ISRC
Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Arie (T): Nun mögt ihr stolzen Feinde schrecken
Song: Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“
Last verified:
FRZ149756300 is the International Standard Recording Code (ISRC) for the recording “Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Arie (T): Nun mögt ihr stolzen Feinde schrecken” by Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs, released 1997-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
FRZ149756300 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Arie (T): Nun mögt ihr stolzen Feinde schrecken” by Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck
FR7JM2020100Akademie für Alte Musik Berlin, Bernhard Forck
FR7JM2106030RIAS Kammerchor, Freiburger Barockorchester, René Jacobs
FR7JM1932020Akademie für Alte Musik Berlin, Bernhard Forck
FR7JM2020010FRZ149756300 is the International Standard Recording Code (ISRC) for the recording “Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Arie (T): Nun mögt ihr stolzen Feinde schrecken” by Werner Güra, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs, released 1997-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
