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Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido) album cover

ISRC

FRZ149827030

Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido)2

Song: PUBLIC DOMAIN TRACK

Lynne DawsonOrchestra of the Age of EnlightenmentRené Jacobs
unmatchedNot yet matched in the MLC database
Released 2013-09-02

Last verified:

FRZ149827030 is the International Standard Recording Code (ISRC) for the recording "Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido)" by Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs, released 2013-09-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z14Registrant
98Year (1998)
27030Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido)" by Lynne Dawson?
The ISRC for "Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido)" by Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs is FRZ149827030.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ149827030?

FRZ149827030 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido)" by Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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