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ISRC

NLY330902447

Messiah: Part III. Aria "The trumpet shall sound" (bass)

Song: Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)

Alastair MilesCrispian Steele-PerkinsThe Brandenburg ConsortStephen Cleobury
Released 2004-01-01

Last verified:

NLY330902447 is the International Standard Recording Code (ISRC) for the recording “Messiah: Part III. Aria "The trumpet shall sound" (bass)” by Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury, released 2004-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
Y33Registrant
09Year (2009)
02447Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Messiah: Part III. Aria "The trumpet shall sound" (bass)" by Alastair Miles?
The ISRC for "Messiah: Part III. Aria "The trumpet shall sound" (bass)" by Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury is NLY330902447.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLY330902447?

NLY330902447 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Messiah: Part III. Aria "The trumpet shall sound" (bass)” by Alastair Miles, Crispian Steele-Perkins, The Brandenburg Consort, Stephen Cleobury. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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