UPC · Release
Jung: A Very Short Introduction
Anthony Stevens, Tim Pigott-Smith
Last verified:
9789626342985 is the Universal Product Code (UPC barcode) for the release “Jung: A Very Short Introduction” by Anthony Stevens, Tim Pigott-Smith, released 2003-01-01 on Naxos Audiobooks. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chapter 1: "The Man and His Psychology", Section 1 | — | ||
| 2 | Chapter 1, Section 2: Background, Part 1 | — | ||
| 3 | Chapter 1, Section 2: Background, Part 2 | — | ||
| 4 | Chapter 1, Section 2: Background, Part 3 | — | ||
| 5 | Chapter 1, Section 2: Background, Part 4 | — | ||
| 6 | Chapter 1, Section 3: Student Years, Part 1 | — | ||
| 7 | Chapter 1, Section 3: Student Years, Part 2 | — | ||
| 8 | Chapter 1, Section 4: Years of Apprenticeship | — | ||
| 9 | Chapter 1, Section 5: Friendship With Freud, Part 1 | — | ||
| 10 | Chapter 1, Section 5: Friendship With Freud, Part 2 | — | ||
| 11 | Chapter 1, Section 5: Friendship With Freud, Part 3 | — | ||
| 12 | Chapter 1, Section 6: Married Life | — | ||
| 13 | Chapter 1, Section 7: Confrontation With the Unconscious, Part 1 | — | ||
| 14 | Chapter 1, Section 7: Confrontation With the Unconscious, Part 2 | — | ||
| 15 | Chapter 1, Section 8: Creative Illness | — | ||
| 16 | Chapter 1, Section 9: Individuation: The Realisation of the Self, Part 1 | — | ||
| 17 | Chapter 1, Section 9: Individuation: The Realisation of the Self, Part 2 | — | ||
| 18 | Chapter 1, Section 10: Ageing and Growth, Part 1 | — | ||
| 19 | Chapter 1, Section 10: Ageing and Growth, Part 2 | — | ||
| 20 | Chapter 2: "Archetypes and the Collective Unconscious", Section 1, Part 1 | — | ||
| 21 | Chapter 2: "Archetypes and the Collective Unconscious", Section 1, Part 2 | — | ||
| 2-1 | Chapter 2: "Archetypes and the Collective Unconscious", Section 1, Part 3 | — | ||
| 2-2 | Chapter 2, Section 2: The Actualisation of Archetypes | — | ||
| 2-3 | Chapter 2, Section 3: Archetypes Versus Cultural Transmission | — | ||
| 2-4 | Chapter 2, Section 4: The Psychoid Archetype and the Unus Mundus | — | ||
| 2-5 | Chapter 2, Section 5: Synchronicity | — | ||
| 2-6 | Chapter 3: "The Stages of Life", Section 1 | — | ||
| 2-7 | Chapter 3, Section 2: The Self | — | ||
| 2-8 | Chapter 3, Section 3: The Ego | — | ||
| 2-9 | Chapter 3, Section 4: The Persona | — | ||
| 2-10 | Chapter 3, Section 5: The Shadow, Part 1 | — | ||
| 2-11 | Chapter 3, Section 5: The Shadow, Part 2 | — | ||
| 2-12 | Chapter 3, Section 6: Sex and Gender, Part 1 | — | ||
| 2-13 | Chapter 3, Section 6: Sex and Gender, Part 2 | — | ||
| 2-14 | Chapter 3, Section 7: Anima and Animus | — | ||
| 2-15 | Chapter 3, Section 8: A Self-Regulating System | — | ||
| 2-16 | Chapter 3, Section 9: A Programme for Life | — | ||
| 2-17 | Chapter 3, Section 10: Archetypal Expectations | — | ||
| 2-18 | Chapter 3, Section 11: Rites of Passage | — | ||
| 2-19 | Chapter 3, Section 12: The Dynamics of Progress | — | ||
| 2-20 | Chapter 3, Section 13: Love and Marriage | — | ||
| 2-21 | Chapter 3, Section 14: The Stroke of Noon | — | ||
| 2-22 | Chapter 3, Section 15: The Individuation of the Self | — | ||
| 2-23 | Chapter 4: "Psychological Types", Section 1 | — | ||
| 2-24 | Chapter 4, Section 2: The Four Functions | — | ||
| 2-25 | Chapter 4, Sections 3: The Two Attitudes | — | ||
| 2-26 | Chapter 4, Section 4: Eight Psychological Types | — | ||
| 2-27 | Chapter 4, Section 5: Use of the Typology | — | ||
| 2-28 | Chapter 5: "Dreams", Section 1, Part 1 | — | ||
| 2-29 | Chapter 5: "Dreams", Section 1, Part 2 | — | ||
| 2-30 | Chapter 5, Section 2: Pure Nature | — | ||
| 2-31 | Chapter 5, Section 3: Compensatory Function | — | ||
| 2-32 | Chapter 5, Section 4: Symbolism | — | ||
| 3-1 | Chapter 5, Section 5: Interpretation | — | ||
| 3-2 | Chapter 5, Section 6: Personal Context | — | ||
| 3-3 | Chapter 5, Section 6: Cultural Context | — | ||
| 3-4 | Chapter 5, Section 7: Archetypal Context | — | ||
| 3-5 | Chapter 6: "Therapy", Section 1 | — | ||
| 3-6 | Chapter 6, Section 2: Illness, Part 1 | — | ||
| 3-7 | Chapter 6, Section 2: Illness, Part 2 | — | ||
| 3-8 | Chapter 6, Section 2: Illness, Part 3 | — | ||
| 3-9 | Chapter 6, Section 3: The Patient | — | ||
| 3-10 | Chapter 6, Section 4: Treatment, Part 1 | — | ||
| 3-11 | Chapter 6, Section 4: Treatment, Part 2 | — | ||
| 3-12 | Chapter 6, Section 4: Treatment, Part 3 | — | ||
| 3-13 | Chapter 6, Section 4: Treatment, Part 4 | — | ||
| 3-14 | Chapter 6, Section 4: Treatment, Part 5 | — | ||
| 3-15 | Chapter 6, Section 5: The Therapist, Part 1 | — | ||
| 3-16 | Chapter 6, Section 5: The Therapist, Part 2 | — | ||
| 3-17 | Chapter 7: "Jung's Alleged Anti-Semitism", Part 1 | — | ||
| 3-18 | Chapter 7: "Jung's Alleged Anti-Semitism", Part 2 | — | ||
| 3-19 | Chapter 8: "The Summing-Up", Part 1 | — | ||
| 3-20 | Chapter 8: "The Summing-Up", Part 2 | — | ||
| 3-21 | Chapter 8: "The Summing-Up", Part 3 | — | ||
| 3-22 | Chapter 8: "The Summing-Up", Part 4 | — |
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What is UPC 9789626342985?
9789626342985 is a Universal Product Code (UPC) assigned to Jung: A Very Short Introduction by Anthony Stevens, Tim Pigott-Smith. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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