UPC · Release
Madlib Medicine Show: The Brick
Madlib
989237100120
254 tracksReleased 2012-01-01Madlib Invazion
Last verified:
989237100120 is the Universal Product Code (UPC barcode) for the release “Madlib Medicine Show: The Brick” by Madlib, released 2012-01-01 on Madlib Invazion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 254 tracks, each with its own ISRC. Tracks include US2S71000001, US2S71000004, US2S71000005.
Format
9Number system
89237Manufacturer
10012Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCMadlib Medicine Show: The Brick
ISRC122 recordings
ISWC51 works
IPI34 songwriters
Track List (254)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Arraignment (intro) | Madlib | T-903.727.489-8 | |
| 4 | Further | Madlib | — | |
| 5 | Lucky Guy | Madlib | T-903.727.493-4 | |
| 7 | Life Goes By | Madlib | T-903.727.495-6 | |
| 9 | The Exclusive | Madlib, MED | — | |
| 12 | The Paper | Madlib | — | |
| 14 | Looking for Trouble | Madlib | T-903.727.501-7 | |
| 15 | Young Guns | Madlib, J Dilla | T-903.727.502-8 | |
| 2-1 | Rio de Janeiro | — | ||
| 2-2 | Sao Paulo | — | ||
| 2-3 | Belo Horizonte | — | ||
| 2-4 | Porto Alegre | — | ||
| 2-5 | Salvador | — | ||
| 2-6 | Recife | — | ||
| 2-7 | Fortaleza | — | ||
| 2-8 | Brasília | — | ||
| 2-9 | Curitiba | — | ||
| 3-1 | Motherland | Madlib | T-915.599.665-9 | |
| 3-2 | The Frontline (Liberation) | Madlib | — | |
| 3-3 | Raw Introduction to Afreaka | Madlib | — | |
| 3-4 | African Voodoo Queen (Drama) | Madlib | — | |
| 3-5 | Jungle Soundz, Part 1 | Madlib | — | |
| 3-6 | The Struggle to Unite (One Africa) | Madlib | — | |
| 3-7 | Mandingo Swing | Madlib | — | |
| 3-8 | Endless Cold (Lovelost) | Madlib | — | |
| 3-9 | Chant 2 | Madlib | — | |
| 3-10 | Afrosound Panorama | Madlib | — | |
| 3-11 | Hunting Theme | Madlib | — | |
| 3-12 | Yafeu | Madlib | — | |
| 3-13 | Afritonic, Part 1 | Madlib | — | |
| 3-14 | Afritonic, Part 2 | Madlib | T-072.246.132-6 | |
| 3-15 | Tradition | Madlib | — | |
| 3-16 | Spearthrow for Oh No | Madlib | — | |
| 3-17 | Tear Gas and Bullets for Freedom | Madlib | — | |
| 3-18 | Heritage Sip | Madlib | — | |
| 3-19 | Land of the Drum | Madlib | — | |
| 3-20 | Red, Black and Green Showcase | Madlib | — | |
| 3-21 | Blackfire | Madlib | — | |
| 3-22 | Obataive | Madlib | — | |
| 3-23 | Warrior’s Theme | Madlib | — | |
| 3-24 | Mtima | Madlib | — | |
| 3-25 | African Map Watch | Madlib | — | |
| 3-26 | Street Hustler | Madlib | — | |
| 3-27 | Kanika | Madlib | — | |
| 3-28 | Chant 3 | Madlib | T-070.241.640-7 | |
| 3-29 | The Show (Inner View) | Madlib | T-305.952.870-6 | |
| 3-30 | Brothers and Sisters | Madlib | — | |
| 3-31 | Freedom Play | Madlib | — | |
| 3-32 | African Bounce | Madlib | — | |
| 3-33 | Umi (Life) | Madlib | T-904.686.672-2 | |
| 3-34 | Natural Sound Waves | Madlib | — | |
| 3-35 | Jungle Soundz, Part 2 | Madlib | — | |
| 3-36 | Mighty Force | Madlib | — | |
| 3-37 | Unika (outro) | Madlib | — | |
| 3-38 | Bonus A | Madlib | — | |
| 3-39 | Bonus F | Madlib | — | |
| 3-40 | Bonus R | Madlib | — | |
| 3-41 | Bonus I | Madlib | — | |
| 3-42 | Bonus C | Madlib | — | |
| 3-43 | Bonus A (Amanaz) | Madlib | — | |
| 4-1 | What Are the Medical Benefits of Smoking Marijuana? | — | ||
| 4-2 | What Are the Negative Risks of Smoking It? | — | ||
| 4-3 | What Alternatives Are There to Smoking? | — | ||
| 4-4 | Are a Lot of Pesticides on Pot? | — | ||
| 4-5 | Where Is All This Pot Coming From? | — | ||
| 4-6 | So What Does the Law Say About These Dispensaries and Their Various Pot Products? | — | ||
| 4-7 | How Much Pot Am I Allowed to Have at One Time? | — | ||
| 4-8 | How Do I Get a Prescription? | — | ||
| 4-9 | Will My Name End Up on Some DEA List? | — | ||
| 5-1 | Warning (intro) | — | ||
| 5-2 | Static Invazion | — | ||
| 5-3 | Stakeout | — | ||
| 5-4 | Rapper X Radio | — | ||
| 5-5 | Last Day's Music | — | ||
| 5-6 | Episode VI | — | ||
| 5-7 | Nothing from Nothing | — | ||
| 5-8 | Episode VIII | — | ||
| 5-9 | Episode IX | — | ||
| 5-10 | Episode X | — | ||
| 5-11 | Episode XI | — | ||
| 5-12 | Episode XII | — | ||
| 5-13 | Episode XIII | — | ||
| 5-14 | Episode XIV | — | ||
| 5-15 | Episode XV | — | ||
| 5-16 | Episode XVI | — | ||
| 5-17 | Episode XVII | — | ||
| 5-18 | Episode XVIII | — | ||
| 5-19 | Episode XIX | — | ||
| 5-20 | Episode XX | — | ||
| 5-21 | Further Adventures of Walkman Flavor | — | ||
| 5-22 | Episode XXII | — | ||
| 5-23 | Episode XXIII | — | ||
| 5-24 | Episode XXIV | — | ||
| 5-25 | Episode XXV | — | ||
| 5-26 | Episode XXVI | — | ||
| 5-27 | Episode XXVII | — | ||
| 5-28 | Live from Outer Space | — | ||
| 5-29 | Real Days | — | ||
| 5-30 | C.D.P. Assassins, Part 1 | — | ||
| 5-31 | C.D.P. Assassins, Parts 2 & 3 | — | ||
| 5-32 | C.D.P. Assassins, Part 4 | — | ||
| 5-33 | C.D.P. Assassins, Part 5 | — | ||
| 5-34 | C.D.P. Assassins, Part 6 | — | ||
| 6-1 | World Leaders Plan Centralized Power & Remote Brain Control | — | ||
| 6-2 | It Has Widespread Support | — | ||
| 6-3 | Predicted 2000 Years Ago | — | ||
| 6-4 | It's Almost Here | — | ||
| 6-5 | It Will Happen on 4/20 | — | ||
| 6-6 | How to Avoid Being a Victim | — | ||
| 6-7 | Its Sudden & Complete Collapse Predicted | — | ||
| 6-8 | It Is Right on Time | — | ||
| 6-9 | The Real New Order | — | ||
| 7-1 | Steppin' Into Tomorrow (prelude) | — | ||
| 7-2 | Electronic Dimensions | — | ||
| 7-3 | Pretty Eyes | — | ||
| 7-4 | High Jazz | — | ||
| 7-5 | Medley: Don't You Worry Bout a Thing (live at Spear for Moondog) | — | ||
| 7-6 | Interlude | — | ||
| 7-7 | Reality or Dream | — | ||
| 7-8 | Drunk Again | — | ||
| 7-9 | Funky Butt, Part 1 | — | ||
| 7-10 | Wonderin' / Nightime | — | ||
| 7-11 | Space & Time | — | ||
| 7-12 | Conquistador | — | ||
| 7-13 | Tarzan's Theme | — | ||
| 7-14 | Interlude | — | ||
| 7-15 | Kimo | — | ||
| 8-1 | Miles | — | ||
| 8-2 | Ornette | — | ||
| 8-3 | Pharoah | — | ||
| 8-4 | Herbie | — | ||
| 8-5 | Mingus | — | ||
| 8-6 | Ra | — | ||
| 8-7 | Dolphy | — | ||
| 8-8 | Ranelin | — | ||
| 8-9 | Deodato | — | ||
| 8-10 | Coltrane | — | ||
| 9-1 | Nittyville (The Landing) | Madlib | — | |
| 9-2 | So Beautiful (Dues Paid) | Madlib | — | |
| 9-3 | Stageridin' | Madlib | T-911.012.060-0 | |
| 9-4 | Smoke Theme for Dankery Harv | Madlib | T-911.012.062-2 | |
| 9-5 | Jus’ Follow | Madlib | — | |
| 9-6 | The Exclusive (Bar Scene) | Madlib, The Professionals | T-072.258.105-6 | |
| 9-7 | Eyegotcha | Madlib | — | |
| 9-8 | Legalize It (interlude) | Madlib | T-901.849.855-0 | |
| 9-9 | Sunday Sinema | Madlib | — | |
| 9-10 | What Can U Tell Me | Madlib, MED | — | |
| 9-11 | The Truth (interlude) | Madlib | T-901.849.855-0 | |
| 9-12 | Red Light Green | Madlib | — | |
| 9-13 | Go There | Madlib | — | |
| 9-14 | Set It Off | Madlib, Prime | — | |
| 10-1 | To Promote Illogical Thinking | — | ||
| 10-2 | To Increase Efficiency of Mentation and Perception | — | ||
| 10-3 | To Promote the Intoxicating Effect of Alcohol | — | ||
| 10-4 | The Induction of Hypnosis | — | ||
| 10-5 | To Withstand Privation, Torture and Coercion | — | ||
| 10-6 | To Promote America | — | ||
| 10-7 | May Result in Shock and Confusion | — | ||
| 10-8 | To Produce "Pure" Euphoria | — | ||
| 10-9 | To Alter Personality Structure | — | ||
| 11-1 | Sounds of the Studio (prelude) | Madlib | — | |
| 11-2 | Hold Up | The Professionals | — | |
| 11-3 | Handmade Hustle (instrumental) | Madlib | T-072.697.517-2 | |
| 11-4 | Start Sumthin’ (93033) | The Professionals, Roc C | — | |
| 11-5 | Thoughts of an Old Flame | Guilty Simpson | — | |
| 11-6 | Minze (Come Closer) | Madlib | T-905.387.317-9 | |
| 11-7 | Louder (Blast Your Radio theme) | Madlib | — | |
| 11-8 | The Ride (Nightcoastin' instrumental) | Madlib | T-071.122.577-2 | |
| 11-12 | Love/Hate (instrumental) | Madlib | — | |
| 11-14 | Smoke Break (Whodat?) | Madlib | T-901.851.941-0 | |
| 11-15 | Interview #4080 | Supreme Team | — | |
| 11-16 | Embryo Thought (instrumental) | Madlib | — | |
| 11-17 | The Adventures of Soul Bra and Docta Dick'em (Parts 1 & 2) | Madlib | — | |
| 11-18 | Cheaters (Episode #3) | MED, Poke | T-070.915.578-1 | |
| 11-19 | Interliberation (interlude) | Madlib | T-901.849.855-0 | |
| 11-20 | Mic Check (Smoke Break II) | Madlib | — | |
| 11-21 | Real Talk | LMD | — | |
| 11-22 | The Sound of Champions (instrumental) | Madlib | — | |
| 11-23 | Charlie Hustle | Strong Arm Steady | T-301.278.982-7 | |
| 11-24 | Girls (prelude) | Madlib | T-041.996.292-7 | |
| 11-25 | Same | Madlib | — | |
| 11-26 | Snakes 101 | MED | T-930.154.272-3 | |
| 11-27 | Girls | J-Rocc | T-070.895.649-3 | |
| 11-28 | Uh (outro) | J-Rocc | T-306.055.609-0 | |
| 12-2 | [unknown] | — | ||
| 12-3 | Inspectah Deck’s Verse from 7L & Esoteric’s “Speaking Real Words” / Rae’s Verse from Big Pun’s “Fire Water” | — | ||
| 12-4 | For the Nasty | — | ||
| 12-5 | Interlude | — | ||
| 12-6 | Bustin' | — | ||
| 12-7 | Interlude | — | ||
| 12-8 | Roc Co.Kane Flow | — | ||
| 12-9 | Let’s Take It Back | — | ||
| 12-10 | Remixes 2 (intro) | — | ||
| 12-11 | Cross Bronx Expressway | — | ||
| 12-12 | Caught Up / Love Session | — | ||
| 12-13 | Ma Dukes | — | ||
| 12-14 | I’m a Monsta | — | ||
| 12-15 | Interlude | — | ||
| 12-16 | Pussy | — | ||
| 12-17 | Ya’ll Dont Wanna Do That | — | ||
| 12-18 | Interlude | — | ||
| 12-19 | The Wigflip | — | ||
| 12-20 | Never Change | — | ||
| 12-21 | Interlude | — | ||
| 12-22 | Shines | — | ||
| 12-23 | Save Me Dear | — | ||
| 12-24 | Interlude | — | ||
| 12-25 | Watch Out | — | ||
| 12-26 | Outside | — | ||
| 12-27 | Da Bridge 2001 | — | ||
| 12-28 | Interlude | — | ||
| 12-29 | Black Boy | — | ||
| 12-30 | Beanie Sigel-Wanted | — | ||
| 12-31 | Interlude | — | ||
| 12-32 | M.E.D. | — | ||
| 12-33 | Belly Dancer | — | ||
| 12-34 | D.O.A. | — | ||
| 12-35 | Sadat X's Verse from Diamond D’s “Feel It” | — | ||
| 12-36 | Interlude | — | ||
| 12-37 | Outro | — | ||
| 13-2 | Do It Real Big | Skillz | T-903.527.707-7 | |
| 13-3 | Run | Jadakiss | T-070.924.414-3 | |
| 13-4 | When the Fat Lady Sings | GZA/Genius | — | |
| 13-5 | What Up Gangsta / Out da Box | 50 Cent, Tony Touch, Large Professor, Pete Rock, Masta Ace | T-070.918.845-3 | |
| 13-6 | Get You Some | Busta Rhymes | T-070.240.755-3 | |
| 13-7 | Nothin' Lesser | U.N. | T-906.543.513-4 | |
| 13-8 | A Message From Poet | Blaq Poet | T-070.233.680-8 | |
| 13-9 | Pressure | — | ||
| 13-10 | Interlude 1 | Madlib | T-060.352.671-1 | |
| 13-11 | [unknown] | MED | — | |
| 13-12 | [unknown] | Redman | T-011.536.039-8 | |
| 13-13 | Melody | MF DOOM | T-311.724.924-4 | |
| 13-14 | Fuck You | Pharoahe Monch | — | |
| 13-15 | Wanna Battle | Elite Terrorists | — | |
| 13-16 | Interlude 2 | Madlib | T-071.351.686-9 | |
| 13-17 | Out da Box | Tony Touch, Large Professor, Pete Rock, Masta Ace | — | |
| 13-18 | Keep the Fame | Vakill | T-070.257.457-9 | |
| 13-19 | Interlude 3 | Madlib | — | |
| 13-20 | Chittlins & Pepsi | Strong Arm Steady | T-072.001.310-4 | |
| 13-21 | Get Hype | Mali | — | |
| 13-22 | Interlude 4 | Madlib | — | |
| 13-23 | Larger Than Life | Montage | — | |
| 13-24 | The Sun God | Common | — | |
| 13-25 | Nas Is Like | Nas | T-070.917.611-3 | |
| 13-26 | Interlude 5 | Madlib | — | |
| 13-27 | Somehow, Someway | Organized Konfusion | — | |
| 13-28 | Jus' Follow | Frank Nitty | — | |
| 13-29 | Interlude 6 | Madlib | — | |
| 13-30 | Get By | Talib Kweli | T-071.825.964-3 | |
| 13-31 | Sick Days | Beat Junkies | — | |
| 13-32 | Interlude 7 | Madlib | — | |
| 13-33 | Any Man / Closer | Eminem, Capone-N-Noreaga | — | |
| 13-34 | Interlude 8 | Madlib | — | |
| 13-35 | Outro | Madlib | T-913.150.170-7 |
Further
Madlib
—
The Exclusive
Madlib, MED
—
The Paper
Madlib
—
Rio de Janeiro
—
Sao Paulo
—
Belo Horizonte
—
Porto Alegre
—
Salvador
—
Recife
—
Fortaleza
—
Brasília
—
Curitiba
—
The Frontline (Liberation)
Madlib
—
Raw Introduction to Afreaka
Madlib
—
African Voodoo Queen (Drama)
Madlib
—
Jungle Soundz, Part 1
Madlib
—
The Struggle to Unite (One Africa)
Madlib
—
Mandingo Swing
Madlib
—
Endless Cold (Lovelost)
Madlib
—
Chant 2
Madlib
—
Afrosound Panorama
Madlib
—
Hunting Theme
Madlib
—
Yafeu
Madlib
—
Afritonic, Part 1
Madlib
—
Tradition
Madlib
—
Spearthrow for Oh No
Madlib
—
Tear Gas and Bullets for Freedom
Madlib
—
Heritage Sip
Madlib
—
Land of the Drum
Madlib
—
Red, Black and Green Showcase
Madlib
—
Blackfire
Madlib
—
Obataive
Madlib
—
Warrior’s Theme
Madlib
—
Mtima
Madlib
—
African Map Watch
Madlib
—
Street Hustler
Madlib
—
Kanika
Madlib
—
Brothers and Sisters
Madlib
—
Freedom Play
Madlib
—
African Bounce
Madlib
—
Natural Sound Waves
Madlib
—
Jungle Soundz, Part 2
Madlib
—
Mighty Force
Madlib
—
Unika (outro)
Madlib
—
Bonus A
Madlib
—
Bonus F
Madlib
—
Bonus R
Madlib
—
Bonus I
Madlib
—
Bonus C
Madlib
—
Bonus A (Amanaz)
Madlib
—
What Are the Medical Benefits of Smoking Marijuana?
—
What Are the Negative Risks of Smoking It?
—
What Alternatives Are There to Smoking?
—
Are a Lot of Pesticides on Pot?
—
Where Is All This Pot Coming From?
—
So What Does the Law Say About These Dispensaries and Their Various Pot Products?
—
How Much Pot Am I Allowed to Have at One Time?
—
How Do I Get a Prescription?
—
Will My Name End Up on Some DEA List?
—
Warning (intro)
—
Static Invazion
—
Stakeout
—
Rapper X Radio
—
Last Day's Music
—
Episode VI
—
Nothing from Nothing
—
Episode VIII
—
Episode IX
—
Episode X
—
Episode XI
—
Episode XII
—
Episode XIII
—
Episode XIV
—
Episode XV
—
Episode XVI
—
Episode XVII
—
Episode XVIII
—
Episode XIX
—
Episode XX
—
Further Adventures of Walkman Flavor
—
Episode XXII
—
Episode XXIII
—
Episode XXIV
—
Episode XXV
—
Episode XXVI
—
Episode XXVII
—
Live from Outer Space
—
Real Days
—
C.D.P. Assassins, Part 1
—
C.D.P. Assassins, Parts 2 & 3
—
C.D.P. Assassins, Part 4
—
C.D.P. Assassins, Part 5
—
C.D.P. Assassins, Part 6
—
World Leaders Plan Centralized Power & Remote Brain Control
—
It Has Widespread Support
—
Predicted 2000 Years Ago
—
It's Almost Here
—
It Will Happen on 4/20
—
How to Avoid Being a Victim
—
Its Sudden & Complete Collapse Predicted
—
It Is Right on Time
—
The Real New Order
—
Steppin' Into Tomorrow (prelude)
—
Electronic Dimensions
—
Pretty Eyes
—
High Jazz
—
Medley: Don't You Worry Bout a Thing (live at Spear for Moondog)
—
Interlude
—
Reality or Dream
—
Drunk Again
—
Funky Butt, Part 1
—
Wonderin' / Nightime
—
Space & Time
—
Conquistador
—
Tarzan's Theme
—
Interlude
—
Kimo
—
Miles
—
Ornette
—
Pharoah
—
Herbie
—
Mingus
—
Ra
—
Dolphy
—
Ranelin
—
Deodato
—
Coltrane
—
Nittyville (The Landing)
Madlib
—
So Beautiful (Dues Paid)
Madlib
—
Jus’ Follow
Madlib
—
Eyegotcha
Madlib
—
Sunday Sinema
Madlib
—
What Can U Tell Me
Madlib, MED
—
Red Light Green
Madlib
—
Go There
Madlib
—
Set It Off
Madlib, Prime
—
To Promote Illogical Thinking
—
To Increase Efficiency of Mentation and Perception
—
To Promote the Intoxicating Effect of Alcohol
—
The Induction of Hypnosis
—
To Withstand Privation, Torture and Coercion
—
To Promote America
—
May Result in Shock and Confusion
—
To Produce "Pure" Euphoria
—
To Alter Personality Structure
—
Sounds of the Studio (prelude)
Madlib
—
Hold Up
The Professionals
—
Start Sumthin’ (93033)
The Professionals, Roc C
—
Thoughts of an Old Flame
Guilty Simpson
—
Louder (Blast Your Radio theme)
Madlib
—
Love/Hate (instrumental)
Madlib
—
Interview #4080
Supreme Team
—
Embryo Thought (instrumental)
Madlib
—
The Adventures of Soul Bra and Docta Dick'em (Parts 1 & 2)
Madlib
—
Mic Check (Smoke Break II)
Madlib
—
Real Talk
LMD
—
The Sound of Champions (instrumental)
Madlib
—
Same
Madlib
—
[unknown]
—
Inspectah Deck’s Verse from 7L & Esoteric’s “Speaking Real Words” / Rae’s Verse from Big Pun’s “Fire Water”
—
For the Nasty
—
Interlude
—
Bustin'
—
Interlude
—
Roc Co.Kane Flow
—
Let’s Take It Back
—
Remixes 2 (intro)
—
Cross Bronx Expressway
—
Caught Up / Love Session
—
Ma Dukes
—
I’m a Monsta
—
Interlude
—
Pussy
—
Ya’ll Dont Wanna Do That
—
Interlude
—
The Wigflip
—
Never Change
—
Interlude
—
Shines
—
Save Me Dear
—
Interlude
—
Watch Out
—
Outside
—
Da Bridge 2001
—
Interlude
—
Black Boy
—
Beanie Sigel-Wanted
—
Interlude
—
M.E.D.
—
Belly Dancer
—
D.O.A.
—
Sadat X's Verse from Diamond D’s “Feel It”
—
Interlude
—
Outro
—
When the Fat Lady Sings
GZA/Genius
—
50 Cent, Tony Touch, Large Professor, Pete Rock, Masta Ace
Pressure
—
[unknown]
MED
—
Fuck You
Pharoahe Monch
—
Wanna Battle
Elite Terrorists
—
Out da Box
Tony Touch, Large Professor, Pete Rock, Masta Ace
—
Interlude 3
Madlib
—
Get Hype
Mali
—
Interlude 4
Madlib
—
Larger Than Life
Montage
—
The Sun God
Common
—
Interlude 5
Madlib
—
Somehow, Someway
Organized Konfusion
—
Jus' Follow
Frank Nitty
—
Interlude 6
Madlib
—
Sick Days
Beat Junkies
—
Interlude 7
Madlib
—
Any Man / Closer
Eminem, Capone-N-Noreaga
—
Interlude 8
Madlib
—
Additional database matches (14)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ode to the Ghetto (OJ Simpson remix) | Madlib | T-903.727.490-1 |
| Yikes (OJ Simpson remix) | Madlib | T-901.118.471-7 |
| Pigs (OJ Simpson remix) | Madlib | T-901.118.470-6 |
| Get Bitches (OJ Simpson remix) | Madlib | T-903.727.496-7 |
| Robbery (OJ Simpson remix) | Madlib | T-901.118.473-9 |
| Kill 'em (OJ Simpson remix) | Madlib | T-903.727.498-9 |
| I Must Love You (OJ Simpson remix) | Madlib | T-903.727.734-2 |
| My Moment (OJ Simpson remix) | Madlib | T-903.727.503-9 |
| American Dream & Future (OJ Simpson remix) | Madlib | T-903.727.735-3 |
| O.G., Part 1 (Whirlwind mix) | AG | — |
| O.G., Part 2 (Underwater mix) | Oh No | — |
| Stageridin' (first demo Double Image mix) | Frank Nitty | T-911.012.060-0 |
| Loose Girl (electronic Drunk Demon version) | Strong Arm Steady | T-301.278.977-0 |
| Intro | Madlib | T-073.073.229-2 |
O.G., Part 1 (Whirlwind mix)
AG
—
O.G., Part 2 (Underwater mix)
Oh No
—
Strong Arm Steady
Madlib
What other identifiers does this connect to?
Musical Works (ISWC)
T-902.691.895-6T-011.536.039-8T-041.996.292-7T-060.352.671-1T-070.233.680-8T-070.240.755-3T-070.241.640-7T-070.257.457-9T-070.895.649-3T-070.915.578-1
+41 more
T-070.917.611-3T-070.918.845-3T-070.924.414-3T-071.122.577-2T-071.351.686-9T-071.825.964-3T-072.001.310-4T-072.246.132-6T-072.258.105-6T-072.697.517-2T-073.073.229-2T-301.278.977-0T-301.278.982-7T-305.952.870-6T-306.055.609-0T-311.724.924-4T-901.118.470-6T-901.118.471-7T-901.118.473-9T-901.849.855-0T-901.851.941-0T-903.527.707-7T-903.727.489-8T-903.727.490-1T-903.727.493-4T-903.727.495-6T-903.727.496-7T-903.727.498-9T-903.727.501-7T-903.727.502-8T-903.727.503-9T-903.727.734-2T-903.727.735-3T-904.686.672-2T-905.387.317-9T-906.543.513-4T-911.012.060-0T-911.012.062-2T-913.150.170-7T-915.599.665-9T-930.154.272-3
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000003220042000000003670971700000000479806170000000054897731000000005515342700000000551695410000000056982331000000007839087100000000783938020000000078397264
+40 more
00000000783974320000000078459664000000007978572800000000799887520000000080412670000000008128174800000000909107450000000094866788000000010802223700000001081160300000000114695972000000011478689000000001148180550000000115340030000000011691912400000001176993700000000119463580000000012005934X0000000120182049000000012022164200000001202982870000000120807221000000012086157800000001210326160000000122807954000000012298737700000001232374630000000357409619000000036329452000000003684684460000000368481747000000036859100600000003686119000000000368627347000000036865152300000003725402360000000372703285000000037292979400000003730072650000000386794253
Identifier Graph
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What is UPC 989237100120?
989237100120 is a Universal Product Code (UPC) assigned to Madlib Medicine Show: The Brick by Madlib. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 254 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm