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Horn Concerto no. 2 in E-flat major, op. 132: I. Allegro album cover

ISRC

DEF057302051

Horn Concerto no. 2 in E-flat major, op. 132: I. Allegro2

Song: ALLEGRO

Norbert HauptmannBerliner PhilharmonikerHerbert von Karajan
unmatchedNot yet matched in the MLC database
Released 1998-01-06

Last verified:

DEF057302051 is the International Standard Recording Code (ISRC) for the recording "Horn Concerto no. 2 in E-flat major, op. 132: I. Allegro" by Norbert Hauptmann, Berliner Philharmoniker, Herbert von Karajan, released 1998-01-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
73Year (1973)
02051Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1973):
Last two digits of the reference year (1973). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Horn Concerto no. 2 in E-flat major, op. 132: I. Allegro" by Norbert Hauptmann?
The ISRC for "Horn Concerto no. 2 in E-flat major, op. 132: I. Allegro" by Norbert Hauptmann, Berliner Philharmoniker, Herbert von Karajan is DEF057302051.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF057302051?

DEF057302051 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Horn Concerto no. 2 in E-flat major, op. 132: I. Allegro" by Norbert Hauptmann, Berliner Philharmoniker, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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