Person · Active since 1956
Identifier Graph
Credit Chain
A Choral Fantasia, op. 51 (H 177): I. Man Born of Desire
Lynne Dawson, Royal Philharmonic Orchestra, John Birch
A Choral Fantasia, op. 51 (H 177): V. Rejoice, Ye Dead
Lynne Dawson, Royal Philharmonic Orchestra, John Birch
Ave verum corpus (K. 618)
Roy Goodman, Choir of King’s College, Cambridge, Rogers Covey-Crump, Lynne Dawson, Paul Hillier, David James, Stephen Layton, Cambridge Classical Players, Stephen Cleobury
Carmina Burana: III. Cour d’amours: Amor volat undique
Lynne Dawson, San Francisco Boys Chorus, San Francisco Girls Chorus, San Francisco Symphony, Herbert Blomstedt
Carmina Burana: III. Cour d’amours: Dulcissime
Lynne Dawson, San Francisco Symphony, Herbert Blomstedt
Carmina Burana: III. Cour d’amours: In trutina
Lynne Dawson, San Francisco Symphony, Herbert Blomstedt
Carmina Burana: III. Cour d’amours: Stetit puella
Lynne Dawson, San Francisco Symphony, Herbert Blomstedt
Carmina Burana: III. Cour d’amours: Tempus est iocundum
Lynne Dawson, Kevin McMillan, San Francisco Boys Chorus, San Francisco Girls Chorus, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt
Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido)
Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs
Dido & Aeneas Act I: Grief increases by concealing (Belinda)
Lynne Dawson, Rosemary Joshua, Orchestra of the Age of Enlightenment, René Jacobs
Dido & Aeneas Act I: See, your Royal Guest appears (Belinda)
Lynne Dawson, Gerald Finley, Rosemary Joshua, Orchestra of the Age of Enlightenment, René Jacobs
Dido & Aeneas Act I: Whence could so much virtue spring? (Dido)
Lynne Dawson, Rosemary Joshua, Orchestra of the Age of Enlightenment, René Jacobs
Dido & Aeneas Act II: Behold, upon my bending spear (Aeneas)
Lynne Dawson, Gerald Finley, Orchestra of the Age of Enlightenment, René Jacobs
Dido & Aeneas Act III: Thy hand, Belinda (Dido)
Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs
Dido & Aeneas Act III: When I am laid in earth (Dido)
Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs
Dido & Aeneas Act III: Your counsel all is urged in vain (Dido)
Lynne Dawson, Gerald Finley, Rosemary Joshua, Orchestra of the Age of Enlightenment, René Jacobs
Die Entführung aus dem Serail, K. 384: Act I, Scene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze)
Wolfgang Hinze, Lynne Dawson
Die Entführung aus dem Serail, K. 384: Act I, Scene VII. No. 6 Aria "Ach ich liebte" (Konstanze)
Lynne Dawson, Academy of Ancient Music, Christopher Hogwood
Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze)
Lynne Dawson, Academy of Ancient Music, Christopher Hogwood
Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze)
Lynne Dawson, Academy of Ancient Music, Christopher Hogwood
Die Entführung aus dem Serail: Aufzug I. "Ach, ich sagt' es wohl, du würdest mich hassen" (Konstanze, Selim, Pedrillo, Osmin, Belmonte)
Lynne Dawson, Wolfgang Hinze, Wilfried Gahmlich, Günter von Kannen, Wolfgang Hinze
Die Entführung aus dem Serail: Aufzug II. "Wie traurig das gute Mädchen daherkommt!" - "Welcher Wechsel herrscht in meiner Seele" (Blonde, Konstanze)
Marianne Hirsti, Lynne Dawson, Academy of Ancient Music, Christopher Hogwood
Dixit Dominus, HWV 232: VI. Dominus a dextris tuis
Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
Dixit Dominus, HWV 232: VIII. De torrente in via bibet
Arleen Augér, Lynne Dawson, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
Ein deutsches Requiem, op. 45: Ihr habt nun Traurigkeit
Lynne Dawson, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington
First Choral Symphony, op. 41 (H 155): Finale: Solo. Next They Tasso's Ardet Numbers
Guildford Choral Society, Royal Philharmonic Orchestra, Lynne Dawson
First Choral Symphony, op. 41 (H 155): Finale: Solo. Spirit Here That Reignest!
Guildford Choral Society, Royal Philharmonic Orchestra, Lynne Dawson
First Choral Symphony, op. 41 (H 155): Finale: Solo. Spirit Here That Reignest!
Guildford Choral Society, Royal Philharmonic Orchestra, Lynne Dawson
First Choral Symphony, op. 41 (H 155): Finale: Solo. Then, Though Thy Temple Wide
Guildford Choral Society, Royal Philharmonic Orchestra, Lynne Dawson
First Choral Symphony, op. 41 (H 155): Song and Bacchanal
Guildford Choral Society, Royal Philharmonic Orchestra, Lynne Dawson
First Choral Symphony, op. 41 (H 155): Song and Bacchanal: Solo. Onward the Tiger and the Leopard Pants
Guildford Choral Society, Royal Philharmonic Orchestra, Lynne Dawson
First Choral Symphony, op. 41 (H 155): Song and Bacchanal: Solo. Within His Car, Aloft, Young Bacchus Stood
Guildford Choral Society, Royal Philharmonic Orchestra, Lynne Dawson
Jephtha: Act I, Scene 3. "I go, My soul, inspir'd by thy command" / "These labours past, how happy we!"
Michael Chance, Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 3. "Ill suits the voice of love when glory calls" / "Take the heart you fondly gave"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 6. "Say, my dear mother"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act I, Scene 6. "The smiling dawn of happy days"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 1. "'Tis well. Haste, haste, ye maidens" / "Tune the soft melodious lute"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. "Welcome as the cheerful light"
Lynne Dawson, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 3. Symphony / "Hail glorious conqueror!"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 4. "Happy they! this vital breath"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act II, Scene 4. "Such news flies swift"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 1. "Ye sacred priests" / "Farewell, ye limpid springs and floods"
Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner
Jephtha: Act III, Scene 2. "My faithful Hamor, may that Providence" / "All that is in Hamor mine"
Michael Chance, Lynne Dawson, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
L'Orfeo: Prologo. "Dal mio Permesso" (La Musica)
John Eliot Gardiner, The English Baroque Soloists, Lynne Dawson
Mass in B minor BWV 232: II. Kyrie: Christe eleison
Lynne Dawson, Carol Hall, English Baroque Soloists, Sir John Eliot Gardiner
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis"
John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te"
John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi"
John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus"
John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis"
David Hill, Julian Smith, John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus"
John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe-Cum Sancto Spiritu"
John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum"
John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est"
John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus"
John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus
John Mark Ainsley, Arleen Augér, Lynne Dawson, David Thomas, Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood
Messiah, HWV 56: Part 3: 43. Air: "I know that my Redeemer liveth"
Lynne Dawson, Les Musiciens du Louvre, Marc Minkowski
Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Aria "Rejoice greatly, o daughter of Zion" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano)
Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Duet "And he shall feed his flock" (alto & soprano)
Lynne Dawson, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Recitative "And suddenly there was with the angel" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Recitative "And the angels said unto them" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Recitative "And the angels said unto them" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Recitative "There were shepherds" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part I. Recitative "There were shepherds" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part II. Aria "But thou didst not leave" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part II. Aria "But thou didst not leave" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part II. Aria "How beautiful are the feet" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part II. Aria "How beautiful are the feet" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part II. Recitative "He was cut off out of the land" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part II. Recitative "He was cut off out of the land" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part III. Aria "I know that my Redeemer liveth" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part III. Aria "If God be for us" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Messiah: Part III. Aria "If God be for us" (soprano)
Lynne Dawson, The Brandenburg Consort, Stephen Cleobury
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam"
Lynne Dawson, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini
Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum"
Lynne Dawson, Simon Estes, Keith Lewis, Jard van Nes, Philharmonia Orchestra, Carlo Maria Giulini
Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare"
Lynne Dawson, Simon Estes, Keith Lewis, Jard van Nes, Philharmonia Orchestra, Carlo Maria Giulini
Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu"
Lynne Dawson, Simon Estes, Keith Lewis, Jard van Nes, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini
Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus"
Lynne Dawson, Simon Estes, Keith Lewis, Jard van Nes, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini
Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna"
Lynne Dawson, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini
Zaïde, K. 336b/344 (fragment): Act I. No. 5 Duetto "Meine Seele hüpft vor Freuden" (Zaïde, Gomatz)
Lynne Dawson, Hans Peter Blochwitz, Academy of Ancient Music, Paul Goodwin
« If Music Be The Food Of Love » / Songs
2018 · Les Indispensables de Diapason
Carmina Burana
1991 · London Records
Chandos Anthems, Volume 1: Nos. 1, 2 & 3
1994 · Chaconne
Chandos Anthems, Volume 1: Nos. 1, 2 & 3
1988 · Chandos
Chandos Anthems, Volume 2: Nos. 4, 5 & 6
1989
Chandos Anthems, Volume 4: Nos. 10 & 11
1989 · Chaconne
Choral Symphony / Choral Fantasia
1993 · Hyperion
Choral Symphony / Choral Fantasia
2002 · Helios
Dido & Aeneas
2006 · Harmonia Mundi
Dido and Aeneas
1989 · Archiv Produktion
Die Entführung aus dem Serail
1991 · L'Oiseau-Lyre
Die Entführung aus dem Serail
2003 · Decca
Dixit Dominus
2007 · Archiv Produktion
Don Giovanni
1999 · Virgin Veritas
Don Giovanni
1993 · EMI Classics
Ein Deutsches Requiem
1993 · EMI Classics
German Requiem
1999 · Virgin Veritas
Giulio Cesare / Ariodante / Hercules
2015
Great Mass in C minor K. 427
2012 · Erato
Handel: Messiah
2013 · Deutsche Grammophon
Iphigénie en Aulide (Monteverdi Choir & Orchestre de l'Opéra de Lyon feat. conductor: John Eliot Gardiner)
1999 · Erato
Jephtha
1989 · Philips
La Folia
1989 · Hyperion
La Folia
2007 · Hyperion
Mass in C minor
1998
Mass in C minor K. 427
2003 · Elatus
Mass in C minor, K. 427
1998 · Decca
Messe BWV 232 h-moll
1999 · Arts (3)
Messiah
1997 · Hyperion
Messiah
1987 · Hyperion
Messiah
2005 · Brilliant Classics
Messiah
2009 · Brilliant Classics
On This Island
2000 · Hyperion
Orfeo ed Euridice
1994
Saul
1991 · Philips
The Hyperion Schubert Edition, Volume 36: An 1827 Schubertiad
2000 · Hyperion
Vespers / Ave verum corpus
1989 · Angel Records Digital
Lynne Dawson is a performer, active since 1956.
Our database contains 84 recordings and 37 releases credited to Lynne Dawson. Credits data is sourced from the Mechanical Licensing Collective (MLC), MusicBrainz (CC0), and Spotify.
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