UPC · Release
Herbert von Karajan
Last verified:
The UPC for “Herbert von Karajan Complete Recordings on Deutsche Grammophon and Decca” by Herbert von Karajan is 028947981602. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Deutsche Grammophon. This release contains 1000 tracks, each with its own ISRC. Tracks include DEF054102021, DEF054102022, DEF054102023.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie Nr. 7 A‐dur op. 92: I. Poco sostenuto | — | ||
| 2 | Symphonie Nr. 7 A‐dur op. 92: II. Allegretto | — | ||
| 3 | Symphonie Nr. 7 A‐dur op. 92: III. Presto | — | ||
| 4 | Symphonie Nr. 7 A‐dur op. 92: IV. Allegro con brio | — | ||
| 5 | Leonore III, op. 72a: Ouvertüre. Adagio | — | ||
| 6 | Die Meistersinger von Nürnberg: Vorspiel zum 1. Aufzug | — | ||
| 7 | Die Meistersinger von Nürnberg: Vorspiel zum 3. Aufzug | — | ||
| 2-1 | Symphonie Nr. 1 c‐moll op. 68: I. Un poco sostenuto | — | ||
| 2-2 | Symphonie Nr. 1 c‐moll op. 68: II. Andante sostenuto | — | ||
| 2-3 | Symphonie Nr. 1 c‐moll op. 68: III. Un poco allegretto e grazioso | — | ||
| 2-4 | Symphonie Nr. 1 c‐moll op. 68: IV. Adagio | — | ||
| 2-5 | Don Juan op. 20 | — | ||
| 2-6 | Salome: Tanz der sieben Schleier | — | ||
| 3-1 | Symphonie Nr. 9 e‐moll op. 95 “Aus der Neuen Welt”: I. Adagio | — | ||
| 3-2 | Symphonie Nr. 9 e‐moll op. 95 “Aus der Neuen Welt”: II. Largo | — | ||
| 3-3 | Symphonie Nr. 9 e‐moll op. 95 “Aus der Neuen Welt”: III. Molto vivace | — | ||
| 3-4 | Symphonie Nr. 9 e‐moll op. 95 “Aus der Neuen Welt”: IV. Allegro con fuoco | — | ||
| 3-5 | “Die Fledermaus”: Ouvertüre | — | ||
| 3-6 | Künstlerleben op. 316 | — | ||
| 3-7 | Kaiserwalzer op. 437 | — | ||
| 4-1 | Symphonie Nr. 35 D‐dur KV 385 “Haffner‐Symphonie”: I. Allegro con spirito | — | ||
| 4-2 | Symphonie Nr. 35 D‐dur KV 385 “Haffner‐Symphonie”: II. (Andante) | — | ||
| 4-3 | Symphonie Nr. 35 D‐dur KV 385 “Haffner‐Symphonie”: III. Menuetto – Trio | — | ||
| 4-4 | Symphonie Nr. 35 D‐dur KV 385 “Haffner‐Symphonie”: IV. Finale. Presto | — | ||
| 4-5 | Symphonie Nr. 40 g‐moll KV 550: I. Molto allegro | — | ||
| 4-6 | Symphonie Nr. 40 g‐moll KV 550: II. Andante | — | ||
| 4-7 | Symphonie Nr. 40 g‐moll KV 550: III. Menuetto. Allegretto – Trio | — | ||
| 4-8 | Symphonie Nr. 40 g‐moll KV 550: IV. Allegro assai | — | ||
| 4-9 | Symphony Nr. 41 C‐dur KV 551 “Jupiter‐Symphonie”: I. Allegro vivace | — | ||
| 4-10 | Symphony Nr. 41 C‐dur KV 551 “Jupiter‐Symphonie”: II. Andante cantabile | — | ||
| 4-11 | Symphony Nr. 41 C‐dur KV 551 “Jupiter‐Symphonie”: III. Menuetto. Allegretto – Trio | — | ||
| 4-12 | Symphony Nr. 41 C‐dur KV 551 “Jupiter‐Symphonie”: IV. Molto allegro | — | ||
| 5-1 | Symphonie Nr. 6 h‐moll op. 74 “Pathétique”: I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso | — | ||
| 5-2 | Symphonie Nr. 6 h‐moll op. 74 “Pathétique”: II. Allegro con grazia | — | ||
| 5-3 | Symphonie Nr. 6 h‐moll op. 74 “Pathétique”: III. Allegro molto vivace | — | ||
| 5-4 | Symphonie Nr. 6 h‐moll op. 74 “Pathétique”: IV. Finale. Adagio lamentoso – Andante | — | ||
| 5-5 | Die Moldau (Vltava): Die Moldau – Allegro – L’istesso tempo ma moderato – L’istesso tempo – Tempo I – Più moto – Vyšehrad | — | ||
| 6-1 | Die Zauberflöte | — | ||
| 6-2 | Semiramide | — | ||
| 6-3 | Der Freischütz | — | ||
| 6-4 | Anacréon | — | ||
| 6-5 | Der Zigeunerbaron | — | ||
| 6-6 | La Traviata: Vorspiel zu Akt I | — | ||
| 6-7 | La Traviata: Vorspiel zu Akt III | — | ||
| 6-8 | Vorspiel zu “La forza del destino” | — | ||
| 7-1 | Sinfonie Nr. 3 in Es‐dur “Eroica”: I. Allegro con brio | — | ||
| 7-2 | Sinfonie Nr. 3 in Es‐dur “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 7-3 | Sinfonie Nr. 3 in Es‐dur “Eroica”: III. Scherzo. Allegro vivace | — | ||
| 7-4 | Sinfonie Nr. 3 in Es‐dur “Eroica”: IV. Finale. Allegro molto | — | ||
| 8-1 | Sinfonie Nr. 8 in c‐moll: II. Scherzo. Allegro moderato – Trio. Langsam | — | ||
| 8-2 | Sinfonie Nr. 8 in c‐moll: III. Adagio. Feierlich langsam, doch nicht schleppend | — | ||
| 8-3 | Sinfonie Nr. 8 in c‐moll: IV. Finale. Feierlich, nicht schnell | — | ||
| 9-1 | Ein Heldenleben, op. 40: Der Held | — | ||
| 9-2 | Ein Heldenleben, op. 40: Des Helden Widersacher | — | ||
| 9-3 | Ein Heldenleben, op. 40: Des Helden Gefährtin | — | ||
| 9-4 | Ein Heldenleben, op. 40: Des Helden Walstatt | — | ||
| 9-5 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | — | ||
| 9-6 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | — | ||
| 10-1 | Hungarian Dances, WoO 1: No. 5 in G minor. Allegro | — | ||
| 10-2 | Hungarian Dances, WoO 1: No. 6 in D‐flat major. Vivace | — | ||
| 10-3 | Hungarian Dances, WoO 1: No. 17 in F‐sharp minor. Andantino | — | ||
| 10-4 | Hungarian Dances, WoO 1: No. 3 in F major. Allegretto | — | ||
| 10-5 | Hungarian Dances, WoO 1: No. 1 in G minor. Allegro molto | — | ||
| 10-6 | Hungarian Dances, WoO 1: No. 20 in E minor. Poco allegretto | — | ||
| 10-7 | Hungarian Dances, WoO 1: No. 19 in B minor. Allegretto | — | ||
| 10-8 | Hungarian Dances, WoO 1: No. 18 in D major. Molto vivace | — | ||
| 10-9 | Slavonic Dances: No. 1 in C major, op. 46/1. Presto | — | ||
| 10-10 | Slavonic Dances: No. 10 in E minor, op. 72/2 | — | ||
| 10-11 | Slavonic Dances: No. 3 in A‐flat major, op. 46/3. Poco allegro | — | ||
| 10-12 | Slavonic Dances: No. 16 in A‐flat major, op. 27/8. Grazioso e lento, ma non troppo, quasi tempo di Valse | — | ||
| 10-13 | Slavonic Dances: No. 7 in C minor, op. 46/7. Allegro assai | — | ||
| 11-1 | Mazeppa, S. 100 | — | ||
| 11-2 | Hungarian Rhapsody no. 5 in E minor, S. 359/5 | — | ||
| 11-3 | Fantasy on Hungarian Folk Melodies, S. 123 | — | ||
| 11-4 | Hungarian Rhapsody no. 4 in D minor, S. 359/4 | — | ||
| 12-1 | Coppélia: 1. Prélude et Mazurka | — | ||
| 12-2 | Coppélia: 2. Scène et Valse de Swanhilde | — | ||
| 12-3 | Coppélia: 3. Czárdás | — | ||
| 12-4 | Coppélia: 4. Scène et Valse de la Poupée | — | ||
| 12-5 | Coppélia: 5. Ballade | — | ||
| 12-6 | Coppélia: 6. Variation sur un thème slave | — | ||
| 12-7 | Les Sylphides: 1. Prélude | — | ||
| 12-8 | Les Sylphides: 2. Nocturne | — | ||
| 12-9 | Les Sylphides: 3. Valse | — | ||
| 12-10 | Les Sylphides: 4. Mazurka | — | ||
| 12-11 | Les Sylphides: 5. Mazurka | — | ||
| 12-12 | Les Sylphides: 6. Prélude | — | ||
| 12-13 | Les Sylphides: 7. Valse | — | ||
| 12-14 | Les Sylphides: 8. Valse | — | ||
| 13-1 | Requiem, K. 626: I. Introitus: Requiem aeternam (chorus, soprano) | — | ||
| 13-2 | Requiem, K. 626: II. Kyrie (chorus) | — | ||
| 13-3 | Requiem, K. 626: III. Sequentia: Dies irae (chorus) | — | ||
| 13-4 | Requiem, K. 626: III. Sequentia: Tuba mirum (soprano, contralto, tenor, bass) | — | ||
| 13-5 | Requiem, K. 626: III. Sequentia: Rex tremendae (chorus) | — | ||
| 13-6 | Requiem, K. 626: III. Sequentia: Recordare (soprano, contralto, tenor, bass) | — | ||
| 13-7 | Requiem, K. 626: III. Sequentia: Confutatis (chorus) | — | ||
| 13-8 | Requiem, K. 626: III. Sequentia: Lacrimosa (chorus) | — | ||
| 13-9 | Requiem, K. 626: IV. Offertorium: Domine Jesu Christe (chorus, soprano, contarlo, tenor, bass) | — | ||
| 13-10 | Requiem, K. 626: IV. Offertorium: Hostias (chorus) | — | ||
| 13-11 | Requiem, K. 626: V. Sanctus (chorus) | — | ||
| 13-12 | Requiem, K. 626: VI. Benedictus (chorus, soprano, contralto, tenor, bass) | — | ||
| 13-13 | Requiem, K. 626: VII. Agnus Dei (chorus) | — | ||
| 13-14 | Requiem, K. 626: VIII. Communio: Lux aeterna (chorus, soprano) | — | ||
| 14-1 | Symphony no. 1 in C major, op. 12: 1. Adagio molto - Allegro con brio | — | ||
| 14-2 | Symphony no. 1 in C major, op. 12: 2. Andante cantabile con moto | — | ||
| 14-3 | Symphony no. 1 in C major, op. 12: 3. Menuetto. Allegro molto e vivace | — | ||
| 14-4 | Symphony no. 1 in C major, op. 12: 4. Finale. Adagio - Allegro molto e vivace | — | ||
| 14-5 | Symphony no. 2 in D major, op. 36: 1. Adagio molto - Allegro con brio | — | ||
| 14-6 | Symphony no. 2 in D major, op. 36: 2. Larghetto | — | ||
| 14-7 | Symphony no. 2 in D major, op. 36: 3. Scherzo. Allegro | — | ||
| 14-8 | Symphony no. 2 in D major, op. 36: 4. Allegro molto | — | ||
| 15-1 | Symphony no. 3 in E-flat major "Eroica", op. 55: 1. Allegro con brio | — | ||
| 15-2 | Symphony no. 3 in E-flat major "Eroica", op. 55: 2. Marcia funebre. Adagio assai | — | ||
| 15-3 | Symphony no. 3 in E-flat major "Eroica", op. 55: 3. Scherzo. Allegro vivace | — | ||
| 15-4 | Symphony no. 3 in E-flat major "Eroica", op. 55: 4. Finale. Allegro molto | — | ||
| 16-1 | Symphony no. 4 in B-flat major, op. 60: 1. Adagio - Allegro vivace | — | ||
| 16-2 | Symphony no. 4 in B-flat major, op. 60: 2. Adagio | — | ||
| 16-3 | Symphony no. 4 in B-flat major, op. 60: 3. Allegro vivace | — | ||
| 16-4 | Symphony no. 4 in B-flat major, op. 60: 4. Allegro ma non troppo | — | ||
| 17-1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio | — | ||
| 17-2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto | — | ||
| 17-3 | Symphony no. 5 in C minor, op. 67: 3. Allegro - attacca | — | ||
| 17-4 | Symphony no. 5 in C minor, op. 67: 4. Allegro | — | ||
| 18-1 | Symphony no. 6 in F major "Pastoral", op. 68: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | — | ||
| 18-2 | Symphony no. 6 in F major "Pastoral", op. 68: 2. Szene am Bach. Andante molto moto | — | ||
| 18-3 | Symphony no. 6 in F major "Pastoral", op. 68: 3. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 18-4 | Symphony no. 6 in F major "Pastoral", op. 68: 4. Gewitter - Sturm. Allegro | — | ||
| 18-5 | Symphony no. 6 in F major "Pastoral", op. 68: 5. Hirtengesang - Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 19-1 | Symphony no. 7 in A major, op. 92: 1. Poco sostenuto - Vivace | — | ||
| 19-2 | Symphony no. 7 in A major, op. 92: 2. Allegretto | — | ||
| 19-3 | Symphony no. 7 in A major, op. 92: 3. Presto - Assai meno presto - Presto | — | ||
| 19-4 | Symphony no. 7 in A major, op. 92: 4. Allegro con brio | — | ||
| 20-1 | Symphony no. 9 in D minor "Choral", op. 125: 1. Allegro ma non troppo, un poco maestoso | — | ||
| 20-2 | Symphony no. 9 in D minor "Choral", op. 125: 2. Molto vivace | — | ||
| 20-3 | Symphony no. 9 in D minor "Choral", op. 125: 3. Adagio molto e cantabile - Andante moderato - Adagio | — | ||
| 21-1 | Symphony no. 9 in D minor "Choral", op. 125: 4a. Presto - Allegro assai - | — | ||
| 21-2 | Symphony no. 9 in D minor "Choral", op. 125: 4b. Presto - Rezitativo: "O Freunde, nicht diese Töne!" - Allegro assai - Allegro assai vivace. Alla Marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo | — | ||
| 21-3 | Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio | — | ||
| 21-4 | Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando | — | ||
| 21-5 | Symphony no. 8 in F major, op. 93: 3. Tempo di Menuetto | — | ||
| 21-6 | Symphony no. 8 in F major, op. 93: 4. Allegro vivace | — | ||
| 22-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 22-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 2. Andantino semplice - Prestissimo - Tempo I | — | ||
| 22-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 3. Allegro con fuoco | — | ||
| 23-1 | Le Sacre du printemps: I. L'Adoration de la terre. Introduction. Lento | — | ||
| 23-2 | Le Sacre du printemps: I. L'Adoration de la terre. Les Augures printaniers - Danses des adolescents | — | ||
| 23-3 | Le Sacre du printemps: I. L'Adoration de la terre. Jeu du rapt | — | ||
| 23-4 | Le Sacre du printemps: I. L'Adoration de la terre. Rondes printamières | — | ||
| 23-5 | Le Sacre du printemps: I. L'Adoration de la terre. Jeux des cités rivatels | — | ||
| 23-6 | Le Sacre du printemps: I. L'Adoration de la terre. Cortège du sage | — | ||
| 23-7 | Le Sacre du printemps: I. L'Adoration de la terre. Adoration de la terre - Le sage | — | ||
| 23-8 | Le Sacre du printemps: I. L'Adoration de la terre. Danse de la terre | — | ||
| 23-9 | Le Sacre du printemps: II. Le Sacrifice. Introduction | — | ||
| 23-10 | Le Sacre du printemps: II. Le Sacrifice. Cercles mystérieux des adolescents | — | ||
| 23-11 | Le Sacre du printemps: II. Le Sacrifice. Glorification de l'élue | — | ||
| 23-12 | Le Sacre du printemps: II. Le Sacrifice. Évocation des ancêtres | — | ||
| 23-13 | Le Sacre du printemps: II. Le Sacrifice. Action rituelle des ancètres | — | ||
| 23-14 | Le Sacre du printemps: II. Le Sacrifice. Danse sacrale (l'Élue) | — | ||
| 24-1 | Symphony no. 6 in B minor "Pathétique", op. 74: 1. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso | — | ||
| 24-2 | Symphony no. 6 in B minor "Pathétique", op. 74: 2. Allegro con grazia | — | ||
| 24-3 | Symphony no. 6 in B minor "Pathétique", op. 74: 3. Allegro molto vivace | — | ||
| 24-4 | Symphony no. 6 in B minor "Pathétique", op. 74: 4. Finale. Adagio lamentoso - Andante | — | ||
| 25-1 | Symphony no. 9 in E minor "From the New World", op. 95: 1. Adagio - Allegro molto | — | ||
| 25-2 | Symphony no. 9 in E minor "From the New World", op. 95: 2. Largo | — | ||
| 25-3 | Symphony no. 9 in E minor "From the New World", op. 95: 3. Scherzo. Molto vivace | — | ||
| 25-4 | Symphony no. 9 in E minor "From the New World", op. 95: 4. Allegro con fuoco | — | ||
| 26-1 | La Mer: 1. De l'aube à midi sur la mer | — | ||
| 26-2 | La Mer: 2. Jeux de vagues | — | ||
| 26-3 | La Mer: 3. Dialogue du vent et de la mer | — | ||
| 26-4 | Daphnis et Chloé: 1. Lever du jour. Lent / 2. Pantomime. Lent - Très lent - Vif - Très lent / 3. Danse générale. Lent - Animé | — | ||
| 26-5 | Prélude à l'aprés-midi d'un faune | — | ||
| 27-1 | Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto - Allegro | — | ||
| 27-2 | Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto | — | ||
| 27-3 | Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso | — | ||
| 27-4 | Symphony no. 1 in C minor, op. 68: 4. Adagio - Più andante - Allegro non troppo, ma con brio - Più Allegro | — | ||
| 28-1 | Symphony no. 2 in D major, op. 73: 1. Allegro non troppo | — | ||
| 28-2 | Symphony no. 2 in D major, op. 73: 2. Allegro non troppo - L'istesso tempo, ma grazioso | — | ||
| 28-3 | Symphony no. 2 in D major, op. 73: 3. Allegretto grazioso (Quasi andantino) - Presto ma non assai - Tempo I | — | ||
| 28-4 | Symphony no. 2 in D major, op. 73: 4. Allegro con spirito | — | ||
| 29-1 | Symphony no. 3 in F major, op. 90: 1. Allegro con brio | — | ||
| 29-2 | Symphony no. 3 in F major, op. 90: 2. Andante | — | ||
| 29-3 | Symphony no. 3 in F major, op. 90: 3. Poco allegretto | — | ||
| 29-4 | Symphony no. 3 in F major, op. 90: 4. Allegro | — | ||
| 29-5 | Variations on a Theme of Joseph Haydn, op. 56a: Thema. Chorale St. Antoni. Andante | — | ||
| 29-6 | Variations on a Theme of Joseph Haydn, op. 56a: Variation I. Poco più animato | — | ||
| 29-7 | Variations on a Theme of Joseph Haydn, op. 56a: Variation II. Più vivace | — | ||
| 29-8 | Variations on a Theme of Joseph Haydn, op. 56a: Variation III. Con moto | — | ||
| 29-9 | Variations on a Theme of Joseph Haydn, op. 56a: Variation IV. Andante con moto | — | ||
| 29-10 | Variations on a Theme of Joseph Haydn, op. 56a: Variation V. Vivace | — | ||
| 29-11 | Variations on a Theme of Joseph Haydn, op. 56a: Variation VI. Vivace | — | ||
| 29-12 | Variations on a Theme of Joseph Haydn, op. 56a: Variation VII. Grazioso | — | ||
| 29-13 | Variations on a Theme of Joseph Haydn, op. 56a: Variation VIII. Presto non troppo | — | ||
| 29-14 | Variations on a Theme of Joseph Haydn, op. 56a: Finale. Andante | — | ||
| 30-1 | Symphony no. 4 in E minor, op. 98: 1. Allegro non troppo | — | ||
| 30-2 | Symphony no. 4 in E minor, op. 98: 2. Andante moderato | — | ||
| 30-3 | Symphony no. 4 in E minor, op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I | — | ||
| 30-4 | Symphony no. 4 in E minor, op. 98: 4. Allegro energico e passionato - Più allegro | — | ||
| 31-1 | Concerto for Violin and Orchestra in D major, op. 77: 1. Allegro non troppo | — | ||
| 31-2 | Concerto for Violin and Orchestra in D major, op. 77: 2. Adagio | — | ||
| 31-3 | Concerto for Violin and Orchestra in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto | — | ||
| 32-1 | Ein deutsches Requiem, op. 45: 1. "Selig sind, die da Leid trage" (chorus) | — | ||
| 32-2 | Ein deutsches Requiem, op. 45: 2. "Denn alles Fleisch, es ist wie Gras" (chorus) | — | ||
| 32-3 | Ein deutsches Requiem, op. 45: 3. "Herr, lehre doch mich" (baritone, chorus) | — | ||
| 32-4 | Ein deutsches Requiem, op. 45: 4. "Wie lieblich sind deine Wohnungen" (chorus) | — | ||
| 32-5 | Ein deutsches Requiem, op. 45: 5. "Ihr habt nun Traurigkeit" (soprano, chorus) | — | ||
| 32-6 | Ein deutsches Requiem, op. 45: 6. "Denn wir haben hie keine bleibende Statt" (baritone, chorus) | — | ||
| 32-7 | Ein deutsches Requiem, op. 45: 7. "Selig sind die Toten" (chorus) | — | ||
| 33-1 | Concerto for Violin and Orchestra in D minor, op. 47: 1. Allegro moderato | — | ||
| 33-2 | Concerto for Violin and Orchestra in D minor, op. 47: 2. Adagio di molto | — | ||
| 33-3 | Concerto for Violin and Orchestra in D minor, op. 47: 3. Allegro, ma non tanto | — | ||
| 33-4 | Finlandia, op. 26 | — | ||
| 34-1 | Symphonie fantastique, op. 14: 1. Rêveries - Passions. Largo - Allegro agitato ed appassionato assai | — | ||
| 34-2 | Symphonie fantastique, op. 14: 2. Un bal. Valse. Allegro non troppo | — | ||
| 34-3 | Symphonie fantastique, op. 14: 3. Scène aux champs. Adagio | — | ||
| 34-4 | Symphonie fantastique, op. 14: 4. Marche au supplice. Allegretto non troppo | — | ||
| 34-5 | Symphonie fantastique, op. 14: 5. Songe d'une nuit de sabbat. Larghetto - Allegro | — | ||
| 35-1 | Symphony no. 5 in E-flat major, op. 82: 1a. Tempo molto moderato - Largamente - | — | ||
| 35-2 | Symphony no. 5 in E-flat major, op. 82: 1b. Allegro moderato - Presto | — | ||
| 35-3 | Symphony no. 5 in E-flat major, op. 82: 2. Andante mosso, quasi allegretto | — | ||
| 35-4 | Symphony no. 5 in E-flat major, op. 82: 3. Allegro molto - Misterioso - Un pocchettino largamente - Largamente assai | — | ||
| 35-5 | Tapiola, op. 112 | — | ||
| 36-1 | Brandenburg Concerto no. 1 in F major, BWV 1046: 1. [Allegro] | — | ||
| 36-2 | Brandenburg Concerto no. 1 in F major, BWV 1046: 2. Adagio | — | ||
| 36-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: 3. Allegro | — | ||
| 36-4 | Brandenburg Concerto no. 1 in F major, BWV 1046: 4. Menuetto - Trio I - Polonaise - Trio II | — | ||
| 36-5 | Brandenburg Concerto no. 2 in F major, BWV 1047: 1. [Allegro] | — | ||
| 36-6 | Brandenburg Concerto no. 2 in F major, BWV 1047: 2. Andante | — | ||
| 36-7 | Brandenburg Concerto no. 2 in F major, BWV 1047: 3. Allegro assai | — | ||
| 36-8 | Brandenburg Concerto no. 3 in G major, BWV 1048: 1. [Allegro] | — | ||
| 36-9 | Brandenburg Concerto no. 3 in G major, BWV 1048: 2. Adagio | — | ||
| 36-10 | Brandenburg Concerto no. 3 in G major, BWV 1048: 3. Allegro | — | ||
| 37-1 | Symphony no. 4 in A minor, op. 63: 1. Tempo molto moderato, quasi adagio | — | ||
| 37-2 | Symphony no. 4 in A minor, op. 63: 2. Allegro molto vivace | — | ||
| 37-3 | Symphony no. 4 in A minor, op. 63: 3. Il tempo largo | — | ||
| 37-4 | Symphony no. 4 in A minor, op. 63: 4. Allegro | — | ||
| 37-5 | The Swan of Tuonela, op. 22/3 | — | ||
| 38-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: 1. Allegro | — | ||
| 38-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: 2. Andante | — | ||
| 38-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: 3. Presto | — | ||
| 38-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: 1. Allegro | — | ||
| 38-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: 2. Affettuoso | — | ||
| 38-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: 3. Allegro | — | ||
| 38-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 1. [Allegro] | — | ||
| 38-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 2. Adagio ma non tanto | — | ||
| 38-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 3. Allegro | — | ||
| 39-1 | Orchestral Suite no. 2 in B minor, BWV 1067: 1. Ouverture | — | ||
| 39-2 | Orchestral Suite no. 2 in B minor, BWV 1067: 2. Rondeau | — | ||
| 39-3 | Orchestral Suite no. 2 in B minor, BWV 1067: 3. Sarabande | — | ||
| 39-4 | Orchestral Suite no. 2 in B minor, BWV 1067: 4. Bourrée I & II | — | ||
| 39-5 | Orchestral Suite no. 2 in B minor, BWV 1067: 5. Polonaise - Double | — | ||
| 39-6 | Orchestral Suite no. 2 in B minor, BWV 1067: 6. Menuet | — | ||
| 39-7 | Orchestral Suite no. 2 in B minor, BWV 1067: 7. Badinerie | — | ||
| 39-8 | Orchestral Suite no. 3 in D major, BWV 1068: 1. Ouverture | — | ||
| 39-9 | Orchestral Suite no. 3 in D major, BWV 1068: 2. Air | — | ||
| 39-10 | Orchestral Suite no. 3 in D major, BWV 1068: 3. Gavotte I & II | — | ||
| 39-11 | Orchestral Suite no. 3 in D major, BWV 1068: 4. Bourrée | — | ||
| 39-12 | Orchestral Suite no. 3 in D major, BWV 1068: 5. Gigue | — | ||
| 40-1 | Symphony no. 8 in B minor "Unfinished", D. 759: 1. Allegro moderato | — | ||
| 40-2 | Symphony no. 8 in B minor "Unfinished", D. 759: 2. Andante con moto | — | ||
| 40-3 | Fidelio Overture, op. 72b | — | ||
| 40-4 | Leonore III Overture, op. 72a | — | ||
| 40-5 | Coriolan Overture, op. 52 | — | ||
| 41-1 | Symphony no. 29 in A major, K. 201: 1. Allegro moderato | — | ||
| 41-2 | Symphony no. 29 in A major, K. 201: 2. Andante | — | ||
| 41-3 | Symphony no. 29 in A major, K. 201: 3. Menuetto -Trio | — | ||
| 41-4 | Symphony no. 29 in A major, K. 201: 4. Allegro con spirito | — | ||
| 41-5 | Symphony no. 33 in B-flat major, K. 319: 1. Allegro assai | — | ||
| 41-6 | Symphony no. 33 in B-flat major, K. 319: 2. Andante moderato | — | ||
| 41-7 | Symphony no. 33 in B-flat major, K. 319: 3. Menuetto - Trio | — | ||
| 41-8 | Symphony no. 33 in B-flat major, K. 319: 4. Finale. Allegro assai | — | ||
| 42-1 | Concerto for Orchestra, Sz. 116: 1. Introduzione. Andante non troppo - Allegro vivace - Tempo I | — | ||
| 42-2 | Concerto for Orchestra, Sz. 116: 2. Giuco della coppie. Allegretto scherzando | — | ||
| 42-3 | Concerto for Orchestra, Sz. 116: 3. Elegia. Andante, non troppo | — | ||
| 42-4 | Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto. Allegretto | — | ||
| 42-5 | Concerto for Orchestra, Sz. 116: 5. Finale. Pesante - Presto | — | ||
| 43-1 | Eine kleine Nachtmusik - Serenade no. 13 in G major, K. 525: 1. Allegro | — | ||
| 43-2 | Eine kleine Nachtmusik - Serenade no. 13 in G major, K. 525: 2. Romance. Andante | — | ||
| 43-3 | Eine kleine Nachtmusik - Serenade no. 13 in G major, K. 525: 3. Menuetto. Allegretto - Trio | — | ||
| 43-4 | Eine kleine Nachtmusik - Serenade no. 13 in G major, K. 525: 4. Rondo. Allegro | — | ||
| 43-5 | Divertimento no. 15 in B-flat major, K. 287 (271h): 1. Allegro | — | ||
| 43-6 | Divertimento no. 15 in B-flat major, K. 287 (271h): 2. Andante grazioso con variazioni | — | ||
| 43-7 | Divertimento no. 15 in B-flat major, K. 287 (271h): 3. Menuetto - Trio | — | ||
| 43-8 | Divertimento no. 15 in B-flat major, K. 287 (271h): 4. Adagio | — | ||
| 43-9 | Divertimento no. 15 in B-flat major, K. 287 (271h): 5. Menuetto - Trio | — | ||
| 43-10 | Divertimento no. 15 in B-flat major, K. 287 (271h): 6. Andante - Allegro molto | — | ||
| 44-1 | Divertimento no. 17 in D major, K. 334 (320b): 1. Allegro | — | ||
| 44-2 | Divertimento no. 17 in D major, K. 334 (320b): 2. Tema con variazioni. Andante | — | ||
| 44-3 | Divertimento no. 17 in D major, K. 334 (320b): 3. Menuetto - Trio | — | ||
| 44-4 | Divertimento no. 17 in D major, K. 334 (320b): 4. Adagio | — | ||
| 44-5 | Divertimento no. 17 in D major, K. 334 (320b): 5. Menuetto - Trio I - Trio II | — | ||
| 44-6 | Divertimento no. 17 in D major, K. 334 (320b): 6. Rondo. Allegro | — | ||
| 45-1 | Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß | — | ||
| 45-2 | Don Quixote, op. 35: Thema. Mäßig: Der Ritter von den traurigen Gestalt - Maggiore: Sancho Panza | — | ||
| 45-3 | Don Quixote, op. 35: Variation I. Gemächlich: Das Abenteuer mit den Windmühlen | — | ||
| 45-4 | Don Quixote, op. 35: Variation II. Kriegerisch: Der Kampf gegen die Hammelherde | — | ||
| 45-5 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß: Gespräche zwischen Ritter und Knappe | — | ||
| 45-6 | Don Quixote, op. 35: Variation IV. Etwas breiter: Das Abenteuer mit der Prozession von Büßern | — | ||
| 45-7 | Don Quixote, op. 35: Variation V. Sehr langsam: Don Quixotes Waffenwache und Herzensergüsse | — | ||
| 45-8 | Don Quixote, op. 35: Variation VI. Schnell: Die verzauberte Dulzinea | — | ||
| 45-9 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher: Der Ritt durch die Luft | — | ||
| 45-10 | Don Quixote, op. 35: Variation VIII. Gemächlich: Die Fahrt auf dem verzauberten Nachen | — | ||
| 45-11 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch: Der Kampf gegen die vermeintlichen Zauberer | — | ||
| 45-12 | Don Quixote, op. 35: Variation X. Viel breiter: Zweikampf mit dem Ritter vom blanken Monde Heimkehr des geschlagenen Don Quixotte | — | ||
| 45-13 | Don Quixote, op. 35: Finale. Sehr ruhig: Don Quixotes Tod | — | ||
| 46-1 | Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto | — | ||
| 46-2 | Pictures at an Exhibition: 1. Gnomus. Vivo | — | ||
| 46-3 | Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza | — | ||
| 46-4 | Pictures at an Exhibition: 2. Il vecchio castello. Andante | — | ||
| 46-5 | Pictures at an Exhibition: Promenade. Moderato non tanto, pesamente | — | ||
| 46-6 | Pictures at an Exhibition: 3. Tuileries (Dispute d'enfants après jeux). Allegretto non troppo, capriccioso | — | ||
| 46-7 | Pictures at an Exhibition: 4. Bydlo. Sempre moderato, pesante | — | ||
| 46-8 | Pictures at an Exhibition: Promenade. Tranquillo | — | ||
| 46-9 | Pictures at an Exhibition: 5. Ballet des petits poussins dans leurs coques. Scherzino. Vivo leggiero | — | ||
| 46-10 | Pictures at an Exhibition: 6. Samuel Goldenberg und Schmuÿle. Andante | — | ||
| 46-11 | Pictures at an Exhibition: 7. Limoges. Le Marché (La Grande Nouvelle). Allegretto vivo, sempre scherzando | — | ||
| 46-12 | Pictures at an Exhibition: 8. Catacombae (Sepulcrum romanum). Largo | — | ||
| 46-13 | Pictures at an Exhibition: Cum mortuis in lingua mortua. Andante ma non troppo, con lamento | — | ||
| 46-14 | Pictures at an Exhibition: 9. La Cabane sur des pattes de poule (Baba-Yaga). Allegro con brio, feroce - Andante mosso - Allegro molto | — | ||
| 46-15 | Pictures at an Exhibition: 10. La Grande Porte de Kiev | — | ||
| 46-16 | Boléro | — | ||
| 47-1 | Symphony no. 9 in D minor: 1. Feierlich. Misterioso | — | ||
| 47-2 | Symphony no. 9 in D minor: 2. Scherzo. Bewegt, lebhaft - Trio. Schnell | — | ||
| 47-3 | Symphony no. 9 in D minor: 3. Adagio. Langsam, feierlich | — | ||
| 48-1 | Concerti grossi, op. 6: No. 5 in D major, HWV 323: 1. [Ouverture. Largo e staccato] | — | ||
| 48-2 | Concerti grossi, op. 6: No. 5 in D major, HWV 323: 2. Allegro | — | ||
| 48-3 | Concerti grossi, op. 6: No. 5 in D major, HWV 323: 3. Presto | — | ||
| 48-4 | Concerti grossi, op. 6: No. 5 in D major, HWV 323: 4. Largo | — | ||
| 48-5 | Concerti grossi, op. 6: No. 5 in D major, HWV 323: 5. Allegro | — | ||
| 48-6 | Concerti grossi, op. 6: No. 5 in D major, HWV 323: 6. Menuet. Un poco larghetto | — | ||
| 48-7 | Concerti grossi, op. 6: No. 12 in B minor, HWV 330: 1. Largo | — | ||
| 48-8 | Concerti grossi, op. 6: No. 12 in B minor, HWV 330: 2. Allegro | — | ||
| 48-9 | Concerti grossi, op. 6: No. 12 in B minor, HWV 330: 3. Aria. Larghetto e piano | — | ||
| 48-10 | Concerti grossi, op. 6: No. 12 in B minor, HWV 330: 4. Largo | — | ||
| 48-11 | Concerti grossi, op. 6: No. 12 in B minor, HWV 330: 5. Allegro | — | ||
| 48-12 | Concerti grossi, op. 6: No. 10 in D minor, HWV 328: 1. Ouverture | — | ||
| 48-13 | Concerti grossi, op. 6: No. 10 in D minor, HWV 328: 2. Allegro. Lentement | — | ||
| 48-14 | Concerti grossi, op. 6: No. 10 in D minor, HWV 328: 3. Air. Lentement | — | ||
| 48-15 | Concerti grossi, op. 6: No. 10 in D minor, HWV 328: 4. Allegro | — | ||
| 48-16 | Concerti grossi, op. 6: No. 10 in D minor, HWV 328: 5. Allegro | — | ||
| 48-17 | Concerti grossi, op. 6: No. 10 in D minor, HWV 328: 6. Allegro moderato | — | ||
| 49-1 | Divertimento no. 11 in D major, K. 251: 1. Molto allegro | — | ||
| 49-2 | Divertimento no. 11 in D major, K. 251: 2. Menuetto - Trio | — | ||
| 49-3 | Divertimento no. 11 in D major, K. 251: 3. Andantino | — | ||
| 49-4 | Divertimento no. 11 in D major, K. 251: 4. Menuetto. Tema con Variazioni | — | ||
| 49-5 | Divertimento no. 11 in D major, K. 251: 5. Rondeau. Allegro assai | — | ||
| 49-6 | Divertimento no. 11 in D major, K. 251: 6. Marcia alla francese | — | ||
| 49-7 | Divertimento no. 10 in F major, K. 247: 1. Allegro | — | ||
| 49-8 | Divertimento no. 10 in F major, K. 247: 2. Andante grazioso | — | ||
| 49-9 | Divertimento no. 10 in F major, K. 247: 3. Menuetto - Trio | — | ||
| 49-10 | Divertimento no. 10 in F major, K. 247: 4. Adagio | — | ||
| 49-11 | Divertimento no. 10 in F major, K. 247: 5. Menuetto - Trio | — | ||
| 49-12 | Divertimento no. 10 in F major, K. 247: 6. Andante - Allegro assai | — | ||
| 50-1 | An der schönen blauen Donau, Walzer op. 314 | — | ||
| 50-2 | Kaiserwalzer, op. 437 | — | ||
| 50-3 | Annen-Polka, op. 117 | — | ||
| 50-4 | Radetzky-Marsch, op. 229 | — | ||
| 50-5 | Die Fledermaus: Overture, op. 362 | — | ||
| 50-6 | Tritsch-Tratsch-Polka, op. 214 | — | ||
| 50-7 | Delirien, op. 212 | — | ||
| 50-8 | Der Zigeunerbaron: Overture | — | ||
| 50-9 | Perpetuum mobile, Musiklischer Scherz op. 257 | — | ||
| 51-1 | Finlandia, op. 26 | — | ||
| 51-2 | Valse triste, op. 44/1 | — | ||
| 51-3 | The Swan of Tuonela, op. 22/3 | — | ||
| 51-4 | Tapiola, op. 112 | — | ||
| 52-1 | Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo | — | ||
| 52-2 | Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzone | — | ||
| 52-3 | Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato ostinato, allegro | — | ||
| 52-4 | Symphony no. 4 in F minor, op. 36: 4. Finale. Allegro con fuoco | — | ||
| 53-1 | Symphony no. 5 in E minor, op. 64: 1. Andante - Allegro con anima | — | ||
| 53-2 | Symphony no. 5 in E minor, op. 64: 2. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I | — | ||
| 53-3 | Symphony no. 5 in E minor, op. 64: 3. Valse. Allegro moderato | — | ||
| 53-4 | Symphony no. 5 in E minor, op. 64: 4. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | — | ||
| 54-1 | Concerto for Violin and Orchestra in D major, op. 61: 1. Allegro non troppo | — | ||
| 54-2 | Concerto for Violin and Orchestra in D major, op. 61: 2. Larghetto | — | ||
| 54-3 | Concerto for Violin and Orchestra in D major, op. 61: 3. Rondo. Allegro | — | ||
| 55-1 | Symphony no. 10 in E minor, op. 93: 1. Moderato | — | ||
| 55-2 | Symphony no. 10 in E minor, op. 93: 2. Allegro | — | ||
| 55-3 | Symphony no. 10 in E minor, op. 93: 3. Allegretto | — | ||
| 55-4 | Symphony no. 10 in E minor, op. 93: 4. Andante - Allegro | — | ||
| 56-1 | Shéhérazade, op. 35: 1. The Sea and Sinbad's Ship (Largo e maestoso - Allegro non troppo - Tranquillo) | — | ||
| 56-2 | Shéhérazade, op. 35: 2. The Story of the Kalender Prince (Lento - Andantino - Allegro molto - Vivace scherzando - Moderato assai - Allegro molto ed animato - Con moto) | — | ||
| 56-3 | Shéhérazade, op. 35: 3. The Young Prince and the Young Princess (Andantino quasi allegretto) | — | ||
| 56-4 | Shéhérazade, op. 35: 4. Festival at Bagdad - The Sea - The Shipwreck on a Rock Surmounted by a Bronze Warrior - Conclusion (Allegro molto e frenetico - Vivo - Allegro non troppo e maestoso - Tempo come I) | — | ||
| 57-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: 1. Allegro con brio | — | ||
| 57-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: 2. Largo | — | ||
| 57-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: 3. Rondo. Allegro | — | ||
| 58-1 | Concerto for Violin and Orchestra in D major, op. 35: 1. Allegro moderato | — | ||
| 58-2 | Concerto for Violin and Orchestra in D major, op. 35: 2. Canzonetta. Andante | — | ||
| 58-3 | Concerto for Violin and Orchestra in D major, op. 35: 3. Finale. Allegro vivacissimo | — | ||
| 58-4 | Capriccio Italien, op. 45 | — | ||
| 59-1 | Missa solemnis in D major, op. 123: I. Kyrie. "Kyrie eleison" | — | ||
| 59-2 | Missa solemnis in D major, op. 123: I. Kyrie. "Christe eleison" | — | ||
| 59-3 | Missa solemnis in D major, op. 123: I. Kyrie. "Kyrie eleison" | — | ||
| 59-4 | Missa solemnis in D major, op. 123: II. Gloria. "Gloria in excelsis Deo" | — | ||
| 59-5 | Missa solemnis in D major, op. 123: II. Gloria. "Qui tollis peccata mundi, miserere nobis" | — | ||
| 59-6 | Missa solemnis in D major, op. 123: II. Gloria. "Quoniam tu solus Sanctus" | — | ||
| 59-7 | Missa solemnis in D major, op. 123: II. Gloria. "In gloria Dei Patris. Amen" | — | ||
| 59-8 | Missa solemnis in D major, op. 123: II. Gloria. "Amen, Amen, in gloria Dei Patris" / "Quoniam tu solus Sanctus" | — | ||
| 59-9 | Missa solemnis in D major, op. 123: III. Credo. "Credo in unum Deum" | — | ||
| 59-10 | Missa solemnis in D major, op. 123: III. Credo. "Et incarnatus est" | — | ||
| 59-11 | Missa solemnis in D major, op. 123: III. Credo. "Et ascendit in coelum" | — | ||
| 59-12 | Missa solemnis in D major, op. 123: III. Credo. "Et vitam venturi saeculi" | — | ||
| 59-13 | Missa solemnis in D major, op. 123: III. Credo. "Amen, et vitam venturi saeculi. Amen" | — | ||
| 60-1 | Missa solemnis in D major, op. 123: IV. Sanctus. "Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth" | — | ||
| 60-2 | Missa solemnis in D major, op. 123: IV. Sanctus. "Pleni sunt coeli et terra" | — | ||
| 60-3 | Missa solemnis in D major, op. 123: IV. Sanctus. Praeludium. Sostenuto ma non troppo | — | ||
| 60-4 | Missa solemnis in D major, op. 123: IV. Sanctus. "Benedictus, qui venit in nomine Domini. Andante molto cantabile e non troppo mosso" | — | ||
| 60-5 | Missa solemnis in D major, op. 123: V. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" | — | ||
| 60-6 | Missa solemnis in D major, op. 123: V. Agnus Dei. "Dona nobis pacem" | — | ||
| 60-7 | Missa solemnis in D major, op. 123: V. Agnus Dei. "Agnus dei, qui tollis peccata mundi" | — | ||
| 60-8 | Missa solemnis in D major, op. 123: V. Agnus Dei. Presto | — | ||
| 61-1 | Die Schöpfung: Part I, The First Day. No. 1 Orchestral Prelude: The Representation of Chaos | — | ||
| 61-2 | Die Schöpfung: Part I, The First Day. Recitative and Chorus: "Im Anfange schuf Gott Himmel und Erde" (Raphael, Uriel) | — | ||
| 61-3 | Die Schöpfung: Part I, The First Day. No. 2 Aria and Chorus: "Nun schwanden vor dem heiligen Strahle" (Uriel) | — | ||
| 61-4 | Die Schöpfung: Part I, The Second Day. No. 3 Recitative: "Und Gott machte das Firmament" (Raphael) | — | ||
| 61-5 | Die Schöpfung: Part I, The Second Day. No. 4 Solo and Chorus: "Mit Staunen sieht das Wunderwerk" (Gabriel) | — | ||
| 61-6 | Die Schöpfung: Part I, The Third Day. No. 5 Recitative: "Und Gott sprach: Es sammle sich das Wasser" (Raphael) | — | ||
| 61-7 | Die Schöpfung: Part I, The Third Day. No. 6 Aira: "Rollend in schäumenden Wellen" (Raphael) | — | ||
| 61-8 | Die Schöpfung: Part I, The Third Day. No. 7 Recitative: "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel) | — | ||
| 61-9 | Die Schöpfung: Part I, The Third Day. No. 8 Aria: "Nun beut die Flur das frische Grün" (Gabriel) | — | ||
| 61-10 | Die Schöpfung: Part I, The Third Day. No. 9 Recitative: "Und die himmlischen Heerscharen verkündigten" (Uriel) | — | ||
| 61-11 | Die Schöpfung: Part I, The Third Day. No. 10 Chorus: "Stimmt an die Saiten" | — | ||
| 61-12 | Die Schöpfung: Part I, The Fourth Day. No. 11 Recitative: "Und Gott sprach: Es sei'n Lichter an der Feste des Himmels" (Uriel) | — | ||
| 61-13 | Die Schöpfung: Part I, The Fourth Day. No. 12 Recitative: "In vollem Glanze steiget jetzt" (Uriel) | — | ||
| 61-14 | Die Schöpfung: Part I, The Fourth Day. No. 13 Chorus and Soloists: "Die Himmel erzählen die Ehre Gottes" (Gabriel, Uriel, Raphael) | — | ||
| 62-1 | Die Schöpfung: Part II, The Fifth Day. No. 14 Recitative: "Und Gott sprach: Es bringe das Wasser in der Fülle hervor" (Gabriel) | — | ||
| 62-2 | Die Schöpfung: Part II, The Fifth Day. No. 15 Aria: "Auf strarkem Fittiche schwinget sich der Adler stolz" (Gabriel) | — | ||
| 62-3 | Die Schöpfung: Part II, The Fifth Day. No. 16 Recitative: "Und Gott schuf große Walfische" (Raphael) | — | ||
| 62-4 | Die Schöpfung: Part II, The Fifth Day. No. 17 Recitative: "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael) | — | ||
| 62-5 | Die Schöpfung: Part II, The Fifth Day. No. 18 Trio: "In holder Anmut stehn" (Gabriel, Uriel, Raphael) | — | ||
| 62-6 | Die Schöpfung: Part II, The Fifth Day. No. 19 Chorus and Soloists: "Der Herr ist groß in seiner Macht" (Gabriel, Uriel, Raphael) | — | ||
| 62-7 | Die Schöpfung: Part II, The Sixth Day. No. 20 Recitative: "Und Gott sparch: Es bringe die Erde hervor lebende Geschöpfe" (Raphael) | — | ||
| 62-8 | Die Schöpfung: Part II, The Sixth Day. No. 21 Recitative: "Gleich öffnet sich der Erde Schoß" (Raphael) | — | ||
| 62-9 | Die Schöpfung: Part II, The Sixth Day. No. 22 Aira: "Nun scheint in vollem Glanze der Himmel" (Raphael) | — | ||
| 62-10 | Die Schöpfung: Part II, The Sixth Day. No. 23 Recitative: "Und Gott schuf den Menschen nach seinem Bilde" (Uriel) | — | ||
| 62-11 | Die Schöpfung: Part II, The Sixth Day. No. 24 Aria: "Mit Würd' und Hoheit angetan" (Uriel) | — | ||
| 62-12 | Die Schöpfung: Part II, The Sixth Day. No. 25 Recitative: "Und Gott sah jedes Ding" (Raphael) | — | ||
| 62-13 | Die Schöpfung: Part II, The Sixth Day. No. 26 Chorus: "Vollendet ist das große Werk" / No. 27 Trio: "Zu dir, o Herr, blickt alles auf" (Gabriel, Uriel, Raphael) / No. 28 Chorus: "Vollendet ist das große Werk" | — | ||
| 62-14 | Die Schöpfung: Part III. No. 29 Orchestral Introduction and Recitative: "Aus Rosenwolken bricht" (Uriel) | — | ||
| 62-15 | Die Schöpfung: Part III. No. 30 Duet and Chorus: "Von deiner Güt', o Herr und Gott" (Eva, Adam) | — | ||
| 62-16 | Die Schöpfung: Part III. No. 31 Recitative: "Nun ist die erste Pflicht erfüllt" (Adam, Eva) | — | ||
| 62-17 | Die Schöpfung: Part III. No. 32 Duet: "Holde Gattin, dir zur Seite" (Adam, Eva) | — | ||
| 62-18 | Die Schöpfung: Part III. No. 33 Recitative: "O glücklich Paar" (Uriel) | — | ||
| 62-19 | Die Schöpfung: Part III. No. 34 Chorus and Soloists: "Singt dem Herren alle Stimmen!" | — | ||
| 63-1 | The Year 1812, Overture op. 49 | — | ||
| 63-2 | Slavonic March, op. 31 | — | ||
| 63-3 | Romeo and Juliet, Fantasy Overture | — | ||
| 64-1 | Serenade for String Orchestra in C major, op. 48: 1. Pezza in forma di sonatina. Andante non troppo - Allegro moderato | — | ||
| 64-2 | Serenade for String Orchestra in C major, op. 48: 2. Valse. Moderato. Tempo di valse | — | ||
| 64-3 | Serenade for String Orchestra in C major, op. 48: 3. Elégie. Larghetto elegiaco | — | ||
| 64-4 | Serenade for String Orchestra in C major, op. 48: 4. Finale (Tema russo). Andante - Allegro con spirito | — | ||
| 64-5 | The Nutcracker, Suite op. 71a: 1. Ouverture miniature. Allegro giusto | — | ||
| 64-6 | The Nutcracker, Suite op. 71a: 2. Danses caractéristiques: Marche. Tempo di marcia viva | — | ||
| 64-7 | The Nutcracker, Suite op. 71a: 2. Danses caractéristiques: Danse de la fée Dragée. Andante non troppo | — | ||
| 64-8 | The Nutcracker, Suite op. 71a: 2. Danses caractéristiques: Danse russe Trépak. Tempo di Trépak, molto vivace | — | ||
| 64-9 | The Nutcracker, Suite op. 71a: 2. Danses caractéristiques: Danse arabe. Allegretto | — | ||
| 64-10 | The Nutcracker, Suite op. 71a: 2. Danses caractéristiques: Danse chinoise. Allegro moderato | — | ||
| 64-11 | The Nutcracker, Suite op. 71a: 2. Danses caractéristiques: Danse des mirlitons. Moderato assai | — | ||
| 64-12 | The Nutcracker, Suite op. 71a: 3. Valse des fleurs. Tempo di valse | — | ||
| 65-1 | La traviata: Prelude to Act III | — | ||
| 65-2 | Cavalleria rusticana: Intermezzo | — | ||
| 65-3 | Suor Angelica: Intermezzo | — | ||
| 65-4 | Pagliacci: Intermezzo | — | ||
| 65-5 | Khovanshchina: Intermezzo | — | ||
| 65-6 | Manon Lescaut: Intermezzo | — | ||
| 65-7 | Notre Dame: Intermezzo | — | ||
| 65-8 | Thaïs: Méditation | — | ||
| 65-9 | Fedora: Intermezzo | — | ||
| 65-10 | Adriana Lecouvrer: Intermezzo | — | ||
| 65-11 | I gioielli della Madonna: Intermezzo | — | ||
| 65-12 | L'amico Fritz: Intermezzo | — | ||
| 66-1 | Symphony no. 6 in D minor, op. 104: 1. Allegro molto moderato | — | ||
| 66-2 | Symphony no. 6 in D minor, op. 104: 2. Allegretto moderato | — | ||
| 66-3 | Symphony no. 6 in D minor, op. 104: 3. Poco vivace | — | ||
| 66-4 | Symphony no. 6 in D minor, op. 104: 4. Allegro molto - Allegro assai - Doppio più lento | — | ||
| 66-5 | Symphony no. 7 in C major, op. 105: Adagio - Un pochettino meno adagio - | — | ||
| 66-6 | Symphony no. 7 in C major, op. 105: Vivacissimo - Adagio - | — | ||
| 66-7 | Symphony no. 7 in C major, op. 105: Allegro molto moderato - | — | ||
| 66-8 | Symphony no. 7 in C major, op. 105: Vivace - Presto - Adagio - Largamente molto - Affettuoso | — | ||
| 67-1 | Serenade no. 6 in D major "Serenata notturna", K. 239: 1. Marcia. Maestoso | — | ||
| 67-2 | Serenade no. 6 in D major "Serenata notturna", K. 239: 2. Menuetto - Trio | — | ||
| 67-3 | Serenade no. 6 in D major "Serenata notturna", K. 239: 3. Rondeau. Allegretto - Adagio - Allegro | — | ||
| 67-4 | Divertimento for Strings no. 1 in D major, K. 136 (125a): 1. Allegro | — | ||
| 67-5 | Divertimento for Strings no. 1 in D major, K. 136 (125a): 2. Andante | — | ||
| 67-6 | Divertimento for Strings no. 1 in D major, K. 136 (125a): 3. Presto | — | ||
| 67-7 | Divertimento for Strings no. 2 in B-flat major, K. 137 (125b): 1. Andante | — | ||
| 67-8 | Divertimento for Strings no. 2 in B-flat major, K. 137 (125b): 2. Allegro di molto | — | ||
| 67-9 | Divertimento for Strings no. 2 in B-flat major, K. 137 (125b): 3. Allegro assai | — | ||
| 67-10 | Divertimento for Strings no. 3 in F major, K. 138 (125c): 1. [Allegro] | — | ||
| 67-11 | Divertimento for Strings no. 3 in F major, K. 138 (125c): 2. Andante | — | ||
| 67-12 | Divertimento for Strings no. 3 in F major, K. 138 (125c): 3. [Presto] | — | ||
| 68-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo | — | ||
| 68-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato | — | ||
| 68-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante | — | ||
| 68-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso | — | ||
| 69-1 | Concerti grossi, op. 6: No. 6 in G minor, HWV 324: 1. Largo e affettuoso | — | ||
| 69-2 | Concerti grossi, op. 6: No. 6 in G minor, HWV 324: 2. A tempo giusto | — | ||
| 69-3 | Concerti grossi, op. 6: No. 6 in G minor, HWV 324: 3. Musette. Larghetto | — | ||
| 69-4 | Concerti grossi, op. 6: No. 6 in G minor, HWV 324: 4. Allegro | — | ||
| 69-5 | Concerti grossi, op. 6: No. 6 in G minor, HWV 324: 5. Allegro | — | ||
| 69-6 | Concerti grossi, op. 6: No. 4 in A minor, HWV 322: 1. Larghetto affettuoso | — | ||
| 69-7 | Concerti grossi, op. 6: No. 4 in A minor, HWV 322: 2. Allegro | — | ||
| 69-8 | Concerti grossi, op. 6: No. 4 in A minor, HWV 322: 3. Largo e piano | — | ||
| 69-9 | Concerti grossi, op. 6: No. 4 in A minor, HWV 322: 4. Allegro | — | ||
| 69-10 | Concerti grossi, op. 6: No. 2 in F major, HWV 320: 1. Andante larghetto | — | ||
| 69-11 | Concerti grossi, op. 6: No. 2 in F major, HWV 320: 2. Allegro | — | ||
| 69-12 | Concerti grossi, op. 6: No. 2 in F major, HWV 320: 3. Largo | — | ||
| 69-13 | Concerti grossi, op. 6: No. 2 in F major, HWV 320: 4. Allegro, ma non troppo | — | ||
| 70-1 | Concerti grossi, op. 6: No. 7 in B major, HWV 325: 1. Largo | — | ||
| 70-2 | Concerti grossi, op. 6: No. 7 in B major, HWV 325: 2. Allegro | — | ||
| 70-3 | Concerti grossi, op. 6: No. 7 in B major, HWV 325: 3. Largo e piano | — | ||
| 70-4 | Concerti grossi, op. 6: No. 7 in B major, HWV 325: 4. Andante | — | ||
| 70-5 | Concerti grossi, op. 6: No. 7 in B major, HWV 325: 5. Hornpipe | — | ||
| 70-6 | Concerti grossi, op. 6: No. 3 in E minor, HWV 321: 1. Larghetto | — | ||
| 70-7 | Concerti grossi, op. 6: No. 3 in E minor, HWV 321: 2. Andante | — | ||
| 70-8 | Concerti grossi, op. 6: No. 3 in E minor, HWV 321: 3. Allegro | — | ||
| 70-9 | Concerti grossi, op. 6: No. 3 in E minor, HWV 321: 4. Polonaise. Andante | — | ||
| 70-10 | Concerti grossi, op. 6: No. 3 in E minor, HWV 321: 5. Allegro ma non troppo | — | ||
| 70-11 | Concerti grossi, op. 6: No. 9 in F major, HWV 327: 1. Largo | — | ||
| 70-12 | Concerti grossi, op. 6: No. 9 in F major, HWV 327: 2. Allegro | — | ||
| 70-13 | Concerti grossi, op. 6: No. 9 in F major, HWV 327: 3. Larghetto | — | ||
| 70-14 | Concerti grossi, op. 6: No. 9 in F major, HWV 327: 4. Allegro | — | ||
| 70-15 | Concerti grossi, op. 6: No. 9 in F major, HWV 327: 5. Menuet | — | ||
| 70-16 | Concerti grossi, op. 6: No. 9 in F major, HWV 327: 6. Gigue | — | ||
| 71-1 | Les Préludes, S 97 | — | ||
| 71-2 | Hungarian Rhapsody no. 2 in D minor | — | ||
| 71-3 | Má vlast: 1. Vyšehrad | — | ||
| 71-4 | Má vlast: 2. Vlatava (Die Moldau) | — | ||
| 72-1 | Concerto for Horn and Orchestra no. 1 in D major, K. 412 (386b): 1. Allegro | — | ||
| 72-2 | Concerto for Horn and Orchestra no. 1 in D major, K. 412 (386b): 2. Rondo. Allegro | — | ||
| 72-3 | Concerto for Horn and Orchestra no. 4 in E-flat major, K. 495: 1. Allegro moderato (cadenza: Mandred Klier) | — | ||
| 72-4 | Concerto for Horn and Orchestra no. 4 in E-flat major, K. 495: 2. Romanza. Andante | — | ||
| 72-5 | Concerto for Horn and Orchestra no. 4 in E-flat major, K. 495: 3. Rondo. Allegro vivace | — | ||
| 72-6 | Concerto for Horn and Orchestra no. 2 in E-flat major, K. 417: 1. Allegro maestoso | — | ||
| 72-7 | Concerto for Horn and Orchestra no. 2 in E-flat major, K. 417: 2. Andante | — | ||
| 72-8 | Concerto for Horn and Orchestra no. 2 in E-flat major, K. 417: 3. Rondo | — | ||
| 72-9 | Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 1. Allegro (cadenza: Manfred Klier) | — | ||
| 72-10 | Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 2. Romance. Larghetto | — | ||
| 72-11 | Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 3. Allegro | — | ||
| 73-1 | String Sonata no. 1 in G major: 1. Moderato | — | ||
| 73-2 | String Sonata no. 1 in G major: 2. Andantino | — | ||
| 73-3 | String Sonata no. 1 in G major: 3. Allegro | — | ||
| 73-4 | String Sonata no. 2 in A major: 1. Allegro | — | ||
| 73-5 | String Sonata no. 2 in A major: 2. Andantino | — | ||
| 73-6 | String Sonata no. 2 in A major: 3. Allegro | — | ||
| 73-7 | String Sonata no. 3 in C major: 1. Allegro | — | ||
| 73-8 | String Sonata no. 3 in C major: 2. Andante | — | ||
| 73-9 | String Sonata no. 3 in C major: 3. Moderato | — | ||
| 73-10 | String Sonata no. 6 in D major: 1. Allegro spiritoso | — | ||
| 73-11 | String Sonata no. 6 in D major: 2. Andante assai | — | ||
| 73-12 | String Sonata no. 6 in D major: 3. Tempesta. Allegro | — | ||
| 74-1 | Symphony no. 5 in B-flat major, op. 100: 1. Andante | — | ||
| 74-2 | Symphony no. 5 in B-flat major, op. 100: 2. Allegro marcato | — | ||
| 74-3 | Symphony no. 5 in B-flat major, op. 100: 3. Adagio | — | ||
| 74-4 | Symphony no. 5 in B-flat major, op. 100: 4. Allegro giocoso | — | ||
| 75-1 | Concerti grossi, op. 6: No. 1 in G minor, HWV 319: 1. A tempo giusto | — | ||
| 75-2 | Concerti grossi, op. 6: No. 1 in G minor, HWV 319: 2. Allegro | — | ||
| 75-3 | Concerti grossi, op. 6: No. 1 in G minor, HWV 319: 3. Adagio | — | ||
| 75-4 | Concerti grossi, op. 6: No. 1 in G minor, HWV 319: 4. Allegro | — | ||
| 75-5 | Concerti grossi, op. 6: No. 1 in G minor, HWV 319: 5. Allegro | — | ||
| 75-6 | Concerti grossi, op. 6: No. 8 in C minor, HWV 326: 1. Allemande. Andante | — | ||
| 75-7 | Concerti grossi, op. 6: No. 8 in C minor, HWV 326: 2. Grave | — | ||
| 75-8 | Concerti grossi, op. 6: No. 8 in C minor, HWV 326: 3. Andante allegro | — | ||
| 75-9 | Concerti grossi, op. 6: No. 8 in C minor, HWV 326: 4. Adagio | — | ||
| 75-10 | Concerti grossi, op. 6: No. 8 in C minor, HWV 326: 5. Siciliana. Andante | — | ||
| 75-11 | Concerti grossi, op. 6: No. 8 in C minor, HWV 326: 6. Allegro | — | ||
| 75-12 | Concerti grossi, op. 6: No. 11 in A major, HWV 329: 1. Andante larghetto e staccato | — | ||
| 75-13 | Concerti grossi, op. 6: No. 11 in A major, HWV 329: 2. Allegro | — | ||
| 75-14 | Concerti grossi, op. 6: No. 11 in A major, HWV 329: 3. Largo e staccato | — | ||
| 75-15 | Concerti grossi, op. 6: No. 11 in A major, HWV 329: 4. Andante | — | ||
| 75-16 | Concerti grossi, op. 6: No. 11 in A major, HWV 329: 5. Allegro | — | ||
| 76-1 | Symphony no. 9 in C major "The Great", D. 944: 1. Andante - Allegro ma non troppo | — | ||
| 76-2 | Symphony no. 9 in C major "The Great", D. 944: 2. Andante con moto | — | ||
| 76-3 | Symphony no. 9 in C major "The Great", D. 944: 3. Scherzo. Allegro vivace - Trio | — | ||
| 76-4 | Symphony no. 9 in C major "The Great", D. 944: 4. Allegro vivace | — | ||
| 77-1 | Concerto for Cello and Orchestra in B minor, op. 104: 1. Allegro | — | ||
| 77-2 | Concerto for Cello and Orchestra in B minor, op. 104: 2. Adagio ma non troppo | — | ||
| 77-3 | Concerto for Cello and Orchestra in B minor, op. 104: 3. Finale. Allegro moderato | — | ||
| 77-4 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Moderato quasi Andante | — | ||
| 77-5 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Tema. Moderato semplice | — | ||
| 77-6 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. I. Tempo del tema | — | ||
| 77-7 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. II. Tempo del tema | — | ||
| 77-8 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. III. Andante sostenuto | — | ||
| 77-9 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. IV. Andante grazioso | — | ||
| 77-10 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. V. Allegro moderato - Cadenza | — | ||
| 77-11 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. VI. Andante | — | ||
| 77-12 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. VII e Coda. Allegro vivo | — | ||
| 78-1 | Wellington's Victory, or The Battle of Vitoria, op. 91 | — | ||
| 78-2 | Military March in D major, WoO 24 | — | ||
| 78-3 | Military Polonaise in D major, WoO 21 | — | ||
| 78-4 | Military Écossaise in D major, WoO 22 | — | ||
| 78-5 | Military March in C major, WoO 20 | — | ||
| 78-6 | March for 2 Clarinets, 2 Horns and 2 Bassoons in B-flat major, WoO 29 | — | ||
| 78-7 | Military March no. 1 in F major "Yorck March", WoO 18 | — | ||
| 78-8 | Military March no. 2 in F major, WoO 19 | — | ||
| 79-1 | Leonore Overture I, op. 138 | — | ||
| 79-2 | Leonore Overture II, op. 72 | — | ||
| 79-3 | Leonore Overture III, op. 72a | — | ||
| 79-4 | Fidelio Overture, op. 72b | — | ||
| 80-1 | Die Geschöpfe des Prometheus, op. 43: Overture | — | ||
| 80-2 | König Stephan, op. 117: Overture | — | ||
| 80-3 | Die Ruinen von Athen, op. 113: Overture | — | ||
| 80-4 | Egmont, op. 84: Overture | — | ||
| 80-5 | Coriolan, op. 62 | — | ||
| 80-6 | Zur Namensfeier, op. 115 | — | ||
| 80-7 | Die Weihe des Hauses, op. 124 | — | ||
| 80-8 | Musik zu einem Ritterballett, WoO 1: 1. Marsch | — | ||
| 80-9 | Musik zu einem Ritterballett, WoO 1: 2. Deutscher Gesang. Allegro moderato | — | ||
| 80-10 | Musik zu einem Ritterballett, WoO 1: 3. Jagdlied. Allegretto | — | ||
| 80-11 | Musik zu einem Ritterballett, WoO 1: Deutscher Gesang (da capo) | — | ||
| 80-12 | Musik zu einem Ritterballett, WoO 1: 4. Romanze. Andantino | — | ||
| 80-13 | Musik zu einem Ritterballett, WoO 1: Deutscher Gesang (da capo) | — | ||
| 80-14 | Musik zu einem Ritterballett, WoO 1: 5. Kriegslied. Allegro assai con brio | — | ||
| 80-15 | Musik zu einem Ritterballett, WoO 1: Deutscher Gesang (da capo) | — | ||
| 80-16 | Musik zu einem Ritterballett, WoO 1: 6. Trinklied ("Mihi est propositum"). Allegro con brio | — | ||
| 80-17 | Musik zu einem Ritterballett, WoO 1: Deutscher Gesang (da capo) | — | ||
| 80-18 | Musik zu einem Ritterballett, WoO 1: 7. Deutscher Tanz. Walzer | — | ||
| 80-19 | Musik zu einem Ritterballett, WoO 1: 8. Coda. Allegro vivace | — | ||
| 80-20 | Gratulations-Menuett in E-flat major, WoO 3 | — | ||
| 81-1 | Geschichten aus dem Wienerwald, Walzer op. 325 | — | ||
| 81-2 | Auf der Jagd, Polka scnell op. 373 | — | ||
| 81-3 | Ägyptischer Marsch, op. 335 | — | ||
| 81-4 | Pizzicato-Polka | — | ||
| 81-5 | Unter Donner und Blitz, Polka schnell op. 324 | — | ||
| 81-6 | Morgenblätter, Walzer op. 279 | — | ||
| 81-7 | Persischer Marsch, op. 289 | — | ||
| 81-8 | Wiener Blut, Walzer op. 354 | — | ||
| 81-9 | Postillon d'amour, Polka française op. 317 | — | ||
| 81-10 | Sphärenklänge, Walzer op. 235 | — | ||
| 81-11 | Leichtes Blut, Polka schnell op. 319 | — | ||
| 82-1 | Leichte Kavallerie | — | ||
| 82-2 | Ein Morgen, ein Mittag, ein Abend in Wien | — | ||
| 82-3 | Pique Dame | — | ||
| 82-4 | Die schöne Galathée | — | ||
| 82-5 | Banditenstreiche | — | ||
| 82-6 | Dichter und Bauer | — | ||
| 83-1 | Adagio and Fugue in C minor, K. 546: Adagio | — | ||
| 83-2 | Adagio and Fugue in C minor, K. 546: Fuge | — | ||
| 83-3 | Grosse Fuge in B-flat major, op. 133 | — | ||
| 83-4 | Metamorphosen: Adagio, ma non troppo - Agitato - Più allegro - Adagio, tempo primo - Molto lento | — | ||
| 84-1 | Music for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquillo | — | ||
| 84-2 | Music for Strings, Percussion and Celesta, Sz. 106: 2. Allegro | — | ||
| 84-3 | Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio | — | ||
| 84-4 | Music for Strings, Percussion and Celesta, Sz. 106: 4. Allegro molto | — | ||
| 84-5 | Apollon Musagète: Scene 1. Naissance d'Apollon. Largo - Allegro - Tempo I | — | ||
| 84-6 | Apollon Musagète: Scene 2. Variation d'Apollon (Apollon et les Muses) | — | ||
| 84-7 | Apollon Musagète: Scene 2. Pas d'action (Apollon et les trois Muses: Calliope, Polymnie et Terpsichore). Moderato | — | ||
| 84-8 | Apollon Musagète: Scene 2. Variation de Calliope. Allegretto | — | ||
| 84-9 | Apollon Musagète: Scene 2. Variation de Polymnie. Allegro | — | ||
| 84-10 | Apollon Musagète: Scene 2. Variation de Terpsichore. Allegretto | — | ||
| 84-11 | Apollon Musagète: Scene 2. Variation d'Apollon. Lento | — | ||
| 84-12 | Apollon Musagète: Scene 2. Pas de deux (Apollon et Terpsichore). Adagio | — | ||
| 84-13 | Apollon Musagète: Scene 2. Coda: Apollon et les Muses. Vivo - Tempo sostenuto - Agitato | — | ||
| 84-14 | Apollon Musagète: Scene 2. Apothéose. Largo et tranquillo | — | ||
| 85-1 | Symphony no. 2 for String Orchestra and Trumpet: 1. Molto moderato - Allegro | — | ||
| 85-2 | Symphony no. 2 for String Orchestra and Trumpet: 2. Adagio mesto | — | ||
| 85-3 | Symphony no. 2 for String Orchestra and Trumpet: 3. Vivace, non troppo - Presto | — | ||
| 85-4 | Symphony no. 3 "Liturgique": 1. Dies irae. Allegro marcato | — | ||
| 85-5 | Symphony no. 3 "Liturgique": 2. De profundis clamavi. Adagio | — | ||
| 85-6 | Symphony no. 3 "Liturgique": 3. Dona nobis pacem. Andante | — | ||
| 86-1 | Adagio for Strings and Organ in G minor | — | ||
| 86-2 | Canon and Gigue in D major (arr. Max Seiffert): Canon | — | ||
| 86-3 | Canon and Gigue in D major (arr. Max Seiffert): Gigue | — | ||
| 86-4 | Quintettino "Musica notturna delle strade di Madrid", op. 30/6: 1. Introduzione | — | ||
| 86-5 | Quintettino "Musica notturna delle strade di Madrid", op. 30/6: 2. Minuetto | — | ||
| 86-6 | Quintettino "Musica notturna delle strade di Madrid", op. 30/6: 3. Largo assai, senza rigor di battuta | — | ||
| 86-7 | Quintettino "Musica notturna delle strade di Madrid", op. 30/6: 4. Passacalle | — | ||
| 86-8 | Quintettino "Musica notturna delle strade di Madrid", op. 30/6: 5. Ritirata | — | ||
| 86-9 | Antiche danze et arie per liuto - Suite no. 3: 1. Italiana (Anon., fine sec. XVI). Andantino | — | ||
| 86-10 | Antiche danze et arie per liuto - Suite no. 3: 2. Arie di corte (Jean-Baptiste Besard, sec. XVI). Andante Cantabile | — | ||
| 86-11 | Antiche danze et arie per liuto - Suite no. 3: 3. Siciliana (Anon, fine sec. XVI). Andantino | — | ||
| 86-12 | Antiche danze et arie per liuto - Suite no. 3: 4. Passacaglia (Lodovico Roncalli, 1692). Maestoso - Vivace | — | ||
| 87-1 | Symphony in C: 1. Moderato alla breve | — | ||
| 87-2 | Symphony in C: 2. Larghetto concertante | — | ||
| 87-3 | Symphony in C: 3. Allegretto | — | ||
| 87-4 | Symphony in C: 4. Largo - Tempo giusto, alla breve | — | ||
| 87-5 | Concerto in D for String Orchestra: 1. Vivace | — | ||
| 87-6 | Concerto in D for String Orchestra: 2. Arioso. Andantino | — | ||
| 87-7 | Concerto in D for String Orchestra: 3. Rondo. Allegro | — | ||
| 87-8 | Circus Polka | — | ||
| 88-1 | Incidental Music to Goethe's "Egmont", op. 84: Ouvertüre. Sostenuto, ma non troppo - Allegro | — | ||
| 88-2 | Incidental Music to Goethe's "Egmont", op. 84: 1. Lied: "Die Trommel gerühret!" (Clärchen). Vivace | — | ||
| 88-3 | Incidental Music to Goethe's "Egmont", op. 84: 2. Entr'acte I. Andante - Allegro con brio | — | ||
| 88-4 | Incidental Music to Goethe's "Egmont", op. 84: 3. Entr'acte II. Larghetto | — | ||
| 88-5 | Incidental Music to Goethe's "Egmont", op. 84: 4. Lied: "Freudvoll und leidvoll" (Clärchen). Andante con moto | — | ||
| 88-6 | Incidental Music to Goethe's "Egmont", op. 84: 5. Entr'acte III. Allegro - Marcia. Vivace | — | ||
| 88-7 | Incidental Music to Goethe's "Egmont", op. 84: 6. Entr'acte IV. Poco sostenuto e risoluto - Larghetto | — | ||
| 88-8 | Incidental Music to Goethe's "Egmont", op. 84: 7. The Death of Clärchen. Larghetto | — | ||
| 88-9 | Incidental Music to Goethe's "Egmont", op. 84: 8. Melodram: "Süßer Schlaf" (Egmont). Poco sostenuto | — | ||
| 88-10 | Incidental Music to Goethe's "Egmont", op. 84: 9. Victory Symphony. Allegro con brio | — | ||
| 89-1 | Concerto for Oboe and Orchestra in D major, AV 144: 1. Allegro moderato | — | ||
| 89-2 | Concerto for Oboe and Orchestra in D major, AV 144: 2. Andante | — | ||
| 89-3 | Concerto for Oboe and Orchestra in D major, AV 144: 3. Vivace - Allegro | — | ||
| 89-4 | Concerto for Horn and Orchestra no. 2 in E-flat major, AV 132: 1. Allegro | — | ||
| 89-5 | Concerto for Horn and Orchestra no. 2 in E-flat major, AV 132: 2. Andante con moto | — | ||
| 89-6 | Concerto for Horn and Orchestra no. 2 in E-flat major, AV 132: 3. Rondo. Allegro molto | — | ||
| 90-1 | Concerto for Violin, Strings and Continuo no. 1 in A minor, BWV 1041: 1. [Allegro moderato] | — | ||
| 90-2 | Concerto for Violin, Strings and Continuo no. 1 in A minor, BWV 1041: 2. Andante | — | ||
| 90-3 | Concerto for Violin, Strings and Continuo no. 1 in A minor, BWV 1041: 3. Allegro assai | — | ||
| 90-4 | Concerto for Violin, Strings and Continuo no. 2 in E major, BWV 1042: 1. Allegro | — | ||
| 90-5 | Concerto for Violin, Strings and Continuo no. 2 in E major, BWV 1042: 2. Adagio | — | ||
| 90-6 | Concerto for Violin, Strings and Continuo no. 2 in E major, BWV 1042: 3. Allegro assai | — | ||
| 90-7 | Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: 1. Vivace | — | ||
| 90-8 | Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: 2. Largo, ma non tanto | — | ||
| 90-9 | Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: 3. Allegro | — | ||
| 91-1 | Concerto grosso fatto per la notte di Natale in G minor, op. 6 no. 8: I. Vivace - Grave - Arcate, sostenuto e come sta / II. Allegro | — | ||
| 91-2 | Concerto grosso fatto per la notte di Natale in G minor, op. 6 no. 8: III. Adagio - Allegro - Adagio | — | ||
| 91-3 | Concerto grosso fatto per la notte di Natale in G minor, op. 6 no. 8: IV. Vivace | — | ||
| 91-4 | Concerto grosso fatto per la notte di Natale in G minor, op. 6 no. 8: V. Allegro | — | ||
| 91-5 | Concerto grosso fatto per la notte di Natale in G minor, op. 6 no. 8: VI. Pastorale ad libitum, Largo | — | ||
| 91-6 | Concerto grosso per il Santissimo Natale in C major, op. 3 no. 12: I. Pastorale. Largo | — | ||
| 91-7 | Concerto grosso per il Santissimo Natale in C major, op. 3 no. 12: II. Largo | — | ||
| 91-8 | Concerto grosso per il Santissimo Natale in C major, op. 3 no. 12: III. Allegro | — | ||
| 91-9 | Concerto a 4 in forma di Pastorale per il Santissimo Natale in G minor: I. Grave - Vivace | — | ||
| 91-10 | Concerto a 4 in forma di Pastorale per il Santissimo Natale in G minor: II. Largo | — | ||
| 91-11 | Concerto a 4 in forma di Pastorale per il Santissimo Natale in G minor: III. Vivace | — | ||
| 91-12 | Concerto grosso in F minor "Christmas Concerto", op. 1 no. 8: I. Largo - Grave | — | ||
| 91-13 | Concerto grosso in F minor "Christmas Concerto", op. 1 no. 8: II. Vivace | — | ||
| 91-14 | Concerto grosso in F minor "Christmas Concerto", op. 1 no. 8: III. Grave | — | ||
| 91-15 | Concerto grosso in F minor "Christmas Concerto", op. 1 no. 8: IV. Large Andante | — | ||
| 91-16 | Concerto grosso in F minor "Christmas Concerto", op. 1 no. 8: V. Andante | — | ||
| 91-17 | Concerto grosso in F minor "Christmas Concerto", op. 1 no. 8: VI. Pastorale ad libitum. Large Andante | — | ||
| 92-1 | Violin Concerto in E major "L'amoroso", RV 271: 1. Allegro | — | ||
| 92-2 | Violin Concerto in E major "L'amoroso", RV 271: 2. Cantabile | — | ||
| 92-3 | Violin Concerto in E major "L'amoroso", RV 271: 3. [Allegro] | — | ||
| 92-4 | Sinfonia For Strings in B minor "Al Santo Sepolcro", RV169: 1. Adagio molto | — | ||
| 92-5 | Sinfonia For Strings in B minor "Al Santo Sepolcro", RV169: 2. Allegro ma poco | — | ||
| 92-6 | Concerto for Violin, Strings and Continuo in D major "L'Inquietudine", RV 234: 1. Allegro molto | — | ||
| 92-7 | Concerto for Violin, Strings and Continuo in D major "L'Inquietudine", RV 234: 2. Largo | — | ||
| 92-8 | Concerto for Violin, Strings and Continuo in D major "L'Inquietudine", RV 234: 3. Allegro | — | ||
| 92-9 | Concerto for Strings and Continuo in G major "Alla rustica", RV 151: 1. Presto | — | ||
| 92-10 | Concerto for Strings and Continuo in G major "Alla rustica", RV 151: 2. Adagio | — | ||
| 92-11 | Concerto for Strings and Continuo in G major "Alla rustica", RV 151: 3. Allegro | — | ||
| 92-12 | Concerto for Strings and Continuo in D minor "Madrigalesco", RV 129: 1. Adagio | — | ||
| 92-13 | Concerto for Strings and Continuo in D minor "Madrigalesco", RV 129: 2. Adagio / 3. Allegro molto moderato | — | ||
| 92-14 | Concerto In A Minor For 2 Violins, Strings and Continuo, RV 523: 1. Allegro molto | — | ||
| 92-15 | Concerto In A Minor For 2 Violins, Strings and Continuo, RV 523: 2. Largo | — | ||
| 92-16 | Concerto In A Minor For 2 Violins, Strings and Continuo, RV 523: 3. Allegro | — | ||
| 92-17 | Concerto for 4 Violins, Cello, Strings and Continuo in D major, RV 549: 1. Allegro | — | ||
| 92-18 | Concerto for 4 Violins, Cello, Strings and Continuo in D major, RV 549: 2. Largo e spiccato | — | ||
| 92-19 | Concerto for 4 Violins, Cello, Strings and Continuo in D major, RV 549: 3. Allegro | — | ||
| 92-20 | Concerto for 4 Violins, Strings and Continuo in E minor. RV 550: 1. Andante | — | ||
| 92-21 | Concerto for 4 Violins, Strings and Continuo in E minor. RV 550: 2. Allegro assai | — | ||
| 92-22 | Concerto for 4 Violins, Strings and Continuo in E minor. RV 550: 3. Adagio | — | ||
| 92-23 | Concerto for 4 Violins, Strings and Continuo in E minor. RV 550: 4. Allegro | — | ||
| 93-1 | Overture "The Hebrides" ("Fingal's Cave"), op. 26 | — | ||
| 93-2 | Symphony no. 3 in A minor "Scottish", op. 56: 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | — | ||
| 93-3 | Symphony no. 3 in A minor "Scottish", op. 56: 2. Vivace non troppo | — | ||
| 93-4 | Symphony no. 3 in A minor "Scottish", op. 56: 3. Adagio | — | ||
| 93-5 | Symphony no. 3 in A minor "Scottish", op. 56: 4. Allegro vivacissimo - Allegro maestoso assai | — | ||
| 94-1 | Carmen Suite: 1. Prélude Acte I. Allegro giocoso | — | ||
| 94-2 | Carmen Suite: 2. Entr'acte II "Les Dragons d'Alcara". Allegro moderato | — | ||
| 94-3 | Carmen Suite: 3. Entr'acte III. Andantino quasi Allegretto | — | ||
| 94-4 | Carmen Suite: 4. Entr'acte IV "Aragonaise". Allegro vivo | — | ||
| 94-5 | L'Arlésienne Suite no. 1: 1. Prélude. Allegro deciso (Tempo di Marcia) - Andantino -Andante molto | — | ||
| 94-6 | L'Arlésienne Suite no. 1: 2. Minuetto. Allegro giocoso | — | ||
| 94-7 | L'Arlésienne Suite no. 1: 3. Adagietto. Adagio | — | ||
| 94-8 | L'Arlésienne Suite no. 1: 4. Carillon. Allegretto moderato - Andantino - Tempo I | — | ||
| 94-9 | L'Arlésienne Suite no. 2: 1. Pastorale. Andante sostenuto assai - Andantino - Tempo I | — | ||
| 94-10 | L'Arlésienne Suite no. 2: 2. Intermezzo. Andante moderato ma con moto - Allegro moderato | — | ||
| 94-11 | L'Arlésienne Suite no. 2: 3. Menuet. Andantino quasi Allegretto | — | ||
| 94-12 | L'Arlésienne Suite no. 2: 4. Farandole. Allegro deciso (Tempo di Marcia) - Allegro vivo e deciso | — | ||
| 95-1 | La gazza ladra | — | ||
| 95-2 | La scala di seta | — | ||
| 95-3 | Semiramide | — | ||
| 95-4 | Il barbiere di Siviglia | — | ||
| 95-5 | L'italiana in Algeri | — | ||
| 95-6 | Guillaume Tell | — | ||
| 96-1 | Symphony no. 1 in B-flat major "Spring", op. 38: 1. Andante un poco maestoso - Allegro molto vivace | — | ||
| 96-2 | Symphony no. 1 in B-flat major "Spring", op. 38: 2. Larghetto | — | ||
| 96-3 | Symphony no. 1 in B-flat major "Spring", op. 38: 3. Scherzo. Molto vivace | — | ||
| 96-4 | Symphony no. 1 in B-flat major "Spring", op. 38: 4. Allegro animato e grazioso | — | ||
| 96-5 | Symphony no. 4 in D Minor, op. 120: 1. Ziemlich langsam - Lebhaft - attacca | — | ||
| 96-6 | Symphony no. 4 in D Minor, op. 120: 2. Romanze. Ziemlich langsam - attacca | — | ||
| 96-7 | Symphony no. 4 in D Minor, op. 120: 3. Scherzo.Lebhaft - attacca | — | ||
| 96-8 | Symphony no. 4 in D Minor, op. 120: 4. Langsam - Lebhaft | — | ||
| 97-1 | Symphony no. 2 in C major, op.61: 1. Sostenuto assai - Allegro, ma non troppo - Con fuoco | — | ||
| 97-2 | Symphony no. 2 in C major, op.61: 2. Scherzo. Allegro vivace | — | ||
| 97-3 | Symphony no. 2 in C major, op.61: 3. Adagio espressivo | — | ||
| 97-4 | Symphony no. 2 in C major, op.61: 4. Allegro molto vivace | — | ||
| 97-5 | Overture, Scherzo and Finale in E major, op. 52: 1. Overture. Andante con moto - allegro | — | ||
| 97-6 | Overture, Scherzo and Finale in E major, op. 52: 2. Scherzo. Vivo - Trio. L'istesso tempo - Coda | — | ||
| 97-7 | Overture, Scherzo and Finale in E major, op. 52: 3. Finale. Allegro molto vivace | — | ||
| 98-1 | Swan Lake, Suite op. 20a: 1. Scène. Moderato | — | ||
| 98-2 | Swan Lake, Suite op. 20a: 2. Valse. Tempo di valse | — | ||
| 98-3 | Swan Lake, Suite op. 20a: 3. Danse des cygnes. Allegro moderato | — | ||
| 98-4 | Swan Lake, Suite op. 20a: 4. Scêne. Andante | — | ||
| 98-5 | Swan Lake, Suite op. 20a: 5. Danse hongroise (Czardas). Moderato assai - Allegro moderato - Vivace | — | ||
| 98-6 | Swan Lake, Suite op. 20a: 6. Scêne final. Allegro agitato - Allegro vivace | — | ||
| 98-7 | The Sleeping Beauty, Suite op. 66a: 1. Introduction. La Fée des Lilas. Allegro vivace - Andantino - Andante sostenuto | — | ||
| 98-8 | The Sleeping Beauty, Suite op. 66a: 2. Adagio. Pas d'action. Andante - Adagio maestoso - Molto sostenuto, quasi più andante - Tempo I | — | ||
| 98-9 | The Sleeping Beauty, Suite op. 66a: 3. Pas de caractère: Le Chat botté et la Chatte blanche | — | ||
| 98-10 | The Sleeping Beauty, Suite op. 66a: 4. Panorama. Andantino | — | ||
| 98-11 | The Sleeping Beauty, Suite op. 66a: 5. Valse. Allegro. Tempo di valse | — | ||
| 99-1 | Gaîté Parisienne: Overture | — | ||
| 99-2 | Gaîté Parisienne: 1. Allegro brillante | — | ||
| 99-3 | Gaîté Parisienne: 2. Polka | — | ||
| 99-4 | Gaîté Parisienne: 6. Allegro | — | ||
| 99-5 | Gaîté Parisienne: 8. Valse. Lento | — | ||
| 99-6 | Gaîté Parisienne: 9. [Marche] | — | ||
| 99-7 | Gaîté Parisienne: 10. Valse, Moderato | — | ||
| 99-8 | Gaîté Parisienne: 11. Allegro vivo | — | ||
| 99-9 | Gaîté Parisienne: 12. Valse | — | ||
| 99-10 | Gaîté Parisienne: 13. Allegro Vivace - Misterioso - Lento | — | ||
| 99-11 | Gaîté Parisienne: 14. Valse. Moderato | — | ||
| 99-12 | Gaîté Parisienne: 15. Allegro vivo | — | ||
| 99-13 | Gaîté Parisienne: 16. Cancan. Allegro | — | ||
| 99-14 | Gaîté Parisienne: 17. Polka | — | ||
| 99-15 | Gaîté Parisienne: 18. -- | — | ||
| 99-16 | Gaîté Parisienne: 22. Vivo | — | ||
| 99-17 | Gaîté Parisienne: 23. Barcarole. Allegro moderato | — | ||
| 99-18 | Faust, Ballet Music: 1. Allegretto. Mouvement de Valse | — | ||
| 99-19 | Faust, Ballet Music: 2. Adagio | — | ||
| 99-20 | Faust, Ballet Music: 3. Danse antique. Allegretto | — | ||
| 99-21 | Faust, Ballet Music: 4. Variations de Cléopâtre. Moderato maestoso | — | ||
| 99-22 | Faust, Ballet Music: 5. Les Troyens. Moderato con moto | — | ||
| 99-23 | Faust, Ballet Music: 6. Variations du miroir. Allegretto | — | ||
| 99-24 | Faust, Ballet Music: 7. Danse de Phryné. Allegro vivo | — | ||
| 99-25 | La Valse de Faust. Tempo di Valse | — | ||
| 100-1 | Prince Igor: Dance of the Polovtsian Maidens | — | ||
| 100-2 | Prince Igor: Polovtsian Dances | — | ||
| 100-3 | Eugene Onegin: Polonaise | — | ||
| 100-4 | Eugene Onegin: Valse | — | ||
| 100-5 | Aida: Sacred Dance of the Priestesses | — | ||
| 100-6 | Aida: Dance of the Young Moorish Slaves | — | ||
| 100-7 | Aida: Ballet | — | ||
| 100-8 | Otello: Ballet Music | — | ||
| 100-9 | La Gioconda: Dance of the Hours | — | ||
| 101-1 | Peer Gynt-Suite no. 1, op. 46: 1. Morning Mood. Allegretto pastorale | — | ||
| 101-2 | Peer Gynt-Suite no. 1, op. 46: 2. Åse's Death. Andante doloroso | — | ||
| 101-3 | Peer Gynt-Suite no. 1, op. 46: 3. Anitra's Dance. Tempo di Mazurka | — | ||
| 101-4 | Peer Gynt-Suite no. 1, op. 46: 4. In the Hall of the Mountain King. Alla marcia e molto marcato | — | ||
| 101-5 | Peer Gynt-Suite no. 2, op. 55: 1. The Abduction of the Bride / Ingrid's Lament. Allegro furioso - Andante | — | ||
| 101-6 | Peer Gynt-Suite no. 2, op. 55: 2. Arabian Dance. Allegretto vivace | — | ||
| 101-7 | Peer Gynt-Suite no. 2, op. 55: 3. Peer Gynt's Homecomming. Allegro agitato | — | ||
| 101-8 | Peer Gynt-Suite no. 2, op. 55: 4. Solveig's Song. Andante - Allegretto tranquillamente | — | ||
| 101-9 | Sigurd Jorsalfar, op. 56: 1. Prelude (In the King's hall). Allegretto simplice | — | ||
| 101-10 | Sigurd Jorsalfar, op. 56: 2. Intermezzo (Borghild's Dream). Poco Andante - Allegro agitato - Andante espressivo | — | ||
| 101-11 | Sigurd Jorsalfar, op. 56: 3. Homage March. Allegro molto - Allegretto marciale - Maestoso | — | ||
| 102-1 | Aufforderung zum Tanz, op. 65 | — | ||
| 102-2 | La Damnation de Faust, op. 24: Ballet des Sylphes. Allegro (tempdi valse) | — | ||
| 102-3 | La Damnation de Faust, op. 24: Menuet des Follets. Moderato - Presto e leggiero | — | ||
| 102-4 | Mephisto Waltz No. 1 (The Dance in the Village Inn), S 110/2 | — | ||
| 102-5 | The Bartered Bride: Polka. Moderato | — | ||
| 102-6 | The Bartered Bride: Furiant. Allegro energico | — | ||
| 102-7 | The Bartered Bride: Dance of the Comedians. Vivace | — | ||
| 102-8 | Scherzo capriccioso, op. 66: Allegro confuoco - Poco tranquillo - Grandioso - Tempo I - Presto | — | ||
| 103-1 | The European Anthem (Ode to Joy) | — | ||
| 103-2 | Austria: Land der Berge, Land am Strome | — | ||
| 103-3 | Belgium: Aprês des siècles d'esclavage / O Vaderland, o edel land der Belgen (La Brabançonne) | — | ||
| 103-4 | Cyprus: Se gnorizo apó tin kópsi (Ýmnos is tīn Eleftherian) | — | ||
| 103-5 | Denmark: Der er et yndigt land (Civil Anthem) | — | ||
| 103-6 | Germany: Einigkeit und Recht unt Freiheit | — | ||
| 103-7 | France: Allons enfants de lar Patrie (La Marseillaise) | — | ||
| 103-8 | Iceland: Ó, Guð vors lands (Lofsöbgur) | — | ||
| 103-9 | Ireland: Amhrán na bhFiann | — | ||
| 103-10 | Italy: Fratelli d'Italia (Inno di Mameli) | — | ||
| 103-11 | Luxembourg: Wou d'Uelzécht durech d'Wisen zéit | — | ||
| 103-12 | Malta: Lil din l-art ħelwa (L-Innu Malti) | — | ||
| 103-13 | Netherlands: Wilhelmus van Nassouwe | — | ||
| 103-14 | Norway: Ja, vi elsker dette landet | — | ||
| 103-15 | Sweden: Du gamla, du fria | — | ||
| 103-16 | Switzerland: Schweizerpsalm | — | ||
| 103-17 | Turkey: Korkma, sönmez bu şafaklarda yüzen al sancak | — | ||
| 103-18 | United Kingdom: God Save the Queen | — | ||
| 103-19 | Greece: Se gnorizo apó tin kópsi Ýmnos is tīn Eleftherian) | — | ||
| 103-20 | Denmark: Kong Christian stod ved højen Mast (Royal Anthem) | — | ||
| 103-21 | Symphony No. 9 in D minor "Choral", op. 125: 4a. Presto - Allegro assai - | — | ||
| 103-22 | Symphony No. 9 in D minor "Choral", op. 125: 4b. Presto - Rezitatio: "O Freunde, nicht diese Töne!" - Allegro assai - Allegro assai vivace. Alla Marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo / Final chorus from Schiller's ode to Joy | — | ||
| 104-1 | Messa da Requiem: 1. Requiem. "Requiem aeternam" - "Kyrie eleison" | — | ||
| 104-2 | Messa da Requiem: 2. Dies Irae. "Dies irae" | — | ||
| 104-3 | Messa da Requiem: 2. Dies Irae. "Tuba mirum" | — | ||
| 104-4 | Messa da Requiem: 2. Dies Irae. "Liber scriptus" | — | ||
| 104-5 | Messa da Requiem: 2. Dies Irae. "Quid sum miser" | — | ||
| 104-6 | Messa da Requiem: 2. Dies Irae. "Rex tremendae" | — | ||
| 104-7 | Messa da Requiem: 2. Dies Irae. "Recordare" | — | ||
| 104-8 | Messa da Requiem: 2. Dies Irae. "Ingemisco" | — | ||
| 104-9 | Messa da Requiem: 2. Dies Irae. "Confutatis" | — | ||
| 104-10 | Messa da Requiem: 2. Dies Irae. "Lacrymosa" | — | ||
| 105-1 | Messa da Requiem: 3. Offertorio. "Domine Jesu Christe" - "Hostias" | — | ||
| 105-2 | Messa da Requiem: 4. Sanctus | — | ||
| 105-3 | Messa da Requiem: 5. Agnus Dei | — | ||
| 105-4 | Messa da Requiem: 6. Lux aeterna | — | ||
| 105-5 | Messa da Requiem: 7. Libera me. "Libera me" - "Requiem aeternum" - "Libera me" | — | ||
| 106-1 | Concerto no. 1 in E major "La primavera", RV 269: 1. Allegro | — | ||
| 106-2 | Concerto no. 1 in E major "La primavera", RV 269: 2. Largo | — | ||
| 106-3 | Concerto no. 1 in E major "La primavera", RV 269: 3. Allegro. Danza pastorale | — | ||
| 106-4 | Concerto no. 2 in G minor "L'estate", RV 315: 1. Allegro non molto | — | ||
| 106-5 | Concerto no. 2 in G minor "L'estate", RV 315: 2. Adagio - Presto | — | ||
| 106-6 | Concerto no. 2 in G minor "L'estate", RV 315: 3. Presto | — | ||
| 106-7 | Concerto no. 3 in F major "L'autunno", RV 293: 1. Allegro | — | ||
| 106-8 | Concerto no. 3 in F major "L'autunno", RV 293: 2. Adagio molto | — | ||
| 106-9 | Concerto no. 3 in F major "L'autunno", RV 293: 3. Allegro | — | ||
| 106-10 | Concerto no. 4 in F minor "L'inverno", RV 297: 1. Allegro non molto | — | ||
| 106-11 | Concerto no. 4 in F minor "L'inverno", RV 297: 2. Largo | — | ||
| 106-12 | Concerto no. 4 in F minor "L'inverno", RV 297: 3. Allegro | — | ||
| 106-13 | Concerto for 4 Violins, Cello, Strings and Continuo in F major, RV 567: 1. Andante | — | ||
| 106-14 | Concerto for 4 Violins, Cello, Strings and Continuo in F major, RV 567: 2. Adagio | — | ||
| 106-15 | Concerto for 4 Violins, Cello, Strings and Continuo in F major, RV 567: 3. Allegro | — | ||
| 106-16 | Concerto for 4 Violins, Cello, Strings and Continuo in F major, RV 567: 4. Adagio - Allegro | — | ||
| 106-17 | Concerto for 4 Violins, Cello, Strings and Continuo in B minor, RV 580: 1. Allegro | — | ||
| 106-18 | Concerto for 4 Violins, Cello, Strings and Continuo in B minor, RV 580: 2. Largo | — | ||
| 106-19 | Concerto for 4 Violins, Cello, Strings and Continuo in B minor, RV 580: 3. Larghetto - Adagio - Largo - Allegro | — | ||
| 107-1 | Der Freischütz. Adagio - Molto vivace | — | ||
| 107-2 | Der Beherrscherr der Geister. Presto | — | ||
| 107-3 | Oberon. Adagio sostenuto - Allegro con fuoco | — | ||
| 107-4 | Euryanthe. Allegro marcato, con molto fuoco | — | ||
| 107-5 | Abu Hassan. Presto | — | ||
| 107-6 | Peter Schmoll und seine Nachbarn. Andante meastoso - Allegro vivace - Adagio - Tempo I | — | ||
| 108-1 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 108-2 | Salome: Tanz der sieben Schleier, op. 24 | — | ||
| 108-3 | Don Juan, op. 20 | — | ||
| 108-4 | Tod und Verklärung, op. 24 | — | ||
| 109-1 | Also sprach Zarathustra, op. 30: Einleitung [Sonnenaufgang] | — | ||
| 109-2 | Also sprach Zarathustra, op. 30: Von den Hinterweltlern | — | ||
| 109-3 | Also sprach Zarathustra, op. 30: Von der großen Sehnsucht | — | ||
| 109-4 | Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften | — | ||
| 109-5 | Also sprach Zarathustra, op. 30: Das Grablied | — | ||
| 109-6 | Also sprach Zarathustra, op. 30: Von der Wissenschaft | — | ||
| 109-7 | Also sprach Zarathustra, op. 30: Der Genesende | — | ||
| 109-8 | Also sprach Zarathustra, op. 30: Das Tanzlied | — | ||
| 109-9 | Also sprach Zarathustra, op. 30: Das Nachtwandlerlied | — | ||
| 109-10 | Vier letzte Lieder: 1. Frühling | — | ||
| 109-11 | Vier letzte Lieder: 2. September | — | ||
| 109-12 | Vier letzte Lieder: 3. Beim Schlafengehen | — | ||
| 109-13 | Vier letzte Lieder: 4. Im Abendrot | — | ||
| 110-1 | Symphony no. 5 in C-sharp minor: Part I. 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 110-2 | Symphony no. 5 in C-sharp minor: Part I. 2. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 110-3 | Symphony no. 5 in C-sharp minor: Part II. 3. Scherzo. Kräftig, nicht zu schnell | — | ||
| 110-4 | Symphony no. 5 in C-sharp minor: Part III. 4. Adagietto. Sehr langsam | — | ||
| 110-5 | Symphony no. 5 in C-sharp minor: Part III. 5. Rondo – Finale. Allegro - Allegro giocoso. Frisch | — | ||
| 111-1 | Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde | — | ||
| 111-2 | Das Lied von der Erde: 2. Der Einsam im Herbst | — | ||
| 111-3 | Das Lied von der Erde: 3. Von der Jugend | — | ||
| 111-4 | Das Lied von der Erde: 4. Von der Schönheit | — | ||
| 111-5 | Das Lied von der Erde: 5. Der Trunkene im Fruhling | — | ||
| 111-6 | Das Lied von der Erde: 6. Der Abschied | — | ||
| 112-1 | Symphony no. 1 in C minor, op. 11: Allegro di molto | — | ||
| 112-2 | Symphony no. 1 in C minor, op. 11: Andante | — | ||
| 112-3 | Symphony no. 1 in C minor, op. 11: Menuetto. Allegro molto | — | ||
| 112-4 | Symphony no. 1 in C minor, op. 11: Allegro con fuoco | — | ||
| 113-1 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia. Maestoso con moto - Allegro | — | ||
| 113-2 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia. Allegretto un poco agitato | — | ||
| 113-3 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia. Adagio religioso | — | ||
| 113-4 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": II. Chorus: "Alles, was Odem hat, lobe den Herrn!" Allegro moderato maestoso - Animato | — | ||
| 113-5 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": III. Recitative: "Saget es, die ihr erlöst seid" - [Aria:] "Er zählet unsre Tränen in der Zeit der Not" Allegro moderato | — | ||
| 113-6 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": IV. Chorus: "Sagt es, die ihr erlöset seid" A tempo moderato | — | ||
| 113-7 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": V. Duet and Chorus: "Ich harrete des Herrn" Andante | — | ||
| 113-8 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VI. Aria: "Stricke des Todes hatten uns umfangen" Allegro un poco agitato | — | ||
| 113-9 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VII. Chorus: "Die Nacht ist vergangen" Allegro maestoso e molto vivace | — | ||
| 113-10 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VIII. Chorale. "Nun danket alle Gott" Andante con moto | — | ||
| 113-11 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": IX. [Duet:] "Drum sing ich mit meinem Liede" Andante sostenuto assai | — | ||
| 113-12 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": X. Chorus: "Ihr Völker! bringet her dem Herrn Ehre und Macht" Allegro non troppo | — | ||
| 114-1 | Matthäus-Passion, BWV 244: Part I: 1. Chorus: "Kommt, ihr Töchter, helft mir klagen" | — | ||
| 114-2 | Matthäus-Passion, BWV 244: Part I: 2. Recitative: "Da Jesus diese Rede vollendet hatte" (Evangelist, Jesus) | — | ||
| 114-3 | Matthäus-Passion, BWV 244: Part I: 3. Chorale: "Herzliebster Jesu, was hast du verbrochen" | — | ||
| 114-4 | Matthäus-Passion, BWV 244: Part I: 4a. Recitative: "Da versammeleten sich die Hohenpriester" (Evangelist) / 4b. Chorus: "Ja nicht auf das Fest" | — | ||
| 114-5 | Matthäus-Passion, BWV 244: Part I: 4c. Recitative: "Da nun Jesus war zu Bethanien" (Evangelist) / 4d. Chorus: "Wozu dienet dieser Unrat?" | — | ||
| 114-6 | Matthäus-Passion, BWV 244: Part I: 4e. Recitative: "Da das Jesus merkete" (Evangelist, Jesus) | — | ||
| 114-7 | Matthäus-Passion, BWV 244: Part I: 5. Recitative: "Du lieber Heiland du" (contralto) | — | ||
| 114-8 | Matthäus-Passion, BWV 244: Part I: 6. Aria: "Buß und Reu" (contralto) | — | ||
| 114-9 | Matthäus-Passion, BWV 244: Part I: 7. Recitative: "Da ging hin der Zwölfen einer" (Evangelist, Judas) | — | ||
| 114-10 | Matthäus-Passion, BWV 244: Part I: 8. Aria: "Blute nur, du liebes Herz!" (soprano) | — | ||
| 114-11 | Matthäus-Passion, BWV 244: Part I: 9a. Recitative: "Aber am ersten Tage der süßen Brot" (Evangelist) / 9b Chorus: "Wo willst du, daß wir dir bereiten" | — | ||
| 114-12 | Matthäus-Passion, BWV 244: Part I: 9c. Recitative: "Er sprach: Gehet hin in die Stadt" (Evangelist, Jesus) / 9d. "Und sie wurden sehr betrübt" / 9e. Chorus: "Herr, bin ich's" | — | ||
| 114-13 | Matthäus-Passion, BWV 244: Part I: 10. Chorale: "Ich bin's, ich sollte büßen" | — | ||
| 114-14 | Matthäus-Passion, BWV 244: Part I: 11. Recitative: "Er antwortete und sprach" (Evangelist, Jesus, Judas) | — | ||
| 114-15 | Matthäus-Passion, BWV 244: Part I: 12. Recitative: "Wiewohl mein Herz in Tränen schwimmt" (soprano) | — | ||
| 114-16 | Matthäus-Passion, BWV 244: Part I: 13. Aria: "Ich will dir mein Herz schenken" (soprano) | — | ||
| 114-17 | Matthäus-Passion, BWV 244: Part I: 14. Recitative: "Und da sie den Lobgesang gesprochen hatten" (Evangelist, Jesus) | — | ||
| 114-18 | Matthäus-Passion, BWV 244: Part I: 15. Chorale: "Erkenne mich, mein Hüter" | — | ||
| 114-19 | Matthäus-Passion, BWV 244: Part I: 16. Recitative: "Petrus aber antwortete und sprach zu ihm" (Evangelist, Peter, Jesus) | — | ||
| 114-20 | Matthäus-Passion, BWV 244: Part I: 17. Chorale: "Ich will hier bei dir stehen" | — | ||
| 114-21 | Matthäus-Passion, BWV 244: Part I: 18. Recitative"Da kam Jesus mit ihnen zu einem Hofe" (Evangelist, Jesus) | — | ||
| 114-22 | Matthäus-Passion, BWV 244: Part I: 19. Recitative: "O Schmerz! hier zittert das gequälte Herz" (tenor, chorus) | — | ||
| 114-23 | Matthäus-Passion, BWV 244: Part I: 20. Aria: "Ich will bei meinem Jesu wachen" (tenor, chorus) | — | ||
| 114-24 | Matthäus-Passion, BWV 244: Part I: 21. Recitative: "Und ging hin ein wenig" (Evangelist, Jesus) | — | ||
| 114-25 | Matthäus-Passion, BWV 244: Part I: 22. Recitative: "Der Heiland fällt vor seinem Vater nieder" (bass) | — | ||
| 114-26 | Matthäus-Passion, BWV 244: Part I: 23. Aria: "Gerne will ich mich bequemen" (bass) | — | ||
| 114-27 | Matthäus-Passion, BWV 244: Part I: 24. Recitative: "Und er kam zu seinen Jüngern" (Evangelist, Jesus) | — | ||
| 114-28 | Matthäus-Passion, BWV 244: Part I: 25. Chorale: "Was mein Gott will, das g'scheh allzeit" | — | ||
| 114-29 | Matthäus-Passion, BWV 244: Part I: 26. Recitative: "Und er kam und fand sie aber schlafend" (Evangelist, Jesus) | — | ||
| 115-1 | Matthäus-Passion, BWV 244: Part I: 27a. Duet: "So ist mein Jesus nun gefangen!" (soprano, contralto, chorus) / 27b. Chorus: "Sind Blitze, sind Donner, in Wolken verschwunden" | — | ||
| 115-2 | Matthäus-Passion, BWV 244: Part I: 28. Recitative: "Und siehe, einer aus denen, die mit Jesu waren" (Evangelist, Jesus) | — | ||
| 115-3 | Matthäus-Passion, BWV 244: Part I: 29. Chorale: "O Mensch, bewein dein Sünde groß" | — | ||
| 115-4 | Matthäus-Passion, BWV 244: Part II: 30. Aria "Ach nun ist mein Jesu hin!" (contralto, chorus) | — | ||
| 115-5 | Matthäus-Passion, BWV 244: Part II: 31. Recitative: "Die aber Jesum gegriffen hatten" (Evangelist) | — | ||
| 115-6 | Matthäus-Passion, BWV 244: Part II: 32. Chorale: "Mir hat die Welt trüglich gericht" | — | ||
| 115-7 | Matthäus-Passion, BWV 244: Part II: 33. Recitative: "Und wiewohl viel falsche Zeugen herzutraten" (Evangelist, Witnesses I/II, High Priest) | — | ||
| 115-8 | Matthäus-Passion, BWV 244: Part II: 34. Recitative: "Mein Jesus schweigt zu falschen Lügen stille" (tenor) | — | ||
| 115-9 | Matthäus-Passion, BWV 244: Part II: 35. Aria: "Geduld! Wenn mich falsche Zungen stechen" (tenor) | — | ||
| 115-10 | Matthäus-Passion, BWV 244: Part II: 36a. Recitative: "Und der Hohepriester antwortete" (Evangelist) / 36b. Chorus: "Und der Hohepriester antwortete" | — | ||
| 115-11 | Matthäus-Passion, BWV 244: Part II: 36c. Recitative: "Da speieten sie aus in sein Angesicht" (Evangelist) / 36d. Chorus: "Weissage uns" | — | ||
| 115-12 | Matthäus-Passion, BWV 244: Part II: 37. Choral: "Wer hat dich so geschlagen" | — | ||
| 115-13 | Matthäus-Passion, BWV 244: Part II: 38a. Recitative: "Petrus aber saß draußen im Palast" (Evangelist, Maids, Peter) / 38b. Chorus: "Wahrlich, du bist auch einer von denen" / 38c. Recitative: "da hub er an, sich zu verfluchen" | — | ||
| 115-14 | Matthäus-Passion, BWV 244: Part II: 39. Aria: "Erbarme dich, mein Gott" (contralto) | — | ||
| 115-15 | Matthäus-Passion, BWV 244: Part II: 40. Chorale: "Bin ich gleich von dir gewichen" | — | ||
| 115-16 | Matthäus-Passion, BWV 244: Part II: 41a. Recitative: "Des Morgens aber hielten all Hohepriester" (Evangelist, Judas) / 41b. Chorus: "Was gehet uns das an?" (High Priests) / 41c. Recitative: "Und er warf die Silberlinge in den Tempel" (Evangelist) | — | ||
| 115-17 | Matthäus-Passion, BWV 244: Part II: 42. Aria: "Gebt mir meinen Jesum wieder!" (bass) | — |
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Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947981602 is a Universal Product Code (UPC) assigned to Herbert von Karajan Complete Recordings on Deutsche Grammophon and Decca by Herbert von Karajan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 1000 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Herbert von Karajan Complete Recordings on Deutsche Grammophon and Decca” by Herbert von Karajan is 028947981602. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: Deutsche Grammophon. This release contains 1000 tracks, each with its own ISRC. Tracks include DEF054102021, DEF054102022, DEF054102023.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie Nr. 7 A‐dur op. 92: I. Poco sostenuto | — | ||
| 2 | Symphonie Nr. 7 A‐dur op. 92: II. Allegretto | — | ||
| 3 | Symphonie Nr. 7 A‐dur op. 92: III. Presto | — | ||
| 4 | Symphonie Nr. 7 A‐dur op. 92: IV. Allegro con brio | — | ||
| 5 | Leonore III, op. 72a: Ouvertüre. Adagio | — | ||
| 6 | Die Meistersinger von Nürnberg: Vorspiel zum 1. Aufzug | — | ||
| 7 | Die Meistersinger von Nürnberg: Vorspiel zum 3. Aufzug | — | ||
| 2-1 | Symphonie Nr. 1 c‐moll op. 68: I. Un poco sostenuto | — | ||
| 2-2 | Symphonie Nr. 1 c‐moll op. 68: II. Andante sostenuto | — | ||
| 2-3 | Symphonie Nr. 1 c‐moll op. 68: III. Un poco allegretto e grazioso | — | ||
| 2-4 | Symphonie Nr. 1 c‐moll op. 68: IV. Adagio | — | ||
| 2-5 | Don Juan op. 20 | — | ||
| 2-6 | Salome: Tanz der sieben Schleier | — | ||
| 3-1 | Symphonie Nr. 9 e‐moll op. 95 “Aus der Neuen Welt”: I. Adagio | — | ||
| 3-2 | Symphonie Nr. 9 e‐moll op. 95 “Aus der Neuen Welt”: II. Largo | — | ||
| 3-3 | Symphonie Nr. 9 e‐moll op. 95 “Aus der Neuen Welt”: III. Molto vivace | — | ||
| 3-4 | Symphonie Nr. 9 e‐moll op. 95 “Aus der Neuen Welt”: IV. Allegro con fuoco | — | ||
| 3-5 | “Die Fledermaus”: Ouvertüre | — | ||
| 3-6 | Künstlerleben op. 316 | — | ||
| 3-7 | Kaiserwalzer op. 437 | — | ||
| 4-1 | Symphonie Nr. 35 D‐dur KV 385 “Haffner‐Symphonie”: I. Allegro con spirito | — | ||
| 4-2 | Symphonie Nr. 35 D‐dur KV 385 “Haffner‐Symphonie”: II. (Andante) | — | ||
| 4-3 | Symphonie Nr. 35 D‐dur KV 385 “Haffner‐Symphonie”: III. Menuetto – Trio | — | ||
| 4-4 | Symphonie Nr. 35 D‐dur KV 385 “Haffner‐Symphonie”: IV. Finale. Presto | — | ||
| 4-5 | Symphonie Nr. 40 g‐moll KV 550: I. Molto allegro | — | ||
| 4-6 | Symphonie Nr. 40 g‐moll KV 550: II. Andante | — | ||
| 4-7 | Symphonie Nr. 40 g‐moll KV 550: III. Menuetto. Allegretto – Trio | — | ||
| 4-8 | Symphonie Nr. 40 g‐moll KV 550: IV. Allegro assai | — | ||
| 4-9 | Symphony Nr. 41 C‐dur KV 551 “Jupiter‐Symphonie”: I. Allegro vivace | — | ||
| 4-10 | Symphony Nr. 41 C‐dur KV 551 “Jupiter‐Symphonie”: II. Andante cantabile | — | ||
| 4-11 | Symphony Nr. 41 C‐dur KV 551 “Jupiter‐Symphonie”: III. Menuetto. Allegretto – Trio | — | ||
| 4-12 | Symphony Nr. 41 C‐dur KV 551 “Jupiter‐Symphonie”: IV. Molto allegro | — | ||
| 5-1 | Symphonie Nr. 6 h‐moll op. 74 “Pathétique”: I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso | — | ||
| 5-2 | Symphonie Nr. 6 h‐moll op. 74 “Pathétique”: II. Allegro con grazia | — | ||
| 5-3 | Symphonie Nr. 6 h‐moll op. 74 “Pathétique”: III. Allegro molto vivace | — | ||
| 5-4 | Symphonie Nr. 6 h‐moll op. 74 “Pathétique”: IV. Finale. Adagio lamentoso – Andante | — | ||
| 5-5 | Die Moldau (Vltava): Die Moldau – Allegro – L’istesso tempo ma moderato – L’istesso tempo – Tempo I – Più moto – Vyšehrad | — | ||
| 6-1 | Die Zauberflöte | — | ||
| 6-2 | Semiramide | — | ||
| 6-3 | Der Freischütz | — | ||
| 6-4 | Anacréon | — | ||
| 6-5 | Der Zigeunerbaron | — | ||
| 6-6 | La Traviata: Vorspiel zu Akt I | — | ||
| 6-7 | La Traviata: Vorspiel zu Akt III | — | ||
| 6-8 | Vorspiel zu “La forza del destino” | — | ||
| 7-1 | Sinfonie Nr. 3 in Es‐dur “Eroica”: I. Allegro con brio | — | ||
| 7-2 | Sinfonie Nr. 3 in Es‐dur “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 7-3 | Sinfonie Nr. 3 in Es‐dur “Eroica”: III. Scherzo. Allegro vivace | — | ||
| 7-4 | Sinfonie Nr. 3 in Es‐dur “Eroica”: IV. Finale. Allegro molto | — | ||
| 8-1 | Sinfonie Nr. 8 in c‐moll: II. Scherzo. Allegro moderato – Trio. Langsam | — | ||
| 8-2 | Sinfonie Nr. 8 in c‐moll: III. Adagio. Feierlich langsam, doch nicht schleppend | — | ||
| 8-3 | Sinfonie Nr. 8 in c‐moll: IV. Finale. Feierlich, nicht schnell | — | ||
| 9-1 | Ein Heldenleben, op. 40: Der Held | — | ||
| 9-2 | Ein Heldenleben, op. 40: Des Helden Widersacher | — | ||
| 9-3 | Ein Heldenleben, op. 40: Des Helden Gefährtin | — | ||
| 9-4 | Ein Heldenleben, op. 40: Des Helden Walstatt | — | ||
| 9-5 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | — | ||
| 9-6 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | — | ||
| 10-1 | Hungarian Dances, WoO 1: No. 5 in G minor. Allegro | — | ||
| 10-2 | Hungarian Dances, WoO 1: No. 6 in D‐flat major. Vivace | — | ||
| 10-3 | Hungarian Dances, WoO 1: No. 17 in F‐sharp minor. Andantino | — | ||
| 10-4 | Hungarian Dances, WoO 1: No. 3 in F major. Allegretto | — | ||
| 10-5 | Hungarian Dances, WoO 1: No. 1 in G minor. Allegro molto | — | ||
| 10-6 | Hungarian Dances, WoO 1: No. 20 in E minor. Poco allegretto | — | ||
| 10-7 | Hungarian Dances, WoO 1: No. 19 in B minor. Allegretto | — | ||
| 10-8 | Hungarian Dances, WoO 1: No. 18 in D major. Molto vivace | — | ||
| 10-9 | Slavonic Dances: No. 1 in C major, op. 46/1. Presto | — | ||
| 10-10 | Slavonic Dances: No. 10 in E minor, op. 72/2 | — | ||
| 10-11 | Slavonic Dances: No. 3 in A‐flat major, op. 46/3. Poco allegro | — | ||
| 10-12 | Slavonic Dances: No. 16 in A‐flat major, op. 27/8. Grazioso e lento, ma non troppo, quasi tempo di Valse | — | ||
| 10-13 | Slavonic Dances: No. 7 in C minor, op. 46/7. Allegro assai | — | ||
| 11-1 | Mazeppa, S. 100 | — | ||
| 11-2 | Hungarian Rhapsody no. 5 in E minor, S. 359/5 | — | ||
| 11-3 | Fantasy on Hungarian Folk Melodies, S. 123 | — | ||
| 11-4 | Hungarian Rhapsody no. 4 in D minor, S. 359/4 | — | ||
| 12-1 | Coppélia: 1. Prélude et Mazurka | — | ||
| 12-2 | Coppélia: 2. Scène et Valse de Swanhilde | — | ||
| 12-3 | Coppélia: 3. Czárdás | — | ||
| 12-4 | Coppélia: 4. Scène et Valse de la Poupée | — | ||
| 12-5 | Coppélia: 5. Ballade | — | ||
| 12-6 | Coppélia: 6. Variation sur un thème slave | — | ||
| 12-7 | Les Sylphides: 1. Prélude | — | ||
| 12-8 | Les Sylphides: 2. Nocturne | — | ||
| 12-9 | Les Sylphides: 3. Valse | — | ||
| 12-10 | Les Sylphides: 4. Mazurka | — | ||
| 12-11 | Les Sylphides: 5. Mazurka | — | ||
| 12-12 | Les Sylphides: 6. Prélude | — | ||
| 12-13 | Les Sylphides: 7. Valse | — | ||
| 12-14 | Les Sylphides: 8. Valse | — | ||
| 13-1 | Requiem, K. 626: I. Introitus: Requiem aeternam (chorus, soprano) | — | ||
| 13-2 | Requiem, K. 626: II. Kyrie (chorus) | — | ||
| 13-3 | Requiem, K. 626: III. Sequentia: Dies irae (chorus) | — | ||
| 13-4 | Requiem, K. 626: III. Sequentia: Tuba mirum (soprano, contralto, tenor, bass) | — | ||
| 13-5 | Requiem, K. 626: III. Sequentia: Rex tremendae (chorus) | — | ||
| 13-6 | Requiem, K. 626: III. Sequentia: Recordare (soprano, contralto, tenor, bass) | — | ||
| 13-7 | Requiem, K. 626: III. Sequentia: Confutatis (chorus) | — | ||
| 13-8 | Requiem, K. 626: III. Sequentia: Lacrimosa (chorus) | — | ||
| 13-9 | Requiem, K. 626: IV. Offertorium: Domine Jesu Christe (chorus, soprano, contarlo, tenor, bass) | — | ||
| 13-10 | Requiem, K. 626: IV. Offertorium: Hostias (chorus) | — | ||
| 13-11 | Requiem, K. 626: V. Sanctus (chorus) | — | ||
| 13-12 | Requiem, K. 626: VI. Benedictus (chorus, soprano, contralto, tenor, bass) | — | ||
| 13-13 | Requiem, K. 626: VII. Agnus Dei (chorus) | — | ||
| 13-14 | Requiem, K. 626: VIII. Communio: Lux aeterna (chorus, soprano) | — | ||
| 14-1 | Symphony no. 1 in C major, op. 12: 1. Adagio molto - Allegro con brio | — | ||
| 14-2 | Symphony no. 1 in C major, op. 12: 2. Andante cantabile con moto | — | ||
| 14-3 | Symphony no. 1 in C major, op. 12: 3. Menuetto. Allegro molto e vivace | — | ||
| 14-4 | Symphony no. 1 in C major, op. 12: 4. Finale. Adagio - Allegro molto e vivace | — | ||
| 14-5 | Symphony no. 2 in D major, op. 36: 1. Adagio molto - Allegro con brio | — | ||
| 14-6 | Symphony no. 2 in D major, op. 36: 2. Larghetto | — | ||
| 14-7 | Symphony no. 2 in D major, op. 36: 3. Scherzo. Allegro | — | ||
| 14-8 | Symphony no. 2 in D major, op. 36: 4. Allegro molto | — | ||
| 15-1 | Symphony no. 3 in E-flat major "Eroica", op. 55: 1. Allegro con brio | — | ||
| 15-2 | Symphony no. 3 in E-flat major "Eroica", op. 55: 2. Marcia funebre. Adagio assai | — | ||
| 15-3 | Symphony no. 3 in E-flat major "Eroica", op. 55: 3. Scherzo. Allegro vivace | — | ||
| 15-4 | Symphony no. 3 in E-flat major "Eroica", op. 55: 4. Finale. Allegro molto | — | ||
| 16-1 | Symphony no. 4 in B-flat major, op. 60: 1. Adagio - Allegro vivace | — | ||
| 16-2 | Symphony no. 4 in B-flat major, op. 60: 2. Adagio | — | ||
| 16-3 | Symphony no. 4 in B-flat major, op. 60: 3. Allegro vivace | — | ||
| 16-4 | Symphony no. 4 in B-flat major, op. 60: 4. Allegro ma non troppo | — | ||
| 17-1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio | — | ||
| 17-2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto | — | ||
| 17-3 | Symphony no. 5 in C minor, op. 67: 3. Allegro - attacca | — | ||
| 17-4 | Symphony no. 5 in C minor, op. 67: 4. Allegro | — | ||
| 18-1 | Symphony no. 6 in F major "Pastoral", op. 68: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | — | ||
| 18-2 | Symphony no. 6 in F major "Pastoral", op. 68: 2. Szene am Bach. Andante molto moto | — | ||
| 18-3 | Symphony no. 6 in F major "Pastoral", op. 68: 3. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 18-4 | Symphony no. 6 in F major "Pastoral", op. 68: 4. Gewitter - Sturm. Allegro | — | ||
| 18-5 | Symphony no. 6 in F major "Pastoral", op. 68: 5. Hirtengesang - Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 19-1 | Symphony no. 7 in A major, op. 92: 1. Poco sostenuto - Vivace | — | ||
| 19-2 | Symphony no. 7 in A major, op. 92: 2. Allegretto | — | ||
| 19-3 | Symphony no. 7 in A major, op. 92: 3. Presto - Assai meno presto - Presto | — | ||
| 19-4 | Symphony no. 7 in A major, op. 92: 4. Allegro con brio | — | ||
| 20-1 | Symphony no. 9 in D minor "Choral", op. 125: 1. Allegro ma non troppo, un poco maestoso | — | ||
| 20-2 | Symphony no. 9 in D minor "Choral", op. 125: 2. Molto vivace | — | ||
| 20-3 | Symphony no. 9 in D minor "Choral", op. 125: 3. Adagio molto e cantabile - Andante moderato - Adagio | — | ||
| 21-1 | Symphony no. 9 in D minor "Choral", op. 125: 4a. Presto - Allegro assai - | — | ||
| 21-2 | Symphony no. 9 in D minor "Choral", op. 125: 4b. Presto - Rezitativo: "O Freunde, nicht diese Töne!" - Allegro assai - Allegro assai vivace. Alla Marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo | — | ||
| 21-3 | Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio | — | ||
| 21-4 | Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando | — | ||
| 21-5 | Symphony no. 8 in F major, op. 93: 3. Tempo di Menuetto | — | ||
| 21-6 | Symphony no. 8 in F major, op. 93: 4. Allegro vivace | — | ||
| 22-1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 22-2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 2. Andantino semplice - Prestissimo - Tempo I | — | ||
| 22-3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 3. Allegro con fuoco | — | ||
| 23-1 | Le Sacre du printemps: I. L'Adoration de la terre. Introduction. Lento | — | ||
| 23-2 | Le Sacre du printemps: I. L'Adoration de la terre. Les Augures printaniers - Danses des adolescents | — | ||
| 23-3 | Le Sacre du printemps: I. L'Adoration de la terre. Jeu du rapt | — | ||
| 23-4 | Le Sacre du printemps: I. L'Adoration de la terre. Rondes printamières | — | ||
| 23-5 | Le Sacre du printemps: I. L'Adoration de la terre. Jeux des cités rivatels | — | ||
| 23-6 | Le Sacre du printemps: I. L'Adoration de la terre. Cortège du sage | — | ||
| 23-7 | Le Sacre du printemps: I. L'Adoration de la terre. Adoration de la terre - Le sage | — | ||
| 23-8 | Le Sacre du printemps: I. L'Adoration de la terre. Danse de la terre | — | ||
| 23-9 | Le Sacre du printemps: II. Le Sacrifice. Introduction | — | ||
| 23-10 | Le Sacre du printemps: II. Le Sacrifice. Cercles mystérieux des adolescents | — | ||
| 23-11 | Le Sacre du printemps: II. Le Sacrifice. Glorification de l'élue | — | ||
| 23-12 | Le Sacre du printemps: II. Le Sacrifice. Évocation des ancêtres | — | ||
| 23-13 | Le Sacre du printemps: II. Le Sacrifice. Action rituelle des ancètres | — | ||
| 23-14 | Le Sacre du printemps: II. Le Sacrifice. Danse sacrale (l'Élue) | — | ||
| 24-1 | Symphony no. 6 in B minor "Pathétique", op. 74: 1. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso | — | ||
| 24-2 | Symphony no. 6 in B minor "Pathétique", op. 74: 2. Allegro con grazia | — | ||
| 24-3 | Symphony no. 6 in B minor "Pathétique", op. 74: 3. Allegro molto vivace | — | ||
| 24-4 | Symphony no. 6 in B minor "Pathétique", op. 74: 4. Finale. Adagio lamentoso - Andante | — | ||
| 25-1 | Symphony no. 9 in E minor "From the New World", op. 95: 1. Adagio - Allegro molto | — | ||
| 25-2 | Symphony no. 9 in E minor "From the New World", op. 95: 2. Largo | — | ||
| 25-3 | Symphony no. 9 in E minor "From the New World", op. 95: 3. Scherzo. Molto vivace | — | ||
| 25-4 | Symphony no. 9 in E minor "From the New World", op. 95: 4. Allegro con fuoco | — | ||
| 26-1 | La Mer: 1. De l'aube à midi sur la mer | — | ||
| 26-2 | La Mer: 2. Jeux de vagues | — | ||
| 26-3 | La Mer: 3. Dialogue du vent et de la mer | — | ||
| 26-4 | Daphnis et Chloé: 1. Lever du jour. Lent / 2. Pantomime. Lent - Très lent - Vif - Très lent / 3. Danse générale. Lent - Animé | — | ||
| 26-5 | Prélude à l'aprés-midi d'un faune | — | ||
| 27-1 | Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto - Allegro | — | ||
| 27-2 | Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto | — | ||
| 27-3 | Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso | — | ||
| 27-4 | Symphony no. 1 in C minor, op. 68: 4. Adagio - Più andante - Allegro non troppo, ma con brio - Più Allegro | — | ||
| 28-1 | Symphony no. 2 in D major, op. 73: 1. Allegro non troppo | — | ||
| 28-2 | Symphony no. 2 in D major, op. 73: 2. Allegro non troppo - L'istesso tempo, ma grazioso | — | ||
| 28-3 | Symphony no. 2 in D major, op. 73: 3. Allegretto grazioso (Quasi andantino) - Presto ma non assai - Tempo I | — | ||
| 28-4 | Symphony no. 2 in D major, op. 73: 4. Allegro con spirito | — | ||
| 29-1 | Symphony no. 3 in F major, op. 90: 1. Allegro con brio | — | ||
| 29-2 | Symphony no. 3 in F major, op. 90: 2. Andante | — | ||
| 29-3 | Symphony no. 3 in F major, op. 90: 3. Poco allegretto | — | ||
| 29-4 | Symphony no. 3 in F major, op. 90: 4. Allegro | — | ||
| 29-5 | Variations on a Theme of Joseph Haydn, op. 56a: Thema. Chorale St. Antoni. Andante | — | ||
| 29-6 | Variations on a Theme of Joseph Haydn, op. 56a: Variation I. Poco più animato | — | ||
| 29-7 | Variations on a Theme of Joseph Haydn, op. 56a: Variation II. Più vivace | — | ||
| 29-8 | Variations on a Theme of Joseph Haydn, op. 56a: Variation III. Con moto | — | ||
| 29-9 | Variations on a Theme of Joseph Haydn, op. 56a: Variation IV. Andante con moto | — | ||
| 29-10 | Variations on a Theme of Joseph Haydn, op. 56a: Variation V. Vivace | — | ||
| 29-11 | Variations on a Theme of Joseph Haydn, op. 56a: Variation VI. Vivace | — | ||
| 29-12 | Variations on a Theme of Joseph Haydn, op. 56a: Variation VII. Grazioso | — | ||
| 29-13 | Variations on a Theme of Joseph Haydn, op. 56a: Variation VIII. Presto non troppo | — | ||
| 29-14 | Variations on a Theme of Joseph Haydn, op. 56a: Finale. Andante | — | ||
| 30-1 | Symphony no. 4 in E minor, op. 98: 1. Allegro non troppo | — | ||
| 30-2 | Symphony no. 4 in E minor, op. 98: 2. Andante moderato | — | ||
| 30-3 | Symphony no. 4 in E minor, op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I | — | ||
| 30-4 | Symphony no. 4 in E minor, op. 98: 4. Allegro energico e passionato - Più allegro | — | ||
| 31-1 | Concerto for Violin and Orchestra in D major, op. 77: 1. Allegro non troppo | — | ||
| 31-2 | Concerto for Violin and Orchestra in D major, op. 77: 2. Adagio | — | ||
| 31-3 | Concerto for Violin and Orchestra in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto | — | ||
| 32-1 | Ein deutsches Requiem, op. 45: 1. "Selig sind, die da Leid trage" (chorus) | — | ||
| 32-2 | Ein deutsches Requiem, op. 45: 2. "Denn alles Fleisch, es ist wie Gras" (chorus) | — | ||
| 32-3 | Ein deutsches Requiem, op. 45: 3. "Herr, lehre doch mich" (baritone, chorus) | — | ||
| 32-4 | Ein deutsches Requiem, op. 45: 4. "Wie lieblich sind deine Wohnungen" (chorus) | — | ||
| 32-5 | Ein deutsches Requiem, op. 45: 5. "Ihr habt nun Traurigkeit" (soprano, chorus) | — | ||
| 32-6 | Ein deutsches Requiem, op. 45: 6. "Denn wir haben hie keine bleibende Statt" (baritone, chorus) | — | ||
| 32-7 | Ein deutsches Requiem, op. 45: 7. "Selig sind die Toten" (chorus) | — | ||
| 33-1 | Concerto for Violin and Orchestra in D minor, op. 47: 1. Allegro moderato | — | ||
| 33-2 | Concerto for Violin and Orchestra in D minor, op. 47: 2. Adagio di molto | — | ||
| 33-3 | Concerto for Violin and Orchestra in D minor, op. 47: 3. Allegro, ma non tanto | — | ||
| 33-4 | Finlandia, op. 26 | — | ||
| 34-1 | Symphonie fantastique, op. 14: 1. Rêveries - Passions. Largo - Allegro agitato ed appassionato assai | — | ||
| 34-2 | Symphonie fantastique, op. 14: 2. Un bal. Valse. Allegro non troppo | — | ||
| 34-3 | Symphonie fantastique, op. 14: 3. Scène aux champs. Adagio | — | ||
| 34-4 | Symphonie fantastique, op. 14: 4. Marche au supplice. Allegretto non troppo | — | ||
| 34-5 | Symphonie fantastique, op. 14: 5. Songe d'une nuit de sabbat. Larghetto - Allegro | — | ||
| 35-1 | Symphony no. 5 in E-flat major, op. 82: 1a. Tempo molto moderato - Largamente - | — | ||
| 35-2 | Symphony no. 5 in E-flat major, op. 82: 1b. Allegro moderato - Presto | — | ||
| 35-3 | Symphony no. 5 in E-flat major, op. 82: 2. Andante mosso, quasi allegretto | — | ||
| 35-4 | Symphony no. 5 in E-flat major, op. 82: 3. Allegro molto - Misterioso - Un pocchettino largamente - Largamente assai | — | ||
| 35-5 | Tapiola, op. 112 | — | ||
| 36-1 | Brandenburg Concerto no. 1 in F major, BWV 1046: 1. [Allegro] | — | ||
| 36-2 | Brandenburg Concerto no. 1 in F major, BWV 1046: 2. Adagio | — | ||
| 36-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: 3. Allegro | — | ||
| 36-4 | Brandenburg Concerto no. 1 in F major, BWV 1046: 4. Menuetto - Trio I - Polonaise - Trio II | — | ||
| 36-5 | Brandenburg Concerto no. 2 in F major, BWV 1047: 1. [Allegro] | — | ||
| 36-6 | Brandenburg Concerto no. 2 in F major, BWV 1047: 2. Andante | — | ||
| 36-7 | Brandenburg Concerto no. 2 in F major, BWV 1047: 3. Allegro assai | — | ||
| 36-8 | Brandenburg Concerto no. 3 in G major, BWV 1048: 1. [Allegro] | — | ||
| 36-9 | Brandenburg Concerto no. 3 in G major, BWV 1048: 2. Adagio | — | ||
| 36-10 | Brandenburg Concerto no. 3 in G major, BWV 1048: 3. Allegro | — | ||
| 37-1 | Symphony no. 4 in A minor, op. 63: 1. Tempo molto moderato, quasi adagio | — | ||
| 37-2 | Symphony no. 4 in A minor, op. 63: 2. Allegro molto vivace | — | ||
| 37-3 | Symphony no. 4 in A minor, op. 63: 3. Il tempo largo | — | ||
| 37-4 | Symphony no. 4 in A minor, op. 63: 4. Allegro | — | ||
| 37-5 | The Swan of Tuonela, op. 22/3 | — | ||
| 38-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: 1. Allegro | — | ||
| 38-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: 2. Andante | — | ||
| 38-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: 3. Presto | — | ||
| 38-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: 1. Allegro | — | ||
| 38-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: 2. Affettuoso | — | ||
| 38-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: 3. Allegro | — | ||
| 38-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 1. [Allegro] | — | ||
| 38-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 2. Adagio ma non tanto | — | ||
| 38-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 3. Allegro | — | ||
| 39-1 | Orchestral Suite no. 2 in B minor, BWV 1067: 1. Ouverture | — | ||
| 39-2 | Orchestral Suite no. 2 in B minor, BWV 1067: 2. Rondeau | — | ||
| 39-3 | Orchestral Suite no. 2 in B minor, BWV 1067: 3. Sarabande | — | ||
| 39-4 | Orchestral Suite no. 2 in B minor, BWV 1067: 4. Bourrée I & II | — | ||
| 39-5 | Orchestral Suite no. 2 in B minor, BWV 1067: 5. Polonaise - Double | — | ||
| 39-6 | Orchestral Suite no. 2 in B minor, BWV 1067: 6. Menuet | — | ||
| 39-7 | Orchestral Suite no. 2 in B minor, BWV 1067: 7. Badinerie | — | ||
| 39-8 | Orchestral Suite no. 3 in D major, BWV 1068: 1. Ouverture | — | ||
| 39-9 | Orchestral Suite no. 3 in D major, BWV 1068: 2. Air | — | ||
| 39-10 | Orchestral Suite no. 3 in D major, BWV 1068: 3. Gavotte I & II | — | ||
| 39-11 | Orchestral Suite no. 3 in D major, BWV 1068: 4. Bourrée | — | ||
| 39-12 | Orchestral Suite no. 3 in D major, BWV 1068: 5. Gigue | — | ||
| 40-1 | Symphony no. 8 in B minor "Unfinished", D. 759: 1. Allegro moderato | — | ||
| 40-2 | Symphony no. 8 in B minor "Unfinished", D. 759: 2. Andante con moto | — | ||
| 40-3 | Fidelio Overture, op. 72b | — | ||
| 40-4 | Leonore III Overture, op. 72a | — | ||
| 40-5 | Coriolan Overture, op. 52 | — | ||
| 41-1 | Symphony no. 29 in A major, K. 201: 1. Allegro moderato | — | ||
| 41-2 | Symphony no. 29 in A major, K. 201: 2. Andante | — | ||
| 41-3 | Symphony no. 29 in A major, K. 201: 3. Menuetto -Trio | — | ||
| 41-4 | Symphony no. 29 in A major, K. 201: 4. Allegro con spirito | — | ||
| 41-5 | Symphony no. 33 in B-flat major, K. 319: 1. Allegro assai | — | ||
| 41-6 | Symphony no. 33 in B-flat major, K. 319: 2. Andante moderato | — | ||
| 41-7 | Symphony no. 33 in B-flat major, K. 319: 3. Menuetto - Trio | — | ||
| 41-8 | Symphony no. 33 in B-flat major, K. 319: 4. Finale. Allegro assai | — | ||
| 42-1 | Concerto for Orchestra, Sz. 116: 1. Introduzione. Andante non troppo - Allegro vivace - Tempo I | — | ||
| 42-2 | Concerto for Orchestra, Sz. 116: 2. Giuco della coppie. Allegretto scherzando | — | ||
| 42-3 | Concerto for Orchestra, Sz. 116: 3. Elegia. Andante, non troppo | — | ||
| 42-4 | Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto. Allegretto | — | ||
| 42-5 | Concerto for Orchestra, Sz. 116: 5. Finale. Pesante - Presto | — | ||
| 43-1 | Eine kleine Nachtmusik - Serenade no. 13 in G major, K. 525: 1. Allegro | — | ||
| 43-2 | Eine kleine Nachtmusik - Serenade no. 13 in G major, K. 525: 2. Romance. Andante | — | ||
| 43-3 | Eine kleine Nachtmusik - Serenade no. 13 in G major, K. 525: 3. Menuetto. Allegretto - Trio | — | ||
| 43-4 | Eine kleine Nachtmusik - Serenade no. 13 in G major, K. 525: 4. Rondo. Allegro | — | ||
| 43-5 | Divertimento no. 15 in B-flat major, K. 287 (271h): 1. Allegro | — | ||
| 43-6 | Divertimento no. 15 in B-flat major, K. 287 (271h): 2. Andante grazioso con variazioni | — | ||
| 43-7 | Divertimento no. 15 in B-flat major, K. 287 (271h): 3. Menuetto - Trio | — | ||
| 43-8 | Divertimento no. 15 in B-flat major, K. 287 (271h): 4. Adagio | — | ||
| 43-9 | Divertimento no. 15 in B-flat major, K. 287 (271h): 5. Menuetto - Trio | — | ||
| 43-10 | Divertimento no. 15 in B-flat major, K. 287 (271h): 6. Andante - Allegro molto | — | ||
| 44-1 | Divertimento no. 17 in D major, K. 334 (320b): 1. Allegro | — | ||
| 44-2 | Divertimento no. 17 in D major, K. 334 (320b): 2. Tema con variazioni. Andante | — | ||
| 44-3 | Divertimento no. 17 in D major, K. 334 (320b): 3. Menuetto - Trio | — | ||
| 44-4 | Divertimento no. 17 in D major, K. 334 (320b): 4. Adagio | — | ||
| 44-5 | Divertimento no. 17 in D major, K. 334 (320b): 5. Menuetto - Trio I - Trio II | — | ||
| 44-6 | Divertimento no. 17 in D major, K. 334 (320b): 6. Rondo. Allegro | — | ||
| 45-1 | Don Quixote, op. 35: Introduktion. Mäßiges Zeitmaß | — | ||
| 45-2 | Don Quixote, op. 35: Thema. Mäßig: Der Ritter von den traurigen Gestalt - Maggiore: Sancho Panza | — | ||
| 45-3 | Don Quixote, op. 35: Variation I. Gemächlich: Das Abenteuer mit den Windmühlen | — | ||
| 45-4 | Don Quixote, op. 35: Variation II. Kriegerisch: Der Kampf gegen die Hammelherde | — | ||
| 45-5 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß: Gespräche zwischen Ritter und Knappe | — | ||
| 45-6 | Don Quixote, op. 35: Variation IV. Etwas breiter: Das Abenteuer mit der Prozession von Büßern | — | ||
| 45-7 | Don Quixote, op. 35: Variation V. Sehr langsam: Don Quixotes Waffenwache und Herzensergüsse | — | ||
| 45-8 | Don Quixote, op. 35: Variation VI. Schnell: Die verzauberte Dulzinea | — | ||
| 45-9 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher: Der Ritt durch die Luft | — | ||
| 45-10 | Don Quixote, op. 35: Variation VIII. Gemächlich: Die Fahrt auf dem verzauberten Nachen | — | ||
| 45-11 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch: Der Kampf gegen die vermeintlichen Zauberer | — | ||
| 45-12 | Don Quixote, op. 35: Variation X. Viel breiter: Zweikampf mit dem Ritter vom blanken Monde Heimkehr des geschlagenen Don Quixotte | — | ||
| 45-13 | Don Quixote, op. 35: Finale. Sehr ruhig: Don Quixotes Tod | — | ||
| 46-1 | Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto | — | ||
| 46-2 | Pictures at an Exhibition: 1. Gnomus. Vivo | — | ||
| 46-3 | Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza | — | ||
| 46-4 | Pictures at an Exhibition: 2. Il vecchio castello. Andante | — | ||
| 46-5 | Pictures at an Exhibition: Promenade. Moderato non tanto, pesamente | — | ||
| 46-6 | Pictures at an Exhibition: 3. Tuileries (Dispute d'enfants après jeux). Allegretto non troppo, capriccioso | — | ||
| 46-7 | Pictures at an Exhibition: 4. Bydlo. Sempre moderato, pesante | — | ||
| 46-8 | Pictures at an Exhibition: Promenade. Tranquillo | — | ||
| 46-9 | Pictures at an Exhibition: 5. Ballet des petits poussins dans leurs coques. Scherzino. Vivo leggiero | — | ||
| 46-10 | Pictures at an Exhibition: 6. Samuel Goldenberg und Schmuÿle. Andante | — | ||
| 46-11 | Pictures at an Exhibition: 7. Limoges. Le Marché (La Grande Nouvelle). Allegretto vivo, sempre scherzando | — | ||
| 46-12 | Pictures at an Exhibition: 8. Catacombae (Sepulcrum romanum). Largo | — | ||
| 46-13 | Pictures at an Exhibition: Cum mortuis in lingua mortua. Andante ma non troppo, con lamento | — | ||
| 46-14 | Pictures at an Exhibition: 9. La Cabane sur des pattes de poule (Baba-Yaga). Allegro con brio, feroce - Andante mosso - Allegro molto | — | ||
| 46-15 | Pictures at an Exhibition: 10. La Grande Porte de Kiev | — | ||
| 46-16 | Boléro | — | ||
| 47-1 | Symphony no. 9 in D minor: 1. Feierlich. Misterioso | — | ||
| 47-2 | Symphony no. 9 in D minor: 2. Scherzo. Bewegt, lebhaft - Trio. Schnell | — | ||
| 47-3 | Symphony no. 9 in D minor: 3. Adagio. Langsam, feierlich | — | ||
| 48-1 | Concerti grossi, op. 6: No. 5 in D major, HWV 323: 1. [Ouverture. Largo e staccato] | — | ||
| 48-2 | Concerti grossi, op. 6: No. 5 in D major, HWV 323: 2. Allegro | — | ||
| 48-3 | Concerti grossi, op. 6: No. 5 in D major, HWV 323: 3. Presto | — | ||
| 48-4 | Concerti grossi, op. 6: No. 5 in D major, HWV 323: 4. Largo | — | ||
| 48-5 | Concerti grossi, op. 6: No. 5 in D major, HWV 323: 5. Allegro | — | ||
| 48-6 | Concerti grossi, op. 6: No. 5 in D major, HWV 323: 6. Menuet. Un poco larghetto | — | ||
| 48-7 | Concerti grossi, op. 6: No. 12 in B minor, HWV 330: 1. Largo | — | ||
| 48-8 | Concerti grossi, op. 6: No. 12 in B minor, HWV 330: 2. Allegro | — | ||
| 48-9 | Concerti grossi, op. 6: No. 12 in B minor, HWV 330: 3. Aria. Larghetto e piano | — | ||
| 48-10 | Concerti grossi, op. 6: No. 12 in B minor, HWV 330: 4. Largo | — | ||
| 48-11 | Concerti grossi, op. 6: No. 12 in B minor, HWV 330: 5. Allegro | — | ||
| 48-12 | Concerti grossi, op. 6: No. 10 in D minor, HWV 328: 1. Ouverture | — | ||
| 48-13 | Concerti grossi, op. 6: No. 10 in D minor, HWV 328: 2. Allegro. Lentement | — | ||
| 48-14 | Concerti grossi, op. 6: No. 10 in D minor, HWV 328: 3. Air. Lentement | — | ||
| 48-15 | Concerti grossi, op. 6: No. 10 in D minor, HWV 328: 4. Allegro | — | ||
| 48-16 | Concerti grossi, op. 6: No. 10 in D minor, HWV 328: 5. Allegro | — | ||
| 48-17 | Concerti grossi, op. 6: No. 10 in D minor, HWV 328: 6. Allegro moderato | — | ||
| 49-1 | Divertimento no. 11 in D major, K. 251: 1. Molto allegro | — | ||
| 49-2 | Divertimento no. 11 in D major, K. 251: 2. Menuetto - Trio | — | ||
| 49-3 | Divertimento no. 11 in D major, K. 251: 3. Andantino | — | ||
| 49-4 | Divertimento no. 11 in D major, K. 251: 4. Menuetto. Tema con Variazioni | — | ||
| 49-5 | Divertimento no. 11 in D major, K. 251: 5. Rondeau. Allegro assai | — | ||
| 49-6 | Divertimento no. 11 in D major, K. 251: 6. Marcia alla francese | — | ||
| 49-7 | Divertimento no. 10 in F major, K. 247: 1. Allegro | — | ||
| 49-8 | Divertimento no. 10 in F major, K. 247: 2. Andante grazioso | — | ||
| 49-9 | Divertimento no. 10 in F major, K. 247: 3. Menuetto - Trio | — | ||
| 49-10 | Divertimento no. 10 in F major, K. 247: 4. Adagio | — | ||
| 49-11 | Divertimento no. 10 in F major, K. 247: 5. Menuetto - Trio | — | ||
| 49-12 | Divertimento no. 10 in F major, K. 247: 6. Andante - Allegro assai | — | ||
| 50-1 | An der schönen blauen Donau, Walzer op. 314 | — | ||
| 50-2 | Kaiserwalzer, op. 437 | — | ||
| 50-3 | Annen-Polka, op. 117 | — | ||
| 50-4 | Radetzky-Marsch, op. 229 | — | ||
| 50-5 | Die Fledermaus: Overture, op. 362 | — | ||
| 50-6 | Tritsch-Tratsch-Polka, op. 214 | — | ||
| 50-7 | Delirien, op. 212 | — | ||
| 50-8 | Der Zigeunerbaron: Overture | — | ||
| 50-9 | Perpetuum mobile, Musiklischer Scherz op. 257 | — | ||
| 51-1 | Finlandia, op. 26 | — | ||
| 51-2 | Valse triste, op. 44/1 | — | ||
| 51-3 | The Swan of Tuonela, op. 22/3 | — | ||
| 51-4 | Tapiola, op. 112 | — | ||
| 52-1 | Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo | — | ||
| 52-2 | Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzone | — | ||
| 52-3 | Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato ostinato, allegro | — | ||
| 52-4 | Symphony no. 4 in F minor, op. 36: 4. Finale. Allegro con fuoco | — | ||
| 53-1 | Symphony no. 5 in E minor, op. 64: 1. Andante - Allegro con anima | — | ||
| 53-2 | Symphony no. 5 in E minor, op. 64: 2. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I | — | ||
| 53-3 | Symphony no. 5 in E minor, op. 64: 3. Valse. Allegro moderato | — | ||
| 53-4 | Symphony no. 5 in E minor, op. 64: 4. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | — | ||
| 54-1 | Concerto for Violin and Orchestra in D major, op. 61: 1. Allegro non troppo | — | ||
| 54-2 | Concerto for Violin and Orchestra in D major, op. 61: 2. Larghetto | — | ||
| 54-3 | Concerto for Violin and Orchestra in D major, op. 61: 3. Rondo. Allegro | — | ||
| 55-1 | Symphony no. 10 in E minor, op. 93: 1. Moderato | — | ||
| 55-2 | Symphony no. 10 in E minor, op. 93: 2. Allegro | — | ||
| 55-3 | Symphony no. 10 in E minor, op. 93: 3. Allegretto | — | ||
| 55-4 | Symphony no. 10 in E minor, op. 93: 4. Andante - Allegro | — | ||
| 56-1 | Shéhérazade, op. 35: 1. The Sea and Sinbad's Ship (Largo e maestoso - Allegro non troppo - Tranquillo) | — | ||
| 56-2 | Shéhérazade, op. 35: 2. The Story of the Kalender Prince (Lento - Andantino - Allegro molto - Vivace scherzando - Moderato assai - Allegro molto ed animato - Con moto) | — | ||
| 56-3 | Shéhérazade, op. 35: 3. The Young Prince and the Young Princess (Andantino quasi allegretto) | — | ||
| 56-4 | Shéhérazade, op. 35: 4. Festival at Bagdad - The Sea - The Shipwreck on a Rock Surmounted by a Bronze Warrior - Conclusion (Allegro molto e frenetico - Vivo - Allegro non troppo e maestoso - Tempo come I) | — | ||
| 57-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: 1. Allegro con brio | — | ||
| 57-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: 2. Largo | — | ||
| 57-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: 3. Rondo. Allegro | — | ||
| 58-1 | Concerto for Violin and Orchestra in D major, op. 35: 1. Allegro moderato | — | ||
| 58-2 | Concerto for Violin and Orchestra in D major, op. 35: 2. Canzonetta. Andante | — | ||
| 58-3 | Concerto for Violin and Orchestra in D major, op. 35: 3. Finale. Allegro vivacissimo | — | ||
| 58-4 | Capriccio Italien, op. 45 | — | ||
| 59-1 | Missa solemnis in D major, op. 123: I. Kyrie. "Kyrie eleison" | — | ||
| 59-2 | Missa solemnis in D major, op. 123: I. Kyrie. "Christe eleison" | — | ||
| 59-3 | Missa solemnis in D major, op. 123: I. Kyrie. "Kyrie eleison" | — | ||
| 59-4 | Missa solemnis in D major, op. 123: II. Gloria. "Gloria in excelsis Deo" | — | ||
| 59-5 | Missa solemnis in D major, op. 123: II. Gloria. "Qui tollis peccata mundi, miserere nobis" | — | ||
| 59-6 | Missa solemnis in D major, op. 123: II. Gloria. "Quoniam tu solus Sanctus" | — | ||
| 59-7 | Missa solemnis in D major, op. 123: II. Gloria. "In gloria Dei Patris. Amen" | — | ||
| 59-8 | Missa solemnis in D major, op. 123: II. Gloria. "Amen, Amen, in gloria Dei Patris" / "Quoniam tu solus Sanctus" | — | ||
| 59-9 | Missa solemnis in D major, op. 123: III. Credo. "Credo in unum Deum" | — | ||
| 59-10 | Missa solemnis in D major, op. 123: III. Credo. "Et incarnatus est" | — | ||
| 59-11 | Missa solemnis in D major, op. 123: III. Credo. "Et ascendit in coelum" | — | ||
| 59-12 | Missa solemnis in D major, op. 123: III. Credo. "Et vitam venturi saeculi" | — | ||
| 59-13 | Missa solemnis in D major, op. 123: III. Credo. "Amen, et vitam venturi saeculi. Amen" | — | ||
| 60-1 | Missa solemnis in D major, op. 123: IV. Sanctus. "Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth" | — | ||
| 60-2 | Missa solemnis in D major, op. 123: IV. Sanctus. "Pleni sunt coeli et terra" | — | ||
| 60-3 | Missa solemnis in D major, op. 123: IV. Sanctus. Praeludium. Sostenuto ma non troppo | — | ||
| 60-4 | Missa solemnis in D major, op. 123: IV. Sanctus. "Benedictus, qui venit in nomine Domini. Andante molto cantabile e non troppo mosso" | — | ||
| 60-5 | Missa solemnis in D major, op. 123: V. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" | — | ||
| 60-6 | Missa solemnis in D major, op. 123: V. Agnus Dei. "Dona nobis pacem" | — | ||
| 60-7 | Missa solemnis in D major, op. 123: V. Agnus Dei. "Agnus dei, qui tollis peccata mundi" | — | ||
| 60-8 | Missa solemnis in D major, op. 123: V. Agnus Dei. Presto | — | ||
| 61-1 | Die Schöpfung: Part I, The First Day. No. 1 Orchestral Prelude: The Representation of Chaos | — | ||
| 61-2 | Die Schöpfung: Part I, The First Day. Recitative and Chorus: "Im Anfange schuf Gott Himmel und Erde" (Raphael, Uriel) | — | ||
| 61-3 | Die Schöpfung: Part I, The First Day. No. 2 Aria and Chorus: "Nun schwanden vor dem heiligen Strahle" (Uriel) | — | ||
| 61-4 | Die Schöpfung: Part I, The Second Day. No. 3 Recitative: "Und Gott machte das Firmament" (Raphael) | — | ||
| 61-5 | Die Schöpfung: Part I, The Second Day. No. 4 Solo and Chorus: "Mit Staunen sieht das Wunderwerk" (Gabriel) | — | ||
| 61-6 | Die Schöpfung: Part I, The Third Day. No. 5 Recitative: "Und Gott sprach: Es sammle sich das Wasser" (Raphael) | — | ||
| 61-7 | Die Schöpfung: Part I, The Third Day. No. 6 Aira: "Rollend in schäumenden Wellen" (Raphael) | — | ||
| 61-8 | Die Schöpfung: Part I, The Third Day. No. 7 Recitative: "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel) | — | ||
| 61-9 | Die Schöpfung: Part I, The Third Day. No. 8 Aria: "Nun beut die Flur das frische Grün" (Gabriel) | — | ||
| 61-10 | Die Schöpfung: Part I, The Third Day. No. 9 Recitative: "Und die himmlischen Heerscharen verkündigten" (Uriel) | — | ||
| 61-11 | Die Schöpfung: Part I, The Third Day. No. 10 Chorus: "Stimmt an die Saiten" | — | ||
| 61-12 | Die Schöpfung: Part I, The Fourth Day. No. 11 Recitative: "Und Gott sprach: Es sei'n Lichter an der Feste des Himmels" (Uriel) | — | ||
| 61-13 | Die Schöpfung: Part I, The Fourth Day. No. 12 Recitative: "In vollem Glanze steiget jetzt" (Uriel) | — | ||
| 61-14 | Die Schöpfung: Part I, The Fourth Day. No. 13 Chorus and Soloists: "Die Himmel erzählen die Ehre Gottes" (Gabriel, Uriel, Raphael) | — | ||
| 62-1 | Die Schöpfung: Part II, The Fifth Day. No. 14 Recitative: "Und Gott sprach: Es bringe das Wasser in der Fülle hervor" (Gabriel) | — | ||
| 62-2 | Die Schöpfung: Part II, The Fifth Day. No. 15 Aria: "Auf strarkem Fittiche schwinget sich der Adler stolz" (Gabriel) | — | ||
| 62-3 | Die Schöpfung: Part II, The Fifth Day. No. 16 Recitative: "Und Gott schuf große Walfische" (Raphael) | — | ||
| 62-4 | Die Schöpfung: Part II, The Fifth Day. No. 17 Recitative: "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael) | — | ||
| 62-5 | Die Schöpfung: Part II, The Fifth Day. No. 18 Trio: "In holder Anmut stehn" (Gabriel, Uriel, Raphael) | — | ||
| 62-6 | Die Schöpfung: Part II, The Fifth Day. No. 19 Chorus and Soloists: "Der Herr ist groß in seiner Macht" (Gabriel, Uriel, Raphael) | — | ||
| 62-7 | Die Schöpfung: Part II, The Sixth Day. No. 20 Recitative: "Und Gott sparch: Es bringe die Erde hervor lebende Geschöpfe" (Raphael) | — | ||
| 62-8 | Die Schöpfung: Part II, The Sixth Day. No. 21 Recitative: "Gleich öffnet sich der Erde Schoß" (Raphael) | — | ||
| 62-9 | Die Schöpfung: Part II, The Sixth Day. No. 22 Aira: "Nun scheint in vollem Glanze der Himmel" (Raphael) | — | ||
| 62-10 | Die Schöpfung: Part II, The Sixth Day. No. 23 Recitative: "Und Gott schuf den Menschen nach seinem Bilde" (Uriel) | — | ||
| 62-11 | Die Schöpfung: Part II, The Sixth Day. No. 24 Aria: "Mit Würd' und Hoheit angetan" (Uriel) | — | ||
| 62-12 | Die Schöpfung: Part II, The Sixth Day. No. 25 Recitative: "Und Gott sah jedes Ding" (Raphael) | — | ||
| 62-13 | Die Schöpfung: Part II, The Sixth Day. No. 26 Chorus: "Vollendet ist das große Werk" / No. 27 Trio: "Zu dir, o Herr, blickt alles auf" (Gabriel, Uriel, Raphael) / No. 28 Chorus: "Vollendet ist das große Werk" | — | ||
| 62-14 | Die Schöpfung: Part III. No. 29 Orchestral Introduction and Recitative: "Aus Rosenwolken bricht" (Uriel) | — | ||
| 62-15 | Die Schöpfung: Part III. No. 30 Duet and Chorus: "Von deiner Güt', o Herr und Gott" (Eva, Adam) | — | ||
| 62-16 | Die Schöpfung: Part III. No. 31 Recitative: "Nun ist die erste Pflicht erfüllt" (Adam, Eva) | — | ||
| 62-17 | Die Schöpfung: Part III. No. 32 Duet: "Holde Gattin, dir zur Seite" (Adam, Eva) | — | ||
| 62-18 | Die Schöpfung: Part III. No. 33 Recitative: "O glücklich Paar" (Uriel) | — | ||
| 62-19 | Die Schöpfung: Part III. No. 34 Chorus and Soloists: "Singt dem Herren alle Stimmen!" | — | ||
| 63-1 | The Year 1812, Overture op. 49 | — | ||
| 63-2 | Slavonic March, op. 31 | — | ||
| 63-3 | Romeo and Juliet, Fantasy Overture | — | ||
| 64-1 | Serenade for String Orchestra in C major, op. 48: 1. Pezza in forma di sonatina. Andante non troppo - Allegro moderato | — | ||
| 64-2 | Serenade for String Orchestra in C major, op. 48: 2. Valse. Moderato. Tempo di valse | — | ||
| 64-3 | Serenade for String Orchestra in C major, op. 48: 3. Elégie. Larghetto elegiaco | — | ||
| 64-4 | Serenade for String Orchestra in C major, op. 48: 4. Finale (Tema russo). Andante - Allegro con spirito | — | ||
| 64-5 | The Nutcracker, Suite op. 71a: 1. Ouverture miniature. Allegro giusto | — | ||
| 64-6 | The Nutcracker, Suite op. 71a: 2. Danses caractéristiques: Marche. Tempo di marcia viva | — | ||
| 64-7 | The Nutcracker, Suite op. 71a: 2. Danses caractéristiques: Danse de la fée Dragée. Andante non troppo | — | ||
| 64-8 | The Nutcracker, Suite op. 71a: 2. Danses caractéristiques: Danse russe Trépak. Tempo di Trépak, molto vivace | — | ||
| 64-9 | The Nutcracker, Suite op. 71a: 2. Danses caractéristiques: Danse arabe. Allegretto | — | ||
| 64-10 | The Nutcracker, Suite op. 71a: 2. Danses caractéristiques: Danse chinoise. Allegro moderato | — | ||
| 64-11 | The Nutcracker, Suite op. 71a: 2. Danses caractéristiques: Danse des mirlitons. Moderato assai | — | ||
| 64-12 | The Nutcracker, Suite op. 71a: 3. Valse des fleurs. Tempo di valse | — | ||
| 65-1 | La traviata: Prelude to Act III | — | ||
| 65-2 | Cavalleria rusticana: Intermezzo | — | ||
| 65-3 | Suor Angelica: Intermezzo | — | ||
| 65-4 | Pagliacci: Intermezzo | — | ||
| 65-5 | Khovanshchina: Intermezzo | — | ||
| 65-6 | Manon Lescaut: Intermezzo | — | ||
| 65-7 | Notre Dame: Intermezzo | — | ||
| 65-8 | Thaïs: Méditation | — | ||
| 65-9 | Fedora: Intermezzo | — | ||
| 65-10 | Adriana Lecouvrer: Intermezzo | — | ||
| 65-11 | I gioielli della Madonna: Intermezzo | — | ||
| 65-12 | L'amico Fritz: Intermezzo | — | ||
| 66-1 | Symphony no. 6 in D minor, op. 104: 1. Allegro molto moderato | — | ||
| 66-2 | Symphony no. 6 in D minor, op. 104: 2. Allegretto moderato | — | ||
| 66-3 | Symphony no. 6 in D minor, op. 104: 3. Poco vivace | — | ||
| 66-4 | Symphony no. 6 in D minor, op. 104: 4. Allegro molto - Allegro assai - Doppio più lento | — | ||
| 66-5 | Symphony no. 7 in C major, op. 105: Adagio - Un pochettino meno adagio - | — | ||
| 66-6 | Symphony no. 7 in C major, op. 105: Vivacissimo - Adagio - | — | ||
| 66-7 | Symphony no. 7 in C major, op. 105: Allegro molto moderato - | — | ||
| 66-8 | Symphony no. 7 in C major, op. 105: Vivace - Presto - Adagio - Largamente molto - Affettuoso | — | ||
| 67-1 | Serenade no. 6 in D major "Serenata notturna", K. 239: 1. Marcia. Maestoso | — | ||
| 67-2 | Serenade no. 6 in D major "Serenata notturna", K. 239: 2. Menuetto - Trio | — | ||
| 67-3 | Serenade no. 6 in D major "Serenata notturna", K. 239: 3. Rondeau. Allegretto - Adagio - Allegro | — | ||
| 67-4 | Divertimento for Strings no. 1 in D major, K. 136 (125a): 1. Allegro | — | ||
| 67-5 | Divertimento for Strings no. 1 in D major, K. 136 (125a): 2. Andante | — | ||
| 67-6 | Divertimento for Strings no. 1 in D major, K. 136 (125a): 3. Presto | — | ||
| 67-7 | Divertimento for Strings no. 2 in B-flat major, K. 137 (125b): 1. Andante | — | ||
| 67-8 | Divertimento for Strings no. 2 in B-flat major, K. 137 (125b): 2. Allegro di molto | — | ||
| 67-9 | Divertimento for Strings no. 2 in B-flat major, K. 137 (125b): 3. Allegro assai | — | ||
| 67-10 | Divertimento for Strings no. 3 in F major, K. 138 (125c): 1. [Allegro] | — | ||
| 67-11 | Divertimento for Strings no. 3 in F major, K. 138 (125c): 2. Andante | — | ||
| 67-12 | Divertimento for Strings no. 3 in F major, K. 138 (125c): 3. [Presto] | — | ||
| 68-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo | — | ||
| 68-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato | — | ||
| 68-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante | — | ||
| 68-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso | — | ||
| 69-1 | Concerti grossi, op. 6: No. 6 in G minor, HWV 324: 1. Largo e affettuoso | — | ||
| 69-2 | Concerti grossi, op. 6: No. 6 in G minor, HWV 324: 2. A tempo giusto | — | ||
| 69-3 | Concerti grossi, op. 6: No. 6 in G minor, HWV 324: 3. Musette. Larghetto | — | ||
| 69-4 | Concerti grossi, op. 6: No. 6 in G minor, HWV 324: 4. Allegro | — | ||
| 69-5 | Concerti grossi, op. 6: No. 6 in G minor, HWV 324: 5. Allegro | — | ||
| 69-6 | Concerti grossi, op. 6: No. 4 in A minor, HWV 322: 1. Larghetto affettuoso | — | ||
| 69-7 | Concerti grossi, op. 6: No. 4 in A minor, HWV 322: 2. Allegro | — | ||
| 69-8 | Concerti grossi, op. 6: No. 4 in A minor, HWV 322: 3. Largo e piano | — | ||
| 69-9 | Concerti grossi, op. 6: No. 4 in A minor, HWV 322: 4. Allegro | — | ||
| 69-10 | Concerti grossi, op. 6: No. 2 in F major, HWV 320: 1. Andante larghetto | — | ||
| 69-11 | Concerti grossi, op. 6: No. 2 in F major, HWV 320: 2. Allegro | — | ||
| 69-12 | Concerti grossi, op. 6: No. 2 in F major, HWV 320: 3. Largo | — | ||
| 69-13 | Concerti grossi, op. 6: No. 2 in F major, HWV 320: 4. Allegro, ma non troppo | — | ||
| 70-1 | Concerti grossi, op. 6: No. 7 in B major, HWV 325: 1. Largo | — | ||
| 70-2 | Concerti grossi, op. 6: No. 7 in B major, HWV 325: 2. Allegro | — | ||
| 70-3 | Concerti grossi, op. 6: No. 7 in B major, HWV 325: 3. Largo e piano | — | ||
| 70-4 | Concerti grossi, op. 6: No. 7 in B major, HWV 325: 4. Andante | — | ||
| 70-5 | Concerti grossi, op. 6: No. 7 in B major, HWV 325: 5. Hornpipe | — | ||
| 70-6 | Concerti grossi, op. 6: No. 3 in E minor, HWV 321: 1. Larghetto | — | ||
| 70-7 | Concerti grossi, op. 6: No. 3 in E minor, HWV 321: 2. Andante | — | ||
| 70-8 | Concerti grossi, op. 6: No. 3 in E minor, HWV 321: 3. Allegro | — | ||
| 70-9 | Concerti grossi, op. 6: No. 3 in E minor, HWV 321: 4. Polonaise. Andante | — | ||
| 70-10 | Concerti grossi, op. 6: No. 3 in E minor, HWV 321: 5. Allegro ma non troppo | — | ||
| 70-11 | Concerti grossi, op. 6: No. 9 in F major, HWV 327: 1. Largo | — | ||
| 70-12 | Concerti grossi, op. 6: No. 9 in F major, HWV 327: 2. Allegro | — | ||
| 70-13 | Concerti grossi, op. 6: No. 9 in F major, HWV 327: 3. Larghetto | — | ||
| 70-14 | Concerti grossi, op. 6: No. 9 in F major, HWV 327: 4. Allegro | — | ||
| 70-15 | Concerti grossi, op. 6: No. 9 in F major, HWV 327: 5. Menuet | — | ||
| 70-16 | Concerti grossi, op. 6: No. 9 in F major, HWV 327: 6. Gigue | — | ||
| 71-1 | Les Préludes, S 97 | — | ||
| 71-2 | Hungarian Rhapsody no. 2 in D minor | — | ||
| 71-3 | Má vlast: 1. Vyšehrad | — | ||
| 71-4 | Má vlast: 2. Vlatava (Die Moldau) | — | ||
| 72-1 | Concerto for Horn and Orchestra no. 1 in D major, K. 412 (386b): 1. Allegro | — | ||
| 72-2 | Concerto for Horn and Orchestra no. 1 in D major, K. 412 (386b): 2. Rondo. Allegro | — | ||
| 72-3 | Concerto for Horn and Orchestra no. 4 in E-flat major, K. 495: 1. Allegro moderato (cadenza: Mandred Klier) | — | ||
| 72-4 | Concerto for Horn and Orchestra no. 4 in E-flat major, K. 495: 2. Romanza. Andante | — | ||
| 72-5 | Concerto for Horn and Orchestra no. 4 in E-flat major, K. 495: 3. Rondo. Allegro vivace | — | ||
| 72-6 | Concerto for Horn and Orchestra no. 2 in E-flat major, K. 417: 1. Allegro maestoso | — | ||
| 72-7 | Concerto for Horn and Orchestra no. 2 in E-flat major, K. 417: 2. Andante | — | ||
| 72-8 | Concerto for Horn and Orchestra no. 2 in E-flat major, K. 417: 3. Rondo | — | ||
| 72-9 | Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 1. Allegro (cadenza: Manfred Klier) | — | ||
| 72-10 | Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 2. Romance. Larghetto | — | ||
| 72-11 | Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 3. Allegro | — | ||
| 73-1 | String Sonata no. 1 in G major: 1. Moderato | — | ||
| 73-2 | String Sonata no. 1 in G major: 2. Andantino | — | ||
| 73-3 | String Sonata no. 1 in G major: 3. Allegro | — | ||
| 73-4 | String Sonata no. 2 in A major: 1. Allegro | — | ||
| 73-5 | String Sonata no. 2 in A major: 2. Andantino | — | ||
| 73-6 | String Sonata no. 2 in A major: 3. Allegro | — | ||
| 73-7 | String Sonata no. 3 in C major: 1. Allegro | — | ||
| 73-8 | String Sonata no. 3 in C major: 2. Andante | — | ||
| 73-9 | String Sonata no. 3 in C major: 3. Moderato | — | ||
| 73-10 | String Sonata no. 6 in D major: 1. Allegro spiritoso | — | ||
| 73-11 | String Sonata no. 6 in D major: 2. Andante assai | — | ||
| 73-12 | String Sonata no. 6 in D major: 3. Tempesta. Allegro | — | ||
| 74-1 | Symphony no. 5 in B-flat major, op. 100: 1. Andante | — | ||
| 74-2 | Symphony no. 5 in B-flat major, op. 100: 2. Allegro marcato | — | ||
| 74-3 | Symphony no. 5 in B-flat major, op. 100: 3. Adagio | — | ||
| 74-4 | Symphony no. 5 in B-flat major, op. 100: 4. Allegro giocoso | — | ||
| 75-1 | Concerti grossi, op. 6: No. 1 in G minor, HWV 319: 1. A tempo giusto | — | ||
| 75-2 | Concerti grossi, op. 6: No. 1 in G minor, HWV 319: 2. Allegro | — | ||
| 75-3 | Concerti grossi, op. 6: No. 1 in G minor, HWV 319: 3. Adagio | — | ||
| 75-4 | Concerti grossi, op. 6: No. 1 in G minor, HWV 319: 4. Allegro | — | ||
| 75-5 | Concerti grossi, op. 6: No. 1 in G minor, HWV 319: 5. Allegro | — | ||
| 75-6 | Concerti grossi, op. 6: No. 8 in C minor, HWV 326: 1. Allemande. Andante | — | ||
| 75-7 | Concerti grossi, op. 6: No. 8 in C minor, HWV 326: 2. Grave | — | ||
| 75-8 | Concerti grossi, op. 6: No. 8 in C minor, HWV 326: 3. Andante allegro | — | ||
| 75-9 | Concerti grossi, op. 6: No. 8 in C minor, HWV 326: 4. Adagio | — | ||
| 75-10 | Concerti grossi, op. 6: No. 8 in C minor, HWV 326: 5. Siciliana. Andante | — | ||
| 75-11 | Concerti grossi, op. 6: No. 8 in C minor, HWV 326: 6. Allegro | — | ||
| 75-12 | Concerti grossi, op. 6: No. 11 in A major, HWV 329: 1. Andante larghetto e staccato | — | ||
| 75-13 | Concerti grossi, op. 6: No. 11 in A major, HWV 329: 2. Allegro | — | ||
| 75-14 | Concerti grossi, op. 6: No. 11 in A major, HWV 329: 3. Largo e staccato | — | ||
| 75-15 | Concerti grossi, op. 6: No. 11 in A major, HWV 329: 4. Andante | — | ||
| 75-16 | Concerti grossi, op. 6: No. 11 in A major, HWV 329: 5. Allegro | — | ||
| 76-1 | Symphony no. 9 in C major "The Great", D. 944: 1. Andante - Allegro ma non troppo | — | ||
| 76-2 | Symphony no. 9 in C major "The Great", D. 944: 2. Andante con moto | — | ||
| 76-3 | Symphony no. 9 in C major "The Great", D. 944: 3. Scherzo. Allegro vivace - Trio | — | ||
| 76-4 | Symphony no. 9 in C major "The Great", D. 944: 4. Allegro vivace | — | ||
| 77-1 | Concerto for Cello and Orchestra in B minor, op. 104: 1. Allegro | — | ||
| 77-2 | Concerto for Cello and Orchestra in B minor, op. 104: 2. Adagio ma non troppo | — | ||
| 77-3 | Concerto for Cello and Orchestra in B minor, op. 104: 3. Finale. Allegro moderato | — | ||
| 77-4 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Moderato quasi Andante | — | ||
| 77-5 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Tema. Moderato semplice | — | ||
| 77-6 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. I. Tempo del tema | — | ||
| 77-7 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. II. Tempo del tema | — | ||
| 77-8 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. III. Andante sostenuto | — | ||
| 77-9 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. IV. Andante grazioso | — | ||
| 77-10 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. V. Allegro moderato - Cadenza | — | ||
| 77-11 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. VI. Andante | — | ||
| 77-12 | Variations on a Rococo Theme for Cello and Orchestra, op. 33: Var. VII e Coda. Allegro vivo | — | ||
| 78-1 | Wellington's Victory, or The Battle of Vitoria, op. 91 | — | ||
| 78-2 | Military March in D major, WoO 24 | — | ||
| 78-3 | Military Polonaise in D major, WoO 21 | — | ||
| 78-4 | Military Écossaise in D major, WoO 22 | — | ||
| 78-5 | Military March in C major, WoO 20 | — | ||
| 78-6 | March for 2 Clarinets, 2 Horns and 2 Bassoons in B-flat major, WoO 29 | — | ||
| 78-7 | Military March no. 1 in F major "Yorck March", WoO 18 | — | ||
| 78-8 | Military March no. 2 in F major, WoO 19 | — | ||
| 79-1 | Leonore Overture I, op. 138 | — | ||
| 79-2 | Leonore Overture II, op. 72 | — | ||
| 79-3 | Leonore Overture III, op. 72a | — | ||
| 79-4 | Fidelio Overture, op. 72b | — | ||
| 80-1 | Die Geschöpfe des Prometheus, op. 43: Overture | — | ||
| 80-2 | König Stephan, op. 117: Overture | — | ||
| 80-3 | Die Ruinen von Athen, op. 113: Overture | — | ||
| 80-4 | Egmont, op. 84: Overture | — | ||
| 80-5 | Coriolan, op. 62 | — | ||
| 80-6 | Zur Namensfeier, op. 115 | — | ||
| 80-7 | Die Weihe des Hauses, op. 124 | — | ||
| 80-8 | Musik zu einem Ritterballett, WoO 1: 1. Marsch | — | ||
| 80-9 | Musik zu einem Ritterballett, WoO 1: 2. Deutscher Gesang. Allegro moderato | — | ||
| 80-10 | Musik zu einem Ritterballett, WoO 1: 3. Jagdlied. Allegretto | — | ||
| 80-11 | Musik zu einem Ritterballett, WoO 1: Deutscher Gesang (da capo) | — | ||
| 80-12 | Musik zu einem Ritterballett, WoO 1: 4. Romanze. Andantino | — | ||
| 80-13 | Musik zu einem Ritterballett, WoO 1: Deutscher Gesang (da capo) | — | ||
| 80-14 | Musik zu einem Ritterballett, WoO 1: 5. Kriegslied. Allegro assai con brio | — | ||
| 80-15 | Musik zu einem Ritterballett, WoO 1: Deutscher Gesang (da capo) | — | ||
| 80-16 | Musik zu einem Ritterballett, WoO 1: 6. Trinklied ("Mihi est propositum"). Allegro con brio | — | ||
| 80-17 | Musik zu einem Ritterballett, WoO 1: Deutscher Gesang (da capo) | — | ||
| 80-18 | Musik zu einem Ritterballett, WoO 1: 7. Deutscher Tanz. Walzer | — | ||
| 80-19 | Musik zu einem Ritterballett, WoO 1: 8. Coda. Allegro vivace | — | ||
| 80-20 | Gratulations-Menuett in E-flat major, WoO 3 | — | ||
| 81-1 | Geschichten aus dem Wienerwald, Walzer op. 325 | — | ||
| 81-2 | Auf der Jagd, Polka scnell op. 373 | — | ||
| 81-3 | Ägyptischer Marsch, op. 335 | — | ||
| 81-4 | Pizzicato-Polka | — | ||
| 81-5 | Unter Donner und Blitz, Polka schnell op. 324 | — | ||
| 81-6 | Morgenblätter, Walzer op. 279 | — | ||
| 81-7 | Persischer Marsch, op. 289 | — | ||
| 81-8 | Wiener Blut, Walzer op. 354 | — | ||
| 81-9 | Postillon d'amour, Polka française op. 317 | — | ||
| 81-10 | Sphärenklänge, Walzer op. 235 | — | ||
| 81-11 | Leichtes Blut, Polka schnell op. 319 | — | ||
| 82-1 | Leichte Kavallerie | — | ||
| 82-2 | Ein Morgen, ein Mittag, ein Abend in Wien | — | ||
| 82-3 | Pique Dame | — | ||
| 82-4 | Die schöne Galathée | — | ||
| 82-5 | Banditenstreiche | — | ||
| 82-6 | Dichter und Bauer | — | ||
| 83-1 | Adagio and Fugue in C minor, K. 546: Adagio | — | ||
| 83-2 | Adagio and Fugue in C minor, K. 546: Fuge | — | ||
| 83-3 | Grosse Fuge in B-flat major, op. 133 | — | ||
| 83-4 | Metamorphosen: Adagio, ma non troppo - Agitato - Più allegro - Adagio, tempo primo - Molto lento | — | ||
| 84-1 | Music for Strings, Percussion and Celesta, Sz. 106: 1. Andante tranquillo | — | ||
| 84-2 | Music for Strings, Percussion and Celesta, Sz. 106: 2. Allegro | — | ||
| 84-3 | Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio | — | ||
| 84-4 | Music for Strings, Percussion and Celesta, Sz. 106: 4. Allegro molto | — | ||
| 84-5 | Apollon Musagète: Scene 1. Naissance d'Apollon. Largo - Allegro - Tempo I | — | ||
| 84-6 | Apollon Musagète: Scene 2. Variation d'Apollon (Apollon et les Muses) | — | ||
| 84-7 | Apollon Musagète: Scene 2. Pas d'action (Apollon et les trois Muses: Calliope, Polymnie et Terpsichore). Moderato | — | ||
| 84-8 | Apollon Musagète: Scene 2. Variation de Calliope. Allegretto | — | ||
| 84-9 | Apollon Musagète: Scene 2. Variation de Polymnie. Allegro | — | ||
| 84-10 | Apollon Musagète: Scene 2. Variation de Terpsichore. Allegretto | — | ||
| 84-11 | Apollon Musagète: Scene 2. Variation d'Apollon. Lento | — | ||
| 84-12 | Apollon Musagète: Scene 2. Pas de deux (Apollon et Terpsichore). Adagio | — | ||
| 84-13 | Apollon Musagète: Scene 2. Coda: Apollon et les Muses. Vivo - Tempo sostenuto - Agitato | — | ||
| 84-14 | Apollon Musagète: Scene 2. Apothéose. Largo et tranquillo | — | ||
| 85-1 | Symphony no. 2 for String Orchestra and Trumpet: 1. Molto moderato - Allegro | — | ||
| 85-2 | Symphony no. 2 for String Orchestra and Trumpet: 2. Adagio mesto | — | ||
| 85-3 | Symphony no. 2 for String Orchestra and Trumpet: 3. Vivace, non troppo - Presto | — | ||
| 85-4 | Symphony no. 3 "Liturgique": 1. Dies irae. Allegro marcato | — | ||
| 85-5 | Symphony no. 3 "Liturgique": 2. De profundis clamavi. Adagio | — | ||
| 85-6 | Symphony no. 3 "Liturgique": 3. Dona nobis pacem. Andante | — | ||
| 86-1 | Adagio for Strings and Organ in G minor | — | ||
| 86-2 | Canon and Gigue in D major (arr. Max Seiffert): Canon | — | ||
| 86-3 | Canon and Gigue in D major (arr. Max Seiffert): Gigue | — | ||
| 86-4 | Quintettino "Musica notturna delle strade di Madrid", op. 30/6: 1. Introduzione | — | ||
| 86-5 | Quintettino "Musica notturna delle strade di Madrid", op. 30/6: 2. Minuetto | — | ||
| 86-6 | Quintettino "Musica notturna delle strade di Madrid", op. 30/6: 3. Largo assai, senza rigor di battuta | — | ||
| 86-7 | Quintettino "Musica notturna delle strade di Madrid", op. 30/6: 4. Passacalle | — | ||
| 86-8 | Quintettino "Musica notturna delle strade di Madrid", op. 30/6: 5. Ritirata | — | ||
| 86-9 | Antiche danze et arie per liuto - Suite no. 3: 1. Italiana (Anon., fine sec. XVI). Andantino | — | ||
| 86-10 | Antiche danze et arie per liuto - Suite no. 3: 2. Arie di corte (Jean-Baptiste Besard, sec. XVI). Andante Cantabile | — | ||
| 86-11 | Antiche danze et arie per liuto - Suite no. 3: 3. Siciliana (Anon, fine sec. XVI). Andantino | — | ||
| 86-12 | Antiche danze et arie per liuto - Suite no. 3: 4. Passacaglia (Lodovico Roncalli, 1692). Maestoso - Vivace | — | ||
| 87-1 | Symphony in C: 1. Moderato alla breve | — | ||
| 87-2 | Symphony in C: 2. Larghetto concertante | — | ||
| 87-3 | Symphony in C: 3. Allegretto | — | ||
| 87-4 | Symphony in C: 4. Largo - Tempo giusto, alla breve | — | ||
| 87-5 | Concerto in D for String Orchestra: 1. Vivace | — | ||
| 87-6 | Concerto in D for String Orchestra: 2. Arioso. Andantino | — | ||
| 87-7 | Concerto in D for String Orchestra: 3. Rondo. Allegro | — | ||
| 87-8 | Circus Polka | — | ||
| 88-1 | Incidental Music to Goethe's "Egmont", op. 84: Ouvertüre. Sostenuto, ma non troppo - Allegro | — | ||
| 88-2 | Incidental Music to Goethe's "Egmont", op. 84: 1. Lied: "Die Trommel gerühret!" (Clärchen). Vivace | — | ||
| 88-3 | Incidental Music to Goethe's "Egmont", op. 84: 2. Entr'acte I. Andante - Allegro con brio | — | ||
| 88-4 | Incidental Music to Goethe's "Egmont", op. 84: 3. Entr'acte II. Larghetto | — | ||
| 88-5 | Incidental Music to Goethe's "Egmont", op. 84: 4. Lied: "Freudvoll und leidvoll" (Clärchen). Andante con moto | — | ||
| 88-6 | Incidental Music to Goethe's "Egmont", op. 84: 5. Entr'acte III. Allegro - Marcia. Vivace | — | ||
| 88-7 | Incidental Music to Goethe's "Egmont", op. 84: 6. Entr'acte IV. Poco sostenuto e risoluto - Larghetto | — | ||
| 88-8 | Incidental Music to Goethe's "Egmont", op. 84: 7. The Death of Clärchen. Larghetto | — | ||
| 88-9 | Incidental Music to Goethe's "Egmont", op. 84: 8. Melodram: "Süßer Schlaf" (Egmont). Poco sostenuto | — | ||
| 88-10 | Incidental Music to Goethe's "Egmont", op. 84: 9. Victory Symphony. Allegro con brio | — | ||
| 89-1 | Concerto for Oboe and Orchestra in D major, AV 144: 1. Allegro moderato | — | ||
| 89-2 | Concerto for Oboe and Orchestra in D major, AV 144: 2. Andante | — | ||
| 89-3 | Concerto for Oboe and Orchestra in D major, AV 144: 3. Vivace - Allegro | — | ||
| 89-4 | Concerto for Horn and Orchestra no. 2 in E-flat major, AV 132: 1. Allegro | — | ||
| 89-5 | Concerto for Horn and Orchestra no. 2 in E-flat major, AV 132: 2. Andante con moto | — | ||
| 89-6 | Concerto for Horn and Orchestra no. 2 in E-flat major, AV 132: 3. Rondo. Allegro molto | — | ||
| 90-1 | Concerto for Violin, Strings and Continuo no. 1 in A minor, BWV 1041: 1. [Allegro moderato] | — | ||
| 90-2 | Concerto for Violin, Strings and Continuo no. 1 in A minor, BWV 1041: 2. Andante | — | ||
| 90-3 | Concerto for Violin, Strings and Continuo no. 1 in A minor, BWV 1041: 3. Allegro assai | — | ||
| 90-4 | Concerto for Violin, Strings and Continuo no. 2 in E major, BWV 1042: 1. Allegro | — | ||
| 90-5 | Concerto for Violin, Strings and Continuo no. 2 in E major, BWV 1042: 2. Adagio | — | ||
| 90-6 | Concerto for Violin, Strings and Continuo no. 2 in E major, BWV 1042: 3. Allegro assai | — | ||
| 90-7 | Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: 1. Vivace | — | ||
| 90-8 | Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: 2. Largo, ma non tanto | — | ||
| 90-9 | Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: 3. Allegro | — | ||
| 91-1 | Concerto grosso fatto per la notte di Natale in G minor, op. 6 no. 8: I. Vivace - Grave - Arcate, sostenuto e come sta / II. Allegro | — | ||
| 91-2 | Concerto grosso fatto per la notte di Natale in G minor, op. 6 no. 8: III. Adagio - Allegro - Adagio | — | ||
| 91-3 | Concerto grosso fatto per la notte di Natale in G minor, op. 6 no. 8: IV. Vivace | — | ||
| 91-4 | Concerto grosso fatto per la notte di Natale in G minor, op. 6 no. 8: V. Allegro | — | ||
| 91-5 | Concerto grosso fatto per la notte di Natale in G minor, op. 6 no. 8: VI. Pastorale ad libitum, Largo | — | ||
| 91-6 | Concerto grosso per il Santissimo Natale in C major, op. 3 no. 12: I. Pastorale. Largo | — | ||
| 91-7 | Concerto grosso per il Santissimo Natale in C major, op. 3 no. 12: II. Largo | — | ||
| 91-8 | Concerto grosso per il Santissimo Natale in C major, op. 3 no. 12: III. Allegro | — | ||
| 91-9 | Concerto a 4 in forma di Pastorale per il Santissimo Natale in G minor: I. Grave - Vivace | — | ||
| 91-10 | Concerto a 4 in forma di Pastorale per il Santissimo Natale in G minor: II. Largo | — | ||
| 91-11 | Concerto a 4 in forma di Pastorale per il Santissimo Natale in G minor: III. Vivace | — | ||
| 91-12 | Concerto grosso in F minor "Christmas Concerto", op. 1 no. 8: I. Largo - Grave | — | ||
| 91-13 | Concerto grosso in F minor "Christmas Concerto", op. 1 no. 8: II. Vivace | — | ||
| 91-14 | Concerto grosso in F minor "Christmas Concerto", op. 1 no. 8: III. Grave | — | ||
| 91-15 | Concerto grosso in F minor "Christmas Concerto", op. 1 no. 8: IV. Large Andante | — | ||
| 91-16 | Concerto grosso in F minor "Christmas Concerto", op. 1 no. 8: V. Andante | — | ||
| 91-17 | Concerto grosso in F minor "Christmas Concerto", op. 1 no. 8: VI. Pastorale ad libitum. Large Andante | — | ||
| 92-1 | Violin Concerto in E major "L'amoroso", RV 271: 1. Allegro | — | ||
| 92-2 | Violin Concerto in E major "L'amoroso", RV 271: 2. Cantabile | — | ||
| 92-3 | Violin Concerto in E major "L'amoroso", RV 271: 3. [Allegro] | — | ||
| 92-4 | Sinfonia For Strings in B minor "Al Santo Sepolcro", RV169: 1. Adagio molto | — | ||
| 92-5 | Sinfonia For Strings in B minor "Al Santo Sepolcro", RV169: 2. Allegro ma poco | — | ||
| 92-6 | Concerto for Violin, Strings and Continuo in D major "L'Inquietudine", RV 234: 1. Allegro molto | — | ||
| 92-7 | Concerto for Violin, Strings and Continuo in D major "L'Inquietudine", RV 234: 2. Largo | — | ||
| 92-8 | Concerto for Violin, Strings and Continuo in D major "L'Inquietudine", RV 234: 3. Allegro | — | ||
| 92-9 | Concerto for Strings and Continuo in G major "Alla rustica", RV 151: 1. Presto | — | ||
| 92-10 | Concerto for Strings and Continuo in G major "Alla rustica", RV 151: 2. Adagio | — | ||
| 92-11 | Concerto for Strings and Continuo in G major "Alla rustica", RV 151: 3. Allegro | — | ||
| 92-12 | Concerto for Strings and Continuo in D minor "Madrigalesco", RV 129: 1. Adagio | — | ||
| 92-13 | Concerto for Strings and Continuo in D minor "Madrigalesco", RV 129: 2. Adagio / 3. Allegro molto moderato | — | ||
| 92-14 | Concerto In A Minor For 2 Violins, Strings and Continuo, RV 523: 1. Allegro molto | — | ||
| 92-15 | Concerto In A Minor For 2 Violins, Strings and Continuo, RV 523: 2. Largo | — | ||
| 92-16 | Concerto In A Minor For 2 Violins, Strings and Continuo, RV 523: 3. Allegro | — | ||
| 92-17 | Concerto for 4 Violins, Cello, Strings and Continuo in D major, RV 549: 1. Allegro | — | ||
| 92-18 | Concerto for 4 Violins, Cello, Strings and Continuo in D major, RV 549: 2. Largo e spiccato | — | ||
| 92-19 | Concerto for 4 Violins, Cello, Strings and Continuo in D major, RV 549: 3. Allegro | — | ||
| 92-20 | Concerto for 4 Violins, Strings and Continuo in E minor. RV 550: 1. Andante | — | ||
| 92-21 | Concerto for 4 Violins, Strings and Continuo in E minor. RV 550: 2. Allegro assai | — | ||
| 92-22 | Concerto for 4 Violins, Strings and Continuo in E minor. RV 550: 3. Adagio | — | ||
| 92-23 | Concerto for 4 Violins, Strings and Continuo in E minor. RV 550: 4. Allegro | — | ||
| 93-1 | Overture "The Hebrides" ("Fingal's Cave"), op. 26 | — | ||
| 93-2 | Symphony no. 3 in A minor "Scottish", op. 56: 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | — | ||
| 93-3 | Symphony no. 3 in A minor "Scottish", op. 56: 2. Vivace non troppo | — | ||
| 93-4 | Symphony no. 3 in A minor "Scottish", op. 56: 3. Adagio | — | ||
| 93-5 | Symphony no. 3 in A minor "Scottish", op. 56: 4. Allegro vivacissimo - Allegro maestoso assai | — | ||
| 94-1 | Carmen Suite: 1. Prélude Acte I. Allegro giocoso | — | ||
| 94-2 | Carmen Suite: 2. Entr'acte II "Les Dragons d'Alcara". Allegro moderato | — | ||
| 94-3 | Carmen Suite: 3. Entr'acte III. Andantino quasi Allegretto | — | ||
| 94-4 | Carmen Suite: 4. Entr'acte IV "Aragonaise". Allegro vivo | — | ||
| 94-5 | L'Arlésienne Suite no. 1: 1. Prélude. Allegro deciso (Tempo di Marcia) - Andantino -Andante molto | — | ||
| 94-6 | L'Arlésienne Suite no. 1: 2. Minuetto. Allegro giocoso | — | ||
| 94-7 | L'Arlésienne Suite no. 1: 3. Adagietto. Adagio | — | ||
| 94-8 | L'Arlésienne Suite no. 1: 4. Carillon. Allegretto moderato - Andantino - Tempo I | — | ||
| 94-9 | L'Arlésienne Suite no. 2: 1. Pastorale. Andante sostenuto assai - Andantino - Tempo I | — | ||
| 94-10 | L'Arlésienne Suite no. 2: 2. Intermezzo. Andante moderato ma con moto - Allegro moderato | — | ||
| 94-11 | L'Arlésienne Suite no. 2: 3. Menuet. Andantino quasi Allegretto | — | ||
| 94-12 | L'Arlésienne Suite no. 2: 4. Farandole. Allegro deciso (Tempo di Marcia) - Allegro vivo e deciso | — | ||
| 95-1 | La gazza ladra | — | ||
| 95-2 | La scala di seta | — | ||
| 95-3 | Semiramide | — | ||
| 95-4 | Il barbiere di Siviglia | — | ||
| 95-5 | L'italiana in Algeri | — | ||
| 95-6 | Guillaume Tell | — | ||
| 96-1 | Symphony no. 1 in B-flat major "Spring", op. 38: 1. Andante un poco maestoso - Allegro molto vivace | — | ||
| 96-2 | Symphony no. 1 in B-flat major "Spring", op. 38: 2. Larghetto | — | ||
| 96-3 | Symphony no. 1 in B-flat major "Spring", op. 38: 3. Scherzo. Molto vivace | — | ||
| 96-4 | Symphony no. 1 in B-flat major "Spring", op. 38: 4. Allegro animato e grazioso | — | ||
| 96-5 | Symphony no. 4 in D Minor, op. 120: 1. Ziemlich langsam - Lebhaft - attacca | — | ||
| 96-6 | Symphony no. 4 in D Minor, op. 120: 2. Romanze. Ziemlich langsam - attacca | — | ||
| 96-7 | Symphony no. 4 in D Minor, op. 120: 3. Scherzo.Lebhaft - attacca | — | ||
| 96-8 | Symphony no. 4 in D Minor, op. 120: 4. Langsam - Lebhaft | — | ||
| 97-1 | Symphony no. 2 in C major, op.61: 1. Sostenuto assai - Allegro, ma non troppo - Con fuoco | — | ||
| 97-2 | Symphony no. 2 in C major, op.61: 2. Scherzo. Allegro vivace | — | ||
| 97-3 | Symphony no. 2 in C major, op.61: 3. Adagio espressivo | — | ||
| 97-4 | Symphony no. 2 in C major, op.61: 4. Allegro molto vivace | — | ||
| 97-5 | Overture, Scherzo and Finale in E major, op. 52: 1. Overture. Andante con moto - allegro | — | ||
| 97-6 | Overture, Scherzo and Finale in E major, op. 52: 2. Scherzo. Vivo - Trio. L'istesso tempo - Coda | — | ||
| 97-7 | Overture, Scherzo and Finale in E major, op. 52: 3. Finale. Allegro molto vivace | — | ||
| 98-1 | Swan Lake, Suite op. 20a: 1. Scène. Moderato | — | ||
| 98-2 | Swan Lake, Suite op. 20a: 2. Valse. Tempo di valse | — | ||
| 98-3 | Swan Lake, Suite op. 20a: 3. Danse des cygnes. Allegro moderato | — | ||
| 98-4 | Swan Lake, Suite op. 20a: 4. Scêne. Andante | — | ||
| 98-5 | Swan Lake, Suite op. 20a: 5. Danse hongroise (Czardas). Moderato assai - Allegro moderato - Vivace | — | ||
| 98-6 | Swan Lake, Suite op. 20a: 6. Scêne final. Allegro agitato - Allegro vivace | — | ||
| 98-7 | The Sleeping Beauty, Suite op. 66a: 1. Introduction. La Fée des Lilas. Allegro vivace - Andantino - Andante sostenuto | — | ||
| 98-8 | The Sleeping Beauty, Suite op. 66a: 2. Adagio. Pas d'action. Andante - Adagio maestoso - Molto sostenuto, quasi più andante - Tempo I | — | ||
| 98-9 | The Sleeping Beauty, Suite op. 66a: 3. Pas de caractère: Le Chat botté et la Chatte blanche | — | ||
| 98-10 | The Sleeping Beauty, Suite op. 66a: 4. Panorama. Andantino | — | ||
| 98-11 | The Sleeping Beauty, Suite op. 66a: 5. Valse. Allegro. Tempo di valse | — | ||
| 99-1 | Gaîté Parisienne: Overture | — | ||
| 99-2 | Gaîté Parisienne: 1. Allegro brillante | — | ||
| 99-3 | Gaîté Parisienne: 2. Polka | — | ||
| 99-4 | Gaîté Parisienne: 6. Allegro | — | ||
| 99-5 | Gaîté Parisienne: 8. Valse. Lento | — | ||
| 99-6 | Gaîté Parisienne: 9. [Marche] | — | ||
| 99-7 | Gaîté Parisienne: 10. Valse, Moderato | — | ||
| 99-8 | Gaîté Parisienne: 11. Allegro vivo | — | ||
| 99-9 | Gaîté Parisienne: 12. Valse | — | ||
| 99-10 | Gaîté Parisienne: 13. Allegro Vivace - Misterioso - Lento | — | ||
| 99-11 | Gaîté Parisienne: 14. Valse. Moderato | — | ||
| 99-12 | Gaîté Parisienne: 15. Allegro vivo | — | ||
| 99-13 | Gaîté Parisienne: 16. Cancan. Allegro | — | ||
| 99-14 | Gaîté Parisienne: 17. Polka | — | ||
| 99-15 | Gaîté Parisienne: 18. -- | — | ||
| 99-16 | Gaîté Parisienne: 22. Vivo | — | ||
| 99-17 | Gaîté Parisienne: 23. Barcarole. Allegro moderato | — | ||
| 99-18 | Faust, Ballet Music: 1. Allegretto. Mouvement de Valse | — | ||
| 99-19 | Faust, Ballet Music: 2. Adagio | — | ||
| 99-20 | Faust, Ballet Music: 3. Danse antique. Allegretto | — | ||
| 99-21 | Faust, Ballet Music: 4. Variations de Cléopâtre. Moderato maestoso | — | ||
| 99-22 | Faust, Ballet Music: 5. Les Troyens. Moderato con moto | — | ||
| 99-23 | Faust, Ballet Music: 6. Variations du miroir. Allegretto | — | ||
| 99-24 | Faust, Ballet Music: 7. Danse de Phryné. Allegro vivo | — | ||
| 99-25 | La Valse de Faust. Tempo di Valse | — | ||
| 100-1 | Prince Igor: Dance of the Polovtsian Maidens | — | ||
| 100-2 | Prince Igor: Polovtsian Dances | — | ||
| 100-3 | Eugene Onegin: Polonaise | — | ||
| 100-4 | Eugene Onegin: Valse | — | ||
| 100-5 | Aida: Sacred Dance of the Priestesses | — | ||
| 100-6 | Aida: Dance of the Young Moorish Slaves | — | ||
| 100-7 | Aida: Ballet | — | ||
| 100-8 | Otello: Ballet Music | — | ||
| 100-9 | La Gioconda: Dance of the Hours | — | ||
| 101-1 | Peer Gynt-Suite no. 1, op. 46: 1. Morning Mood. Allegretto pastorale | — | ||
| 101-2 | Peer Gynt-Suite no. 1, op. 46: 2. Åse's Death. Andante doloroso | — | ||
| 101-3 | Peer Gynt-Suite no. 1, op. 46: 3. Anitra's Dance. Tempo di Mazurka | — | ||
| 101-4 | Peer Gynt-Suite no. 1, op. 46: 4. In the Hall of the Mountain King. Alla marcia e molto marcato | — | ||
| 101-5 | Peer Gynt-Suite no. 2, op. 55: 1. The Abduction of the Bride / Ingrid's Lament. Allegro furioso - Andante | — | ||
| 101-6 | Peer Gynt-Suite no. 2, op. 55: 2. Arabian Dance. Allegretto vivace | — | ||
| 101-7 | Peer Gynt-Suite no. 2, op. 55: 3. Peer Gynt's Homecomming. Allegro agitato | — | ||
| 101-8 | Peer Gynt-Suite no. 2, op. 55: 4. Solveig's Song. Andante - Allegretto tranquillamente | — | ||
| 101-9 | Sigurd Jorsalfar, op. 56: 1. Prelude (In the King's hall). Allegretto simplice | — | ||
| 101-10 | Sigurd Jorsalfar, op. 56: 2. Intermezzo (Borghild's Dream). Poco Andante - Allegro agitato - Andante espressivo | — | ||
| 101-11 | Sigurd Jorsalfar, op. 56: 3. Homage March. Allegro molto - Allegretto marciale - Maestoso | — | ||
| 102-1 | Aufforderung zum Tanz, op. 65 | — | ||
| 102-2 | La Damnation de Faust, op. 24: Ballet des Sylphes. Allegro (tempdi valse) | — | ||
| 102-3 | La Damnation de Faust, op. 24: Menuet des Follets. Moderato - Presto e leggiero | — | ||
| 102-4 | Mephisto Waltz No. 1 (The Dance in the Village Inn), S 110/2 | — | ||
| 102-5 | The Bartered Bride: Polka. Moderato | — | ||
| 102-6 | The Bartered Bride: Furiant. Allegro energico | — | ||
| 102-7 | The Bartered Bride: Dance of the Comedians. Vivace | — | ||
| 102-8 | Scherzo capriccioso, op. 66: Allegro confuoco - Poco tranquillo - Grandioso - Tempo I - Presto | — | ||
| 103-1 | The European Anthem (Ode to Joy) | — | ||
| 103-2 | Austria: Land der Berge, Land am Strome | — | ||
| 103-3 | Belgium: Aprês des siècles d'esclavage / O Vaderland, o edel land der Belgen (La Brabançonne) | — | ||
| 103-4 | Cyprus: Se gnorizo apó tin kópsi (Ýmnos is tīn Eleftherian) | — | ||
| 103-5 | Denmark: Der er et yndigt land (Civil Anthem) | — | ||
| 103-6 | Germany: Einigkeit und Recht unt Freiheit | — | ||
| 103-7 | France: Allons enfants de lar Patrie (La Marseillaise) | — | ||
| 103-8 | Iceland: Ó, Guð vors lands (Lofsöbgur) | — | ||
| 103-9 | Ireland: Amhrán na bhFiann | — | ||
| 103-10 | Italy: Fratelli d'Italia (Inno di Mameli) | — | ||
| 103-11 | Luxembourg: Wou d'Uelzécht durech d'Wisen zéit | — | ||
| 103-12 | Malta: Lil din l-art ħelwa (L-Innu Malti) | — | ||
| 103-13 | Netherlands: Wilhelmus van Nassouwe | — | ||
| 103-14 | Norway: Ja, vi elsker dette landet | — | ||
| 103-15 | Sweden: Du gamla, du fria | — | ||
| 103-16 | Switzerland: Schweizerpsalm | — | ||
| 103-17 | Turkey: Korkma, sönmez bu şafaklarda yüzen al sancak | — | ||
| 103-18 | United Kingdom: God Save the Queen | — | ||
| 103-19 | Greece: Se gnorizo apó tin kópsi Ýmnos is tīn Eleftherian) | — | ||
| 103-20 | Denmark: Kong Christian stod ved højen Mast (Royal Anthem) | — | ||
| 103-21 | Symphony No. 9 in D minor "Choral", op. 125: 4a. Presto - Allegro assai - | — | ||
| 103-22 | Symphony No. 9 in D minor "Choral", op. 125: 4b. Presto - Rezitatio: "O Freunde, nicht diese Töne!" - Allegro assai - Allegro assai vivace. Alla Marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo / Final chorus from Schiller's ode to Joy | — | ||
| 104-1 | Messa da Requiem: 1. Requiem. "Requiem aeternam" - "Kyrie eleison" | — | ||
| 104-2 | Messa da Requiem: 2. Dies Irae. "Dies irae" | — | ||
| 104-3 | Messa da Requiem: 2. Dies Irae. "Tuba mirum" | — | ||
| 104-4 | Messa da Requiem: 2. Dies Irae. "Liber scriptus" | — | ||
| 104-5 | Messa da Requiem: 2. Dies Irae. "Quid sum miser" | — | ||
| 104-6 | Messa da Requiem: 2. Dies Irae. "Rex tremendae" | — | ||
| 104-7 | Messa da Requiem: 2. Dies Irae. "Recordare" | — | ||
| 104-8 | Messa da Requiem: 2. Dies Irae. "Ingemisco" | — | ||
| 104-9 | Messa da Requiem: 2. Dies Irae. "Confutatis" | — | ||
| 104-10 | Messa da Requiem: 2. Dies Irae. "Lacrymosa" | — | ||
| 105-1 | Messa da Requiem: 3. Offertorio. "Domine Jesu Christe" - "Hostias" | — | ||
| 105-2 | Messa da Requiem: 4. Sanctus | — | ||
| 105-3 | Messa da Requiem: 5. Agnus Dei | — | ||
| 105-4 | Messa da Requiem: 6. Lux aeterna | — | ||
| 105-5 | Messa da Requiem: 7. Libera me. "Libera me" - "Requiem aeternum" - "Libera me" | — | ||
| 106-1 | Concerto no. 1 in E major "La primavera", RV 269: 1. Allegro | — | ||
| 106-2 | Concerto no. 1 in E major "La primavera", RV 269: 2. Largo | — | ||
| 106-3 | Concerto no. 1 in E major "La primavera", RV 269: 3. Allegro. Danza pastorale | — | ||
| 106-4 | Concerto no. 2 in G minor "L'estate", RV 315: 1. Allegro non molto | — | ||
| 106-5 | Concerto no. 2 in G minor "L'estate", RV 315: 2. Adagio - Presto | — | ||
| 106-6 | Concerto no. 2 in G minor "L'estate", RV 315: 3. Presto | — | ||
| 106-7 | Concerto no. 3 in F major "L'autunno", RV 293: 1. Allegro | — | ||
| 106-8 | Concerto no. 3 in F major "L'autunno", RV 293: 2. Adagio molto | — | ||
| 106-9 | Concerto no. 3 in F major "L'autunno", RV 293: 3. Allegro | — | ||
| 106-10 | Concerto no. 4 in F minor "L'inverno", RV 297: 1. Allegro non molto | — | ||
| 106-11 | Concerto no. 4 in F minor "L'inverno", RV 297: 2. Largo | — | ||
| 106-12 | Concerto no. 4 in F minor "L'inverno", RV 297: 3. Allegro | — | ||
| 106-13 | Concerto for 4 Violins, Cello, Strings and Continuo in F major, RV 567: 1. Andante | — | ||
| 106-14 | Concerto for 4 Violins, Cello, Strings and Continuo in F major, RV 567: 2. Adagio | — | ||
| 106-15 | Concerto for 4 Violins, Cello, Strings and Continuo in F major, RV 567: 3. Allegro | — | ||
| 106-16 | Concerto for 4 Violins, Cello, Strings and Continuo in F major, RV 567: 4. Adagio - Allegro | — | ||
| 106-17 | Concerto for 4 Violins, Cello, Strings and Continuo in B minor, RV 580: 1. Allegro | — | ||
| 106-18 | Concerto for 4 Violins, Cello, Strings and Continuo in B minor, RV 580: 2. Largo | — | ||
| 106-19 | Concerto for 4 Violins, Cello, Strings and Continuo in B minor, RV 580: 3. Larghetto - Adagio - Largo - Allegro | — | ||
| 107-1 | Der Freischütz. Adagio - Molto vivace | — | ||
| 107-2 | Der Beherrscherr der Geister. Presto | — | ||
| 107-3 | Oberon. Adagio sostenuto - Allegro con fuoco | — | ||
| 107-4 | Euryanthe. Allegro marcato, con molto fuoco | — | ||
| 107-5 | Abu Hassan. Presto | — | ||
| 107-6 | Peter Schmoll und seine Nachbarn. Andante meastoso - Allegro vivace - Adagio - Tempo I | — | ||
| 108-1 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 108-2 | Salome: Tanz der sieben Schleier, op. 24 | — | ||
| 108-3 | Don Juan, op. 20 | — | ||
| 108-4 | Tod und Verklärung, op. 24 | — | ||
| 109-1 | Also sprach Zarathustra, op. 30: Einleitung [Sonnenaufgang] | — | ||
| 109-2 | Also sprach Zarathustra, op. 30: Von den Hinterweltlern | — | ||
| 109-3 | Also sprach Zarathustra, op. 30: Von der großen Sehnsucht | — | ||
| 109-4 | Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften | — | ||
| 109-5 | Also sprach Zarathustra, op. 30: Das Grablied | — | ||
| 109-6 | Also sprach Zarathustra, op. 30: Von der Wissenschaft | — | ||
| 109-7 | Also sprach Zarathustra, op. 30: Der Genesende | — | ||
| 109-8 | Also sprach Zarathustra, op. 30: Das Tanzlied | — | ||
| 109-9 | Also sprach Zarathustra, op. 30: Das Nachtwandlerlied | — | ||
| 109-10 | Vier letzte Lieder: 1. Frühling | — | ||
| 109-11 | Vier letzte Lieder: 2. September | — | ||
| 109-12 | Vier letzte Lieder: 3. Beim Schlafengehen | — | ||
| 109-13 | Vier letzte Lieder: 4. Im Abendrot | — | ||
| 110-1 | Symphony no. 5 in C-sharp minor: Part I. 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 110-2 | Symphony no. 5 in C-sharp minor: Part I. 2. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 110-3 | Symphony no. 5 in C-sharp minor: Part II. 3. Scherzo. Kräftig, nicht zu schnell | — | ||
| 110-4 | Symphony no. 5 in C-sharp minor: Part III. 4. Adagietto. Sehr langsam | — | ||
| 110-5 | Symphony no. 5 in C-sharp minor: Part III. 5. Rondo – Finale. Allegro - Allegro giocoso. Frisch | — | ||
| 111-1 | Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde | — | ||
| 111-2 | Das Lied von der Erde: 2. Der Einsam im Herbst | — | ||
| 111-3 | Das Lied von der Erde: 3. Von der Jugend | — | ||
| 111-4 | Das Lied von der Erde: 4. Von der Schönheit | — | ||
| 111-5 | Das Lied von der Erde: 5. Der Trunkene im Fruhling | — | ||
| 111-6 | Das Lied von der Erde: 6. Der Abschied | — | ||
| 112-1 | Symphony no. 1 in C minor, op. 11: Allegro di molto | — | ||
| 112-2 | Symphony no. 1 in C minor, op. 11: Andante | — | ||
| 112-3 | Symphony no. 1 in C minor, op. 11: Menuetto. Allegro molto | — | ||
| 112-4 | Symphony no. 1 in C minor, op. 11: Allegro con fuoco | — | ||
| 113-1 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia. Maestoso con moto - Allegro | — | ||
| 113-2 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia. Allegretto un poco agitato | — | ||
| 113-3 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": I. Sinfonia. Adagio religioso | — | ||
| 113-4 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": II. Chorus: "Alles, was Odem hat, lobe den Herrn!" Allegro moderato maestoso - Animato | — | ||
| 113-5 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": III. Recitative: "Saget es, die ihr erlöst seid" - [Aria:] "Er zählet unsre Tränen in der Zeit der Not" Allegro moderato | — | ||
| 113-6 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": IV. Chorus: "Sagt es, die ihr erlöset seid" A tempo moderato | — | ||
| 113-7 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": V. Duet and Chorus: "Ich harrete des Herrn" Andante | — | ||
| 113-8 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VI. Aria: "Stricke des Todes hatten uns umfangen" Allegro un poco agitato | — | ||
| 113-9 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VII. Chorus: "Die Nacht ist vergangen" Allegro maestoso e molto vivace | — | ||
| 113-10 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": VIII. Chorale. "Nun danket alle Gott" Andante con moto | — | ||
| 113-11 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": IX. [Duet:] "Drum sing ich mit meinem Liede" Andante sostenuto assai | — | ||
| 113-12 | Symphony no. 2 in B-flat major, op. 52 "Hymn of Praise": X. Chorus: "Ihr Völker! bringet her dem Herrn Ehre und Macht" Allegro non troppo | — | ||
| 114-1 | Matthäus-Passion, BWV 244: Part I: 1. Chorus: "Kommt, ihr Töchter, helft mir klagen" | — | ||
| 114-2 | Matthäus-Passion, BWV 244: Part I: 2. Recitative: "Da Jesus diese Rede vollendet hatte" (Evangelist, Jesus) | — | ||
| 114-3 | Matthäus-Passion, BWV 244: Part I: 3. Chorale: "Herzliebster Jesu, was hast du verbrochen" | — | ||
| 114-4 | Matthäus-Passion, BWV 244: Part I: 4a. Recitative: "Da versammeleten sich die Hohenpriester" (Evangelist) / 4b. Chorus: "Ja nicht auf das Fest" | — | ||
| 114-5 | Matthäus-Passion, BWV 244: Part I: 4c. Recitative: "Da nun Jesus war zu Bethanien" (Evangelist) / 4d. Chorus: "Wozu dienet dieser Unrat?" | — | ||
| 114-6 | Matthäus-Passion, BWV 244: Part I: 4e. Recitative: "Da das Jesus merkete" (Evangelist, Jesus) | — | ||
| 114-7 | Matthäus-Passion, BWV 244: Part I: 5. Recitative: "Du lieber Heiland du" (contralto) | — | ||
| 114-8 | Matthäus-Passion, BWV 244: Part I: 6. Aria: "Buß und Reu" (contralto) | — | ||
| 114-9 | Matthäus-Passion, BWV 244: Part I: 7. Recitative: "Da ging hin der Zwölfen einer" (Evangelist, Judas) | — | ||
| 114-10 | Matthäus-Passion, BWV 244: Part I: 8. Aria: "Blute nur, du liebes Herz!" (soprano) | — | ||
| 114-11 | Matthäus-Passion, BWV 244: Part I: 9a. Recitative: "Aber am ersten Tage der süßen Brot" (Evangelist) / 9b Chorus: "Wo willst du, daß wir dir bereiten" | — | ||
| 114-12 | Matthäus-Passion, BWV 244: Part I: 9c. Recitative: "Er sprach: Gehet hin in die Stadt" (Evangelist, Jesus) / 9d. "Und sie wurden sehr betrübt" / 9e. Chorus: "Herr, bin ich's" | — | ||
| 114-13 | Matthäus-Passion, BWV 244: Part I: 10. Chorale: "Ich bin's, ich sollte büßen" | — | ||
| 114-14 | Matthäus-Passion, BWV 244: Part I: 11. Recitative: "Er antwortete und sprach" (Evangelist, Jesus, Judas) | — | ||
| 114-15 | Matthäus-Passion, BWV 244: Part I: 12. Recitative: "Wiewohl mein Herz in Tränen schwimmt" (soprano) | — | ||
| 114-16 | Matthäus-Passion, BWV 244: Part I: 13. Aria: "Ich will dir mein Herz schenken" (soprano) | — | ||
| 114-17 | Matthäus-Passion, BWV 244: Part I: 14. Recitative: "Und da sie den Lobgesang gesprochen hatten" (Evangelist, Jesus) | — | ||
| 114-18 | Matthäus-Passion, BWV 244: Part I: 15. Chorale: "Erkenne mich, mein Hüter" | — | ||
| 114-19 | Matthäus-Passion, BWV 244: Part I: 16. Recitative: "Petrus aber antwortete und sprach zu ihm" (Evangelist, Peter, Jesus) | — | ||
| 114-20 | Matthäus-Passion, BWV 244: Part I: 17. Chorale: "Ich will hier bei dir stehen" | — | ||
| 114-21 | Matthäus-Passion, BWV 244: Part I: 18. Recitative"Da kam Jesus mit ihnen zu einem Hofe" (Evangelist, Jesus) | — | ||
| 114-22 | Matthäus-Passion, BWV 244: Part I: 19. Recitative: "O Schmerz! hier zittert das gequälte Herz" (tenor, chorus) | — | ||
| 114-23 | Matthäus-Passion, BWV 244: Part I: 20. Aria: "Ich will bei meinem Jesu wachen" (tenor, chorus) | — | ||
| 114-24 | Matthäus-Passion, BWV 244: Part I: 21. Recitative: "Und ging hin ein wenig" (Evangelist, Jesus) | — | ||
| 114-25 | Matthäus-Passion, BWV 244: Part I: 22. Recitative: "Der Heiland fällt vor seinem Vater nieder" (bass) | — | ||
| 114-26 | Matthäus-Passion, BWV 244: Part I: 23. Aria: "Gerne will ich mich bequemen" (bass) | — | ||
| 114-27 | Matthäus-Passion, BWV 244: Part I: 24. Recitative: "Und er kam zu seinen Jüngern" (Evangelist, Jesus) | — | ||
| 114-28 | Matthäus-Passion, BWV 244: Part I: 25. Chorale: "Was mein Gott will, das g'scheh allzeit" | — | ||
| 114-29 | Matthäus-Passion, BWV 244: Part I: 26. Recitative: "Und er kam und fand sie aber schlafend" (Evangelist, Jesus) | — | ||
| 115-1 | Matthäus-Passion, BWV 244: Part I: 27a. Duet: "So ist mein Jesus nun gefangen!" (soprano, contralto, chorus) / 27b. Chorus: "Sind Blitze, sind Donner, in Wolken verschwunden" | — | ||
| 115-2 | Matthäus-Passion, BWV 244: Part I: 28. Recitative: "Und siehe, einer aus denen, die mit Jesu waren" (Evangelist, Jesus) | — | ||
| 115-3 | Matthäus-Passion, BWV 244: Part I: 29. Chorale: "O Mensch, bewein dein Sünde groß" | — | ||
| 115-4 | Matthäus-Passion, BWV 244: Part II: 30. Aria "Ach nun ist mein Jesu hin!" (contralto, chorus) | — | ||
| 115-5 | Matthäus-Passion, BWV 244: Part II: 31. Recitative: "Die aber Jesum gegriffen hatten" (Evangelist) | — | ||
| 115-6 | Matthäus-Passion, BWV 244: Part II: 32. Chorale: "Mir hat die Welt trüglich gericht" | — | ||
| 115-7 | Matthäus-Passion, BWV 244: Part II: 33. Recitative: "Und wiewohl viel falsche Zeugen herzutraten" (Evangelist, Witnesses I/II, High Priest) | — | ||
| 115-8 | Matthäus-Passion, BWV 244: Part II: 34. Recitative: "Mein Jesus schweigt zu falschen Lügen stille" (tenor) | — | ||
| 115-9 | Matthäus-Passion, BWV 244: Part II: 35. Aria: "Geduld! Wenn mich falsche Zungen stechen" (tenor) | — | ||
| 115-10 | Matthäus-Passion, BWV 244: Part II: 36a. Recitative: "Und der Hohepriester antwortete" (Evangelist) / 36b. Chorus: "Und der Hohepriester antwortete" | — | ||
| 115-11 | Matthäus-Passion, BWV 244: Part II: 36c. Recitative: "Da speieten sie aus in sein Angesicht" (Evangelist) / 36d. Chorus: "Weissage uns" | — | ||
| 115-12 | Matthäus-Passion, BWV 244: Part II: 37. Choral: "Wer hat dich so geschlagen" | — | ||
| 115-13 | Matthäus-Passion, BWV 244: Part II: 38a. Recitative: "Petrus aber saß draußen im Palast" (Evangelist, Maids, Peter) / 38b. Chorus: "Wahrlich, du bist auch einer von denen" / 38c. Recitative: "da hub er an, sich zu verfluchen" | — | ||
| 115-14 | Matthäus-Passion, BWV 244: Part II: 39. Aria: "Erbarme dich, mein Gott" (contralto) | — | ||
| 115-15 | Matthäus-Passion, BWV 244: Part II: 40. Chorale: "Bin ich gleich von dir gewichen" | — | ||
| 115-16 | Matthäus-Passion, BWV 244: Part II: 41a. Recitative: "Des Morgens aber hielten all Hohepriester" (Evangelist, Judas) / 41b. Chorus: "Was gehet uns das an?" (High Priests) / 41c. Recitative: "Und er warf die Silberlinge in den Tempel" (Evangelist) | — | ||
| 115-17 | Matthäus-Passion, BWV 244: Part II: 42. Aria: "Gebt mir meinen Jesum wieder!" (bass) | — |
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