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ISRC

FRZ148917090

Flavio: Acte III, Scène IV. "O Guido, o mio tiranno!" (Emilia, Guido)

Song: Flavio, re de' longobardi, HWV 16: Act III, Scene IV. Accompagnato "O Guido, o mio tiranno!" (Emilia)

Lena LootensDerek Lee RaginEnsemble 415René Jacobs
Released 1992-01-01

Last verified:

FRZ148917090 is the International Standard Recording Code (ISRC) for the recording "Flavio: Acte III, Scène IV. "O Guido, o mio tiranno!" (Emilia, Guido)" by Lena Lootens, Derek Lee Ragin, Ensemble 415, René Jacobs, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z14Registrant
89Year (1989)
17090Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1989):
Last two digits of the reference year (1989). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Flavio: Acte III, Scène IV. "O Guido, o mio tiranno!" (Emilia, Guido)" by Lena Lootens?
The ISRC for "Flavio: Acte III, Scène IV. "O Guido, o mio tiranno!" (Emilia, Guido)" by Lena Lootens, Derek Lee Ragin, Ensemble 415, René Jacobs is FRZ148917090.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ148917090?

FRZ148917090 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Flavio: Acte III, Scène IV. "O Guido, o mio tiranno!" (Emilia, Guido)" by Lena Lootens, Derek Lee Ragin, Ensemble 415, René Jacobs. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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