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Messiah, K. 572: Accompanied Recitative: Merkt auf! (Bass) album cover

ISRC

DEA559113783

Messiah, K. 572: Accompanied Recitative: Merkt auf! (Bass)

Song: Der Messias, K. 572: Teil III, Nr. 35a. Recitativo strumentato: “Merkt auf!”

Alastair MilesBach-Collegium StuttgartHelmuth Rilling
Released 2013-01-01

Last verified:

DEA559113783 is the International Standard Recording Code (ISRC) for the recording “Messiah, K. 572: Accompanied Recitative: Merkt auf! (Bass)” by Alastair Miles, Bach-Collegium Stuttgart, Helmuth Rilling, released 2013-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A55Registrant
91Year (1991)
13783Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Messiah, K. 572: Accompanied Recitative: Merkt auf! (Bass)" by Alastair Miles?
The ISRC for "Messiah, K. 572: Accompanied Recitative: Merkt auf! (Bass)" by Alastair Miles, Bach-Collegium Stuttgart, Helmuth Rilling is DEA559113783.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA559113783?

DEA559113783 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Messiah, K. 572: Accompanied Recitative: Merkt auf! (Bass)” by Alastair Miles, Bach-Collegium Stuttgart, Helmuth Rilling. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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