UPC · Release
Saul
Händel, Alastair Miles, Lynne Dawson, Donna Brown, Derek Lee Ragin, John Mark Ainsley, Neil Mackie, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
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028942626522 is the Universal Product Code (UPC barcode) for the release “Saul” by Händel, Alastair Miles, Lynne Dawson, Donna Brown, Derek Lee Ragin, John Mark Ainsley, Neil Mackie, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner, released 1991-01-01 on Philips. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (69)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Saul: Symphony: Allegro | — | ||
| 2 | Saul: Symphony: Larghetto | — | ||
| 3 | Saul: Symphony: Allegro | — | ||
| 4 | Saul: Symphony: Andante larghetto | — | ||
| 5 | Saul: Act One: 1. “How excellent Thy name, o Lord” | — | ||
| 6 | Saul: Act One: 2. “An infant raised” / 3. “Along the monster atheist strode” | — | ||
| 7 | Saul: Act One: 4. “The youth inspired by Thee, o Lord” | — | ||
| 8 | Saul: Act One: 5. “How excellent Thy name, o Lord” | — | ||
| 9 | Saul: Act One: 6. “He comes” / 7. “O God‐like youth” | — | ||
| 10 | Saul: Act One: 8. “Behold, o king, the brave, victorious youth” | — | ||
| 11 | Saul: Act One: 9. “O king, your favours with delight” / 10. “O early piety!” | — | ||
| 12 | Saul: Act One: 11. “What abject thoughts” / 12. “Yet think on whom this honour” | — | ||
| 13 | Saul: Act One: 13. “Birth and fortune I despise” | — | ||
| 14 | Saul: Act One: 14. “Go on, illustrious pair!” / 15. “While yet thy tide of blood” | — | ||
| 15 | Saul: Act One: 16. “Thou, Merab, first in birth” / 17. “My soul rejects” / 18. “See, with what a scornful air” / 19. “Ah, lovely youth” | — | ||
| 16 | Saul: Act One: 20. Symphony / 21. “Already see the daughters” / 22. “Welcome, welcome, mighty king!” | — | ||
| 17 | Saul: Act One: 23. “What do I hear?” / 24. “David his ten thousands slew” / 25. “To him ten thousands” | — | ||
| 18 | Saul: Act One: 26. “With rage I shall burst” | — | ||
| 19 | Saul: Act One: 27. “Imprudent women!” | — | ||
| 20 | Saul: Act One: 28. “Fell rage and black despair possessed” | — | ||
| 21 | Saul: Act One: 29. “This but the smallest part of Harmony” / 30. “By thee this universal frame” | — | ||
| 22 | Saul: Act One: 31. “Racked with infernal pains” | — | ||
| 23 | Saul: Act One: 32. “O Lord, whose mercies numberless” / 33. Symphony | — | ||
| 24 | Saul: Act One: 34. “’Tis all in vain” / 35. “A serpent, in my bosom warmed” / 36. “Has he escaped my rage?” | — | ||
| 25 | Saul: Act One: 37. “Capricious man” | — | ||
| 26 | Saul: Act One: 38. “O filial piety!” | — | ||
| 27 | Saul: Act One: 39. “No, cruel father, no!” | — | ||
| 28 | Saul: Act One: 40. “O Lord, whose providence” | — | ||
| 29 | Saul: Act One: 41. “Preserve him for the glory” | — | ||
| 30 | [Applause] | — | ||
| 2-1 | Saul: Act Two: 42. “Envy! eldest born of hell!” | — | ||
| 2-2 | Saul: Act Two: 43. “Ah, dearest friend” | — | ||
| 2-3 | Saul: Act Two: 44. “But sooner Jordan’s stream” | — | ||
| 2-4 | Saul: Act Two: 45. “O strange vicissitude!” | — | ||
| 2-5 | Saul: Act Two: 46. “Such haughty beauties” | — | ||
| 2-6 | Saul: Act Two: 47. “My father comes” / 48. “Hast thou obeyed my orders” | — | ||
| 2-7 | Saul: Act Two: 49. “Sin not, o king” | — | ||
| 2-8 | Saul: Act Two: 50. “As great Jehovah lives” | — | ||
| 2-9 | Saul: Act Two: 51. “From cities stormed” | — | ||
| 2-10 | Saul: Act Two: 52. “Appear, my friend” | — | ||
| 2-11 | Saul: Act Two: 53. “Your words, o king” / 54. “Yes, he shall wed my daughter” | — | ||
| 2-12 | Saul: Act Two: 55. “A father’s will” | — | ||
| 2-13 | Saul: Act Two: 56. “Oh fairest of ten thousand fair” / 57. “Is there a man” | — | ||
| 2-14 | Saul: Act Two: 58. Symphony | — | ||
| 2-15 | Saul: Act Two: 59. “Thy father is as cruel” | — | ||
| 2-16 | Saul: Act Two: 60. “At persecution I can laugh” | — | ||
| 2-17 | Saul: Act Two: 61. “Whom dost thou seek?” | — | ||
| 2-18 | Saul: Act Two: 62. “No, no let the guilty tremble” | — | ||
| 2-19 | Saul: Act Two: 63. “Mean as he was” | — | ||
| 2-20 | Saul: Act Two: 64. “Author of peace” | — | ||
| 2-21 | Saul: Act Two: 65. Symphony | — | ||
| 2-22 | Saul: Act Two: 66. “The time at length is come” / 67. “Where is the son of Jesse?” | — | ||
| 2-23 | Saul: Act Two: 68. “Oh fatal consequence” | — | ||
| 3-1 | Saul: Act Three: 69. “Wretch that I am” / 70. “’Tis said, here lives a woman” / 71. “With me what would’st thou?” | — | ||
| 3-2 | Saul: Act Three: 72. “Infernal spirits” | — | ||
| 3-3 | Saul: Act Three: 73. “Why hast thou forced me” | — | ||
| 3-4 | Saul: Act Three: 74. Symphony | — | ||
| 3-5 | Saul: Act Three: 75. “Whence comest thou” / 76. “Impious wretch” | — | ||
| 3-6 | Saul: Act Three: 77. Dead March | — | ||
| 3-7 | Saul: Act Three: 78. “Mourn, Israel” | — | ||
| 3-8 | Saul: Act Three: 79. “Oh let it not in Gath be heard” | — | ||
| 3-9 | Saul: Act Three: 80. “From this unhappy day” | — | ||
| 3-10 | Saul: Act Three: 81. “Brave Jonathan his bow never drew” | — | ||
| 3-11 | Saul: Act Three: 82. “Eagles were not so swift as they” | — | ||
| 3-12 | Saul: Act Three: 83. “In sweetest harmony” | — | ||
| 3-13 | Saul: Act Three: 84. “O fatal day!” | — | ||
| 3-14 | Saul: Act Three: 85. “Ye men of Judah, weep no more” | — | ||
| 3-15 | Saul: Act Three: 86. “Gird on thy sword” | — | ||
| 3-16 | [Applause] | — |
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What is UPC 028942626522?
028942626522 is a Universal Product Code (UPC) assigned to Saul by Händel, Alastair Miles, Lynne Dawson, Donna Brown, Derek Lee Ragin, John Mark Ainsley, Neil Mackie, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 69 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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