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Symphonie no. 9: IV. Fließender, doch durchaus nicht eilend album cover

ISRC

DEF058231428

Symphonie no. 9: IV. Fließender, doch durchaus nicht eilend2

Song: MAHLER SYMPHONY NO. 9

Berliner PhilharmonikerHerbert von Karajan
unmatchedNot yet matched in the MLC database
Released 1984-01-01

Last verified:

DEF058231428 is the International Standard Recording Code (ISRC) for the recording "Symphonie no. 9: IV. Fließender, doch durchaus nicht eilend" by Berliner Philharmoniker, Herbert von Karajan, released 1984-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
82Year (1982)
31428Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1982):
Last two digits of the reference year (1982). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Symphonie no. 9: IV. Fließender, doch durchaus nicht eilend" by Berliner Philharmoniker?
The ISRC for "Symphonie no. 9: IV. Fließender, doch durchaus nicht eilend" by Berliner Philharmoniker, Herbert von Karajan is DEF058231428.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF058231428?

DEF058231428 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Symphonie no. 9: IV. Fließender, doch durchaus nicht eilend" by Berliner Philharmoniker, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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