Person · Active since 1961
Credits Graph
Credit Chain
A mia figlia
Alastair Miles, David Harper
Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina)
Jerry Hadley, Barbara Hendricks, Alastair Miles, Peter Svensson, Scottish Chamber Orchestra, Charles Mackerras
Le Comte Ory : Acte I. « C’est bien »
Stefania Bonfadelli, Juan Diego Flórez, Alastair Miles, Bruno Praticò, Prague Chamber Choir, Marie-Ange Todorovitch, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos
Le Comte Ory : Acte I. « Cet écrit, noble châtelaine »
Rossella Bevacqua, Stefania Bonfadelli, Juan Diego Flórez, Marina de Liso, Alastair Miles, Bruno Praticò, Prague Chamber Choir, Marie-Ange Todorovitch, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos
Le Comte Ory : Acte I. « Cet ermite, ma belle enfant »
Rossella Bevacqua, Alastair Miles, Prague Chamber Choir, Marie-Ange Todorovitch, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos
Le Comte Ory : Acte I. « Cette aventure fort singulière »
Rossella Bevacqua, Alastair Miles, Prague Chamber Choir, Marie-Ange Todorovitch, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos
Le Comte Ory : Acte I. « Ciel ! Ô terreur, ô peine extrême »
Rossella Bevacqua, Stefania Bonfadelli, Juan Diego Flórez, Marina de Liso, Alastair Miles, Bruno Praticò, Prague Chamber Choir, Marie-Ange Todorovitch, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos
Le Comte Ory : Acte I. « Je ne puis plus longtemps »
Alastair Miles, Marie-Ange Todorovitch, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos
Le Comte Ory : Acte I. « Veiller sans cesse »
Alastair Miles, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos
Le Comte Ory : Acte I. « Venez amis, retirons‐nous »
Rossella Bevacqua, Stefania Bonfadelli, Juan Diego Flórez, Marina de Liso, Alastair Miles, Bruno Praticò, Prague Chamber Choir, Marie-Ange Todorovitch, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos
Le Comte Ory : Acte I. « Vous, notre appui »
Alastair Miles, Prague Chamber Choir, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos
Le Comte Ory : Acte II. « Ah ! la bonne folie »
Juan Diego Flórez, Alastair Miles, Prague Chamber Choir, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos
Le Comte Ory : Acte II. « Eh ! mais, quelle triste observance »
Juan Diego Flórez, Alastair Miles, Bruno Praticò, Prague Chamber Choir, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos
Le Nozze Di Figaro, K. 492 - Act Four - Aria: Aprite un po' quegli occhi
Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Four - Finale: Pian pianin le andro piu presso
Nuccia Focile, Suzanne Murphy, Carol Vaness, Rebecca Evans, Susanne Mentzer, Ryland Davies, Alfonso Antoniozzi, Alessandro Corbelli, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Four - Recitativo: Barbarina cos'hai?
Rebecca Evans, Suzanne Murphy, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Four - Recitativo: E Barbarina
Ryland Davies, Alfonso Antoniozzi, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Four - Recitativo: Madama, voi tremate
Nuccia Focile, Carol Vaness, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Four - Recitativo: Madre
Suzanne Murphy, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Four - Recitativo: Perfida! e in quella forma
Carol Vaness, Susanne Mentzer, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Four - Recitativo: Tuto e disposto
Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act One: Aria: non piu andrai
Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act One: Cavatino: Su vuoi ballare
Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act One: Duettino: Cinque...dieci..
Alastair Miles, Nuccia Focile, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act One: Duettino: Se a caso madama
Alastair Miles, Nuccia Focile, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act One: Recitativo: Bravo, signor padrone!
Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act One: Recitativo: Cos'e questa commedia?
Nuccia Focile, Alastair Miles, Alessandro Corbelli, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act One: Recitativo: Cosa stai misurando
Nuccia Focile, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act One: Recitativo: Evviva!
Nuccia Focile, Susanne Mentzer, Ryland Davies, Alessandro Corbelli, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act One: Recitativo: Or bene, ascolta e taci
Nuccia Focile, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Three - Finale: Ecco la marcia
Nuccia Focile, Carol Vaness, Alessandro Corbelli, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Three - Recitativo: E decisa la lite
Suzanne Murphy, Ryland Davies, Alfonso Antoniozzi, Alessandro Corbelli, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Three - Recitativo: Eccovi, o caro amico
Nuccia Focile, Suzanne Murphy, Alfonso Antoniozzi, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Three - Recitativo: Ehi, Susanna, ove vai?
Nuccia Focile, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Three - Recitativo: Signor...se trattenete
Nuccia Focile, Carol Vaness, Alfonso Antoniozzi, Alessandro Corbelli, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Three - Sestetto: Riconosci in questo amplesso
Nuccia Focile, Suzanne Murphy, Ryland Davies, Alessandro Corbelli, Alfonso Antoniozzi, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Two - Finale: Esci ormai
Nuccia Focile, Carol Vaness, Suzanne Murphy, Susanne Mentzer, Ryland Davies, Alfonso Antoniozzi, Alessandro Corbelli, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Act Two: Recitativo: Vieni, cara Susanna
Carol Vaness, Nuccia Focile, Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Le Nozze Di Figaro, K. 492 - Appendices - Act One - Recitativo: Ehi, Sor Paggio
Alastair Miles, Scottish Chamber Orchestra, Sir Charles Mackerras
Les Soirées italiennes: Il brindisi
Bruce Ford, Alastair Miles, David Harper
Les Soirées italiennes: Il galop
Garry Magee, Alastair Miles, David Harper
Mass in B minor, BWV 232: Et in Spiritum Sanctum, Aria bass
Alastair Miles, Saito Kinen Orchestra, Seiji Ozawa
Mass in B minor, BWV 232: Quoniam tu solus Sanctus, Aria bass
Alastair Miles, Saito Kinen Orchestra, Seiji Ozawa
Mass in C: V. Benedictus
John Mark Ainsley, London Symphony Chorus, Sally Matthews, Alastair Miles, Sara Mingardo, London Symphony Orchestra, Sir Colin Davis
Mass in C: VI. Agnus Dei
John Mark Ainsley, London Symphony Chorus, Sally Matthews, Alastair Miles, Sara Mingardo, London Symphony Orchestra, Sir Colin Davis
Messiah, K. 572: Accompanied Recitative: Blick auf! Nacht bedecket das Erdreich (Bass)
Alastair Miles, Bach-Collegium Stuttgart, Helmuth Rilling
Messiah, K. 572: Accompanied Recitative: Merkt auf! (Bass)
Alastair Miles, Bach-Collegium Stuttgart, Helmuth Rilling
Messiah, K. 572: Accompanied Recitative: So spricht der Herr (Bass)
Alastair Miles, Bach-Collegium Stuttgart, Helmuth Rilling
Messiah, K. 572: Aria: Das Volk, das im Dunkeln wandelt (Bass)
Alastair Miles, Bach-Collegium Stuttgart, Helmuth Rilling
Messiah, K. 572: Aria: Doch wer mag ertragen den Tag seiner Ankunft (Bass)
Alastair Miles, Bach-Collegium Stuttgart, Helmuth Rilling
Messiah, K. 572: Aria: Sie schallt, die Posaun' (Bass)
Alastair Miles, Bach-Collegium Stuttgart, Helmuth Rilling
Messiah, K. 572: Aria: Warum entbrennen die Heiden (Bass)
Alastair Miles, Bach-Collegium Stuttgart, Helmuth Rilling
Messiah: Part I. Aria "The people that walked in darkness" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Aria "The people that walked in darkness" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Recitative "For behold, darkness shall come over the earth" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Recitative "Thus said the Lord" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Recitative "Thus said the Lord" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. V. Bass "Thus saith the Lord"
Alastair Miles, London Symphony Orchestra, Sir Colin Davis
Messiah: Part I. X. Bass "For, behold, darkness shall cover the earth"
Alastair Miles, Sir Colin Davis, London Symphony Orchestra
Messiah: Part I. XI. Bass "The people that walked in darkness"
Alastair Miles, London Symphony Orchestra, Sir Colin Davis
Messiah: Part II. "Why do the nations?" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
Messiah: Part II. "Why do the nations?" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
Messiah: Part II. XL. Bass "Why do the nations so furiously rage together?"
Alastair Miles, London Symphony Orchestra, Sir Colin Davis
Messiah: Part II. XXXVI. Bass "Thou art gone up on high"
Alastair Miles, London Symphony Orchestra, Sir Colin Davis
Messiah: Part III. Aria "The trumpet shall sound" (bass)
Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury
Messiah: Part III. Aria "The trumpet shall sound" (bass)
Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury
Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
Messiah: Part III. Recitative "Behold, I tell you a mystery" (bass)
Alastair Miles, The Brandenburg Consort, Stephen Cleobury
Messiah: Part III. XLVII. Bass "Behold, I tell you a mystery"
Alastair Miles, London Symphony Orchestra, Sir Colin Davis
Messiah: Part III. XLVIII. Bass "The trumpet shall sound"
Alastair Miles, London Symphony Orchestra, Sir Colin Davis
Missa K. 257 ("Credo"): Gloria
Angela Maria Blasi, Elisabeth von Magnus, Deon van der Walt, Alastair Miles, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
Requiem, KV. 626: IIIb. Sequenz: Tuba mirum
Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington
Requiem, KV. 626: IIId. Sequenz: Recordare
Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington
Requiem, KV. 626: IVa. Offertorium: Domine Jesu
Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington
Requiem, KV. 626: Va. Sanctus et Benedictus: Sanctus / Vb. Sanctus et Benedictus: Osanna I
Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The Schütz Choir of London, The London Classical Players
Requiem: I. Requiem
Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IIb. Dies irae: Tuba mirum
Alastair Miles, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IIe. Dies irae: Rex tremendae
Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IIh. Dies irae: Confutatis
Alastair Miles, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: IIi. Dies irae: Lacrymosa
Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: III. Offertorio
Luca Canonici, Alastair Miles, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Requiem: VI. Lux aeterna
Luca Canonici, Alastair Miles, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
Thamos, König in Ägypten, KV 345: 7. Chor mit Solo (Sethos): "Ihr Kinder des Staubes, erzittert und bebet" (final version)
Alastair Miles, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Thamos, König in Ägypten, KV 345: 7a. Schlußmusik zum Fünften Akt (original version)
English Baroque Soloists, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: II. Dixit dominus
Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: IV. Laudate pueri
Alastair Miles, Ann Monoyios, Monteverdi Choir, Sandro Naglia, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: VI. Laetatus sum
Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206: XIII. Magnificat a 7 voci
Patrick Russill, Michael Chance, London Oratory Junior Choir, Alastair Miles, Ann Monoyios, Monteverdi Choir, Sandro Naglia, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, Ian Watson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Vespro della Beata Vergine, SV 206a: XII. Magnificat a 6 voci
Patrick Russill, London Oratory Junior Choir, Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, Ian Watson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner
Agrippina
2007 · Philips
Agrippina: Highlights
1998 · Philips
Caractacus
2019 · Hyperion
Caractacus / Severn Suite
2016 · Chandos
Don Carlos
2009
Don Giovanni
1993 · EMI Classics
Don Giovanni
1999 · Virgin Veritas
Elias
1993 · Teldec
L’Enfance du Christ
2008 · Hyperion
L’Enfance du Christ
1995 · Hyperion
La Cour de Célimène
Le Comte Ory
2004 · Deutsche Grammophon
Le Comte Ory
2004
Le nozze di Figaro
2008 · Telarc
Le nozze di Figaro, K. 492
Les Soirées Italiennes
1999
Lucia di Lammermoor
1998 · Sony Classical
Lucia di Lammermoor (highlights)
1994
Mass in B‐flat major Hob. XXII:12 “Theresienmesse”; Mass in G major Hob XXII:6 “Sancti Nicolai”
1993 · Archiv Produktion
Mass in C
2008 · LSO Live
Messiah
2005 · Brilliant Classics
Messiah
2009 · Brilliant Classics
Missa in C, K. 257 "Credo" / Litaniae de Venerabili Altaris Sacramento, K.243
1992 · Teldec
Missa K. 167, "Spaurmesse", Orgelsolo-Messe, Misericordias Domini
1998 · Teldec
Nabucco
2006
Norma
2005 · Nightingale Classics
Requiem / Masonic Funeral Music / Ave verum corpus
2013
Requiem / Mass in C minor
Requiem / Maurerische Trauermusik / Ave verum corpus
1992 · EMI Classics
Requiem / Quattro pezzi sacri
1994
Robert Le Diable
2013 · Brilliant Classics
Roméo & Juliette
2002 · Philips
Roméo et Juliette
2011 · Newton Classics
Roméo et Juliette
1996 · RCA Victor Red Seal
Roméo et Juliette
1996 · Philips
Saul
1991 · Philips
Stabat Mater
1995 · Teldec
Szenen aus Goethes Faust
2014 · BR-Klassik
Thamos, König in Ägypten
1993 · Archiv Produktion
The Complete Songs – 4
2009 · Hyperion
The Dream of Gerontius
2006 · LSO Live
The Rape of Lucretia
2014
Alastair Miles is a performer, active since 1961.
Our database contains 90 recordings and 42 releases credited to Alastair Miles. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.
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