||
| 12 | Küçüksu’da Gördüm seni – Tanburi Mustafa Çavuş (Ottoman) | — | ||
| 13 | Moma e moma rodila (Montagnes Rhodopes, Bulgarie) | — | ||
| 14 | Vrcavo Kolo (Serbie) | — | ||
| 15 | Dui dui, demonori (Chant Tsigane, Roumanie) | — | ||
| 2-1 | Zapjevata sojka ptika (Bosnie) – Ramizem (Turquie) | — | ||
| 2-2 | Doãna Olteniasca (instr. Tsigane, Roumanie) | — | ||
| 2-3 | Segélj el uram isten (Chanson de mariage) (Chant Tsigane, Hongrie) | — | ||
| 2-4 | Selfo (Clarinette improvisation au style Albanie & Grèce) | — | ||
| 2-5 | Godini ludi mladi (Macédoine) | — | ||
| 2-6 | Gidem dedim aman (Roumélie) | — | ||
| 2-7 | Hermoza muchachica (Mélodie séfarade et improvisations) | — | ||
| 2-8 | Κόνιαλι (Turquie – Grèce) | — | ||
| 2-9 | Elmet a két lány (Hongrie) | — | ||
| 2-10 | Dök Zülfünü meyoana gel – Tanburi Mustafa Çavuş (Ottoman) | — | ||
| 2-11 | Intro & Slivensko Paidushko Horo (Centre Thrace, Bulgarie) | — | ||
| 2-12 | Yasemi mou (Chypre) | — | ||
| 2-13 | Remembering Dijon (Serbie) | — | ||
| 2-14 | De man daje mol te piau (Tsigane, Roumanie) | — | ||
| 2-15 | A csitari hegyek alatt (instr. Tsigane) | — | ||
| 2-16 | Ah! sto çemo (Bosnie) | — | ||
| 3-1 | Et Sharey Ratzon (Séfarade – Arabe) | — | ||
| 3-2 | Serbian Pot-pourri: Stani, Stani Ibar Vodo – Dragiša Nedović | — | ||
| 3-3 | Taksim & Gazel – poème de Fuzuli (improvisation au style Ottoman) | — | ||
| 3-4 | Zaplakala e vdovitsa (Bulgarie) | — | ||
| 3-5 | Hung-Rom Tzig-Tzigan nota (Tzigane, Roumanie) | — | ||
| 3-6 | Sarhos – Ime Tze (Chypre) | — | ||
| 3-7 | Pastirska Elegija (Serbie) | — | ||
| 3-8 | Danse Urbaine (Serbie) | — | ||
| 3-9 | Kradem ti se u veceri (Bosnie) | — | ||
| 3-10 | Taksim (Accordeon improvisation au style Serbie) | — | ||
| 3-11 | Ben bir göçmen Kızı (Turquie) | — | ||
| 3-12 | Midnight Elegy (Serbie) | — | ||
| 3-13 | Fehér Galamb (Lamentation funéraire) (Hongrie) | — | ||
| 3-14 | Shuvi nav shi – Yossef ibn Sulai (Sépharade) | — | ||
| 3-15 | Plainte de l’Exil (Arménie) | — | ||
| 3-16 | Torah (Hébreu) | — | ||
| 3-17 | Apo xeno meros (Grèce) | — | ||
| 3-18 | Üsküdar (Turquie) | — | ||
| 3-19 | Ruse Kose (Serbie centrale) | — | ||
| 3-20 | Durme hermosa donzella (Séfarade) | — | ||
| 3-21 | Instrumental tzigane (lent-rapide) | — | ||
| 3-22 | Tutti (lent-rapide) | — |
Tzigan nota (improvisation au style Tsigane)
—
Alef, mem, shin (texte juif IVe siècle, musique Séfarade, Turquie)
—
Taksim & Marche Ottomane (Cantemir 209)
—
Emina (Bosnie)
—
Doina Olteniasca – Hora Láutareascá (Roumanie)
—
Kadona sedi v bachona (Montagnes Rhodopes, Bulgarie)
—
Tillirkotissa (Chypre)
—
Egy veleg (Chanson et danse dans le style des Tsiganes de Budapest)
—
Berceuses: Hajda lilibe (Roumanie, Moldavie); Fúdd el jó szél (Pusztina); Szundi, szundi virágszál (Yiddish)
—
Taksim & Gulubovska Ruchenica (Danse de Trachea)
—
Milo mou kai mandarini – Konial (Grèce)
—
Küçüksu’da Gördüm seni – Tanburi Mustafa Çavuş (Ottoman)
—
Moma e moma rodila (Montagnes Rhodopes, Bulgarie)
—
Vrcavo Kolo (Serbie)
—
Dui dui, demonori (Chant Tsigane, Roumanie)
—
Zapjevata sojka ptika (Bosnie) – Ramizem (Turquie)
—
Doãna Olteniasca (instr. Tsigane, Roumanie)
—
Segélj el uram isten (Chanson de mariage) (Chant Tsigane, Hongrie)
—
Selfo (Clarinette improvisation au style Albanie & Grèce)
—
Godini ludi mladi (Macédoine)
—
Gidem dedim aman (Roumélie)
—
Hermoza muchachica (Mélodie séfarade et improvisations)
—
Κόνιαλι (Turquie – Grèce)
—
Elmet a két lány (Hongrie)
—
Dök Zülfünü meyoana gel – Tanburi Mustafa Çavuş (Ottoman)
—
Intro & Slivensko Paidushko Horo (Centre Thrace, Bulgarie)
—
Yasemi mou (Chypre)
—
Remembering Dijon (Serbie)
—
De man daje mol te piau (Tsigane, Roumanie)
—
A csitari hegyek alatt (instr. Tsigane)
—
Ah! sto çemo (Bosnie)
—
Et Sharey Ratzon (Séfarade – Arabe)
—
Serbian Pot-pourri: Stani, Stani Ibar Vodo – Dragiša Nedović
—
Taksim & Gazel – poème de Fuzuli (improvisation au style Ottoman)
—
Zaplakala e vdovitsa (Bulgarie)
—
Hung-Rom Tzig-Tzigan nota (Tzigane, Roumanie)
—
Sarhos – Ime Tze (Chypre)
—
Pastirska Elegija (Serbie)
—
Danse Urbaine (Serbie)
—
Kradem ti se u veceri (Bosnie)
—
Taksim (Accordeon improvisation au style Serbie)
—
Ben bir göçmen Kızı (Turquie)
—
Midnight Elegy (Serbie)
—
Fehér Galamb (Lamentation funéraire) (Hongrie)
—
Shuvi nav shi – Yossef ibn Sulai (Sépharade)
—
Plainte de l’Exil (Arménie)
—
Torah (Hébreu)
—
Apo xeno meros (Grèce)
—
Üsküdar (Turquie)
—
Ruse Kose (Serbie centrale)
—
Durme hermosa donzella (Séfarade)
—
Instrumental tzigane (lent-rapide)
—
Tutti (lent-rapide)
—
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What is UPC 9788494138546?
9788494138546 is a Universal Product Code (UPC) assigned to Bal·Kan: Miel & Sang by Hespèrion XXI, Jordi Savall. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 53 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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