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  1. Home
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  3. FRZ289501519
Mes yeux bleus sont gris album cover

ISRC

FRZ289501519

Mes yeux bleus sont gris

Michèle Torr
Released 1995-02-24

Last verified: August 11, 2026

FRZ289501519 is the International Standard Recording Code (ISRC) for the recording “Mes yeux bleus sont gris” by Michèle Torr, released 1995-02-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z28Registrant
95Year (1995)
01519Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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  • MusicBrainz recording record

People also ask

What is the ISRC for "Mes yeux bleus sont gris" by Michèle Torr?+
The ISRC for "Mes yeux bleus sont gris" by Michèle Torr is FRZ289501519.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC FRZ289501519?

FRZ289501519 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Mes yeux bleus sont gris” by Michèle Torr. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

Michèle Torr

FRZ289501519 is the International Standard Recording Code (ISRC) for the recording “Mes yeux bleus sont gris” by Michèle Torr, released 1995-02-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Michèle Torr

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