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ISRC

FR7JM2596080

44 Duos, Sz. 98: No. 36a. Szól a duda (Bagpipes). Allegro molto (first version) (first version)

Song: 44 Duos for Two Violins: No. 36. Szól a duda

Alexandra PreucilAntoine Tamestit

Last verified:

FR7JM2596080 is the International Standard Recording Code (ISRC) for the recording “44 Duos, Sz. 98: No. 36a. Szól a duda (Bagpipes). Allegro molto (first version) (first version)” by Alexandra Preucil, Antoine Tamestit. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
7JMRegistrant
25Year (2025)
96080Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "44 Duos, Sz. 98: No. 36a. Szól a duda (Bagpipes). Allegro molto (first version) (first version)" by Alexandra Preucil?
The ISRC for "44 Duos, Sz. 98: No. 36a. Szól a duda (Bagpipes). Allegro molto (first version) (first version)" by Alexandra Preucil, Antoine Tamestit is FR7JM2596080.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR7JM2596080?

FR7JM2596080 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “44 Duos, Sz. 98: No. 36a. Szól a duda (Bagpipes). Allegro molto (first version) (first version)” by Alexandra Preucil, Antoine Tamestit. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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