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ISRC

DEF058300480

Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio

Song: Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio

Trevor PinnockSimon StandageThe English Concert
Released 1984-01-01

Last verified:

DEF058300480 is the International Standard Recording Code (ISRC) for the recording "Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio" by Trevor Pinnock, Simon Standage, The English Concert, released 1984-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
83Year (1983)
00480Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1983):
Last two digits of the reference year (1983). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio" by Trevor Pinnock?
The ISRC for "Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio" by Trevor Pinnock, Simon Standage, The English Concert is DEF058300480.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF058300480?

DEF058300480 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio" by Trevor Pinnock, Simon Standage, The English Concert. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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