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Sinfonia D-dur für Zwei Hörner, Streicher Und Basso continuo: 3. Tempo Di Minuet album cover

ISRC

DES380012138

Sinfonia D-dur für Zwei Hörner, Streicher Und Basso continuo: 3. Tempo Di Minuet

Song: Sinfonia in D major: III. Tempo di Menuet

Akademie für Alte Musik Berlin
Released 1992-01-01

Last verified:

DES380012138 is the International Standard Recording Code (ISRC) for the recording “Sinfonia D-dur für Zwei Hörner, Streicher Und Basso continuo: 3. Tempo Di Minuet” by Akademie für Alte Musik Berlin, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
S38Registrant
00Year (2000)
12138Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Sinfonia D-dur für Zwei Hörner, Streicher Und Basso continuo: 3. Tempo Di Minuet" by Akademie für Alte Musik Berlin?
The ISRC for "Sinfonia D-dur für Zwei Hörner, Streicher Und Basso continuo: 3. Tempo Di Minuet" by Akademie für Alte Musik Berlin is DES380012138.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DES380012138?

DES380012138 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Sinfonia D-dur für Zwei Hörner, Streicher Und Basso continuo: 3. Tempo Di Minuet” by Akademie für Alte Musik Berlin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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