UPC · Release
The History of Classical Music
Richard Fawkes, Robert Powell
9789626341407
88 tracksReleased 1997-01-01Naxos Audiobooks
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9789626341407 is the Universal Product Code (UPC barcode) for the release “The History of Classical Music” by Richard Fawkes, Robert Powell, released 1997-01-01 on Naxos Audiobooks. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 88 tracks, each with its own ISRC.
Format
978GS1 prefix
9626Company prefix
34140Product
7Check digit
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
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- Check digit:
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Track List (88)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Sound of Gregorian Chant | — | ||
| 2 | Plainsong: The Ambrosian Chant | — | ||
| 3 | The Dorian, Phrygian and Lydian Modes | — | ||
| 4 | Hildegard of Bingen | — | ||
| 5 | The Gothic Age…Léonin (Active c1160-c1180) and Pérotin (Active c1180-1236) | — | ||
| 6 | The Motet | — | ||
| 7 | The Troubadour Tradition | — | ||
| 8 | Guillaume de Machaut 1300-1377 | — | ||
| 9 | The Madrigal - Francesco Landini 1325-1397 | — | ||
| 10 | Guillaume Dufay 1400-1474 and Johannes Ockeghem c1420-1495 | — | ||
| 11 | The Agincourt Carol - 1415 | — | ||
| 12 | The Renaissance - Giovanni Pierluigi de Palestrina 1525-1594 | — | ||
| 13 | The High Renaissance in England | — | ||
| 14 | The Madrigal in France, Italy and England | — | ||
| 15 | John Dowland 1536-1626 | — | ||
| 16 | Andrea c1510-1586 and Giovanni Gabrieli 1557-1612 Sonata A 12 - 1597 | — | ||
| 2-1 | The Birth of Opera | — | ||
| 2-2 | Claudio Monteverdi 1567-1643 and the Growth of Opera | — | ||
| 2-3 | Music in England - Henry Purcell 1659-1695 | — | ||
| 2-4 | George Frederic Handel 1685-1759 | — | ||
| 2-5 | Church Music in the Baroque - The Oratorio and the Cantata | — | ||
| 2-6 | Johann Sebastian Bach 1685-1750 | — | ||
| 2-7 | The Development of Keys | — | ||
| 2-8 | Music for Keyboards | — | ||
| 2-9 | The Violin | — | ||
| 2-10 | The Development of the Solo Concerto | — | ||
| 2-11 | The Age of Reason - The Classical Period | — | ||
| 2-12 | Sonata Form | — | ||
| 2-13 | The Symphony | — | ||
| 2-14 | Franz Joseph Haydn 1735-1782 | — | ||
| 2-15 | Wolfgang Amadeus Mozart 1756-1791 | — | ||
| 2-16 | Christoph Willibald Gluck 1714-1787 | — | ||
| 2-17 | Ludwig Van Beethoven 1770-1827 | — | ||
| 3-1 | The Concept of Romanticism | — | ||
| 3-2 | Hector Berlioz 1803-1869 | — | ||
| 3-3 | Franz Schubert 1797-1828 | — | ||
| 3-4 | The Piano | — | ||
| 3-5 | Frederic Chopin 1810-1849 | — | ||
| 3-6 | Robert Schumann 1810-1856 | — | ||
| 3-7 | Antonin Dvořák 1841-1904 | — | ||
| 3-8 | Eduard Grieg 1843-1907 | — | ||
| 3-9 | France - César Franck 1822-1890 | — | ||
| 3-10 | Russia - The Mighty Handful | — | ||
| 3-11 | Franz Liszt 1811-1886 | — | ||
| 3-12 | Anton Bruckner 1824-1890 | — | ||
| 3-13 | Johannes Brahms 1833-1897 | — | ||
| 3-14 | Gustav Mahler 1860-1911 | — | ||
| 3-15 | Piotr Ilyich Tchaikovsky 1840-1893 | — | ||
| 3-16 | Felix Mendelssohn and the Concerto 1809-1847 | — | ||
| 3-17 | The Amateur Choral Tradition | — | ||
| 3-18 | Opera - Gioacchino Rossini 1791-1868 | — | ||
| 3-19 | Grand Opera - Giacomo Meyerbeer 1791-1864 | — | ||
| 3-20 | Bel Canto - Vincenzo Bellini 1801-1835 and Gaetano Donizetti 1797-1848 | — | ||
| 3-21 | Jacques Offenbach 1819-1880 | — | ||
| 3-22 | Georges Bizet 1838-1910 | — | ||
| 3-23 | Giuseppe Verdi 1813-1901 | — | ||
| 3-24 | Giacomo Puccini 1858-1924 | — | ||
| 3-25 | Opera in Germany - Carl Maria Von Weber 1786-1826 | — | ||
| 3-26 | Richard Wagner 1813-1883 | — | ||
| 4-1 | Isms | — | ||
| 4-2 | Claude Debussy 1862-1918 and Impressionism | — | ||
| 4-3 | New Directions | — | ||
| 4-4 | Igor Stravinsky 1882-1971 | — | ||
| 4-5 | Arnold Schönberg 1874-1951 and Serialism | — | ||
| 4-6 | Olivier Messiaen 1908-1992 | — | ||
| 4-7 | Richard Strauss 1864-1949 | — | ||
| 4-8 | Gustav Holst 1874-1934 | — | ||
| 4-9 | Edward Elgar 1857-1934 | — | ||
| 4-10 | Jean Sibelius 1865-1957 | — | ||
| 4-11 | Ralph Vaughan Williams 1873-1958 | — | ||
| 4-12 | Sergei Rachmaninov 1873-1943 | — | ||
| 4-13 | Dmitri Shostakovich 1906-1975 | — | ||
| 4-14 | Sergei Prokofiev 1890-1953 | — | ||
| 4-15 | Post WWI France - Les Six | — | ||
| 4-16 | The Folk Music Heritage and Nationalism | — | ||
| 4-17 | Poland - Karol Szymanowski 1882-1945 | — | ||
| 4-18 | Hungary - Béla Bartók 1882-1945 | — | ||
| 4-19 | Czechoslovakia - Leoš Janáček 1854-1928 and Bohuslav Martinů 1890-1962 | — | ||
| 4-20 | United States - Charles Ives 1874-1954 and Aaron Copland 1900-1990 | — | ||
| 4-21 | South America - Heitor Villa-Lobos 1887-1959 | — | ||
| 4-22 | Spain - Joaquin Rodrigo 1901-1999 | — | ||
| 4-23 | Other Directions - The Far East and Film Music | — | ||
| 4-24 | New Sounds - Edgard Varèse 1883-1965, Pierre Boulez 1925-2016 et al | — | ||
| 4-25 | Minimalism - Steve Reich 1936-, Philip Glass 1937- and John Adams 1947- | — | ||
| 4-26 | Henryk Górecki 1933-2010 | — | ||
| 4-27 | Michael Tippett 1905-1998 | — | ||
| 4-28 | Benjamin Britten 1913-1976 | — | ||
| 4-29 | At the Close of the 20th Century | — |
The Sound of Gregorian Chant
—
Plainsong: The Ambrosian Chant
—
The Dorian, Phrygian and Lydian Modes
—
Hildegard of Bingen
—
The Gothic Age…Léonin (Active c1160-c1180) and Pérotin (Active c1180-1236)
—
The Motet
—
The Troubadour Tradition
—
Guillaume de Machaut 1300-1377
—
The Madrigal - Francesco Landini 1325-1397
—
Guillaume Dufay 1400-1474 and Johannes Ockeghem c1420-1495
—
The Agincourt Carol - 1415
—
The Renaissance - Giovanni Pierluigi de Palestrina 1525-1594
—
The High Renaissance in England
—
The Madrigal in France, Italy and England
—
John Dowland 1536-1626
—
Andrea c1510-1586 and Giovanni Gabrieli 1557-1612 Sonata A 12 - 1597
—
The Birth of Opera
—
Claudio Monteverdi 1567-1643 and the Growth of Opera
—
Music in England - Henry Purcell 1659-1695
—
George Frederic Handel 1685-1759
—
Church Music in the Baroque - The Oratorio and the Cantata
—
Johann Sebastian Bach 1685-1750
—
The Development of Keys
—
Music for Keyboards
—
The Violin
—
The Development of the Solo Concerto
—
The Age of Reason - The Classical Period
—
Sonata Form
—
The Symphony
—
Franz Joseph Haydn 1735-1782
—
Wolfgang Amadeus Mozart 1756-1791
—
Christoph Willibald Gluck 1714-1787
—
Ludwig Van Beethoven 1770-1827
—
The Concept of Romanticism
—
Hector Berlioz 1803-1869
—
Franz Schubert 1797-1828
—
The Piano
—
Frederic Chopin 1810-1849
—
Robert Schumann 1810-1856
—
Antonin Dvořák 1841-1904
—
Eduard Grieg 1843-1907
—
France - César Franck 1822-1890
—
Russia - The Mighty Handful
—
Franz Liszt 1811-1886
—
Anton Bruckner 1824-1890
—
Johannes Brahms 1833-1897
—
Gustav Mahler 1860-1911
—
Piotr Ilyich Tchaikovsky 1840-1893
—
Felix Mendelssohn and the Concerto 1809-1847
—
The Amateur Choral Tradition
—
Opera - Gioacchino Rossini 1791-1868
—
Grand Opera - Giacomo Meyerbeer 1791-1864
—
Bel Canto - Vincenzo Bellini 1801-1835 and Gaetano Donizetti 1797-1848
—
Jacques Offenbach 1819-1880
—
Georges Bizet 1838-1910
—
Giuseppe Verdi 1813-1901
—
Giacomo Puccini 1858-1924
—
Opera in Germany - Carl Maria Von Weber 1786-1826
—
Richard Wagner 1813-1883
—
Isms
—
Claude Debussy 1862-1918 and Impressionism
—
New Directions
—
Igor Stravinsky 1882-1971
—
Arnold Schönberg 1874-1951 and Serialism
—
Olivier Messiaen 1908-1992
—
Richard Strauss 1864-1949
—
Gustav Holst 1874-1934
—
Edward Elgar 1857-1934
—
Jean Sibelius 1865-1957
—
Ralph Vaughan Williams 1873-1958
—
Sergei Rachmaninov 1873-1943
—
Dmitri Shostakovich 1906-1975
—
Sergei Prokofiev 1890-1953
—
Post WWI France - Les Six
—
The Folk Music Heritage and Nationalism
—
Poland - Karol Szymanowski 1882-1945
—
Hungary - Béla Bartók 1882-1945
—
Czechoslovakia - Leoš Janáček 1854-1928 and Bohuslav Martinů 1890-1962
—
United States - Charles Ives 1874-1954 and Aaron Copland 1900-1990
—
South America - Heitor Villa-Lobos 1887-1959
—
Spain - Joaquin Rodrigo 1901-1999
—
Other Directions - The Far East and Film Music
—
New Sounds - Edgard Varèse 1883-1965, Pierre Boulez 1925-2016 et al
—
Minimalism - Steve Reich 1936-, Philip Glass 1937- and John Adams 1947-
—
Henryk Górecki 1933-2010
—
Michael Tippett 1905-1998
—
Benjamin Britten 1913-1976
—
At the Close of the 20th Century
—
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What is UPC 9789626341407?
9789626341407 is a Universal Product Code (UPC) assigned to The History of Classical Music by Richard Fawkes, Robert Powell. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 88 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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