UPC · Release
Nabucco
Giuseppe Verdi, David Parry, Orchestra of Opera North, Alan Opie, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson
5059864313639
46 tracksReleased 2006-11-01
Last verified:
5059864313639 is the Universal Product Code (UPC barcode) for the release “Nabucco” by Giuseppe Verdi, David Parry, Orchestra of Opera North, Alan Opie, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, released 2006-11-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 46 tracks, each with its own ISRC.
Format
505GS1 prefix
9864Company prefix
31363Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (46)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nabucco: Overture | — | ||
| 2 | Nabucco, Part I, In Jerusalem: The glory of Israel is shattered and broken | — | ||
| 3 | Nabucco, Part I, Cavatina: Take heart, oh my children! | — | ||
| 4 | Nabucco, Part I, Cavatina: When on the shores of Egypt | — | ||
| 5 | Nabucco, Part I, Cavatina: What a tumult | — | ||
| 6 | Nabucco, Part I, Cavatina: As the shadows before the sunlight | — | ||
| 7 | Nabucco, Part I, Recitative and Terzettino: Fenena! Oh, my beloved! | — | ||
| 8 | Nabucco, Part I, Recitative and Terzettino: Jehovah falls before us! | — | ||
| 9 | Nabucco, Part I, Recitative and Terzettino: Once I loved you | — | ||
| 10 | Nabucco, Part I, Chorus: Have you seen him? | — | ||
| 11 | Nabucco, Part I, Finale: Long live Nabucco! | — | ||
| 12 | Nabucco, Part I, Finale: Profaner! You shall not enter! | — | ||
| 13 | Nabucco, Part I, Finale: Tremble, you madmen | — | ||
| 14 | Nabucco, Part I, Finale: You slaves, bow down before me! | — | ||
| 15 | Nabucco, Part I, Finale: Now my wrath, restrained no longer | — | ||
| 16 | Nabucco, Part II, The Blasphemy: You have betrayed me, O king accursed. . . | — | ||
| 17 | Nabucco, Part II, The Blasphemy: The sweet fire of love’s enchantment | — | ||
| 18 | Nabucco, Part II, The Blasphemy: Who approaches? | — | ||
| 19 | Nabucco, Part II, The Blasphemy: On the golden throne of Assyria | — | ||
| 20 | Nabucco, Part II, Prayer: Come, stand beside me | — | ||
| 21 | Nabucco, Part II, Prayer: Through Thy servant Thou proclaimest Thy commandments | — | ||
| 22 | Nabucco, Part II, Chorus of Levites: Who is there? Who comes to call us | — | ||
| 23 | Nabucco, Part II, Chorus of Levites: Woe to the traitor, he is accursed | — | ||
| 24 | Nabucco, Part II, Finale: Stay your anger, oh my brothers! | — | ||
| 25 | Nabucco, Part II, Finale: But what means this disturbance? | — | ||
| 26 | Nabucco, Part II, Finale: The moment approaches of man’s retribution | — | ||
| 27 | Nabucco, Part II, Finale: Hear yur king! | — | ||
| 28 | Nabucco, Part II, Finale: Who has stolen my crown and sceptre? | — | ||
| 2-1 | Nabucco, Part III, The Prophecy: Great and mighty Queen of all Assyria | — | ||
| 2-2 | Nabucco, Part III, The Prophecy: Most noble lady, mighty ruler of Assyria | — | ||
| 2-3 | Nabucco, Part III, Duet: Woman. . . Who are you? | — | ||
| 2-4 | Nabucco, Part III, Duet: Grey‐haried and feeble, behold me | — | ||
| 2-5 | Nabucco, Part III, Duet: Ah, that sound! | — | ||
| 2-6 | Nabucco, Part III, Duet: Oh, have pity on a father in his madness! | — | ||
| 2-7 | Nabucco, Part III, Chorus of Hebrew Slaves: Speed your journey | — | ||
| 2-8 | Nabucco, Part III, Finale: Why lament thee? The wailing of women | — | ||
| 2-9 | Nabucco, Part III, Finale: In the darkness I see all the future | — | ||
| 2-10 | Nabucco, Part IV, The Broken Idol: Am I awake or dreaming? | — | ||
| 2-11 | Nabucco, Part IV, The Broken Idol: Lord God of Judah! | — | ||
| 2-12 | Nabucco, Part IV, The Broken Idol: Open to me, you shall not stay me! | — | ||
| 2-13 | Nabucco, Part IV, The Broken Idol: The false, perfidious enemy | — | ||
| 2-14 | Nabucco, Part IV, Funeral March and Prayer: Go! The marty’s crown of honour will be yours | — | ||
| 2-15 | Nabucco, Part IV, Funeral March and Prayer: Lo! The sky has opened above me! | — | ||
| 2-16 | Nabucco, Part IV, Finale: Long live Nabucco! | — | ||
| 2-17 | Nabucco, Part IV, Finale: Lord God of Israel. . . | — | ||
| 2-18 | Nabucco, Part IV, Finale: My strength. . . is failing. . . my death is near. . . | — |
Nabucco: Overture
—
Nabucco, Part I, In Jerusalem: The glory of Israel is shattered and broken
—
Nabucco, Part I, Cavatina: Take heart, oh my children!
—
Nabucco, Part I, Cavatina: When on the shores of Egypt
—
Nabucco, Part I, Cavatina: What a tumult
—
Nabucco, Part I, Cavatina: As the shadows before the sunlight
—
Nabucco, Part I, Recitative and Terzettino: Fenena! Oh, my beloved!
—
Nabucco, Part I, Recitative and Terzettino: Jehovah falls before us!
—
Nabucco, Part I, Recitative and Terzettino: Once I loved you
—
Nabucco, Part I, Chorus: Have you seen him?
—
Nabucco, Part I, Finale: Long live Nabucco!
—
Nabucco, Part I, Finale: Profaner! You shall not enter!
—
Nabucco, Part I, Finale: Tremble, you madmen
—
Nabucco, Part I, Finale: You slaves, bow down before me!
—
Nabucco, Part I, Finale: Now my wrath, restrained no longer
—
Nabucco, Part II, The Blasphemy: You have betrayed me, O king accursed. . .
—
Nabucco, Part II, The Blasphemy: The sweet fire of love’s enchantment
—
Nabucco, Part II, The Blasphemy: Who approaches?
—
Nabucco, Part II, The Blasphemy: On the golden throne of Assyria
—
Nabucco, Part II, Prayer: Come, stand beside me
—
Nabucco, Part II, Prayer: Through Thy servant Thou proclaimest Thy commandments
—
Nabucco, Part II, Chorus of Levites: Who is there? Who comes to call us
—
Nabucco, Part II, Chorus of Levites: Woe to the traitor, he is accursed
—
Nabucco, Part II, Finale: Stay your anger, oh my brothers!
—
Nabucco, Part II, Finale: But what means this disturbance?
—
Nabucco, Part II, Finale: The moment approaches of man’s retribution
—
Nabucco, Part II, Finale: Hear yur king!
—
Nabucco, Part II, Finale: Who has stolen my crown and sceptre?
—
Nabucco, Part III, The Prophecy: Great and mighty Queen of all Assyria
—
Nabucco, Part III, The Prophecy: Most noble lady, mighty ruler of Assyria
—
Nabucco, Part III, Duet: Woman. . . Who are you?
—
Nabucco, Part III, Duet: Grey‐haried and feeble, behold me
—
Nabucco, Part III, Duet: Ah, that sound!
—
Nabucco, Part III, Duet: Oh, have pity on a father in his madness!
—
Nabucco, Part III, Chorus of Hebrew Slaves: Speed your journey
—
Nabucco, Part III, Finale: Why lament thee? The wailing of women
—
Nabucco, Part III, Finale: In the darkness I see all the future
—
Nabucco, Part IV, The Broken Idol: Am I awake or dreaming?
—
Nabucco, Part IV, The Broken Idol: Lord God of Judah!
—
Nabucco, Part IV, The Broken Idol: Open to me, you shall not stay me!
—
Nabucco, Part IV, The Broken Idol: The false, perfidious enemy
—
Nabucco, Part IV, Funeral March and Prayer: Go! The marty’s crown of honour will be yours
—
Nabucco, Part IV, Funeral March and Prayer: Lo! The sky has opened above me!
—
Nabucco, Part IV, Finale: Long live Nabucco!
—
Nabucco, Part IV, Finale: Lord God of Israel. . .
—
Nabucco, Part IV, Finale: My strength. . . is failing. . . my death is near. . .
—
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What is UPC 5059864313639?
5059864313639 is a Universal Product Code (UPC) assigned to Nabucco by Giuseppe Verdi, David Parry, Orchestra of Opera North, Alan Opie, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 46 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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